Showing posts with label frederik schodt. Show all posts
Showing posts with label frederik schodt. Show all posts

February 26, 2013

JOHNNY SOKKO & HIS FLYING ROBOT

Fans of Japanese tokusatsu and kaiju will be excited to hear that the 1960s classic, Johnny Sokko and His Flying Robot, will finally see a DVD release. Shout! Factory has put together the complete series on four discs, which will hit the streets as a box set on March 26th. From Shout!: "'Robot, attack! Robot, destroy!' These commands launched a thousand sci-fi fantasies for budding fans of the genre, just as they brought Johnny Sokko’s Giant Robot into imminent battle action! Under the voice control of young Johnny Sokko, the massive, flying metal behemoth would bring his fiery breath, laser eyes, finger-launched missiles and, above all, his physical strength into battle with countless menacing monsters bent on destroying the Earth! This epic fantasy series from Toei Studios aired from 1967 – 1968 and garnered even more fans in after-school reruns throughout the 70s. Collected here for the first time on DVD are all 26 episodes of explosive kaiju battles, nefarious alien takeover plots and mind-blowing heroics from jet-packed Johnny Sokko and his equally airborne friend and protector: Giant Robot!"


SPY VIBE FLASHBACK 2009: SPIES, ROBOTS, and MONSTERS!

I led a fun week-long class last week that explored monsters and robots in Japanese culture and in contemporary design. They saw the original Godzilla film, the Japanese version that was censored by the US and remained unreleased here for 50 years due to its anti-nuclear sentiment and references to WWII. We looked at many films, cartoons, Tokusatsu (live-action/special effects shows), and had a special visit with manga scholar/translator, Frederik Schodt (Astro Boy). Two programs we watched had special interest for spy fans, and today I want to highlight the first episode of Giant Robot, known in the US as Johnny Sokko and His Flying Robot (
1967-1968 Toei Production).

The Earth is invaded by a terrorist group called Big Fire (Gargoyle in the US), led by Emperor Guillotine, who commands his minions of henchman and captured scientists (who make monsters- naturally) from his ship beneath the ocean. Enter Johnny Sokko (Daisuke Kusama in Japan), who meets up with a dashing young man, Jerry Mano (Juro Minami in Japan), on a cruise ship. Johnny discovers that Jerry is, in fact, Agent U3 for a top-secret peacekeeping organization called Unicorn. Jerry’s cover is blown when his pen starts ringing! Jerry extends an antenna and contacts his boss at HQ- a rather colorful version of U.N.C.L.E. headquarters.


The ship is attacked by a giant sea monster, and our two heroes find themselves castaways on a beach and quickly captured by the alien terrorists. The baddies in Johnny Sokko are designed with a wonderful mix of evil elements- black berets, sunglasses, Nazi salutes, and sci-fi makeup. Jerry and Johnny break free and an intense gunfight ensues that would never been seen in a US-produced kid’s show. Jerry uses a guard as a shield. The poor henchman doesn’t stand a chance and his pals riddle him with bullets. Even Johnny is armed with a pistol and looks super heroic despite his mini-shorts.

The action and camera work are fast-paced and fun. Jerry and Johnny race through corridors and down an elevator where they discover the Giant Robot and a scientist who has been held prisoner to do Guillotine’s bidding. The man gives Johnny the robot’s control-watch. In James Bond fashion, the heroes blow up the secret lair and shoot it out on the beach. When things get tough, Jerry reminds Johnny that he now possesses the watch that controls the robot. The boy flips open the top, makes his first commands, and a franchise is born! Johnny is brought into Unicorn as Agent U7, and joins the secret fight against the alien terrorists.



It was interesting to talk with Fred Schodt about the violence that we see in Japanese pop culture. There is an edge to the storytelling, seen even in live-action and animated shows from the early 1960s, which remains compelling for American viewers. Johnny Quest was pretty cool and dangerous for its time. But imagine if Johnny Quest, like Sokko, had been allowed to carry a pistol and command a giant robot! In Japan there is generally a greater distinction between fantasy and reality, which is one reason that creators in Japan have explained the graphic tone of their content. They didn’t have a Dr. Wertham, for example, leading a Congressional charge that comics were inciting youth to violence. Fred Schodt agreed, and added that Japan’s low crime rate, gun control, and overall group-sensitivity in the culture would help maintain a boundary between fantasy and what can be expected to happen in real life. But as Japan experiences more of the kind of violence that happens in the US, he added, maybe those lines will blur and the graphic tone will become an issue.

Now, back to that giant robot! While the secret agents are talking into their pen communicators and shooting it out with baddies, Johnny’s robot has quite an arsenal at his disposal: Finger Missiles, Back Missile, Bazooka Cannon (which fires out of the top of the robot's head), Eye Ray/Beams, Flamethrower (from his mouth) and Electrocution Wires. If you are a fan of Japanese monsters, heroes, and toys (and love spies!), Johnny Sokko and His Flying Robot (Giant Robot) is a campy and fun adventure!


I have a spy novella coming out. Stay tuned and follow Spy Vibe by clicking the Follow link at top right of this page. 

Check Spy Vibe for recent posts about our discovery of a rare Ian Fleming serialization, 007 Proof Editions, my review of SKYFALL, tributes to Donald Richie and Tony Sheridan, the Les Vampires serial on Blu-ray, Lucy Fleming, The Beatles first record session, Ian Fleming's desert island interview, new Ian Fleming book designs, FantomasSpy SmasherBarbarella tv show, British spy comics, Piper Gates retro designs, Cinema Retro, and more. 


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March 16, 2011

JAPAN BENEFIT CONCERT

Benefit Concert for Japan to feature Yoko Ono, Sean Lennon, Sonic Youth, John Zorn, and others. All proceeds to go to the Japan Society's relief efforts for residents of the Sendai Tsunami.



Spy Vibe is often about artists who fire our imaginations and help us to see the world in creative ways. The designers and storytellers we celebrate can be seen as the makers of our modern mythology. They show us our potential and bring human archetypes to light. Their work challenges us to answer the call to adventure we face at various times in our own lives. This is a particularly tough time for many lives in Japan.

I know that many of our readers have been shaped by Japanese culture. From all corners of the human experience, you may have found resonance with the likes of
DT Suzuki, Alan Watts, Akira Kurosawa, Yasujiro Ozu, Miyazawa Kenji, Yoko Ono, Pizzicato Five, Ryuichi Sakamoto, Hayao Miyazki, and Osamu Tezuka. When I began to study Japanese and Japanese culture, there were few resources outside the classic textbooks and films. Frederik Schodt, along with comic creators like Frank Miller, eventually helped to introduce many of us to the world of Japanese comics and animation. From culinary arts to graphic design, Japan has been the source of inspiration to generations. What are your connection points with Japanese culture?

I lived in Japan for many years in and around a northern city called
Morioka. Morioka is just north of Sendai in Iwate prefecture. These were formative years for me and I will always see the community that took me in as my family, and the area as the true 'hometown' of my spirit. I am relieved to hear that everyone is safe, even those living in some coastal areas that were swept away.

In the tradition of George Harrison's concert for Bangladesh and John Lennon & Yoko Ono's concerts for the peace movement during the Vietnam & Nixon era, there is a benefit scheduled for Sunday, March 27
th 8PM at Miller Theater, Columbia University in New York. The Japan Society lists an April 9th concert as well, so keep an eye on websites for more information and details. From Yoko Ono's website:

"More than a dozen innovative artists at the intersection of indie rock, contemporary jazz, and
avant-garde performance will come together at Miller Theatre to present a benefit concert to support recovery efforts in Japan. “The tragedy and devastation is really overwhelming,” says John Zorn, who has organized and will host the evening. “I’ve always felt a strong personal connection to Japan, and I’m just glad to be able to do my part to help. It should be an amazing night.”

The lineup includes feature performances by musician and artist Yoko Ono, and her son Sean Lennon, Japanese-American indie duo Cibo Matto, and the influential band Sonic Youth. Vocalist Mike Patton will appear as a special guest, and Mephista, Marc Ribot, Uri Caine, and John Zorn’s Aleph Trio will also play short sets.

Both the performers and the theater are donating their services, ensuring that 100% of proceeds from ticket sales will go to benefit the victims of the earthquake and tsunami that hit near Sendai on March 11. Funds will be donated to the Japan Society’s Earthquake Relief Fund."

From the Japan Society website: "Japan Society presents a 12 hour concert benefiting organizations that directly help people affected by the earthquake and tsunamis that struck Japan. With dozens of music acts and performances throughout the day, confirmed performers for the 6-8 pm gala block, organized by John Zorn, include Philip Glass & Hal Willner; Lou Reed, Laurie Anderson and Zorn; Ryuichi Sakamoto; and Bill Laswell and gigi band. April 9th."

Spy Vibers interested in related projects can see my website for information about upcoming screenings of my experimental film for Yoko Ono.

April 9, 2009

SPIES, ROBOTS, and MONSTERS!

SPIES, ROBOTS, and MONSTERS!

I led a fun week-long class last week that explored monsters and robots in Japanese culture and in contemporary design. They saw the original Godzilla film, the Japanese version that was censored by the US and remained unreleased here for 50 years due to its anti-nuclear sentiment and references to WWII. We looked at many films, cartoons, Tokusatsu (live-action/special effects shows), and had a special visit with manga scholar/translator, Frederik Schodt (Astro Boy). Two programs we watched had special interest for spy fans, and today I want to highlight the first episode of Giant Robot, known in the US as Johnny Sokko and His Flying Robot.


Johnny Sokko and His Flying Robot
1967-1968 Toei Production
The Earth is invaded by a terrorist group called Big Fire (Gargoyle in the US), led by Emperor Guillotine, who commands his minions of henchman and captured scientists (who make monsters- naturally) from his ship beneath the ocean. Enter Johnny Sokko (Daisuke Kusama in Japan), who meets up with a dashing young man, Jerry Mano (Juro Minami in Japan), on a cruise ship. Johnny discovers that Jerry is, in fact, Agent U3 for a top-secret peacekeeping organization called Unicorn. Jerry’s cover is blown when his pen starts ringing! Jerry extends an antenna and contacts his boss at HQ- a rather colorful version of U.N.C.L.E. headquarters.


The ship is attacked by a giant sea monster, and our two heroes find themselves castaways on a beach and quickly captured by the alien terrorists. The baddies in Johnny Sokko are designed with a wonderful mix of evil elements- black berets, sunglasses, Nazi salutes, and sci-fi makeup. Jerry and Johnny break free and an intense gunfight ensues that would never been seen in a US-produced kid’s show. Jerry uses a guard as a shield. The poor henchman doesn’t stand a chance and his pals riddle him with bullets. Even Johnny is armed with a pistol and looks super heroic despite his mini-shorts.


The action and camera work are fast-paced and fun. Jerry and Johnny race through corridors and down an elevator where they discover the Giant Robot and a scientist who has been held prisoner to do Guillotine’s bidding. The man gives Johnny the robot’s control-watch. In James Bond fashion, the heroes blow up the secret lair and shoot it out on the beach. When things get tough, Jerry reminds Johnny that he now possesses the watch that controls the robot. The boy flips open the top, makes his first commands, and a franchise is born! Johnny is brought into Unicorn as Agent U7, and joins the secret fight against the alien terrorists.


It was interesting to talk with Fred Schodt about the violence that we see in Japanese pop culture. There is an edge to the storytelling, seen even in live-action and animated shows from the early 1960s, which remains compelling for American viewers. Johnny Quest was pretty cool and dangerous for its time. But imagine if Johnny Quest, like Sokko, had been allowed to carry a pistol and command a giant robot! In Japan there is generally a greater distinction between fantasy and reality, which is one reason that creators in Japan have explained the graphic tone of their content. They didn’t have a Dr. Wertham, for example, leading a Congressional charge that comics were inciting youth to violence. Fred Schodt agreed, and added that Japan’s low crime rate, gun control, and overall group-sensitivity in the culture would help maintain a boundary between fantasy and what can be expected to happen in real life. But as Japan experiences more of the kind of violence that happens in the US, he added, maybe those lines will blur and the graphic tone will become an issue.


Now, back to that giant robot! While the secret agents are talking into their pen communicators and shooting it out with baddies, Johnny’s robot has quite an arsenal at his disposal: Finger Missiles, Back Missile, Bazooka Cannon (which fires out of the top of the robot's head), Eye Ray/Beams, Flamethrower (from his mouth) and Electrocution Wires. If you are a fan of Japanese monsters, heroes, and toys (and love spies!), Johnny Sokko and His Flying Robot (Giant Robot) is a campy and fun adventure!
See the SpyVibe.com website for related video.

Here are a number of web addresses where you can find out more about Johnny Sokko and even see episodes of the show:

http://www.johnnysokko.com/index.html
http://www.johnnysokko.org/
http://www.hulu.com/johnny-sokko-and-his-flying-robot
http://www.imdb.com/title/tt0170962/