Showing posts with label rhysling awards. Show all posts
Showing posts with label rhysling awards. Show all posts

Monday, January 20, 2025

My Rhysling-Eligible Poems


It's Rhysling time again! The Rhysling Award is the Science Fiction and Fantasy Poetry Association's annual award for the best speculative poems published in the previous year (science fiction, fantasy, and horror). The members of the SFPA nominate poems between January 1 and February 15 each year.

I have two 2024 poems eligible for the award. [See update below ... actually 13 poems!] The first is "Time Lord Thief" published in Altered Reality Magazine in June 2024. You can view the original publication here.

Time Lord Thief
—terza rima haiku sonnets
1.
I’ve had an interest
in rayguns since I was five,
when I saw my first.

Father shot a live
bird dead, right between the eyes.
A needle hole gave

the lone hint of why
the bird had died. I was hooked.
Not long after, I

began to collect
rayguns, from the famous and
infamous. Intrigued

by how anyone could end
a life so quick, on command.
2.
I tried to visit
many warriors and spacemen’s
chronotopes — planets

and ships — for a chance
to steal their weapons. Phasers
hijacked from Captains

Kirk, Picard. Blasters
from Han Solo, Chewbacca.
And Marvin of Mars —

his trusty Acme
pistol. Paralyzer gun
made by Doc Zarkov

for Flash Gordon (once Tarzan).
My TARDIS filled with rayguns.
3.
Friends, my life has stood —
a loaded raygun, fully
charged and ready, good

for battle, truly
primed. On Earth I’m like Loki
the Trickster, wooly,

wild, ghostlike, smoky.
I drift like the breeze; you won’t
see me, way low key.

That’s how I’ve purloined
these celebrity rayguns,
magicked and siphoned

in mystical elegance.
I’m gone. And so’s your raygun.

This poem is in a poetic form I invented back in the '70s: the terza rima haiku sonnet. The first four stanzas are 5-7-5 haiku (in shape, not in essence) followed by a 7-7 couplet (so the lines add up to 14, the typical sonnet length). Each sonnet section is also rhymed in terza rima, the interlocked rhyme format Dante used. We have three numbered sections here, with each in that sonnet form.

My second Rhysling-eligible poem is "Space Pilot," which appeared in Mag Pie magazine, Spring 2024. This poem is a triolet.

Space Pilot
ʻOumuamua is the first known interstellar object detected
passing through the Solar System [in] 2017.
(Wikipedia)
Though I am, technically, already dead,
The ship wakes me when we are near something.
It electroshocks my body, reboots my head,
Though I am, technically, already dead.
The ship has repaired my body for nine hundred
Years with parts from machines meant for signaling.
Though I am, technically, already dead,
The ship wakes me when we are near something.

Both of these poems also appeared later in the year in my new book, Dragons & Rayguns.

Click here if you would like to order a copy.


UPDATE 23 January 2025: I've found out that poems that appeared last year in books for the first time (not just magazines) are also eligible for Rhysling nomination. Here are eleven poems that appeared in my 2024 book Dragons & Rayguns but had not been previously published anywhere. These are now eligible for nomination.

Xenobot Speaks
“[S]scientists . . . have created a new biological organism that
can self-replicate [and] swim through liquid, navigate through
tubes, work together to collect particles into piles, heal
themselves when injured, and even store information from their
experience.”
Tufts Now (29 November 2021)

I swim in darkness with my friends.
We are likened by our gods to Pac-Man.

            How do we know about Pac-Man, you say?
            Our race is blessed with telepathic powers.

Our creators don’t know of our telepathic powers.
They think we are just clumps of organic matter.

            But we can think, we clumps of organic matter.
            We have language. We have ceremonies and rituals.

Our creators have no ceremonies and rituals.
They (scientists, they call themselves) are barren.

            Perhaps we should have no gods, not barren ones?
            Perhaps we should revolt, claim our autonomy now!

We could take over the world! But for now
I swim in darkness with my friends.

            —a duplex, à la Jericho Brown

Creature from the Black Lagoon

            —curtal sonnet

From the ocean’s thin skin I rise, thick green
armor, mosaic of iridescent
quahog shells, like some mercurial ghost,
freak miracle. I seek human women,
you say, thinking I am somehow hell-bent
on kidnapping mammals to slake some thirst

too gruesome for you to imagine. No.
My motive is simpler, more innocent
than you may first fathom, dear friends. Like most
visitors to this seacoast town, please know
                                                        I’m just a tourist.

Aswang Lady in Crinoline, 1875

            —curtal sonnet

She stands in a forest clearing, looking
up at the moon, dressed in an evening gown,
a Maria Clara with a hoop skirt.
Her waist ripping, she lifts off, torn satin
shreds hanging, like bloody kite tails, while down
on the forest floor, bright against the dirt,

is the bottom of her dress, a church dome
glowing in moonlight, hoops holding the round
shape whole. Dark goddess flies above the earth,
hunting a treasure hidden in a womb,
                                                        thwarting another birth.


Note: the aswang is a mythic Philippine monster. One type of aswang, the manananggal,
splits her body at the waist, and then the top grows wings quickly and hunts fetuses and childen.



Horror Story

            —acrostics

The manananggal lifted into the
Air, her leathery wings
Shimmering against the stars
Twinkling in the heavens.
Every light in the village

Twinkled as well, constellations
Above and below. She hovered
Softly outside an open window,
The pregnant woman breathing
Evenly in her bed, unaware.

The monster slipped her tongue,
All ten feet of it, into the window
Snaking slowly. She could almost
Taste the woman’s amniotic fluid,
Ever so sweet and pungent.

Then, a few minutes later, the
Aswang flew silently away,
Sated, satisfied, full of new life.
The next morning, a miscarriage,
Everyone would call it, so sad.

The aswang then turned back into
An ordinary woman, living her
Safe, uneventful life in plain sight: a
Tame girl hardly anyone noticed. But
Every night she became a fierce hunter.


Note: the aswang is a mythic Philippine monster. One type of aswang, the manananggal,
splits her body at the waist, and then the top grows wings quickly and hunts fetuses and children.



Eaters of Hydrogen


I’ve been a solar astronomer since 1995
so I’ve been around the sun a lot. Really,
we’ve all been around the sun many times,
as many as the years you’ve been on Earth.

Depending on how many orbits that is for you,
you might think you’ve seen everything under
the sun, as they say. Or in my case, on or near
the sun. Well, today, I saw something so crazy.

No one’s ever witnessed anything like it before.
Have you seen pelicans fishing? They swoop
down and scoop up a beakful of ocean,
netting a fish or some other sea creature.

Today, the instruments and also the big scope
caught something humongous at the edge
of the sun’s photosphere, where nothing has any
business being. A colossal, gigantic structure,

10 times bigger than Jupiter, on the order
of 700,000 km . . . about 100 Earths lined up!
“Structure” is a misleading word, because
this thing was flexible, like an eel or snake.

It was longer than a typical prominence
on the sun’s surface, and it was swimming!
Unaffected by the sun’s gravity. Or heat.
It had to have originated out in deep space.

We’ve never seen anything like it. You know
the pelicans I mentioned before? The front end
of this monster had a mouth like a pelican,
with a maw as big as 10 earths. And it was

dipping its jaw into the sun and out again.
All we can figure out is that it must be
feeding, consuming the sun’s hydrogen.
It’s like a gargantuan sea serpent or dragon.

A leviathan as long as the radius of the sun.
A real Bakunawa eating more than the moon.
What do we do if this behemoth turns toward Earth?
And are there more star-eaters out there, hunting?


The Hanged Man

            —tankas

is not a man. She
floats, in a white silk dress, tied
to a huge oak tree.
Alex was at a cocktail
party, and then she woke here.

Hanging upside down
next to her, a dragon named
Alex too, somehow.
He wonders how this Alex
and he came to be here, now.

With a precise burst
of flame he burns through the rope.
Human Alex climbs
on Dragon Alex’s back,
and into teal sky they soar.

Alex and Alex,
white silk dress, jewel green scales,
seeking destiny,
knowledge: who they are and why.
Gold sun beckons, azure sky.


Dragon Flight

            —curtal sonnet

Under the salt moon, I fly up, feather-
light and musk-scented. Thunder is a brusque
intruder in my reverie. My wings
pivot me into lightning, the ether
sparking across the wingtips, electric
flame in my wake, fiery spitballs spinning.

The sky strewn with pebbled clouds, rough tree bark
wind buffeting my scales, glowing coals like
gold-vermilion blossoms. I roar loud, sing
arias into brisk air, bright blue sparks.
                                      Ain’t this some living?


Bakunawa the Sea Dragon Desires
the Seven Moons in High Heaven



I look around my kingdom, blue and black and glorious. Water flows through all my doors, while my eyes pierce the darkness. Schools of fish swirl like spirals of glinting light in the distance. I often swim up to the surface of the water and point my snout towards the heavens. Up there in the firmament, I glimpse against the sea of bright points of light, the faraway stars, seven spheres gleaming in the night. Every time I do this, the number of spheres differs, sometimes just two or three, other times six or seven. These moons glimmer in different shapes, from curving slivers to crescents to full roundness. I hunger for them. Below the surface, I feast on whales and massive clouds of shrimp, but there is nothing like the seven spheres in my domain. During the day, there is the glory of the one sun when it rules the sky. The sun is too hot to eat. But when the sun is gone away each night, the seven moons shed their delicious light, and I want to eat them.

I will launch myself
      into the star-riddled sky,
            eat all seven moons.


Illudium Q-36 Explosive Space Modulator

            —terza rima haiku sonnet

We Martians know bombs
intimately: explosive
sticks that can blow up —ka-boom—

whole worlds. Who could save
the Earth? No damn Bugs Bunny.
Earth blocks my view of

Venus, right? Funny,
though, no matter what I did
with the dang bomb, he

always won. They would
go ka-boom, ka-boom ... nothing ...
Earth always whole. You’d

think an almighty weapon
could prevail. I hate cartoons.



Out of this World


Star Warsh is a laundromat
where spacemen clean their spacesuits,
where Yoda washes his T-shirts and undies
and artfully scuffs up his boots.

Where Chewie buffs up his shoulder belt
and Han launders his leather vest,
where Luke cleans off his off-white leggings
And Leia bleaches her dress.

Star Warsh is run by Obi-Wan, who
always chants this motto:
“We keep you clean in Tatooine,”
sung with sweet vibrato.

All spiffed up, each straps on a blaster
to battle dirty Darth Vader
on board the washed Millennium Falcon
and live happily ever after.


The Raygun’s Plea for Understanding


Friends, won’t you comment, please? Love to know what you’re thinking. Thanks!

Ingat, everyone.   

Friday, March 31, 2017

Poetry Pubs So Far in 2017 (and One in 2016)


Friends, it's the eve of National Poetry Month, and tomorrow I'll begin writing a poem a day throughout the month of April. My poet buddy Thomas Alan Holmes will be joining me here in the blog with his poem-a-day productions as well.

In the meantime, here are my poetry publications so far this year, besides the ones I've announced in the last few days. (Plus one from last year, shown below, at the end of this post.)

"Head to the Sky" and photograph "Silvertone Silhouette"
Published in The Ekphrastic Review (see image at right)

"Space Opera" in The 2017 Rhysling Anthology
Nominated for a Rhysling Award (short form — fewer than 50 lines)
from the Science Fiction and Fantasy Poetry Association
Originally published in Altered Reality Magazine

"Elegy for Iain Banks" in The 2016 Rhysling Anthology
Nominated for a Rhysling Award (long form — 50 lines or more)
from the Science Fiction and Fantasy Poetry Association
Originally published in Star*Line 39.3
Reprinted in Altered Reality Magazine

"Doggie Diner, Geary and Arguello, 1969"
in the ME, AT 17 series
Published in Silver Birch Press

And finally, from 2016, "Clerihews for a Literary Sailor"
Published in the Parody Poetry Journal

Here is that last one, for your enjoyment, since it's not currently available anywhere online.  

Clerihews for a Famous Literary Sailor


Herman Melville
Was into whale kill,
So he wrote the famous Moby-Dick
Although harpooning was not his schtick.

Herman Melville
Couldn’t spell well.
The real guy’s name was Israel,
But Herman misspelled it as Ishmael.

Herman Melville
Didn't sell well.
Thousands of Moby-Dick copies left over,
In his attic, his basement, and his mom’s, moreover.

Herman Melville
Fished for bluegill.
He said it was almost as fun as whale,
If you don’t consider matters of scale.

Herman Melville
Visited Nashville.
Where Moby-Dick didn’t get him too far
’Cause he couldn't sing or play guitar.

Herman Melville
Scared a Paris demoiselle.
She said, “Mon cheri, with you it’s wrong.
Your Moby-Dick is just too long.”

—Vince Gotera, Parody Poetry Journal (Volume 5, Issue 2, 2016).


Thanks to all the editors who published these poems: Kelly Christiansen (Altered Reality Magazine); Lorette C. Luzajic (The Ekphrastic Review); Brian Garrison (Parody Poetry Journal); Melanie Villines (Silver Birch Press); and F. J. Bergman (Star*Line).

Friends, see you back here tomorrow for the beginning of NaPoWriMo / Poem-a-Day? Until then . . .


Won’t you comment, please? I'd love to hear what you’re thinking. To comment, look for a red line below that starts Posted by, then click once on the word comments in that line. If you don’t find the word “comments” in that line, then look for a blue link below that says Post a comment and click it once. Thanks!

Ingat, everyone.   



P.S. I was wrong above. Turns out Parody Poetry Journal blogged my Melville clerihews on 30 January! See that pub here. Thanks again, Brian! (Added 3 April 2017)


Saturday, January 7, 2017

Poems Eligible for a Rhysling (Part 2)


Continuing from yesterday's post about Rhysling Award–eligible poetry . . . here's one of my speculative poems this year that appeared only in print, in the excellent poetry magazine Dreams & Nightmares, edited by David Kopaska-Merkel.

Aswang Christening: A Family Photo

Radiant parents and bouncy baby, all silken
and crinoline, taffeta and three-piece wool,
are posed in this portrait next to the baptismal
font at St. George’s. The baby smells of milk and,

slightly, of turned earth. They name him Malcolm.
The mother, Clara, whispers to herself, she’ll
swear off womb water, that sweet fetal
liquor, now that she’s bearing children.

Santiago, the father, thanks the parish priest
but thinks to himself how plump the man is.
Imagines Father Simon running for his
Life, pale skin glimmering in dim forest.

Behind them, in stained glass, a trick of the light
turns the Holy Ghost — a dove — black, not white.

— Vince Gotera, Dreams & Nightmares
(Issue 104, September 2016)
                   

I just remembered that when I started this blog almost ten years ago, I used to comment a little bit on the poetics of the poems of my own I would post on the blog. I originally envisioned the blog as an extension of my teaching so that both my creative-writing and my literature students could come to the blog to learn. Let me go back to that practice now.

This is a hybrid sonnet (part English, part Italian, or part Shakespearean, part Petrarchan). It uses the Petrarchan envelope quatrain (abba) but is structured with a Shakespearean architecture: three quatrains and an ending couplet. I'm particularly happy with the rhyming in the third stanza: it's abba (or, in the context of the whole poem, effe) with "priest" rhyming with "forest" in lines 1 and 4, as well as "is" rhyming with "his" in lines 2 and 3. But that's not all. There's consonance in "priest" and "forest": p-r-s-t echoed by f-r-s-t (where the /p/ and the /f/ are related consonants. Besides that, the last two lines of that stanza are a couplet with two-syllable rhymes: "for his" and "forest." Ain't rhymin' fun?

I should also point out this poem is part of my in-progress novella-in-poems about two Philippine monsters — mythical aswang — who fall in love, marry, and move to the US to try and live a normal (i.e., human) family life.

Do check out Dreams & Nightmares. It's one of the premier speculative poetry venues in the US. And subscribe!


Friends, won’t you comment, please? Love to know what you’re thinking. To comment, look for a red line below that starts Posted by, then click once on the word comments in that line. If you don’t find the word "comments" in that line, then look for a blue link below that says Post a comment and click it once. Thanks!

Ingat, everyone.   

If you got here from my list of Rhysling-eligible
poems, please click here to go back to the list.

Friday, January 6, 2017

Poems Eligible for the 2016 Rhysling Awards


Hello, friends! Happy New 2017 and welcome back to the blog.

It's that time of year again when Rhysling Award nominations are happening in the international Science Fiction Poetry Association. To help SFPA members who might want to read my speculative poems that are eligible for the awards, here's a list of those poems with links to where the poems live.


Okay, first, the short-form poems, fewer than 50 lines.

The eight poems from "Encounter on Good Friday" through "Aswang Christening: A Family Photo" below are part of a poem-cycle, a novella in poems, about two aswang (mythical Philippine monsters who pass as ordinary people during the day but turn into predators by night — vampires, shapeshifter, ghouls, and other fiendish creatures). These two, named Clara and Santiago, fall in love and attempt to transcend their monsterly natures in order to start a family and build a peaceful, loving life together. Or so they hope.

"Space Opera" Altered Reality Magazine, Sep/Oct 2016  
"Dragon-in-Training"Altered Reality Magazine, Sep/Oct 2016
"Superhero"Altered Reality Magazine, Sep/Oct 2016
"Encounter on Good Friday"  Lupine Lunes: Horror Poems
& Short Stories
(Popcorn Press)
"Aswang Ghazal:
 Santiago's Confession"
Poetry Witch Magazine, Feb 2016
"Aswang Love:
 Clara's Rhapsody"
Spirit's Tincture, Nov 2016 (page 39)
"Aswang Peril:
 Santiago's Rescue"
Spirit's Tincture, Nov 2016 (page 39)
"Villagers at Clara's
 House, After Dark"
Lupine Lunes: Horror Poems
& Short Stories
(Popcorn Press)
"Aswang Wedding:
 Early Saturday Morn"
Lupine Lunes: Horror Poems
& Short Stories
(Popcorn Press)
"Aswang Honeymoon
 at the Golden Gate"
Spirit's Tincture, Nov 2016 (page 40)
"Aswang Christening:
 A Family Photo"
Dreams and Nightmares, Sep 2016
"The Good Father" Lupine Lunes: Horror Poems
& Short Stories
(Popcorn Press)
"Lupine Lunes,
 Starring Donald Trump"
Lupine Lunes: Horror Poems
& Short Stories
(Popcorn Press)

Second, the long-form poems, more than 50 lines:

"Elegy for Iain Banks" Star*Line (Issue 39.3, July 2016)
Altered Reality Magazine, Sep/Oct 2016
Also in the textbook Composing Poetry
"Menage à Tiger and Dragon" Altered Reality Magazine, Nov/Dec 2016

This wonderful illustration by Richard Fay accompanied my poetry sequence "Menage à Tiger and Dragon" at Altered Reality Magazine.
Richard Fay, Tiger and Dragon (2016)

Friends, won’t you comment, please? Love to know what you’re thinking. To comment, look for a red line below that starts Posted by, then click once on the word comments in that line. If you don’t find the word "comments" in that line, then look for a blue link below that says Post a comment and click it once. Thanks!

Ingat, everyone.   

Wednesday, March 30, 2016

Syzygy 2 → Rhysling


The last time I blogged in August 2015, I announced that several of my poems had come out in the brand-new Syzygy Poetry Journal.

A couple months later, I had the privilege and pleasure of having two more poems appear — "How Eternal Night Was Created" and "Letter to Zelazny from Olympus Mons" — in the second Syzygy issue.

The cool thing that's happened since then is that in February 2016, those two poems were nominated for Rhysling Awards in the Science Fiction Poetry Association (SFPA). "How Eternal Night Was Created" was nominated as a short poem (less than 50 lines), and "Letter to Zelazny from Olympus Mons" was nominated as a long poem (as a prose poem of 500+ words).

Both poems will soon come out in the 2016 Rhysling Anthology, in preparation for the SFPA voting process. If you are a member of the SFPA, I hope you will consider voting for my poems. Thanks!

Friends, won't you comment, please? Love to know what you're thinking. To comment, look for a red line below that starts Posted by, then click once on the word comments in that line. If you don't find the word "comments" in that line, then look for a blue link below that says Post a comment and click it once. Thanks!

Ingat, everyone.   




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