Showing posts with label Bruno Mattei. Show all posts
Showing posts with label Bruno Mattei. Show all posts

Thursday, August 25, 2016

VIDEO REVIEW: Zombi 3

Monday, November 2, 2015

VIDEO REVIEW: Hell of the Living Dead

Wednesday, August 22, 2012

REVIEW: Hell of the Living Dead

Hell of the Living Dead
Director: Bruno Mattei
Year 1980
 
Hell of the Living Dead, AKA Virus, is an Italian zombie film that puts the splat in splatter. Lensed by the trash cinema icon Bruno Mattei, the movie showcases an extreme amount of grit and grim that really captures the grotesque nature of the genre. With its strange cast of characters and its penchant for spilling blood, Hell of the Living Dead is a gory outing that is sure to capture the attention of any lover of Italian horror and anyone who appreciates a good zombie yarn. This movie is Euro-trash cinema at its finest.
 
The film follows an elite group of commandos and a news reporter couple as they deal with the recent uprising of a zombie apocalypse. Lost in the jungles of New Guinea and surrounded by hundreds of flesh-eating monsters, the motley crew of survivors must make it back to civilization without being eaten first, but with the numbers of the undead increasing, it becomes perfectly clear that most of them, if any, will not make it out alive. With an overabundance of gore and a strong atmosphere of sleaze, Hell of the Living Dead is a zombie apocalypse flick that truly makes you want to take a shower after viewing. Let’s get this disgusting review over with and bring on the walking corpses.

Margit Evelyn Newton stars as Lia Rousseau a news-reporter who has just had the biggest story in the history of mankind land right in her lap, the only problem is that the story just might be the death of her. The character of Lia is a tricky one, because she bounces back and forth between the empowered female figure of the film to being reduced to nothing more than eye candy and stereotypical damsel in distress material. Margit does a good job with both aspects of the role, making for a heroine that is both inspiring and embarrassing. In retrospect, the embarrassing portions of the film aren’t as much of a negative as you might think because after all this is an Italian 80’s splatter film so the silly segments that have our lead actress being forced to strip down to her birthday suit, paint her body in strange and convenient symbols, and go native in order to infiltrate a local tribe, isn’t as shocking as it might be in any other genre or in any other time period of filmmaking. The sleaze factor of the film is inevitable, especially if you’re dealing with Bruno Mattei, and Margit does a great job with the different scenarios that she is given and she’s a trooper for going through some of this wacky and zany ass shit, with a straight face.
 
The rest of the news team consists of actor Gabriel Renom, AKA The Mustache, as Pierre the faithful cameraman and boyfriend of Lia. Gabriel does an acceptable job with the role, but to tell you the truth I don’t really remember much that he did in the film other than look fabulous with that badass mustache. That’s good enough for me! As for the cast of commandos, Jose Gras as Lt. Mike London leads the team, while Franco Garofalo as Zantoro and Josep Lluis Fonoll as Osborne take up the roles of the funny ones of the crew, leaving Selan Karay as Vincent to round out the team. Each of the team members bring a certain individual aspect to their combined unit, but the most outstanding and memorable of the bunch is Franco Garofalo as Zantoro. The man is a nut-job as he plays a crazy person for a good majority of the film. One of the most entertaining aspects of the movie was to see what insane off the wall thing he was going to do next. All in all, the entire cast of characters do an amazing job in bringing a bit of life to the proceedings from the rather straight forward portrayals to the bombastic and out of control ones.

Even though this is a low budget Italian zombie film, which is not as accomplished and respectable as George Romero’s efforts or as haunting as Lucio Fulci’s Zombie, Hell of the Living Dead still manages to bring some memorable moments to the forefront while delivering an atmosphere that is often at times disturbing. The budget constraints and rundown locations that director Bruno Mattei chose to film in, does wonders for the overall look and feel of the production. Things just seem creepy, in that off putting and unusual sort of way and you can’t help but feel a certain sensation of disgust over all that is happening on screen. From the ramshackled and abandoned houses, to the desolate jungle settings, to the empty and cold location of the industrial power plant, things just seem a little off in this zombie world and it’s not because the dead are starting to rise and devour the living. There is an untraceable atmosphere to Hell of the Living Dead that you really can’t place your finger on, but it works wonders on delivery a mysterious quality to the production.
 
With the ground work set in presenting a strangely obscure setting for the zombie apocalypse, Bruno Mattei then lets the blood fly with a number of engaging and disturbing zombie stand offs where the entire cast must take on throng after throng of undead foes, which slowly begin to whittle down the numbers of their ranks. The effects work in these blood inducing moments are respectable in that low budget sort of way, and the simplicity of their designs actually add to the morbid nature of the world that is created for within the movie. There is nothing too over the top or gut-wrenching in the film, just a steady stream of horrific moments that signify the severity of the situation for all that are trying to survive. We do get a number of zombie munching goodness, but nothing as graphic as we have seen in Romero’s series of films. Still this movie manages to thrive on its low budget nature as an air of disgust permeates the entire feel of the production, making for a zombie movie that is quite literally decaying and decrepit. Sounds like a great recipe for a horrifically good time. Count me in!

Hell of the Living Dead is a sensationally grim and foreboding zombie film that relies on its humble origins and unsettling nature to set the stage for its mournful tale. With a cast of interesting actors and an added bit of sleaze and madcap fun, the film creates an exceptionally entertaining yarn that fulfills a very niche group for movie fans that will just eat this kind of morbid shit up. Margit Evelyn Newton and Franco Garofalo especially make some rather memorable performances as Margit shows a double-edged portrayal of a femme fatale that sometimes dips into exploitation fare while Franco basically gives us a psychopathic hero to root for.
 
Aside from the cast’s contributions to the film, the overall look of the movie is decrepit to say the least, focusing much of its time within rundown shanties, abandoned homes, and isolated factories. The obscure locations are a godsend to the production, allowing the film to thrive in the inhospitable locales and absorb the dying nature of it all. With the atmosphere established by these unique surroundings, it allows the filmmakers to ease up a bit on the graphic nature of the zombies, while at the same time giving us a respectable amount of gut-munching and flesh-ripping to please our gore loving appetites. With this all said, Hell of the Living Dead isn’t the best example of the genre, but it does manage to etch out a little memorable pocket of the zombie world for itself, and the foreboding atmosphere of the movie is quite intoxicating and devilishly entertaining. If you’re looking for a Euro-trash fix that has plenty of zombies and a respectable amount of sleaze and despair, then look no further than this bad boy. Hell of the Living Dead is…..

Quick everyone do your best Dawn of the Dead pose!

Family vacations suck!

Messy baby.

Come over here and give me a big hug.

I'm gonna kill whoever came up with this stupid ass makeup.

That's it buddy... go for the good stuff!

Look at my mustache! LOOK AT IT!

This guy is about to shit his pants.

I can't imagine something being more captivating than Gabriel's mustache.

The gang takes a break from trying to survive the zombie apocalypse.

Looks like someone should have put on more sunblock.

Josep you weirdo!

Dinner time!

Watch as Franco loses his cool.

Word to the wise... don't pick up zombie hitchhikers.

What the hell are you looking at?

Thank god they spared the mustache.

It's true... the acting in this movie might make you react in this manner.
 

Monday, August 13, 2012

Thursday, October 6, 2011

REVIEW: Zombi 3


Zombi 3
Director: Lucio Fulci & Bruno Mattei
Year 1988

Zombi 3 is a low grade Italian zombie film, that aside from its troubled production, lackluster acting, and convoluted plot, is actually quite a bit of fun. The film starts out at a laboratory, where scientists are doing experiments with various chemicals in efforts to reanimate the dead, or so I could gather by the obscure opening of a dead soldier's body coming to life and then violently deteriorating into a bloody mess. Say what?

Well anyways, the movie kicks into gear when a terrorist infiltrates the lab and steals a highly volatile bacterial virus. As he escapes he accidentally infects himself with the virus and begins to deteriorate, until he finally drops dead in a grotesque heap. The military find the terrorist in a hotel and quickly dispose of the body by cremating it. Little do they know that they inadvertently unleash the virus, now airborne, onto a small island village turning the inhabitants into crazed and bloodthirsty zombies. During the mayhem, a small group of tourists and surviving military struggle to make it off the island alive. Can they make it? Who really gives a shit, but damn is it entertaining to watch them try.
 
Check out these douchebags.

The Gas Mask Boys were a boy band that never really quite caught on in the States.

The film in general has been known to have had a troubled past. Initially, Zombi 3 was directed by the legendary Italian horror filmaker Lucio Fulci, but after some disagreements and other unknown problems, he left the production of the film, passing directorial efforts into the hands of fellow horror creator Bruno Mattei. I have no idea of the extent of Fulci's influence on the film or how much can be credited to his vision, but Mattei can be felt throughout this movie in almost every aspect of its narrative.

That's both a bad thing and a good thing, because both directors are worlds apart in the crafting of their stories. Fulci's output is of a higher caliber boasting such classic horror flicks as The Psychic, Zombie, City of the Living Dead, The Beyond, The House by the Cemetery, and New York Ripper, while Mattei's craft has aimed a little lower with such interesting cinematic outings as Hell of the Living Dead, Guardian of Hell, Rats, and a slew of Emanuelle flicks. They each have their own style and are outstanding in their own right, but for completely different reasons. Personally, I've always been more fond of Fulci's filmography and the style in which he tells his stories. Bruno Mattei is an interesting director though, never fearing to put that element of sleaze or morbid sense of debauchery into the mix. It's a low brow execution that ends up creating an especially unique feel for his films, including the highly underrated Zombi 3.

These are what 3D dreams are made of.

Say hello to my little friend.... and to the guy behind me who is also my friend.

What we get with this film, is not a masterpiece of decaying flesh, but an entertaining romp through the killings fields of a third world country gone to hell, literally. The location of the Philippines is actually the perfect setting for a zombie apocalypse, set within a lush tropical jungle that seems to have swallowed up the surrounding villages and urban structures. The place feels dead, but with a hint of life.

There's also a grittiness to the landscape that gives the film an authentic feel. The group of survivors must trudge through thick jungles, muddy rivers, deserted villages, and even an abandoned hotel that has been taken over by the surrounding forests. Simply put, the locations looks like complete shit and that's a very good thing. It's a strange thing to put down in words, but the entire film just feels dead and decaying and combined with Mattei's dream like execution behind the camera, the film comes out being very atmospheric and vividly placed within a world that only exists on the celluloid roll. It may be considered low class, but Zombi 3 definitely has a feel all of its own.

Holy Shit! I think they're gonna kiss!

Here zombie... zombie... zombie.

There are a few things that hold the film back from being something entirely special and memorable, and that would be the acting and tremendously entangled plot. In the case of the acting, the actors are wooden as all hell and deliver their lines like they've just come out of their first day of acting school. For me this doesn't make the film unremarkable or easily discarded. I can appreciate the efforts put on by the cast and I understand that they were the best that the production could afford for this humble zombie undertaking. Surprisingly their awkward dialogue and cheesy delivery actually adds a certain charm to the movie, making a perfect companion to the equally dire and devastated locations. It's a slumming experience when watching Zombi 3, but in retrospect it seems like the only way this confusing story could be told. The movie is a low budget wonder that relishes in the impoverished locales that it is filming in and thrives for that very reason.

The same can be said for the story of Zombi 3. Anyone who has watched this film can tell you that there isn't a whole lot of logic to be had within the narrative and that there seems to be two warring factions of creative thought within the structure of the film. The passing of the torch from Fulci to Mattei can be felt throughout this flick, giving way to a multitude of uncomfortable moments when the story just runs off the rails and delves into some seriously sub-par moments, that often bring about laughter rather then screams. Take the flying zombie head for instance. Yeah you heard me right, there's a flying zombie head that bursts out of a refrigerator of all places and bites one of the main characters in the neck. If that wasn't wacky enough, there's also a ridiculous birthing scene where a newborn infant rips its way out of its mother's womb to feast on the flesh of another cast member. These moments are pure Mattei and often derail any tension that might have built up prior to the scene. Now don't get me wrong, these instances of insanity are entertaining as all hell and are definitely unique to say the least, but they're extremely distracting and feel culled from another film, not the one we were previously following.

These guys don't mess around when it's zombie killing time.

I hope your aim is better then your acting.

Even in its unbalanced nature, the film is a blast to watch and it even has some rather effective and morbid moments. The unsympathetic and ruthless military squad that is set loose upon the zombie infested island, gives way to some outstandingly dire situations for the survivors harking back to those Romero-esque notions that the zombies aren't the ones that we should fear the most, but instead man. There are some truly inspirational shots of the military force, draped in hazard suits and gas masks, marching through the streets and looking genuinely menacing.

Let's also not forget about the zombies, which there are a plethora of. We've got all types of walking dead, like the slow movers, to the water waders, and even some of the jumping variety. There's also a machete wielding zombie that's one crazy son of a bitch, moving at lightening speed and acting like a total bad ass. My favorites of the bunch though are the slow moving pack of zombies. There's an especially excellent scene that has our main survivors held up in an abandoned building as they watch the approaching throngs of undead shuffle their way towards their barricade. The scene is slow and methodical and actually brings a bit of class to the overall film. While not as iconic as the zombies in the original Zombie, these dead-heads do their job and do it well.

How the hell did we get ourselves into this shit?

Hell Yeah! It's DJ Aint Seen Shit!

What can be said about Zombi 3 other then it is a blast if you're willing to overlook the movies shortcomings and appreciate it for what it is. The film is a down and dirty zombie tale that tends to go a little overboard in parts, but never strays too much as to make it unwatchable. In fact, the moments when the film veers off course are insanely enjoyable and stick with you because of their astonishing and earth-shattering oddness. Flying heads and rabid babies aside, Zombi 3 is a very atmospheric flick that provides a good number of memorable zombie moments that should cater nicely to walking corpses fans the world over. If you're willing to watch a film that is a little bit rough around the edges, but has entertainment at its heart, then I recommend giving it a chance. You never know, you might actually end up liking it. Now I'm off to get something from the fridge..... SHIT! Zombie head. Damn you Zombi 3!

3 out of 5 stars             An Interesting Fulci/Mattei Oddity!