Where are they now? Slaves to Darkness original cover painting found in Canada!

About a year ago, I posed a question. I asked 'where are all of the original pieces of art for the classic 1980s GW releases'? For example, on whose wall did the cover painting from the Warhammer Fantasy Battle Third Edition rulebook hang? And what about the cover painting of Warhammer Armies? Or Warhammer Siege? 

Did they even still exist? After the tales we learnt together of dumped material in rain sodden skips? If you need a refresher, or were not part of our community this time last year, have a quick look at my original article here.

We have had some success. Tim Pollard's collection was a revelation, with some very famous White Dwarf and other minor supplement covers in his collection. Some of Tony Hough's Eldar turned up too. The Ansell family owned the original Warhamer Fantasy Battle painting from 1983, as those of us at the last Oldhammer Weekend would have seen. But it wasn't until Pat Robinson contacted me to share the fact that he owned the original cover painting for Warhammer Fantasy Roleplay did we start hitting on the big league.

Well, Pat has got back in contact with me and is keen to talk to you dear readers about his latest purchase, the original painting from the Slaves to Darkness cover!

I'll hand over to Pat and he will fill you in on all the juicy details. I will just add a big thank you to him once again for remembering the Oldhammer Community and sharing his discovery with us all here.

Over to you Pat...

For all the worshipers of Khorne and the Slaanesh – and who isn’t? – here are a few pictures of the original painting of Slaves to Darkness, by John Sibbick. 

    

When I acquired this, I believe that was one of the last of John’s Warhammer pieces, and my framer framed it as a set with the original WFRP cover from John that was discussed on this blog in October of last year. 

Pat's evocative frame for Slaves to Darkness

Slaves to Darkness is a fun painting, with that smiling hound of Khorne in the bottom right, and the bright colours and contrasts of the various horrors.  

It is exactly what the World of Warhammer is supposed to feel like.  So, we framed this one with a little more fun in mind, in contrast to the somewhat more grim WFRP cover.  The dark maroon suede matting really emphasizes the crazy World of Warhammer, in my opinion. It would be perfect to use as a background on a blog, or something!  

As we framed these together, we chose the identical lizard-scaled frame, but in jet-black this time.   I think they look pretty good together, and they are always fun to review, as there is just so much going on – you will always notice some small new detail.   They are always a conversation piece, to be sure.  Although sometimes the conversation is from my wife, Irina, asking why we have so many monster paintings hanging in the house!

As with all his paintings that I have seen, John kept this one in perfect shape.    I wish I had a time machine to go back and get some more from John, as his paintings really stand out as something special from the 1980s.

The original preliminary artwork for Slaves to Darkness. I am not sure if this has ever been published before! I am certain that I have never seen this.

John emailed me a picture of the preliminary, which I confess I do not own, and he thinks was sold.  There are some interesting points in this very detailed prelim.  Most noticeably, there was at one point to be an orc-type beast on the spine, behind the large axe, but presumably he was cut because John remembered his sacrificial alter did not make it on the WFRP book, due to Games Workshop not having art on the spine, typically.

A close up of the previously unknown (to me anyway) Khornate orc from Slaves to Darkness. In fact, looking at it again poss the question, is it supposed to be an orc? Lizardman? Beastman?

John obviously nailed the colours, as they are exactly as described in the preliminary - it is almost like two paintings.  The prelim details were so precise, there were not many other significant changes in the final painting, other than filling in the details and adding some background villains to give a greater sense of depth.  Also, one of the shields has “Khorne” written on it, if you look closely.

He even planned out some more heads on spikes.  I look forward to a discussion as to who's heads these are?  Sibbick?  Gallagher?  Some luckless GW intern? 

Pat's art collection hanging on his walls. 

As I said, these are great conversation pieces for my gaming friends, and I am honoured to be able to display them.  Sometimes I am asked about this painting’s cousin, the Lost and the Damned cover – “Nurgle” by Les Edwards… While I have a few Fighting Fantasy game book covers from Les, sadly, he sold Nurgle long, long ago (and not to me, I swear!)…  So, there remains a mystery out there as to who can track down what has been lost… and what is lost and damned!!

Cheers from Calgary,

Pat

Once again I have to thank Pat for sharing his collection with us. But he poses us an interesting question, doesn't he? Where is the original Lost and the Damned artwork?

If you know, or know of the location of any other artworks, please get in contact with us here at realmofchaos80s@yahoo.co.uk.

Orlygg

Slaves to Darkness 25th Anniversary: Surviving Scenery Reappears!

We celebrated the 25th Anniversary of Slaves to Darkness with a fairly large Realm of Chaos Warband game at the Wargames Foundry, under the generous gaze of Bryan Ansell himself. It was pleasing to the Dark Gods that so few lovingly painted miniatures fell on the tabletop and carnage has long been their pleasure.

Sadly, we have learnt that the carnage did not stop in the game world, and much of the 80's classics were destroyed when the 80's Design Studio was moved circa 1991. Incredibly, thanks to one Evo Von Himmel we have the chance to glimpse at some of the scenery made for the Realms of Chaos books but rarely actually seen. Here we can present some 'Chaos Trees' constructed by Jamie Sims in the style of John Blanche.

You can just make them out in the picture below. 

Looking at them, they are surprisingly 'un-Warhammery', if such a thing is possible, though they have much in common with the early 1980s John Blanche figures that are now safely stored in the collection of Steve Casey.

I am sitting here as I type trying to work out how these were made. Its hard to tell, and please do comment if you know better than I, but I feel that that the scenery is built from a mixture of wire and mod roc/paper machie. No matter the materials used, the scenery has a twisted, ethereal feel that is wonderfully evocative of the Realm of Chaos before it became a rather generic wasteland. 

When I finally get around to building my wargames table, a set of pieces in the style of these survivors is going to be a must!

If you are interested in reading more about these pieces and won't to know how Evo came to own these, read the blog post below.

http://port-imperiale.blogspot.co.uk/2013/10/raiders-of-lost-skip.html

One question remains though! Who has the others?

Orlygg.

Slaves to Darkness 25th Anniversary Launch: Acceptable in the '80s Special

Hello and welcome back to Acceptable in the '80s: my history of all things Third Edition told through its releases, supplements and miniatures. In today's post we will delve into the White Dwarf coverage published at the launch of Slaves to Darkness, some twenty-five years ago. Instead of focusing on a single issue of White Dwarf, this post draws on material published in WD 104, 105 and 106. 

So the year is 1988, and Realm of Chaos has been in development for over 5 years. During this lengthy period, the supplement had gone through many changes and improvements. One thing that had remained pretty consistent during this time was Citadel's approach to the the supporting artwork, much of which had been produced many years previously. With such a talented cohort of artists, it is not surprising that there was a wealth of mind-blasting (and that is what much of it is) art available for inclusion. Some choice selections were used in support of the release of Slaves to Darkness and were used regularly to advertise the book. 

What follows is the entire launch article from WD104. This includes the famous 'Mutating Metal' modelling guide, John Blanche's essay on the Colours of Chaos (very useful if you are painting, or planning on painting, and old school style warband for the summer) as well as plenty of photographs of classic miniatures. This article has been, and remains, one of my major influences in my collecting, painting and gaming goings on here at Realm of Chaos 80s and I am pleased to be able share it with you.

Hopefully, you shall find it just as illuminating and inspiring as I have done. 

Roc Launch by orlygg

Over the next few issues, Citadel published a great number of full colour adverts for the new range of Realm of Chaos miniatures. I present them for us below in a kind of 'retro review' of the Khorne and Slannesh releases from 1988. Overviewing the material, the colour schemes really stand out for me. These days, there is much talk about 'army coherency' (which is ridiculous really, for no army through history has ever been presented in a coherent set of tones like many wargamers seem to think is so necessary) at the painting stage. I am sure you have heard people talk about using Shadow Grey as the basis of their space marine army, or Sunburst Yellow for their Eldar. What has always impressed me about the models painted for this release is that, even though a great number of different colours have been used to paint Khorne and Slannesh models, they look unified but are also distinctly chaotic.

Quite an achievement, and one I hope to emulate with my future Khorne and Slannesh mortal and daemonic armies. 

The first things to discuss on this retro review are the daemons of Khorne, namely the Fleshounds and the Bloodletters. I love these models and in my opinion they have never been bettered in the sense of design. Even the more modern plastic GW kits are obviously heavily influenced by the Perry's original sculpts. The bestial, loping forms of the hounds, complete with skull faces, leathery fans and lion's tails are suitably twisted  as are the Bloodletters, with their long, gangling arms (that suggest peculiar multi-jointed elbows) and dog like legs. They look un-natural and daemonic, something that was obviously lost on whoever sculpted the 4th and 5th edition models - which look like muscular sub par Conans with 'bloody great horns on.' I have loads and loads of these models and they are great fun to paint. If you haven't got a brace or two of these in the leadpile I really do recommend investing in a few. Be careful of the Fleshounds though, they can be a little uncomfortable to handle!!

What can we learn from the '80s paint jobs? The most important thing to point out here is that these demons DO NOT HAVE TO BE PAINTED RED! Black, brown or even brass daemons are possibilities and will slot into even modern fluff. I like the way that the Fleshounds have tones of purple running through them, a colour that suggests to me disemboweled innards and coils of glistening intestines. Very suitable for these beasts. As for the lesser daemons, the final model, almost black, just shows you what you can do with a bloodletter with a little bit of imagination. I don't like the dodgy red ends of the hellblades though. I am a real believer that 'less is more' when it comes to representing blood in miniature and the flat colours do nothing for me. 

Gorgeous. That is the only word that I can think of as I type these words to describe the daemonettes. A varied, alien and strangely exotic collection of dangerous lewds. You can imagine the depravity just by looking at the suggestive clothing and the subtle pincers. Yet, they seem cold. Souless even. Damned as all followers of chaos ultimately are. Like the bloodletters, these models are reflected in the modern plastic GW kit, though the mohicans are (sadly) long gone. Also like the bloodletters, these daemons were replaced by some appallingly cartoony big pincered faux pas that must have sent many veteran chaos players running for the nearest exit. I have many of these models in my collection (the 80s ones!), and will always buy more because I adore them. On to the Fiends then. I have three of these and they are a right bugger to get hold of (or so it seems to me) or, indeed, to put together when you have some. But they are so well conceived that you forgive the fiddly bits. A mix of scorpion, horse and goat with a row of voluptuous breasts? Surely a jaded leadhead's dream?

As for the painted examples, let me return to that word again, gorgeous. The blending and tones on some of these models are incredible, and can only be by the hand of Mike McVey. Incredible skill. And models like this make me glad I choose to work on my Khorne army first, just so that I can be practised enough to have a crack at blending colour to even a fraction of that skill. I also love the model on the top right. Covered in tattoos or body paint, the designs not only contrast wonderfully with the flesh tones but they have an inhuman immediacy that seems to crawl from their very limbs towards your unwitting eye. 

Into the Dark Millenium. I mean, how many times has that been used over the years? Well, here we have the original inhabitants of the Eye of Terror for all to see. These models have grown increasingly popular in recent years and looking at them you can see why. Varied, vibrant and characterful. Though tiny in comparison to modern chaos marines, these models make up for their diminutive size with martial otherworldness that makes them seem far more corrupted and villainous than a space marine with a few spikes on. 

Strangely, quite a few of the Khorne marines presented here are painted green. This again goes to show that when you are painting old school miniatures (or even modern ones) there is no reason not to 'think outside of the fluff' for a moment and try something different. There is clearly a historic example to follow is there not? The pink and green marine with the daemonette face is my favourite here. Once day I will get my hands on that model and I intend to have ago at painting it with the same scheme as the one presented here. My favourite Slanneshi marine ever!

Then we have the heavy weapons marines. I have most of these in my collection and the weapons are fantastic! Quite why they changed the design I do not know. I loved the fact that the chaotic weapons looked so different to those sported by the RT marines. I have also called these paint jobs 'Liquorice Allsort' marines, and I really like them, the pink and black particularly. Below them, we have the Steeds of Slannesh and a couple of renegade riders (remember, this was the time when Chaos Space Marines didn't really exist, they were called renegades) which I am also proud to state that I have in my collection. These look great mounted on the '80s Citadel plastic horses too, and there are far more of them available than were shown here. 

After are detour to the world of Rogue Trader, we return to more familiar models. These are the beastmen and champions that we are quite accustomed to here in the Oldhammer Community. So much so, that they often turn up on this blog and many others. I have painted most of these models and have nearly all of them in my collection. Its worth noting that these are just some of the champions that Jes Goodwin produced for Realm of Chaos and all of them are excellent. In fact, no-one has ever done a better job than he did with these models.

Ever!

I am still amazed that these are not recast and sold today as they are some of the finest models Citadel have ever produced.

Buy them!

And finally, the Juggernauts of Khorne. I have mixed opinions about these. I am not a fan of their faces as I find them a little too cartoony but they don't half feel nice and solid when you have built one and based it. Heavy and dangerous, just as you would expect. Here we see more of the renegades and champions that we saw earlier. 

Here ends our review. What did you think? What are your thoughts about this range of models. Are you a fan? Or do you loath them for the daemon spawn that they are? As always, please leave your thoughts or opinions below or email me (if you are a lurker) at realmofchaos80s@yahoo.co.uk.

Cheers.

Orlygg.