Showing posts with label 2010. Show all posts
Showing posts with label 2010. Show all posts
Sunday, March 3, 2013
Monday, May 21, 2012
REVIEW: Trollhunter
Trollhunter
Director: Andre Ovredal
Year 2010
Trollhunter is an extremely
magical film that transports the viewer into a world where trolls exist and in
abundance. Taking the found footage route, the film presents a mock documentary
that allows the movie to delve into believable territory, even with its far
fetched plot. With the combination of handheld moments, digitally rendered and
beautifully imagined creatures, and a cast of charismatic newcomers,
Trollhunter aims to please any and all persons with a sweet-tooth for larger
than life fairytales and expertly told fables. Let’s start hunting!
The film follows a small
crew of student filmmakers as they embark on uncovering the mystery behind a
man known as Hans the poacher, an infamous hunter who is accused of killing
unauthorized bears in the wilds of Norway . While investigating this
illusive figure, they shockingly come to find that he is a troll hunter,
commissioned by the government in keeping trolls in their assigned territories
and staying out of the eye of the Norwegian public. After having a frightening
confrontation with a three headed troll, the crew decides to accept Hans’
invitation to join up and document all that he does while troll hunting. With
the young filmmakers’ curiosity peaked, they set out on a journey of a
lifetime, but could it be their end? Curiosity killed the cat, and trolls eat
people. You do the math.
Otto Jespersen plays the
role of Hans the Troll Hunter, and damn does he do a respectable and highly
believable job as the ass kicking and soft spoken big game hunter. Otto
approaches the role of Hans with respect, allowing the sympathetic nature of
his character to hook the audience in and just soak it all up. It’s Otto’s
careful acting tone that really allows the viewer to be swept up in the madness
and be able to fathom that trolls truly exist in this cinematic realm that the
filmmakers have set up. The overall look of the trolls are exceptionally
crafted, but I believe that it is Otto’s set up of the world that they live in
that really sells the movie as a portrayal of true events. Hans’ troll hunter
persona is not just a one dimensional character, but a fully realized person
with wants and needs, and a great deal of weight to carry on his shoulders in
order to keep the world blind to what he does. I was fully hypnotized by Otto’s
performance while under the magical spell of this film, and it really is a
treat to see him spin these wild yarns and to be able to witness those
fantastic tales come springing to life as he goes about his daily tasks. Hans
is definitely a character for the ages.
Rounding out the onscreen
characters that encompass the group of student filmmakers is Glenn Erland
Tosterud, playing the role of Thomas, and Johanna Morck, playing the role of
Johanna. Both do a great job in portraying the first time troll hunters and
their reactions to all that they are seeing are priceless and genuine, but it
is Tosterud’s performance that really stands out amongst the pack. His
character grows over time from a goofy, know-it-all kid, to a wholly invested
explorer of this newfound world of wonders. His gradual progression mirrors the
viewer’s experience as we delve deeper into the intriguing and often dangerous
realm of the troll and to watch both Thomas and Hans work as a team together is
a thing of beauty. Glenn had an excellent charismatic pull that brimmed with
enthusiasm, giving you no choice but to follow in his footsteps and take this
great discovery, head on.
Aside from the great cast
the film has an outstanding atmosphere to it. With the benefit of having the
beautiful and haunting Norwegian landscape to place their story within, the
filmmakers milk the scenery for all it’s worth, applying the steep troll lore
of the region to guide the film along on an almost historic journey, decoding
the myths and validating the legend. Dense forests, mountainous landscapes, ominous
caverns, expansive valleys, and a somber tone leave the impression that trolls
really do dwell in these untraversed locations, tucked away from the eyes of
man and free to live about their own lives in secret. For a found footage film,
this movie really does have some breathtaking views and a plethora of awe
inspiring moments that rise above the cliché trappings of the subgenre of film,
allowing a more, well-rounded, movie to come to the forefront.
Now that I’ve got the
formalities out of the way, let’s get down to the meat and potatoes of this
cinematic beast. The overall look and presentation of the trolls are
exceptionally imagined, harking back to the original depictions of these
decrepit monsters and portraying them as more of an animal than anything
fanciful. These guys eat, shit, and that’s about it, and there is nothing glamorous
or appealing about them. What is most interesting about the way that they are
represented is that there are a number of variations between the races of
trolls that pop up in this film. There are some that have multiple heads
depending on their age, there are some that are loners and some that travel in
packs, and then there are a chosen few that are the size of skyscrapers that
are able to devour a man in one bite. Impressively, the film presents all of
these variations, but it does it in such a fashion that it never feels like a
chore as we run down the checklist of all the important players of the troll
world. The end result feels more like an adventure as we are thrown into this
wild expedition, hunting some of the most wild and unimaginable prey known, or
unknown, to man. I absolutely loved it and can’t wait to go hunting again with
Hans and the rest of the gang.
To sum up the film best,
Trollhunter is just an unbelievably polished film that eases into the belief
that trolls truly exist and then knocks us off our socks in presenting us with
a vivid presentation of a fictional world come to life. I don’t normally find
myself gravitating towards found footage films, but this is one that defies the
odds and brings into light something entirely original and absolutely
entertaining. The movie balances both comedic and frightening moments, to
create something of a unique gem, one that establishes itself within its own
created history and fabricated lore.
The cast does a commendable
job in using the prestigious platform that the filmmakers have created within
the narrative, using it as a springboard to propel their characters along one
hell of an entertaining path as they encounter one big reveal after the next.
Otto Jespersen and Glenn Erland Tosterud especially bring an impactful bit of
weight to their roles, allowing themselves to be sucked into the moment. If you
ever thought a movie about a man wandering the wilds of Norway and
hunting trolls, was a theme that could never be filmed or presented in a
respectful light, then you’d be dead wrong. Trollhunter is a genre film that
has a great deal of heart and depth behind its unorthodox subject matter. If
you’re looking for an original and entertaining ride, then look no further than
this flick. Trollhunter is……
| Don't ever interrupt the Troll Hunter when he's having his breakfast. |
| Don't sweat... It can smell fear. |
| Say cheese! |
| Being a troll hunter is a tough job, but someone has to do it. |
| Can you guys at home believe this shit? |
| It's Hans the peeping troll hunter. |
| The doctor will see you now. |
| That's ok... I'll find another way across the creek. |
| Damn you're ugly. |
| I've got to take a troll-sized shit! |
| Yeah that camera's dead. It's all messed up. |
| Being a troll hunter is not a glamorous life. |
| If I saw this in real life, I would shit myself. |
| Turn your highbeams off.... asshole! |
| Goodbye Hans. We love you! |
Monday, May 14, 2012
REVIEW: The Last Circus
The Last Circus
Director: Alex de la Iglesia
Year 2010
The Last Circus is an insanely demented journey, filled with murder, mayhem and a hefty helping of creepy clown action that will scare the shit out of anyone diagnosed with Coulrophobia. This movie is literally off the hinges as it tells a sorted story of one man’s excruciating quest in finding happiness amidst his mostly sorrow-filled life and the inevitable explosion that commences once he is pushed to the limit. The moral of the story is, don’t piss off a clown.
The film follows a down trotted dreamer named Javier who longs to follow in the footsteps of his father and perform as a happy clown, but because of his tragic upbringing he is forced to take on the role of the sad clown. After joining a rag tag circus, Javier meets a beautiful acrobat named Natalia who instantly infatuates him, but unfortunately for Javier she has an abusive boyfriend named Sergio who just so happens to be the happy clown to their dynamic duo circus act. Plagued by the exquisite beauty of Natalia and the brutal treatment she is subject to at the hands of Sergio, Javier reaches a breaking point to where there is no chance of returning from. Changing into a monster, Javier snaps, becoming the very opposite of the sad passive clown he was known for and instead morphs into a mad, crazed killer with a lust for violence. Taunted by a life with Natalia that he could never obtain, Javier loses himself in his own delusional fantasy, making it his sole purpose to end the life of Sergio, no matter what, and save the innocent Natalia from the overbearing grip of her oppressor. This tragic tale pulls no punches as it vividly showcases the mental and physical descent of a man on the brink of sanity, but longing to live a normal life. Let the insanity begin!
Carlos Areces plays the role
of Javier, the tragic face of the sad clown and poster boy for every single
love struck loser out there that always played the nice guy but never got the
girl. Carlos does an amazing job in this role, which demands a great range of
emotions to be projected over the course of the film. He goes from a mild
mannered pacifist in the beginning portions of the movie, to a bat-shit crazy
lunatic towards the second act of the story, with little to no wiggle room in
between. The change in his personality is so polar opposite that you’ll find
yourself struggling to comprehend that the two personas are actually played by
the same actor. Carlos’ transformation into the vengeful clown with a chip on
his shoulder is animalistic at best and extremely beastlike in its savagery. It
also doesn’t hurt that the man can wear a creepy clown outfit like it’s no ones
business, making the visual effects of his makeup and costume that more
impressive and intimidating. If I had to pick a highlight of the film, it would
be Carlos’ portrayal of Javier and his devastating transformation into the
vengeful and violence prone clown.
Antonio de la Torre takes on the role of Javier’s nemesis and all around bad guy, Sergio the happy clown. With the title of happy clown, you would think that Sergio was a terrific dude, but damn is this guy an asshole. He beats the shit out of his girlfriend on a daily basis, treats the rest of the circus folk like shit, and basically acts like a prick 24 hours a day. Now I don’t know a thing about Antonio de la Torre and what he is like personally, but he has made one hell of an outstanding jerk in this flick. What is most interesting about his character is that he never really changes his attitude as the film progresses, but you find yourself sympathizing with him as the story moves along. I’m not saying that you end up loving the guy, but you find that you hate him a bit less once the film closes. It’s an interesting turn of events, but amidst the chaotic moments that encompass The Last Circus, you’ll come to find that there are a good many outstanding performances made by the cast across the board. Antonio takes this role and runs with it, making for a very memorable villain that has some very human tendencies.
Another stand out amongst
the cast is the lovely Carolina Bang, who embodies the role of Natalia the
breathtaking acrobat caught between the admirations of two polar opposite men. Carolina has the looks to
pull off the role on the superficial front, but it is in the more subtle
moments of the film that her acting chops really get a chance to show off. Like
Carlos’ Javier character, Carolina
is able to show that Natalia has a double edged sword when it comes to her
varying personalities. When she is with Sergio she is quiet and conservative
and when she is with Javier she is wild and alive. These two opposing personas
are acted superbly by Carolina
and she tackles both of these sides of her character with miraculous
perfection. She does this so well that you’ll find yourself loving and hating
her character at the same time. There are moments when you believe that she
just might truly care for Javier’s underdog character, only to pull the rug
right out from under you and come off as a selfish shrew that only used him to
build up her own personal confidence and self worth. Her role is essential to
the eventual collapse of Javier’s life and she nails that titular aspect that
sparks all of this mayhem into action.
Now let’s talk about this mayhem. For one thing there is no shortage of bedlam once the story gets moving. We get machine gun and machete wielding clowns, brutal violence inflicted on both Javier and Sergio’s characters, mad as hell hallucinatory visions provided by Javier’s bat-shit crazy mind, and enough savage imagery to shake a stick at. This movie is literally off the rails when it comes to sanity and composure, yet you won’t find a more cohesive and intricate story about insane clowns battling it out for the affections of one woman and you can bet your ass on that one. If there is one thing I can say about this film that could summarize the overall quality of Alex de la Iglesia’s manic masterpiece it’s that it is vividly brutal and exceptionally genuine in its execution. Bravo for making such a crazy concept like a clown love triangle and make it work so well.
The Last Circus is like
nothing you’ve ever seen before. You may have witnessed the same basic plot of
a love triangle tearing the lives of the characters apart before, but you’ve
never seen it done in such an outlandish style or fervent vigor. Carlos Areces
plays the perfect pushover and to witness his descent into the bloodthirsty and
wild killer clown is a thing of demented beauty. Equally, Antonio de la Torre
does a commendable job as the thorn in Javier’s side as he pushes him to
violence and to the overall reveal of the demented tendencies that lie in
waiting behind the mind of the mild mannered Javier. Rounding out this motley
crew of weirdos is the mesmerizing Carolina Bang, who brings a much needed
facelift of beauty to the circus that is this film.
Combined with the fact that the movie boasts a diverse cast and an interesting premise, what really holds it all together is the impressive direction of Alex de la Iglesia. Alex is a filmmaker who is known for his expressive style and trademark antics and he puts all of the cards on the table in this film. With its lush visual style and over the top situations, The Last Circus is an obscure gem that you absolutely can’t miss. This flick is one crazy ass…..
Director: Alex de la Iglesia
Year 2010
The Last Circus is an insanely demented journey, filled with murder, mayhem and a hefty helping of creepy clown action that will scare the shit out of anyone diagnosed with Coulrophobia. This movie is literally off the hinges as it tells a sorted story of one man’s excruciating quest in finding happiness amidst his mostly sorrow-filled life and the inevitable explosion that commences once he is pushed to the limit. The moral of the story is, don’t piss off a clown.
The film follows a down trotted dreamer named Javier who longs to follow in the footsteps of his father and perform as a happy clown, but because of his tragic upbringing he is forced to take on the role of the sad clown. After joining a rag tag circus, Javier meets a beautiful acrobat named Natalia who instantly infatuates him, but unfortunately for Javier she has an abusive boyfriend named Sergio who just so happens to be the happy clown to their dynamic duo circus act. Plagued by the exquisite beauty of Natalia and the brutal treatment she is subject to at the hands of Sergio, Javier reaches a breaking point to where there is no chance of returning from. Changing into a monster, Javier snaps, becoming the very opposite of the sad passive clown he was known for and instead morphs into a mad, crazed killer with a lust for violence. Taunted by a life with Natalia that he could never obtain, Javier loses himself in his own delusional fantasy, making it his sole purpose to end the life of Sergio, no matter what, and save the innocent Natalia from the overbearing grip of her oppressor. This tragic tale pulls no punches as it vividly showcases the mental and physical descent of a man on the brink of sanity, but longing to live a normal life. Let the insanity begin!
Antonio de la Torre takes on the role of Javier’s nemesis and all around bad guy, Sergio the happy clown. With the title of happy clown, you would think that Sergio was a terrific dude, but damn is this guy an asshole. He beats the shit out of his girlfriend on a daily basis, treats the rest of the circus folk like shit, and basically acts like a prick 24 hours a day. Now I don’t know a thing about Antonio de la Torre and what he is like personally, but he has made one hell of an outstanding jerk in this flick. What is most interesting about his character is that he never really changes his attitude as the film progresses, but you find yourself sympathizing with him as the story moves along. I’m not saying that you end up loving the guy, but you find that you hate him a bit less once the film closes. It’s an interesting turn of events, but amidst the chaotic moments that encompass The Last Circus, you’ll come to find that there are a good many outstanding performances made by the cast across the board. Antonio takes this role and runs with it, making for a very memorable villain that has some very human tendencies.
Now let’s talk about this mayhem. For one thing there is no shortage of bedlam once the story gets moving. We get machine gun and machete wielding clowns, brutal violence inflicted on both Javier and Sergio’s characters, mad as hell hallucinatory visions provided by Javier’s bat-shit crazy mind, and enough savage imagery to shake a stick at. This movie is literally off the rails when it comes to sanity and composure, yet you won’t find a more cohesive and intricate story about insane clowns battling it out for the affections of one woman and you can bet your ass on that one. If there is one thing I can say about this film that could summarize the overall quality of Alex de la Iglesia’s manic masterpiece it’s that it is vividly brutal and exceptionally genuine in its execution. Bravo for making such a crazy concept like a clown love triangle and make it work so well.
Combined with the fact that the movie boasts a diverse cast and an interesting premise, what really holds it all together is the impressive direction of Alex de la Iglesia. Alex is a filmmaker who is known for his expressive style and trademark antics and he puts all of the cards on the table in this film. With its lush visual style and over the top situations, The Last Circus is an obscure gem that you absolutely can’t miss. This flick is one crazy ass…..
| Let the nightmares begin! |
| Do you think I put too much makeup on? |
| Please don't do that. It's really annoying. |
| This is just too weird to comment on. |
| God I hate that mustache. |
| Natalia.... the cock-teaser from HELL! |
| The boy is a P...I....G.... PIG! |
| Here's CLOWNY! |
| I just wet the bed! |
| Kinky. |
| What a psycho! |
| Holy Shit! What a PSYCHO! |
| What the hell is going on?!?! |
| I'm freaking out! |
| That annoying clown is behind me again isn't he? |
| A salute to cleavage. |
| Why so serious? |
| Why can't we be friends, why can't we be friends? |
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