October 9, 2019

I'm Still Calling It the Pre'Ween Picture Show, Calendar Be Damned

    So it's not really Pre'Ween if it happens in November, right?  Owing to a couple of prior obligations, it just wasn't possible to schedule Pre'Ween in October this year.  Regardless, I refuse to create yet another sub-heading in the Movies At Dog Farm universe, so Pre'Ween Picture Show it shall remain, calendar be damned.

The-Quatermass-Xperiment-1955
Here's one for the old coots... In The Quatermass Xperiment (1955), three astronauts venture into space and only one returns.  The one who returns is infected, and he begins to mutate into whatever the fuck that is in the picture above.  Not coincidentally, the release of  The Quatermass Xperiment  also marked the moment that Hammer Studios first began mutating into the purveyors of science fiction and horror we all know and love.  And no, I didn't misspell the title multiple times - Hammer removed the "E" in "Experiment" to play up the adults only "X" certificate awarded to the movie by the British Board of Film Censors.  Hammer felt it would enhance the movie's fortunes at the box office, and they were right.

The Quatermass Xperiment screens on Saturday, November 2nd.

Laid-to-Rest-2009
Laid to Rest (2009) is a slasher movie that isn't afraid to go all in on the kills.  Director Robert Green Hall got his start in the business as a make-up effects artist, so it only makes sense.  Good new, though - over the top make-up effects aren't the only things Laid to Rest has going for it.  Performances across the board are better than this kind of material generally demands, and the killer is suitably iconic and mysterious.  We never know Chromeskull's motivations, but that's for the best.  The sequel went overboard in that regard, much to its detriment.  Regardless of how the sequel turned out though, Laid to Rest is a brutal and engaging slasher movie for the new millennium.

Laid to Rest screens Saturday, November 2nd.


The-Convent-2000
What can I say about The Convent (2000) that hasn't already been said (here)?  I've wanted to share this movie with the Dog Farm since these events began, but I kept holding out for a Blu ray release.  We're going on two decades now, and it hasn't happened - so DVD it is!  I fully expect Scream Factory to announce a special Collector's Edition Blu ray release tomorrow.

The Convent (2000) screens Saturday, November 2nd.


The-Banshee-Chapter-2013
I've also heaped praise on The Banshee Chapter (2013) before (here), and it's one of those rare movies - much like my beloved Pontypool (2008) - that seems to always get a positive response when I share it with others.  It's also one of those rare movies that plays better when you don't know what to expect going in, so that's all I have to say about it for the time being.

The Banshee Chapter screens Saturday, November 2nd.

   
                         Saturday, 11/2/19     The Quatermass Xperiment (1955)
                                                                  Laid to Rest (2009)
                                                                  The Convent (2000)
                                                                  The Banshee Chapter (2013)

     Screenings will begin around dusk and continue until we're out of movies.  Obviously, we'll be inside for this event.  Happy Post Pre'Ween!


July 9, 2019

It's Movies at Dog Farm VIII ('Cause I'm Keeping Track of This Shit Now)

     Yep, Movies At Dog Farm VIII is on the horizon.  Per my resolution in the previously posted Movies At Dog Farm timeline, I'm going to start making a point of recording the dates and titles here to better keep track of the event's history. 

Real spiders are real creepy.  I can already guarantee that the inevitable remake of Arachnophobia (1990) - which will almost certainly be chock full of the finest CGI spiders a bloated budget can buy - won't be a patch on the ass of the original.  Keep in mind that we'll be watching this outdoors, surrounded by literally millions of the little beasties.  What's that you feel crawling up your leg? 

Arachnophobia screens on Friday, August 9th.


Real Haitian zombies, conjured and controlled by voodoo, in the first and last American feature film actually shot on location in Haiti.  The late, great director Wes Craven literally almost died filming The Serpent and the Rainbow (1988).  This one absolutely oozes atmosphere.  You will squirm, and your nightmares will be haunted.  Being buried alive is a primal fear, and Craven expertly exploits that fear like the master he was.

The Serpent and the Rainbow screens on Friday, August 9th.

And now for something completely different... Trey Parker and Matt Stone (South Park) apply their irreverent brand of comedy to the most awe-inspiring big budget puppet show you'll ever see with Team America: World Police (2004).  The only thing not funny about this movie is that its satire is just as relevant now as it was in 2004.  I don't care what anybody says - these guys are geniuses.

Team American: World Police screens Saturday, August 10th.

I swear the political subtext present in Saturday's movies was unintentional.  Thrill to the experience of French director Alexander Aja (High Tension) telling you just exactly what he thinks is wrong with America in his superior remake of  The Hills Have Eyes (2006).  You can count all the horror remakes that surpass the originals on one hand and have fingers left over.  This is one of them.

The Hills Have Eyes screens Saturday, August 10th.

It's relatively new, it was distributed by Troma, and it would have been right at home playing a Times Square grindhouse in the early eighties.  I'm expecting walkouts.  Those that steel their resolves and stick it out will be treated to a truly singular viewing experience.

Undisclosed "Midnight Movie" (2011) screens Saturday, August 10th.

           Friday, 8/9/19      Arachnophobia (1999)                                             
                                              The Serpent and the Rainbow (1988)

     Saturday, 8/10/19     Team America: World Police (2004)
                                              The Hills Have Eyes (2006)
                                              Undisclosed "Midnight Movie" (2011)

     The title of that mysterious "Midnight Movie" will be added in after the event.  I don't want to take the chance that someone might Google the title beforehand, thereby preparing themselves for the trauma.  It may well become the first outright bomb ever screened at Phil's.  You heard it here first.


     EDIT, Post Event:  For anyone that didn't get it, the Undisclosed "Midnight Movie" was Father's Day from film-making collective Astron 6.   It was not an outright bomb.  For point of information, we ended up not watching The Hills Have Eyes (2006).  Scheduling difficulties.  Consequently, The Hills Have Eyes (2006) will likely turn up again at a future event.  All movies (with the possible exception of Father's Day for some) were well received.  If I had to call it, I'd say The Serpent and the Rainbow (1988) was the best received of this bunch.  Most of the audience hadn't seen it before, and it's just a great fucking movie.  Onward to Pre'Ween!


April 24, 2019

Movies at Dog Farm Events Timeline - The First Seven Years (And 50 Movies)

Old MADF Facebook Group Page Header featuring the final image from Lucio Fulci's The Beyond (1981). We still haven't watched this movie at a Dog Farm Event.  Go figure.

     I'm shocked!  Shocked, I tell you!  The Movies At Dog Farm Events that initially spawned this website are creeping up on their seventh anniversary in May, and Movies At Dog Farm VII will see It's Alive III: Island of the Alive (1987) become the fiftieth movie we've shown.  That count excludes the second screenings of the three titles that have screened twice, of course.  For the record, those titles were: Suspiria (1977), Pontypool (2008), and Trick R' Treat (2007).  I'm not one hundred percent certain all the dates in this timeline are correct, but I'm pretty sure I haven't missed any titles.  The Summer One Nighters are the most likely to be a little off since they were more haphazardly scheduled and thus more poorly documented.


Movies At Dog Farm -- 2012

         Friday, 5/2/12      Pieces (1982)

    Saturday, 5/3/12      Cemetery Man (1994)
                                            Suspiria (1977)


Summer One Nighter -- 2012
          
    Tuesday, 6/12/12      Behind the Mask: The Rise of Leslie Vernon (2006)
                                            Kingdom of the Spiders (1977)


Movies At Dog Farm II -- 2012  (First Pre'Ween Picture Show)

     Friday, 10/19/12      Dawn of the Dead (2004)
                                            House of 1000 Corpses (2003)

Saturday, 10/20/12      Shaun of the Dead (2004)
                                            Attack the Block (2011)
                                            Pontypool (2008)
                                            The Descent (2005)
                                            Trick R' Treat (2007)
                                            High Tension (2003)


Movies At Dog Farm III -- 2014

       Friday, 5/23/14       Starship Troopers (1997)
                                             Saturn 3 (1980)

  Saturday, 5/24/14       Beyond the Valley of the Dolls (1970)
                                             The Sentinel (1977)


Movies At Dog Farm IV -- 2015

       Friday, 5/22/15       The Manitou (1978)
                                             Alone in the Dark (1982)

   Saturday, 5/23/15      Vanishing Point (1971)
                                             The Thing (1982)


Movies At Dog Farm V -- 2017

        Friday, 5/26/17       The Beast Within (1982)
                                              The Funhouse (1981)

    Saturday, 5/27/17       Private Parts (1972)
                                              The Blob (1988)
                                              The Howling (1981)


Summer One Nighter II -- 2017
      
  Wednesday, 6/7/17       The Big Doll House (1971)
                                               Videodrome (1983)


Pre'Ween Picture Show II -- 2017
  
    Saturday, 10/28/17       Halloween II (1981)
                                                 From Beyond (1986)
                                                 The Texas Chainsaw Massacre 2 (1986)


New Year's Eve -- 2017

      Sunday, 12/31/17        The Redeemer - Son of Satan (1978)
                                                Suspiria (1977) redux


Movies At Dog Farm VI -- 2018

           Friday, 6/1/18         Ed Wood (1994)
                                                Phenomena (1985)

       Saturday, 6/2/18       The Incredible Shrinking Man (1957)
                                                The Hitchhiker's Guide to the Galaxy (2005)
                                                Altered States (1980)
                                                Humanoids From the Deep (1980)


Summer One Nighter III -- 2018

        Sunday, 7/22/18         May (2002)
                                                 Fear No Evil (1981)
                                                 Of Unknown Origin (1983)


Summer One Nighter IV -- 2018

       Saturday, 8/18/18       The Final Girls (2015)


Pre'Ween Picture Show III -- 2018

         Friday, 10/26/18        What We Do in the Shadows (2014)
                                                   [REC] (2007)

     Saturday, 10/27/18       The Fog (1980)
                                                  Trick R' Treat (2007) redux
                                                  Ginger Snaps (2000)


New Year's Eve II -- 2018

      Monday, 12/31/18        Curtains (1983) 
                                                  The Brood (1979)
                                                  Pontypool (2008) redux


Movies At Dog Farm VII -- 2019

           Friday, 4/26/18        Demon Seed (1977)
                                                  It's Alive III: Island of the Alive (1987)  50th Movie! *

       Saturday, 4/27/18       Boogie Nights (1997)
                                                  Friday the 13th Part 2 (1981)


__________________________________________


    I couldn't resist crunching the numbers a bit after compiling the timeline...

Most Popular Decade:                  The 1980s, with 21 movies
2nd Most Popular Decade:         The 2000s, with 12 movies
3rd Most Popular Decade:          The 1970s, with 11 movies
Most Popular Year(s):                  1977, 1980, 1981, and 1982, with 4 movies each

     Somehow, I've yet to screen any movies from the sixties.  So yeah, we'll be watching some movies from the sixties soon.

     Sussing out this timeline from Facebook group pages, Facebook message strings, the MADF website, and the largely hazy recollections of attendees was more of an undertaking than I initially expected.  Going forward I'll document the events more thoroughly.  If anyone has hard empirical evidence of errors or omissions, please let me know.  It's hard to fathom how many movies we've watched together, and I look forward to another fifty or so as long as interest remains.  Thanks to all who've attended over the years for helping to build these goofy little movie nights into the long running enterprise they've become!

     Incidentally, this would be a great opportunity to leave a comment sharing your favorite memories...

UPDATED


Movies at Dog Farm VIII -- 2019

                 Friday, 8/9/19      Arachnophobia (1999)                                             
                                                   The Serpent and the Rainbow (1988)

         Saturday, 8/10/19     Team America: World Police (2004)
                                                  Father's Day (2011)


New Year's Eve III --2019

          Tuesday, 12/31/19     Hereditary (2018)
                                                   Little Shop of Horrors (1986)


Winter One Nighter -- 2020

             Sunday, 1/12/20     Big Trouble in Little China (1986)
                                                  Happy Birthday to Me (1980)


Summer One Nighter IV -- 2020

           Saturday, 9/12/20    The Void (2016) -- unfinished -- equipment failure


Pre'Ween Picture Show IV -- 2020

             Sunday, 11/1/20     Horror Express (1972)
                                                  An American Werewolf in London (1981)


New Year's Eve IV -- 2020

        Thursday, 12/31/20     City of the Living Dead (1981)
                                                    Nightbreed Director's Cut (1990)


Spring One Nighter -- 2021

             Saturday, 3/6/21     Matinee (1993)


Summer One Nighter V -- 2021

           Saturday, 6/12/21      The Stuff (1985)


Summer One Nighter VI -- 2021

           Saturday, 7/24/21      Road Games (1981)
                                                     Splinter (2008)


Pre'Ween Picture Show V -- 2021

         Saturday, 10/30/21      Eyeball (1975)
                                                     Nightmare Beach (1989)

Summer One Nighter VII - 2022

          Saturday, 07/09/22     The Skull (1965)

Summer One Nighter VIII - 2023

           Saturday, 6/17/23       Private Parts (1972)




June 2, 2015

Belatedly Wrapping Up Movies At Dog Farm IV In One Tidy Little Package . . .

The Thing (1982)
The Thing (1982) - You've gotta be fuckin' kidding me, right?

       So how does one gauge the success or failure of a movie program?  Now that the Movies At Dog Farm live events have been around for a while, the success or failure of  these events must surely be relative.  Those of us that have attended from the start wax nostalgic about the best screenings from the past, though I wouldn't characterize any of the prior programs as complete and utter failures.  Additionally, I have to keep in mind that the movies are only one element of a larger event that's actually all about photography.  I'm just the geek show, eating light bulbs and biting the heads off chickens.  If I'm lucky, I get a receptive audience that responds to the show as I anticipated.  If not, well...

     As now seems to be tradition, Herb Miller and I made a trip to Timberville Friday night for beer, food, and cigarettes at roughly the same time the movies should have begun.  We were accompanied by Jai McWhorter, Phil's hired help at the Dog Farm who impressed me mightily be being only twenty years old and name dropping The Cabinet Of Dr. Caligari (1920) on me.  We were only about half way to Timberville when Herb's brake line busted unexpectedly, leaving us unable to make a sharp turn on a country road that then abruptly turned into a plowed field.  No one was hurt, and Herb got the car back on the road and continued on to Timberville sans brakes.  That seemed to make sense at the time.

The Manitou (1978)
The Manitou (1978) - The stunted glory of Misquamacas.
     We got back to the Dog Farm intact roughly an hour later, and no one was there except Phil, who was agitated that attendees who were expected earlier hadn't yet arrived.  Ultimately, everyone arrived safely in two separate carloads coming from different directions.  Tricia and Noodle Newnum arrived with event veteran Josh Kamikaze Buckland in tow, followed by Kelli and Jeff Ramirez shortly thereafter.  I think.  Or maybe it was the other way around.  Someone should have been keeping notes.  Our first movie, The Manitou (1978), finally lit up the screen just shy of midnight.  Sounds like everything's been a bit of a cluster fuck thus far, huh?

     Well I couldn't have asked for a more receptive audience.  There's something truly magical about watching a movie with an audience that's perfectly in tune with what's unfolding on the screen.  The Manitou is a movie that begs a lot of MS3TK style interaction, and that's exactly what happened.  Baggy back flesh and boob lasers carried the day.  Phil even treated us to an impersonation of the movie's vertically challenged Native American shaman afterwards.  We at the Dog Farm are nothing if not politically correct.

Jack Palance in Alone In The Dark (1982)
Alone In The Dark (1982) - Jack Palance saying howdy.
     Owing to how late we got started, we moved on to Alone In The Dark (1982) almost immediately after The Manitou was over.  No brakes, baby.  That seems to have been a theme for the evening.  Everyone was enthusiastic throughout the second feature, as well.  Night one of Movies At Dog Farm IV will undoubtedly be remembered as one of the events' more successful screenings.  We wrapped things up at about three in the morning, at which point I quickly left for home.

     Though other attendees came and went during the day Saturday, the audience for Saturday night's movies ended up being the exact same group of people as Friday night.  That's unusual.  Not at all bad, just unusual.  Generally there's a little more turnover from day to day.  Jeff was good enough to man the grill for us Saturday night, so the movies were improved greatly by the addition of hot dogs and hamburgers served up fresh. Up first for Saturday was Vanishing Point (1971), a movie I'd never seen and didn't select.  Herb had suggested it to me several months ago, so it took the place of the previously announced Rituals (1977).  Truth be told, I had begun to doubt that Rituals would play well to a crowd anyway.

Gratuitous nudity in Vanishing Point
Vanishing Point (1971) - Gratuitous nudity, 70s style.
     Turned out Vanishing Point was pretty damn good, though it didn't really lend itself to the same kind of audience interaction as the previous night's movies.  Still, it did possess the unmistakable vibe of vintage drive-in fodder.  I had threatened to lay the failure of the evening at Herb's feet if Vanishing Point didn't play well to the crowd, so I suppose I'm also obliged to give credit where it's due.  You might get to pick one again some day, Herb.

     Unfortunately, we lost a few viewers to an early bedtime before The Thing (1982) started.  It also began to get almost uncomfortably chilly outside, though that seemed weirdly apropos given The Thing's Antarctic setting.  Those of us that stuck it out enjoyed seeing The Thing on the big screen, but everyone quickly scuttled away to warmth immediately after the movie was over.

     So how does one gauge the success or failure of a movie program?  Relatively speaking, I'd say Movies At Dog Farm IV was a success.  The geek show was rewarded once again with the receptive audience it needs to survive.  The geek thanks you.


May 20, 2015

Movies At Dog Farm Live Events And The Origins Of This Site - A History

forgetful kitty
     I've just celebrated my forty-fifth birthday.  One of the only bits of enduring wisdom I can share with the youngsters is this: write down everything.  Someday you're going to have trouble remembering.  In preparing for the fourth Movies At Dog Farm live event, it occurred to me that I've never really laid down a history of these live events.  I'm already having trouble remembering particulars, so it's time for a little historical preservation.

     Movies At Dog Farm was a mini movie festival well before this site was ever conceived.  My good friend Phil Neff, a professional photographer, had been in the habit of hosting a weekend long gathering for photographers and models once or twice a year at his home in Timberville, VA.  Phil's home also happens to be a dog boarding facility situated on a gorgeous, wooded, and remote property.  Yes, Virginia, there is a real Dog Farm.  First, though, I have to go back a little further to explain how the notion of programming movies for Phil's event first came about.

     I had concocted something I christened the First Annual Drive-In Movie Summer Series for myself and a couple of friends in the summer of 2011.  We met at my house once a week for thirteen weeks and watched one in a series of movies I had selected.  Inside.  On a television.  That name referenced the nature of the movies we watched rather than the mode of presentation.  I tried to do it up right, though.  I even prepared a program that offered bullet points for each movie to provide at least a modicum of historical context and  factual info for each title.  My two "subjects" were not inveterate genre fans, so I was hoping this would be a bit of a learning experience for them.  

     My selections were intended to be a representative sampling of drive-in fare spanning the years 1971 to 1981, which I dubbed the last golden age of the drive-in theater.  "Drive-in movie" is an admittedly non-specific term, but for the purposes of this series I defined it as any movie that possessed a healthy dose of WTF and spent a sizable portion of its theatrical run playing drive-ins.   For the record, the thirteen movies selected were: Zombie (1979), Ilsa, Harem Keeper Of The Oil Sheiks (1976), Private Parts (1972), Squirm (1976), Wolfen (1981), The Texas Chainsaw Massacre (1974), Shivers (1975), Let Sleeping Corpses Lie (1974), The Manitou (1978), Mountain Of The Cannibal God (1978), It's Alive (1974), Motel Hell (1980), and The Beyond (1981).

     The First Annual Drive-In Movie Summer Series went off with nary a hitch, and I immediately began to acquire movies for a follow-up provisionally titled Son Of Summer Series.  Unfortunately, it gradually became apparent that Son Of Summer Series wasn't going to happen.  I was already sitting on a stack of new DVDs, though, and I bellyached to Phil about the cruel fate that had befallen my burgeoning B-movie brainchild.  Phil asked if I'd be willing to transmogrify my failed Summer Series into nighttime entertainment for his guests at his next photography event, and I of course accepted.  I sell audio/video equipment for a living, so I knew I'd be able to procure a projector and speakers for the event from my employer.

     That first Movies At Dog Farm live event was still months away at that point, which afforded me plenty of time to decide exactly which titles might find an appreciative audience at Phil's.  I don't care what anyone else may tell you - programming movies for a film festival isn't for the faint of heart.  I really had no idea what might play well to this particular audience, and I chose titles and subsequently discarded my choices with alarming regularity for the next four months.  During that same time period I also created a Movies At Dog Farm group page on Facebook in the hopes of getting to know a little something about my intended audience.  That Facebook page remained active after the first event, and it ultimately became the site you see before you when Phil pointed out that my increasingly lengthy "comments" on Facebook began to read more like blog entries.  

     For anyone who's ever wondered: that Facebook group is why my empire of dust has always been called Movies At Dog Farm rather than Movies At The Dog Farm.  I thought it read better without the article.  Phil said the missing article made it sound like I was employing the Frankenstein monster's mode of expression (Fire bad! Movies At Dog Farm good!) and of course, Phil's remark just guaranteed it remained  Movies At Dog Farm.  I regret nothing.

     I finally nailed down the last of four titles just a few weeks before the event, with the intent of showing one on Friday night and three on Saturday night.  The four movies chosen for the event were Pieces (1982), Contamination (1980), Cemetery Man (1994), and Suspiria (1977).  Phil made a screen to hang up outdoors, and I began to work out the logistics of setting up 5.1 Dolby Digital Surround Sound in the woods surrounding the viewing area.  Obviously, that was overkill for movies this old, but I was personally enamored of the idea of both seeing and hearing Suspiria outside in all it of its bludgeoning auditory glory.  Not surprisingly, it rained the entire weekend, and I ended up spending an inordinate amount of time moving speakers in and out of the rain.

     Pieces was the only movie scheduled for Friday night, and it's worth noting that it was the one title of the four selections about which I had the most reservations.  I knew everyone would either get into the right frame of mind to appreciate its not-so-subtle charms or else the presentation would sink like a stone.  I didn't see the potential for much middle ground there.  Fortunately, it went over like gangbusters.  

     Unfortunately, my inability to stick to a schedule forced me to shelve the planned screening of Contamination on Saturday night in the interest of trying to get everything back on schedule.  Luckily, Cemetery Man was well received, though by the time we got through that we didn't get to screen Suspiria until after midnight.  Only three or four folks stuck it out for that one.  Just before we started Suspiria the rain stopped, the skies cleared, and the moon shone on the woods all around us.  It was glorious.  Owing to how few people saw this screening, I think it's likely that Suspria may be revisited at a future event.

     In the end that first live event was a little rocky, though I learned from my mistakes.  It was at least successful enough to warrant a sequel in October of 2012, the Movies At Dog Farm II Pre'Ween Picture Show.  I'll write a post at some point documenting that event, as well.  Until then, what follows is the text on the flyer I made up for the first event touting the movies I either screened or intended to screen.  The write-up on Pieces was later repurposed for a Gore-A-Thon post here on the site.

____________________________________________________________________


Pieces (1982) posterPieces (1982)  
aka Mil Gritos Tiene La Noche

Screened Friday, May 4, 2012


     Pieces is pure freak show exploitation, with an advertising campaign that sells the movie like a huckstering carnival barker.  "You Don't Have To Go To Texas For A Chainsaw Massacre!" screams the tagline, and then the movie's poster even more bluntly promises "It's Exactly What You Think It Is!"  The clear implication is that Pieces offers all the bad dialog, gratuitous nudity, and graphic violence you're looking for, all in one convenient package.

     That package mostly delivers, and it does so with a charming lack of pretense.  Director Juan Piquer Simon knew what he was making here and doesn't let a sense of decorum get in the way.  Legend has it that during filming an actress actually lost control of her bladder during one take when a functioning prop chainsaw strayed dangerously near.  That shot made it into the film's final cut, a testament to the aesthetic of tacky, unrefined showmanship that makes Pieces great.

     Director Simon once stated, "I don't know anyone who says 'I'm going to make a bad movie.'  Nor do I know anyone who says 'I'm going to make a work of art' and makes it."  Somehow, Pieces manages to be both bad movie and work of art at the same time.  The Texas Chainsaw Massacre may be the undisputed masterpiece, but Pieces earns its place in the chainsaw movie pantheon by being devoid of delusions of grandeur and simply delivering what it promises.  It truly is exactly what you think it is.

    
Contamination (1980) posterContamination (1980)  
aka Alien Contamination 

Scheduled for Saturday, May 5, 2012, but ultimately not screened due to scheduling conflicts.


     Italian filmmakers made a veritable cottage industry out of riding the coattails of American made box office successes throughout the 1970s and 80s.  The Exorcist (1973) begat Beyond The Door (1974), Jaws (1975) begat Great White (1980), and Alien (1979) begat Contamination (1980).  Curiously, director Luigi Cozzi perceives Contamination as being a riff on Invasion Of The Body Snatchers, but the distinction is specious.  Contamination was released in the wake of the massive worldwide success of Alien, and it made extensive use in its advertising of its images of pulsating alien eggs.  It's a very real possibility that Cozzi is just being disingenuous.  Either way, Contamination is a hoot.

     Starring Ian McCulloch (Zombie) and featuring a pounding score by Goblin, Contamination starts strong, ends strong, and probably won't completely put you to sleep in the middle.  Even if you do begin to feel groggy, hang in there for the reveal of the cyclopean, paper mache alien overlord at the movie's conclusion.  Only the Italians can make formaggio of this caliber.  Blue Underground's restoration from the original vault negative reinstates the gory, gut-busting FX excised worldwide for Contamination's theatrical releases, making this the definitive cut of the movie. 


Cemetery Man (1994) posterCemetery Man (1994) 
aka Dellamorte Dellamore

Screened Saturday, May 5, 2012


     Cemetery Man, directed by Dario Argento protege Michele Soavi, is one of the finest horror movies of the 90s, foreign or otherwise.  It's also woefully under appreciated, perhaps because it was saddled by American distributors with a groaningly broad title that does little to indicate its blackly comic tone.  Its original title, a bit of Italian wordplay, roughly translates as "Of Death, Of Love", and that's much closer to the mark.  This is a movie with a lot on its mind.  It examines nothing less than the meaning of life itself, and it ultimately seems to decide that life has no meaning without love.  It also has plenty of zombies, gore, and nudity, so don't think it's just a dry, artsy slog through the Big Philosophical Questions.

     A then unknown Rupert Everett (My Best Friend's Wedding) does a fine job mining the script's dark humor as Fracesco Dellamorte, a cemetery watchman with the unenviable task of slaughtering the undead "returners" at Buffalora Cemetery.  It's all in a day's work for Dellamorte until a tryst with a beautiful widow turns tragic, leading him into a tailspin of escalating psychosis.  Is death the ultimate act of love?

     Cemetery Man is a truly unique gem of a horror film, lousy American title notwithstanding.  Thanks to Josh Kamikaze Buckland for suggesting it.


Suspiria (1977) posterSuspiria (1977)

Screened Saturday, May 5, 2012


     Suspiria is Italian director Dario Argento's masterwork, a garish nightmare of over saturated colors and painterly compositions that plays like a fairy tale for adults.  Nominally about a coven of witches and the dance academy for young women they use to conceal their activities, the narrative is really only a framework upon which Argento builds his fever dream of stylish visuals and discordant sound.  Frequent collaborator Goblin provides the nerve-jangling score, easily the band's most effective, and the aural assault is every bit as important to the success of the enterprise as Argento's aggressive visual attack.  The two halves work in tandem to create a perfect storm of deeply disturbing hallucinatory horror.

     Suspiria tells the tale of Mater Suspiriorum, the Mother of Sighs, and is the first film of Argento's loosely related Three Mothers trilogy, each of which focuses on the story of one of a triumvirate of ancient, evil witches.  Inferno followed in 1980 and told of Mater Tenebrarum, the Mother of Darkness, the youngest and cruelest of the three.  The Mother Of Tears belatedly concluded the trilogy in 2007 and told of Mater Lachrymarum, the most powerful of the three witches.

     Argento failed to match the delirious heights of Suspiria with either of its follow-ups, but it would have been nearly impossible to do so.  The first was as close to perfection as genre movies get.  Everyone should see Suspiria at least twice:  once to let the malevolent magic wash over you, and once more to marvel at the flawless skill and technique with which Argento casts his cinematic spell.


April 8, 2015

Alone In The Dark (1982) - Dr. Loomis, Grossberger, Howling Mad Murdock, The Sic F*cks, And Two Future Oscar Winners Still Just Paying The Bills

Alone In The Dark (1982) poster
Alone In The Dark (1982)
Currently Out Of Print
Director:  Jack Sholder
Writer:  Jack Sholder, Robert Shaye, and Michael Harrpster
Stars:  Jack Palance, Donald Pleasance, Martin Landau, Dwight Schultz, Erland van Lidth, Deborah Hedwall, Lee Taylor-Allan, Phillip Clark, Elizabeth Ward, Brent Jennings, Gordon Watkins, and Carol Levy

A quartet of murderous psychopaths break out of a mental hospital during a power blackout and lay siege to their doctor's house.



     The movie Alone In The Dark (1982) bears no relation to the long running video game franchise of the same name.  It should not be confused with the godawful Uwe Boll directed movie adaptation of said video game, either.  Alone In The Dark is a splendid little gem of a movie that got lost in the deluge of slasher flicks flooding theaters in 1982, and it ended up largely forgotten outside of genre circles save for its status as one of the "clips no one can quite place" in the 1984 trailer compilation Terror In The Aisles.  It deserves better.

'Preacher' (Martin Landau) approaches Mom's Diner in Alone In The Dark (1982)
Byron 'Preacher' Sutcliffe (Martin Landau) approaches Mom's Diner in the surreal dream sequence preceding the opening credits of director Jack Sholder's 1982 directorial debut Alone In The Dark.
Donald Pleasance in a dream sequence from Alone In The Dark (1982)
Preacher imagines Dr. Leo Bain (Donald Pleasance) as a cleaver wielding short order cook who's about to help him split the tab the hard way...
Martin Landau awakens from a nightmare in Alone In The Dark (1982)
...before he awakens from his nightmare to find himself back at the asylum and (you guessed it) alone in the dark!

     Alone In The Dark was among the first movies produced for Robert Shaye's New Line Cinema just a couple of years before the success of Wes Craven's A Nightmare On Elm Street (1984) turned it into The House That Freddy Built.  Shaye's wife Lynn even has a cameo as a receptionist at the Haven, the mental hospital run by the pot smoking Dr. Leo Bain, played by Donald Pleasance.  Pleasance is clearly having a blast in a role that comes across as a parody of his performance as the doom-and-gloom riddled Dr. Loomis in the Halloween franchise.  Dr. Bain subscribes to the notion that no-one is really crazy, that the people society labels as psychotics are only individuals having difficulty adapting to an already psychotic world.  Even the Haven's four most dangerous patients are given considerable free reign.  Paranoid schizophrenic Frank Hawkes (Jack Palance), pyromaniac Byron 'Preacher' Sutcliffe (Martin Landau), hulking pedophile Ronald 'Fatty' Elster (Erland van Lidth), and a homicidal maniac called 'The Bleeder' (Phillip Clark) are contained only by an electric door lock that confines them to their own wing of the hospital at night.  It sure would be a shame if the power went out...

Dwight Schultz and Donald Pleasence in Alone In The Dark (1982)
New hire Dr. Dan Potter (Dwight Schultz) receives an awkwardly enthusiastic welcome from hospital administrator Leo Bain upon arriving for his first day of work at the Haven.
Erland van Lidth in Alone In The Dark (1982)
Dangerous mental patient and pedophile Ronald 'Fatty' Elster (Erland van Lidth) practices his origami, which one presumes must be a big hit with the kids.
Jack Palance in Alone In The Dark (1982)
De facto leader of  the psychos Colonel Frank Hawkes (Jack Palance) in a typically intense moment upon meeting Dr. Potter for the first time.

     As one might imagine, a considerable part of the charm of Alone In The Dark derives from its casting.  Beyond the delightful skewering of new age psychiatry that Pleasance provides, it's hard to deny the thrill of seeing future Oscar winners Jack Palance (Best Supporting Actor, City Slickers, 1991) and Martin Landau (Best Supporting Actor, Ed Wood, 1994) hamming it up to great effect as psychotics in a low budget horror movie.  The two also appeared together two years prior in the low budget sci-fi/horror flick Without Warning (1980), which was only recently rescued from obscurity by a new Scream Factory Blu-ray release.  Many viewers will also likely recognize the late Erland van Lidth, who portrays obese pedophile Ronald 'Fatty' Elster.  Van Lidth had previously made an impression as the hulking prison inmate Grossberger in the popular comedy Stir Crazy (1980), as well as later portraying the opera-singing stalker Dynamo in The Running Man (1987).  If that isn't enough star power to pique your interest, how about we also throw in actor Dwight Schultz as the mild-mannered - and completely sane - Dr. Dan Potter?  Ironically, just a few months later we'd all come to know Schultz primarily as crazed pilot 'Howling Mad' Murdock on the popular TV show The A-Team (1983-87).
 
The Sic F*cks perform Chop Up Your Mother in Alone In The Dark (1982)
The Sic F*cks perform Chop Up Your Mother just before a citywide blackout brings the show to a halt.
Martin Landau looting during the blackout in Alone In The Dark (1982)
'Preacher' finds just exactly what he's looking for while looting during the blackout...
The Bleeder wearing a hockey mask in Alone In The Dark (1982)
...as does 'The Bleeder' (Phillip Clark), who prefers to keep his identity a secret for now.

     Alone In The Dark was also Jack Sholder's directorial debut.  Sholder later worked with producer Robert Shay again on both A Nightmare On Elm Street 2:  Freddy's Revenge (1985) and the body-jumping alien parasite mini-classic The Hidden (1987) before spending most of the rest of his career working in television.  Contrary to what many fans believe, Sholder did not choose to have The Bleeder don a hockey mask upon escaping the Haven as any kind of homage to the Friday The 13th franchise.  Though released theatrically after the first appearance of Jason's iconic hockey mask in Friday The 13th Part III, Sholder's Alone In The Dark was completed first.  The character of The Bleeder was actually conceived by Shay, who was taken with the idea of a psychopathic killer who keeps his face hidden to facilitate a surprising reveal near the end of the movie.

Martin Landau makes a delivery in Alone In The Dark (1982)
Land Shark!  This screen grab is pretty funny once you know where 'Preacher' got the hat.
Erland van Lidth shares cookies and milk with Elizabeth Ward in Alone In The Dark (1982)
Of course, there's nothing funny about pedophilia - except maybe watching a wise-beyond-her-years little girl (Elizabeth Ward) effortlessly thwart a pedophile's A game while still scoring the cookies and milk.

     Owing largely to its release during the theatrical heyday of the slasher movie, Alone In The Dark is often lumped in with others of the type.  Though it bears obvious cosmetic similarities to the slasher sub-genre, it's ultimately more of a siege movie.  Alone In The Dark goes pretty light on the gratuitous gore, and most of the movie's most suspenseful moments come in the third act after Dr. Potter and his family have been trapped in their home by the trio of psychopaths lurking outside.  Slasher FX superstar Tom Savini does provide one make-up effect in the form of a briefly glimpsed zombie for a dream sequence, but his style of graphic slaughter is otherwise mostly absent.  There is a set piece involving a scantily clad babysitter named Bunky (Carol Levy) and a very big knife that most any slasher movie would be proud to call its own, but even that episode is nearly gore-free.  The appeal of Alone In The Dark, not surprisingly, lies mostly in the strength of its performances and its clever screenplay, two strengths rarely associated with the slasher sub-genre.

Carol Levy thinks there is someone under the bed in Alone In The Dark (1982)
Meanwhile, Bunky the babysitter (Carol Levy) thinks there may be someone under the bed...
A knife through the mattress in Alone In The Dark (1982)
...and there is...
A knife between the legs in Alone In The Dark (1982)
...so maybe it's time for Bunky to get the hell off the bed and consider a less dangerous vocation.

     I intentionally went with relatively few screen caps from the final siege of the Potter household in Alone In The Dark so as not to ruin any of the shocks, and I hope I've been sufficiently vague throughout this post about the specifics of the narrative.  Alone In The Dark is unique amongst horror movies of the era, and it deserves to be seen with its surprises intact.  The original DVD release from Image Entertainment is unfortunately long out of print, though it can still be had for a price.  Alone In The Dark also later appeared in a two disc, four movie Image release alongside Afraid Of The Dark (1991), Relentless 3 (1993), and Relentless 4 (1994), though that release seems to be even harder to track down.  Sadly, it doesn't seem to be currently available on any of the major VOD outlets.  Rumor has it that a high definition master of the movie still exists, so perhaps Scream Factory will someday swoop in to save Alone In The Dark from obscurity just as they did with the previously mentioned Without Warning.

A family under siege in Alone In The Dark (1982)
Dr. Potter and his family prepare to fend off a home invasion...
Outside the house under siege in Alone In The Dark (1982)
... because appearances notwithstanding...
Dr. Potter's family trapped in Alone In The Dark (1982)
...the Potters already know they're not alone in the dark tonight.

     So how, you may ask, might someone go about seeing Alone In The Dark given its current state of release?  Well, if you expect to be anywhere near Timberville, Virginia on Memorial Day Weekend, shoot me an email.  Alone In The Dark is the second confirmed title - alongside the previously announced Rituals (1977) - for the Movies At Dog Farm IV live event this Spring!

January 19, 2015

The Dog Farm Finally Creeps Up On The Creeper - Movies At Dog Farm IV Looms Ominously In The Distance...

A beaten and bound middle-aged man sitting atop a hill...

     Does the screen cap above look familiar to you?  I've been deviled by it for thirty-five years.  It doesn't look quite as I remembered it, but that's definitely it.  I was frustrated by my inability to recall the movie from which this image was taken for decades.  Then - even worse - I finally realized it was from a movie that was essentially unavailable.  This image was nothing more than a vague memory I would carry with me to the grave.  As the years passed I began to question if I'd ever even seen this image.  Perhaps it was only something I fabricated in my mind's eye, assembled from the unclassified scraps of horror movie detritus that litter my brain.

     I consider myself fortunate that I came of age during the seventies and eighties, arguably the last true golden age of genre movies.  I also consider myself fortunate that I lived through the glorious heyday of DVD in the nineties and aughts.  Almost any movie I recalled fondly from my youth was readily available to me, often in a beautifully packaged collector's edition.  Still, there were a handful of oldies that remained frustratingly out of reach. 

    I was haunted by the image above largely because it was from a movie that I could neither recall nor acquire.  I was certain it was from a movie I'd seen at the Skyline Drive-In.  I knew this because I remembered it being dark during its nighttime scenes to the point that it was almost incomprehensible.  I recalled also that it was a movie I hadn't particularly enjoyed, haunting visual notwithstanding.  My inability to remember its title and/or see it once again vexed me.

     At last I discovered that it was a Canadian movie I'd seen under the title The Creeper somewhere around 1980.  Part of the reason I could never place it was because it's better known in genre circles by its original title, Rituals (1977)The Creeper was a retitling for the American market intended to position the movie as a backwoods slasher flick.  It's not, really.  That probably explains why my ten year old self didn't care for it at the time.  I'd been duped.  As for the impenetrable darkness in those nighttime scenes - it was due to damage inflicted upon the original negative during processing by Pathe Studios.  Who knew?

     So now I had a title, but I was thwarted by the fact that Rituals had essentially become a lost film since I'd seen it so long ago.  There were still substandard public domain releases under its retitling that popped up occasionally, but they were usually from a heavily edited broadcast television version that omitted over ten minutes of footage and still suffered from the excessive darkness that marred its presentation wherever it appeared.  The only unexpurgated version seemed to be an old Canadian VHS release by Astral Bellevue Entertainment, long out of print, that was difficult to locate and exorbitantly expensive.  Later there was a German DVD release, but it had forced subtitles and reportedly did nothing to correct the dark image.

     Finally there came word of an impending DVD release from Code Red DVD.  Code Red had obtained access to director Peter Carter's personal copy that his wife found in a closet and passed along to actor/producer Lawrence Dane.  The elements were still rough, but the print was uncut and Code Red had reportedly lightened the excessively dark passages.  This was all pretty big news in genre circles.  The impending release even scored a cover story in a special VHS issue of Rue Morgue magazine in December of 2009.  Then the release was delayed and later assumed abandoned by most until it finally showed up unheralded roughly a year and a half later.  It sold out almost immediately despite the low profile release, and it quickly became almost impossible to score a copy for less than fifty bucks or so from online resellers.  I missed that brief window of opportunity, and so Rituals once again eluded me.

     I've finally convinced myself to quit being a cheap bastard though, and I've ponied up the cash for a copy of that out of print Code Red DVD release.  I'll be sharing it with others soon at the next Movies At Dog Farm live event.  I'm pretty stoked about seeing Rituals again outdoors under the moonlight just as I saw it at the Skyline Drive-In nearly thirty-five years ago.  Rituals is now the first official selection for Movies At Dog Farm IV in May.

    
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