Showing posts with label Teddy Wilson. Show all posts
Showing posts with label Teddy Wilson. Show all posts

10-16a: Sweelinck: Keyboard Music Koopman 1981 - Bantock The Cyprian Goddess etc. Handley 1995 - Benny Goodman Together Again! 1963 - Puccini Manon Lescaut : Tebaldi / Del Monaco 1954 - Strauss Till Eulenspiegel Gui 1947



1621 – Jan Pieterszoon Sweelinck (Dutch composer, teacher & organist, Oude Kerk, Amsterdam)
1655 – Joseph Solomon Delmedigo [ישר מקנדיא] (Crete-born Italian rabbi, author, physician, mathematician & music theorist, active in Europe & North Africa)
1750 – Sylvius Leopold Weiss (German composer & lutenist)
1814 – Juan José Landaeta (Venezuelan composer)
1893 – Carlo Pedrotti (Italian conductor & composer)
1920 – Alberto Nepomuceno (Brazilian composer, pianist, organist & conductor)
1946 – Sir Granville Bantock (English composer & conductor)
1949 – Hale Ascher VanderCook (American composer, conductor, cornettist & teacher, founder of VanderCook College of Music)

1959 – Minor Hall (American jazz drummer)
1973 – Gene Krupa (American jazz drummer & composer)

1975 – Vittorio Gui (Italian conductor)
1982 – Mario Del Monaco (Italian dramatic tenor)


October 16th wasn't a very good day for jazz drummers, was it? We just said goodbye to Art Blakely in edition 10-16b, and here in 10-16a we have Minor Hall, a major (heh) New Orleans drummer, who played with Kid Ory, among others, and Gene Krupa, almost surely the greatest drummer of the Big Band/Swing era, who's most famous for his work in the Benny Goodman orchestra, and his highly energetic, almost frenetic style of playing.

We also have Sweelinck, one of the most important keyboard composers active around 1600; Mario Del Monaco, one of the greatest operatic dramatic tenors of the 20th century; a couple of quite notable South American composers; Joseph Solomon Delmedigo, who sounds like a very interesting figure I must get to know better; and Granville Bantock, who provides an interesting comparison with Kaikhosru Sorabji, whom we only just remembered on the 10-15 edition.

For both composers were British and had a spiritual and aesthetic affinity with the East, but Sorabji also had ethnic roots there, while Bantock did not. For him, the legends of those exotic lands, which he toured briefly as a young man while conducting a musical comedy troupe, simply held a special fascination that stuck with him his entire life, and which permeates many of his works, most famously his epic choral work Omar Khayyám, based on the Rubaiyat of that 11th-century Persian poet.

Okay, so there's your write-up. Happy? Oh, I also moved the Follow & Subscribe gadgets to a more convenient place on the page. I think I may monetize the blog soon, so expect to see the place plastered with Donate buttons. I spend a lot of time working on this place, you know.


09-20: Sibelius 1 2 5 7 Barbirolli - Link 80 Killing Katie 1997 - Ben Webster Ballads 1955 - Gilles Binchois / Discantus 2009 - Sarasate Zigeunerweisen Heifetz 1937



1460 – Gilles Binchois (Franco-Flemish composer)
1590 – Lodovico Agostini (Italian composer, singer, priest & scholar)
1630 – Claudio Saracini (Italian composer, lutenist & singer)
1648 – Ivan Lukačić (Croatian-born composer & church musician, active in Italy)
1896 – Johan Gottfried Conradi (Norwegian conductor & composer)
1897 – Karel Bendl (Czech composer & conductor)
1908 – Pablo de Sarasate (Spanish violinist & composer)
1957 – Jean Sibelius (Finnish composer)
1957 – Heino Kaski (Finnish composer & pianist)
1960 – Michel Brusselmans (Belgian soundtrack composer)
1967 – Henri Mulet (French organist & composer)
1968 – Frank Pelleg (Czech-born Israeli harpsichordist, pianist, conductor, composer & teacher)
1973 – Ben Webster (American jazz tenor saxophonist & pianist)
1973 – Jim Croce (American singer-songwriter & guitarist)
1974 – Robert Herberigs (Belgian composer)
1984 – Steve Goodman (American folk singer-songwriter, "City of New Orleans")
1994 – Jule Styne (English-born American Broadway composer & pianist)
1994 – Jimmy Hamilton (American jazz clarinetist, tenor saxophonist, arranger, composer & teacher)
1996 – Paul Weston (American pop pianist, arranger, composer & conductor)
1997 – Nick Traina (American punk/ska singer, Link 80, son of Danielle Steel)
2006 – Armin Jordan (Swiss conductor)
2006 – John W. Peterson (American composer of hymns & cantatas)
2010 – Leonard Skinner (American high school gym teacher, namesake of Lynyrd Skynyrd)


Some great favorites here. Both Gilles Binchois and Ben Webster were one of the Big Three in their day. "Wha??" you say? That's right... Binchois, considered by some the finest melodist of the 15th century, was one of the most prominent members of the Burgundian School, along with Guillaume Dufay and John Dunstable - composers who served the court of Burgundy and represented the first generation of composers we think of as "Renaissance." And Ben Webster was one of the three greatest tenor sax players to come out of the swing era, along with Coleman Hawkins and Lester Young.

They called Webster "The Brute" or "Frog" because of the rough, raspy tone he used on rhythm tunes - although his sound became sweetly coy and sentimental on ballads. In fact, it's safe to say that with Ben Webster, we get a greater timbral variety, from wispy, breathy warbles to petulant growls, than we do with just about any other sax player in jazz. And look, there's reedman Jimmy Hamilton on the list, too! Both Webster and Hamilton were alumni of Duke Ellington's great orchestra in the 30s & 40s... Hamilton stayed on with Ellington for decades longer, but Webster had a falling-out with the Duke (in which he apparently cut up one of Ellington's suits - ouch!) and went off on his own in 1943. Webster would go on to do his best work in the 50s, perhaps most notably on Soulville from 1957, considered to be the very first soul jazz album in the history of jazz... and, soul.

The real bigwig on the list, however, is the national composer of Finland, Jean Sibelius. It must suck to be any Finnish composer coming after Sibelius - always being compared to this musical giant who had such an idiosyncratic artistic voice. And boy, it must have really sucked to be poor Heino Kaski... a much lesser-known Finnish composer, pooping on the same day as Sibelius. Sibelius, who for many years was widely performed little elsewhere than in the Nordic countries and Britain, is known primarily for his seven symphonies, his violin concerto, and his many symphonic poems based on Finnish lore and legend. He's also known as one of the last of the great late Romantic composers, who somewhat like Richard Strauss lived into the mid-20th century as a symbol of a bygone era as several fads of modernism came and went. Unlike Strauss, Sibelius decided he'd said all he wanted to by the late 1920s, and committed hardly a note to music paper for the last 30 years of his life, preferring instead to focus his energies on fostering interest in performances and recordings of his existing body of works. See you on the other side of the early retirement...