Horror Documentary Alert! Nightmare Factory (2011) Is Now Streaming On Netflix

Nightmare Factory (2011)

      Nightmare Factory (2011) is an inside look at the world of special make-up effects that focuses primarily on the work of KNB EFX Group.  Effects artists Robert Kurtzman, Greg Nicotero, and Howard Berger founded KNB in 1988, and it's now one of the most prolific effects studios in the the world.  The doc is filled with great behind the scenes footage, much of it culled from over 200 hours of material provided to the doc's producers by KNB themselves.  Nightmare Factory is even recent enough to include production footage from the likes of Alexandre Aja's Piranha 3D (2010) and AMC's The Walking Dead. 

      Since it's probably going to be a while before I post the next installment of Noteworthy On Netflix, I decided to share this mini-post alerting everyone to the addition of Nightmare Factory to Netflix streaming.  I stumbled upon it yesterday, and Dog Farm readers know how much I enjoy a good horror doc . . .

     On a related note, the first season of A&E's Bates Motel is now available, as well.  If you missed it initially, now's a good opportunity to catch up before the March 3 premiere of season two. 

Barking At The Vacuum Cleaner - Bates Motel, Hemlock Grove, The LAMB, And More . . .

We'll leave the light on . . .

     I loved Bates Motel, and I'm already eagerly anticipating Season 2.  Season 1 was a little bit of a train wreck, but it was an entertaining train wreck.  The soapy narrative twists kept me anxious each week for the next episode.  I think it's great that Vera Farmiga as Norma Bates isn't afraid to "go large" with her characterization.

     Did Norman kill Miss Watson?  I think not, but we'll find out when Season 2 hits in 2014.         

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    On the other hand, I was surprised by how underwhelmed I was by the Eli Roth produced Netflix series Hemlock Grove.  Full disclosure:  I've only watched the first episode, and I'm just not real tore up about watching the second one.  Shelley the mute deformed giant is the only character introduced that piqued my interest at all.  Am I missing out?  Was I too inpatient for greatness to reveal itself?

What happened, Eli?

     Maybe Roth will redeem himself with his producing/writing/acting efforts in the newly released Aftershock (2013).  I'm also looking forward to The Green Inferno (2013), his forthcoming directorial effort born of his love for Mondo movies.

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     I'm pleased to announce that Movies At Dog Farm is now officially LAMB #1565 in The Large Association Of Movie Blogs (The LAMB).     Thanks for having me, folks!
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     I've gotten two new books, and I have a third on the way.  I've only gotten about a hundred pages into Reel Terror by David Konow, and so far, so good.  So many authors have tackled the Universal horror classics, EC Comics, Psycho, and other horror movie signposts that it's difficult to dig up fresh material.  Konow frequently makes use of quotes from pertinent individuals to illustrate his points, and it's always a hoot reading Christopher Lee explain once more why Hammer's Dracula ceased to speak in the latter movies.

      Book number two is Horror! 333 Films To Scare You To Death by James Marriott and Kim Newman.  Newman frequently appears as a "talking head" in my beloved horror movie documentaries.  I read Newman's Nightmare Movies last year, so I decided to give this one a shot, too.  I've yet to crack this one, so I'll have to get back to you . . .

     Book number three, as yet undelivered, is 101 Horror Movies You Must See Before You Die by Steven Jay Schneider.
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     Finally, Don Coscarelli's John Dies At The End (2012) is currently available on Netflix streaming.  Watch it now if you haven't already.  Watch it again if you have.  Highly recommended.

How (Not) To Raise A Psychopathic Child - Things I've Learned From Watching A&E's New Bates Motel

     It's been difficult to watch a full-length feature film for a while.  There's now a three week old infant in the room  most nights, and he sets the schedules.  His scheduling doesn't include too many ninety minute blocks of downtime, so I've been making due with hour long horror dramas like American Horror Story, The Walking Dead, and A&E's new Bates Motel.  I can almost get through an hour long episode during Gunnar's between feedings nap time.  I'm looking forward to the debut of Eli Roth's Hemlock Grove on Netflix next month, too.  Should I be watching this kind of programming with a baby in the room, though?

     Yeah, I know, it's probably a bit early to be worrying about whether or not the baby is being irreparably damaged by exposure to televised horror programs.  For one thing, he's unable to hold his head up long enough to watch anything.  The only time he displays any neck strength at all is when I'm trying to burp him, and then he seems determined to throw a red-faced skunk eye on me throughout.  He can hold his head up just fine for that.  Still, I know he's cognizant of what's going on around him.  It makes me wonder if immediate and prolonged exposure to this kind of entertainment explains what happened to me . . .

Thom Yorke of Radiohead - Hey, man, are you OK?

     The baby seems to have an affinity for the music of Radiohead already, and I attribute that to the fact that he heard a lot of Radiohead while still in utero.  If Thom Yorke's solo album calms the baby,  I'm more than happy to store that in the arsenal alongside his swaddling cloth and his Bippy.  Whatever works, right?  Then I'm watching the first episode of Bates Motel - while holding the baby, of course - while onscreen the young Master Bates attends a high school party (wait - what?), and waddayaknow, the music playing in the background is a Radiohead song.  . . . so a young Norman Bates + exposure to Radiohead = Psycho.  And I'm playing the kid Radiohead to soothe him.   Nature versus nurture.  I may as well start collecting small animals for Gunnar to kill.

     Of course, Norman's problems are the result of a far more complex set of circumstances than just the music he hears.  I watched the second episode of Bates Motel last night, and I nearly crawled out of my skin with "eeeew!" when Norman's mother very nonchalantly stripped clothing in front of her teenage son.  Sure, in this case we know this is heading to a bad place, but . . .   Only an hour or so before I'd been holding the baby because he'd been particularly fussy.  I'd finally succeeded in getting him to momentarily settle down and rest, his next feeding was in the warmer, and I didn't want to rouse him unnecessarily before his bottle was ready.  Here's the rub:  I really, really needed to pee.  If I laid him down he would immediately open his eyes and fuss.  Well, I can hold the baby with one hand, and I can pee with one hand, sooooo . . . Don't judge me - I wasn't wearing a diaper.

Norma Bates doing some household cleaning

   Still though, I've yet to enlist Gunnar's assistance in cleaning up a murder scene, so maybe there's still hope.  As long as I continue to tend to those chores solo then everything should be just fine.  That'll also forestall the touching family moment we have prior to disposing of a dead body in the lake together.  As far as I know, Gunnar doesn't yet have a sketchbook full of bondage pics hidden under his bassinet, so we're good there, too.

     I just want the little guy to grow up healthy and happy.  I want the same for young Norman.  Maybe there's hope for him, too.  The show's producers have already made clear that they won't necessarily be beholden to canon based upon Anthony Perkins' portrayal of the character.  Is it possible that we live in a world where the young Norman Bates might somehow escape his dour fate, upbringing be damned?   I actually think that would be weirdly inspiring.  If there's hope for the most psychopathic fictional mama's boy that ever misused the cutlery, then maybe there's a chance I won't do too much damage to the wee baby Gunnar. 

We can fix this, right?