Showing posts with label Yvonne Minton. Show all posts
Showing posts with label Yvonne Minton. Show all posts

11-13a: Bruno Maderna : Satyricon / Gorli 1992 - Rossini Stabat Mater : Pavarotti / Kertész 1971 - Medtner Piano Concerto 1 & Piano Quintet / Alexeev 1994



1868 – Gioachino Rossini (Italian composer)
1951
Nikolai Medtner [Никола́й Ме́тнер] (Russian composer & pianist)
1951
Hugo Leichtentritt (German musicologist & composer, active in United States)
1967 – Harriet Cohen (English pianist)
1973 – Bruno Maderna (Italian conductor & composer)
1985 – G. Robert Vincent (American sound recording & archiving pioneer)
1986
Rudolf Schock (German tenor)
1988 – Jaromír Vejvoda (Czech composer, "Beer Barrel Polka")


Well... we have Rossini; but we do not have Rossini opera! However, we do have opera! Dissonant, atonal, horrifying, avant-garde opera... mmmmmm...


10-04a: Schoenberg Erwartung | Pierrot Lunaire | Lied der Waldtaube / Boulez | Martin | Minton | Norman 1977-79

Arnold Schoenberg: Vision (Satire) - Oil on cardboard (undated).
As I promised earlier today, here's an extra post dedicated to the memory of Marie Gutheil-Schoder, the soprano who created the solitary role in the original production of Schoenberg's Erwartung in 1924. She was known in her day as not just a great opera singer, but as a great operatic actress. Gustav Mahler called her a musical genius. That's something that should certainly make you sit up and notice! Unfortunately, Gutheil-Schoder left behind only a very few recordings: a couple excerpts from Carmen, an aria from The Merry Wives of Windsor, and some duets from Tales of Hoffmann, all recorded in 1902. But her legacy did live on in the form of the great mezzo Risë Stevens, who was one of her students.

So, it's a Tuesday night/Wednesday morning. You're feeling a great emptiness in your life... a vast, gaping hole, one that only post-Romantic Expressionist atonality can fill. You've come to the right place! (Read more below...)

09-05: Antonio Mairena : Actuaciones Historicas - Mahler 5 & 8 Solti - Wolfgang Fortner : Triplum etc. Wergo 1967


1629 – Domenico Allegri (Italian composer & singer, younger brother of Gregorio)
1734 – Nicolas Bernier (French musician & composer)
1803 – François Devienne (French composer, flutist & teacher)
1890 – Ludwig Deppe (German composer, conductor, pianist & teacher)
1910 – Franz Xaver Haberl (German priest, church musician & musicologist, friend of Liszt)
1910 – Julian Edwards (American composer & popular songwriter)
1921 – Joseph Mann (Polish-born Austrian operatic tenor)
1962 – Alessandro Granda (Peruvian operatic tenor)
1964 – Giórgios Kokoliós (Greek operatic tenor)
1965 – Stephan De Jonghe (Belgian musicologist)
1969 – Mitchell Ayres (American conductor, arranger & composer, Perry Como, The Hollywood Palace)
1969 – Henk Bijvanck (Dutch composer)
1973 – Petre Ştefănescu Goangă (Romanian baritone)
1975 – Georg Ots (Estonian baritone of opera, art song, folk song & film)
1980 – Don Banks (Australian composer of concert, jazz, & commercial music)
1983 – Antonio Mairena (Spanish flamenco singer)
1987 – Wolfgang Fortner (German composer, conductor & teacher)
1993 – René Klijn (Dutch pop singer & photo model)
1994 – Billy Usselton (American jazz tenor saxophonist, clarinetist & oboist)
1995 – Pigmeat Jarrett (American blues singer & pianist)
1997 – Sir Georg Solti (Hungarian-born British conductor)
2003 – Gisele MacKenzie (Canadian-born American pop singer, violinist, actress & TV personality)
2007 – Saint Thomas [Thomas Hansen] (Norwegian alt-country singer, songwriter & guitarist)
2011 – Salvatore Licitra (Italian operatic tenor)


Sometimes you go with what you can. For Domenico Allegri's much more famous brother Gregorio (he of the sublime, if not entirely his own, Miserere), there is a good etching of his likeness. For Domenico, we have a receipt from his employer.

The most recent addition to our list of names is that of Salvatore Licitra, an excellent tenor whose star only began rising about 12 years ago. Things really picked up for his career in 2002, when he debuted at the Met unexpectedly, substituting for Pavarotti as Cavaradossi in Tosca after the ailing legend cancelled at the last minute. He passed away this September 5th after a motor-scooter accident in Sicily that left him lingering in a coma for several days. Our condolences to his family, friends, and many colleagues, who mourn the tragic loss of a singer who has been dubbed "the New Pavarotti," and a tenor "worthy of the great Italian tradition."

Our next most recent passage was that in 2007 of Norwegian alt-country artist Saint Thomas, who died as a result of an unfortunate deadly combination of prescription drugs, at the age of 31. He was another artist who'd only recently begun to achieve international attention, touring with Lambchop in Europe and Of Montreal in the U.S. during the mid-00s.

On a brighter note, our long-awaited major Mahler conductor has finally shown up, in the form of Sir Georg Solti, whose tenure at the Chicago Symphony Orchestra rivalled those of the legendary Frederick Stock and Fritz Reiner years. An energetic conductor of both concert music and opera, his Wagner Ring cycle (with the Vienna Philharmonic) and Mahler symphony cycles are treasured by many, if not to everyone's taste. But pretty much everyone agrees that his Mahler 8th from 1971, with its superb roster of vocal soloists, is one of the very best available... (Read more below)