Showing posts with label Clark Gable. Show all posts
Showing posts with label Clark Gable. Show all posts

Sunday, February 23, 2025

Charm Over Chuckles in ‘It Happened One Night’ 1934

Clark Gable & Claudette Colbert on the road to romance: "It Happened One Night."


A year after its release, 1934’s It Happened One Night swept the Oscars on February 27, 1935—Best Picture, Director, Actor, Actress, and Writer—a feat seldom duplicated. As of January 1, 2025, at age 65, I had never seen this classic, except for clips. I then watched Night twice and these are my takeaways.

The big surprise for me was that I thought It Happened One Night was a straight up comedy, but it's really a humorous but heartfelt slice of life during America’s Depression era. The runaway bride is a screwball comedy staple, for sure. Yet it’s more about the rich girl, Ellie Andrews, rubbing elbows with everyday people, like fired reporter Peter Warne. Night then becomes a romantic “road” movie, as well.

"It Happened One Night" was made on a modest budget but became a popular hit.

There are some famous comedic moments: The society girl jumping off the family yacht, the motel blanket “walls of Jericho,” the girl hitching her skirt to hitch a ride, and the bride bolting from the altar. But there really aren't any hilarious lines and the scenes that I just mentioned brought a smile to my face, but no outright chuckles—and I have a good sense of humor.

The walls of Jericho provide a blanket of privacy in 1934's "It Happened One Night."

Considered one of the big screwball comedies, It Happened One Night was directed by Frank Capra, who directed a few, like You Can’t Take It with You and Arsenic and Old Lace. Frankly, I don’t find It Happened One Night a “screwball” type comedy—not like the antic My Man Godfrey or Bringing Up Baby. There are elements, but they’re pretty mild, not wild. Also, for a comedy of this era, it’s a bit leisurely at an hour and forty five minutes. Twentieth Century, My Man Godfrey, and Nothing Sacred all clocked in at around 90 minutes.

Many have noted that It Happened One Night may be the first rom-com, where the leads are at odds, while also attracted to one another. What’s typical is that nearly a century later it’s still almost always the woman who’s the flake or a spoiled brat who needs to be taken down a notch or two, and the strong man who just softens up with love. One of the few times that the roles were reversed was Cher and Nicolas Cage in Moonstruck—though I’m sure there have been others.

Director Frank Capra with stars Clark Gable & Claudette Colbert.

Clark Gable and Claudette Colbert were in their first flush of stardom by 1934. Both proved adept at comedic acting here, and already played romantic and serious roles. It Happened One Night was by turns a comedy, a romance, and with some dramatic moments. Clark and Claudette were triple threats in this classic.

Claudette Colbert as the bride about to bolt, with father Walter Connolly,
in 1934's "It Happened One Night."

Claudette Colbert, with her crescent moon eyebrows and Betty Boop makeup, is the perfect comedic doll, balanced by her natural intelligence and class. Colbert’s large, expressive eyes, especially when she realizes she’s in love with the hard-nosed reporter, are well-utilized by the star. Clark Gable was still a lean young movie star in Night. While Gable’s not so skilled in his comic drunk scenes, he’s naturalistic in his dramatic as well as comedic scenes. The two stars play in a modern style that still makes this movie watchable today.

Clark Gable at his youthful peak, in 1934's "It Happened One Night."

This is really a two character film, Gable’s reporter and Colbert’s rich girl. There are some great character actors who show up for one scene—Alan Hale, Sr., Ward Bond, etc. Colbert has her irascible millionaire father (Walter Connolly), Gable has his ornery editor (Charles C. Wilson). But they are all window dressing for the two leads on the road to romance.

Audiences made this movie a hit with word of mouth, perhaps because they saw themselves and their lives depicted realistically on the screen. Also, It Happened One Night was considered risqué back in the day, and was released before the July 1934 clamp down of the enforced censorship code for films.

Claudette Colbert's rich girl shows know-it-all reporter Clark Gable how to get a lift,
in 1934's "It Happened One Night."


I think this movie was a refreshing change of pace for its time and it’s why It Happened One Night swept the Oscars that year. It's interesting that Gable beat William Powell's first time as Nick Charles in The Thin Man, which led to a long-running movie series. Or that Myrna Loy wasn't even nominated as Nora Charles! And that Bette Davis was a write-in for her career changer, Of Human Bondage

How was it that Claudette Colbert thought she wouldn’t win the Oscar? Her only official competition was MGM’s perennial nominee Norma Shearer and opera singer Grace Moore. It Happened One Night was released with little fanfare in February 1934, to mixed-to-good notices. But by Oscar night a year later, the sleeper comedy had become a huge hit with the public. Colbert still departed by train for a long-overdue vacation only to be brought back when she won, accepting her Oscar in a Travis Banton traveling suit.

Shirley Temple gives Claudette Colbert her Best Actress Oscar.

The cinematography by Joseph Walker is beautiful, this artist worked on nearly all of Capra's films. The outdoor night scenes or the rain sparkling on the bus and motel windows, are just exquisite. The script by Robert Riskin is bright and clever, depicting people of all variety. And Frank Capra’s direction is warm and character-driven, Capra at his best.

It Happened One Night has a lasting charm, with characters that feel quite real, quite an accomplishment for a movie that happened nearly one century ago!

The walls of Jericho, about to come down, in 1934's "It Happened One Night."

Here’s Clark Gable, a quarter of a century later, playing another rough around the edges reporter, out to get a story and the leading lady, this time Doris Day, in Teacher’s Pet. My take here: https://ricksrealreel.blogspot.com/2022/04/teachers-pet-1958.html

 

Here's Clark Gable a quarter of a century later, in 1958's "Teacher's Pet."

 

Sunday, April 3, 2022

'Teacher’s Pet' 1958

Both Clark Gable & Doris Day's characters have lessons to learn in "Teacher's Pet."


Teacher’s Pet was made in the midst of Doris Day’s 20 year movie career. Hollywood’s girl next door starred opposite almost all of the golden era’s leading man greats. Doris worked well with them all, and Clark Gable was no exception. In 1958’s Teacher’s Pet, as modern journalism teacher Erica Stone, Doris is warm and intelligent; Clark is playful but pragmatic as the old-style news editor. While both play to their very specific personas, Day and Gable are completely natural in front of the camera and totally believable as their journalist characters.

Doris Day's DA hairdo in "Teacher's Pet" would soon be DOA with "Pillow Talk!"

Clark is Jim Gannon, an old-school city desk editor. As an old-school Hollywood icon, Gable was perfect casting. Though a life of cigarettes and alcohol made him look older than 56, this was not unusual for classic Hollywood heroes. Sadly, Gable was dead less than two years after Teacher’s Pet was released. It was still common to cast much younger actresses as co-stars. Doris Day was 35 when this rom-com was filmed, and clean-living Day lived to be 97.

Doris Day & Clark Gable make a solid team in "Teacher's Pet."

I was a former newsroom journalist and there was some smart stuff in this film, issues that exist to this day. I came into news at the tail end of this movie’s depicted era. The whiff of old-school journalism, where some staff reeked of cigarette smoke and longed for the good old days of a bottle in their desk drawer. In Teacher’s Pet, papers were trying to stay in the black, losing space to the ads that kept the lights on. And the battle of opinions over whether to get a college education versus on-the-job training is still a relevant topic.

Clark Gable's city editor with hot news item Mamie Van Doren in "Teacher's Pet."

Teacher’s Pet was more of a comedy-drama than a flat-out farce; perhaps this was why it wasn’t filmed in color. This is one of the few Doris Day movies shot in B & W. Cinematographer Haskell Boggs (who worked mostly on TV) doesn’t do either star any favors in the glamour shots department, either.

The following year, Doris got the Ross Hunter glamour makeover and soft lenses in Pillow Talk, and the die was cast for “Doris Day lighting!” Ironically, despite the common perception that Pillow Talk was a big departure for Day, the basic plot mimics Teacher’s Pet: Career girl Doris fights off old-school wolf. She’s appalled by his lifestyle. Wolf then pretends to be someone else, to play Day. There’s a sidekick commenting on the action. Booze figures prominently, there’s a song or two. Day discovers the ruse, but a happy ending ensues. The big difference is Teacher’s Pet is far more realistic and both characters compromise by the end.

Gable's old-school in every way, especially when it comes to the chassis of Doris Day!

Though Gable plays Jim a bit broadly in the comic moments, he’s quite at ease in the serious scenes. Clark brings great authority as the voice of experience, who’s ill at ease under it all, for his lack of education. Perhaps it’s the smart Oscar-nominated script by Fay and Michael Kanin, but as the typical comedic battle is fought, eventually both Day and Gable’s characters learn, and to give a little.

A lovely scene in "Teacher's Pet," when editor Gable discovers who's the father
of journalism teacher, Doris Day.

As the journalism instructor, Doris Day plays it more straight than usual. Day loses the early ‘50s ingénue attitude and tones down the comedic squawks of indignation that came in later comedies. When Erica discovers the late bloomer in her journalism class is the newspaper jerk who wrote her an insulting letter, Day’s teacher is genuinely hurt. Both characters learn to appreciate the other, and this gives Teacher’s Pet more heft than the typical Day movie. Doris is natural in her dramatic moments, and gets to be playful when sparring with Gable.

Are Gig Young & Clark Gable vying for Doris Day's attention in "Teacher's Pet?"

One of Doris Day’s funniest moments is when mimics Mamie Van Doren, who plays Gable’s performer gal pal. After viewing Mamie sing and dance to “The Girl Who Invented Rock and Roll,” she tweaks Gable with her own version later. And aside from Doris’ good humor, Day demonstrates that her figure is every bit as impressive as Mamie’s! In fact, the movie gives us several appreciative views of Day’s assets. BTW, Doris was tall at 5’7”, in an era of petite movie divas.

Doris Day's teacher proves she's got a few moves of her own in "Teacher's Pet!"

Gig Young got a Best Supporting Actor Oscar nomination for his role as the psychiatric professor, Dr. Hugo Pine, who Gable first views as a threat. Young was an excellent dramatic actor, but a natural at romantic comedy. He’s quite charming and funny here, with some wonderful bits of business, and gets to play some “comic” drunk scenes once again.

Gig Young is charming & very funny as Doris Day's fellow professor, "Teacher's Pet."

Nick Adams is energetic and sincere as the young hot shot, Barney Kovac. He looks up to old-school Gable—literally. When Nick stands next to Clark, Hollywood’s “King” looks like he could snap the boy in half! Also, Vivian Nathan who plays Nick’s mama, who wants him to go back to school, stands out for her strong, believable performance. Mamie Van Doren spoofs her sex bomb image to amusing effect. Note Marion Ross of Happy Days as Day’s secretary!

Spark plug Nick Adams is dwarfed by Clark Gable in "Teacher's Pet."

A smart gimmick was to cast real-life show biz reporters in cameos in this film, thus assuring good publicity for Teacher’s Pet: Army Archerd, Vernon Scott, Sidney Skolsky, and Joe Hyams, to name a few.

There are as many touching moments as there are funny ones in Teacher’s Pet. Enjoy Doris Day in one of her strongest vehicles, starring opposite of “The King” of Hollywood!

Hollywood blondes, bombshell & girl next door, promoting "Teacher's Pet."

Here’s my tribute to Doris Day and how I belatedly became a fan: https://ricksrealreel.blogspot.com/2017/04/a-latter-day-doris-day-fan-fesses-up.html

My look at Doris Day in the lovely, lively musical, The Pajama Game: https://ricksrealreel.blogspot.com/2017/10/the-pajama-game-1957.html

FYI: I put all the movie overflow on my public FB  movie page. 

Check it out & join!  https://www.facebook.com/groups/178488909366865/


Clark Gable and Doris Day looking like the Hollywood royalty they are
at a premiere for "Teacher's Pet."