October 12, 2018

John Carpenter's The Fog (1980) Rolls in To Launch the Movies at Dog Farm Pre'Ween Picture Show 2018

John Carpenter's The Fog (1980)
John Carpenter's The Fog (1980)
     "It was terrible.  I had a movie that didn't work, and I knew it in my heart."
John Carpenter on The Fog (1980)

     So yeah. That's how I like to kick off a weekend of horror movies...with a title that the movie's own director had such a low opinion of upon viewing the rough cut that he felt obliged to do a major overhaul just to whip it into a releasable form.  I must defer to Mr. Carpenter's assessment.  He was surely better equipped than anyone to judge the relative merit of his own work.  Truly, then, Carpenter must be a master filmmaker, because the rejiggered version of The Fog (1980) he ultimately released to the world after extensive re-shoots and re-editing is one of the finest atmosphere laden spook shows out there.

     I believe many still think of The Fog as second tier Carpenter, and it's honestly not too hard to see why.  Even when originally released it was out of step with the prevailing tone of the nascent slasher boom - ironically, a boom Carpenter's own Halloween (1978) was largely responsible for precipitating.  The Fog was an old fashioned ghost story born of the oral tradition. The elder generations pass down the local folklore to the younger ones.  As the years pass, the origins of those tales become murky, and the particulars of those tales are sometimes distorted by the storyteller.

     Carpenter plainly lays out this theme in The Fog's opening scene (created during re-shoots) by having grizzled, stately old John Houseman telling a version of the story we're about to see to a group of wide-eyed children around a campfire on the beach.  It's a beautifully vetted scene that invites the viewer to be actively involved in the storytelling tradition by virtue of the simple intimacy with which it's related.  It could have been told in flashback, with the specifics writ large in a more traditionally cinematic fashion, but that wouldn't have been nearly as affecting as putting us right there with those kids, hanging on every word just as they are.

     The Fog may be one of Carpenter's most subdued movies, but the patient, atmospheric delivery does exactly what it intends.  Who doesn't want to hear a spooky old ghost story by the fire at Halloween?  This, I believe, is why The Fog is an ideal candidate to kick off this year's Pre'Ween Picture Show.

     It will be followed by What We Do In The Shadows (2014) and [REC] (2007) on the evening of October 26th.  Ginger Snaps (2000), Trick 'r Treat (2007), and [REC] 2 (2009) will round out the festivities on the 27th.  If you're anywhere in the vicinity of Timberville, Virginia and would like to join us, contact me care of Movies At Dog Farm.  There's always room around the fire for one more.


November 26, 2012

Ho-Ho-Horrible Christmas Viewing

                                    
Rare Exports - what I'll be watching Christmas day.


     I'm a grinch.  A lack of religious conviction and a lifetime of working in retail just renders the holidays a trial.  If you dig the holidays, great.  Don't let me ruin it for you.  If you're like me, though, and you'd rather just rip December from your calendar, click here for The Most Horrible Christmas Story Ever Told.  It brings an otherwise briskly paced narrative to a screeching halt, and it feels like it was imported in its entirety from an altogether different movie.  I respect the commitment to the gag.  Now that we're all in the holiday spirit, allow me to recommend a few alternative viewing options for the holiday impaired. . .

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                        Black Christmas (1974)

     John Carpenter's Halloween gets most of the credit for creating the slasher movie template, but  Black Christmas is the real progenitor of the holiday themed body count movie.  A cast of vaguely familiar faces (John Saxon, Margot Kidder) adds interest for the first-time viewer, and the murderer's sometimes eclectic means of dispatch (death by unicorn!?!) keeps things interesting.  Director Bob Clark was later responsible for A Christmas Story, one of the only "straight" Christmas movies I can stand to watch.  The two movies back-to-back make for a truly schizo double feature.

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          Silent Night, Deadly Night (1984)

     Pulled from theatrical distribution in less than two weeks thanks to a very vocal contingent of concerned mothers, Silent Night, Deadly Night is so unashamedly skeezy that one wonders how the protesters took it seriously enough to get agitated.  A homicidal head case in a Santa suit returns to the orphanage he was raised in with his axe a swingin' to wreak vengeance on the hard-assed nuns who raised him.  Eighties horror movie stalwart Linnea Quigley finds herself on the receiving end of a death by antlers in one notably novel burst of violence.  I'm proud to say I caught this one on the big screen during its brief theatrical run.  You'll want to take a shower after viewing, but that shame won't wash off.
     A very promising loose remake entitled simply Silent Night makes its way to DVD/BD on December 4.  I couldn't embed the trailer, so check the link here.

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Jack Frost (1996)

     Speaking of showers . . . a mutant killer snowman rapes Shannon Elizabeth with a carrot - seriously, don't you feel like you need to see that?  Unremittingly dumb and filled with groan inducing one-liners, it's so cheesy that it's impossible to not have fun with it.  The evil Frosty ultimately gets his comeuppance in the guise of a truck bed full of antifreeze.  I can't make this stuff up. 


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                              Inside (2007)

     A recently widowed expectant mother finds herself the target of a particularly brutal home invasion on Christmas Eve.  The perpetrator (a stunningly villainous Beatrice Dalle) is determined to take her unborn child from her the hard way.  It's every bit as cheery as it sounds, but if you have the stomach for it, Inside is an undeniably effective French shocker that ranks as one of my favorite genre movies of the last decade.  Be warned, though, this is rough going.  Expectant mothers, in particular, should probably steer clear of this one.  It makes me squirm, and I'm neither sensitive nor pregnant.

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     As for me, I'll be watching Rare Exports (2010) this Christmas for the first time.  I hear good things.  If the picture at the top of the post piqued your interest, it's available on both disc and video-on-demand.  If you have any alternative viewing favorites of your own, please share in the Comments section below.  God bless us, every one - even those of us who can't stand the holidays!


November 19, 2012

Rue Morgue Magazine Stuffs Your Stocking With Horror This X-mas

     I've been a good boy for at least some of the year, so how about someone slaps a bow on one of these and sends it to me via reindeer . . .



  For those not yet familiar with it, Rue Morgue Magazine is probably the finest publication about horror in culture and entertainment currently available. You'll notice Rue Morgue's website link listed in the sidebar. The current issue (#128) has a cover story commemorating the 25th anniversary of John Carpenter's Prince Of Darkness (1987) - good stuff. Digital versions of each new issue (as well as one-offs like the one above) are available on their website or at the Apple App Store if you don't want anyone to see you lurking in a Barnes & Noble. I'll be sure to report back here with my thoughts on this upcoming special issue in the not so distant future.                                 


                    

                                  
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