‘North by Northwest’ 1959

Cary Grant & Eva Marie Saint get a "rush" of a cliffhanger in this Alfred Hitchcock classic.

The Alfred Hitchcock catch me if you can classic, North by Northwest, was the film forerunner to the modern summer blockbuster.

North by Northwest was a distinctly commercial venture after Vertigo. Hitchcock had received some criticism in the ‘50s as too smoothly commercial, with his Grace Kelly movies, The Man Who Knew Too Much, and 1959’s North by Northwest. 1960’s Psycho would be his answer to THAT criticism!

Cary Grant spends the entire time in 'North By Northwest' on the run!

Here’s the complicated plot of NBNW in a nutshell: Devil-may-care ad man Roger Thornhill is abducted by henchmen and taken to spy Philip Vandamm. He is convinced that Roger is an undercover agent. They then engage in a cross-country game of cat/mouse, when a cool blonde enters into the mix of this smart suspense thriller. The deeper Roger gets entangled into this espionage web, the more he realizes there’s a thin line between the good guys and bad guys.

Alfred Hitchcock, master of suspense AND master showman, promoting 'NBNW.'

North by Northwest was Hitch's double whammy with the plot device he called the “MacGuffin.” This was an inconsequential object of a story that sets everything in motion. While the MacGuffin here is microfilm hidden in an antique, I think that George Caplan, a non-existent person who Cary Grant's ad man is mistaken for, is the real MacGuffin here.

The microfilm revealed late in 'NBNW' may be the official 'MacGuffin,' but for me,
Grant's Roger Thornhill mistaken for George Caplan is the REAL MacGuffin!

NBNW is the epitome of a mid-century movie: sophisticated yet totally entertaining; a clever plot and plenty of action; sexy yet classy; a star and director's vehicle. North by Northwest’s story takes the audience across the much of the United States, from NYC to Mount Rushmore. This suspense film is what summer blockbusters call a "thrill ride." Unlike many modern versions, North by Northwest was meticulously thought out and filmed, with director Hitchcock at his height of storytelling talents.

Cary Grant, the essence of movie star cool, and IMO, Hitchcock's best movie hero.

Roger Thornhill was Cary Grant's last great role, though he appeared in several more popular movies before making a graceful film farewell in 1966. At 55, Cary looks like a million and deserved every cent he demanded. Perhaps the healthiest and best-preserved male movie star of his generation, Grant is stylish, sexy, fit, graceful, and charming—a total catch for any leading lady. Also, Cary’s droll humor is also on full display. Though his role resembles the government agent he played for Hitch over a dozen years earlier in Notorious, Cary is less moody here. Grant is great with a funny line, whether broad or sly, and his body language is fantastic, when playing drunk or playing the fool at an art auction. North by Northwest also demonstrates that had he been a decade or so younger, what a great James Bond he would have made in the coming decade. 

At 55, Cary Grant is still in fine form, and aged better than any of his fellow male stars.

I've written how understated Eva Marie Saint as Eve Kendall is the secret weapon of North by Northwest, which you can read here:
https://ricksrealreel.blogspot.com/2019/07/eva-marie-saint-secret-weapon-of-north.html

Cary Grant, Eva Marie Saint, and the red & black cocktail dress.

I’ll recap that Eva brought her acting talent and sly sex appeal to the role of Eve. Saint had a great rapport with Grant and Alfred Hitchcock. I’m always a bit puzzled why Hitch didn’t use Eva Marie Saint again, in some of his ‘60s films.

Cary Grant & James Mason as hero & villain: Mason's persona makes me think of a dark side version of Grant.

"You have to choose ONE of us, Mister!" Martin Landau, James Mason's "loyal" henchman.

James Mason, who I always thought of as a mortal version of Cary Grant, is a wonderful villain in North by Northwest. Silky would be the cliché adjective to describe his Phillip Vandamm, but damn, Mason is silky and sexy. He's intelligent yet intimidating, charming yet creepy, cool but with an underlying attitude of sadness—an update of Claude Rains’ cuckold character in Notorious. It's a great role for James Mason and his ambiguous attitude toward Eve and henchman Leonard is fascinating. Martin Landau, tall and ominous—a handsome Lurch—those glaring ice blue eyes, is smartly sinister as Leonard. His attitude toward Eve and a few key lines makes it very apparent that Leonard is not just a villain, but also just a jealous guy, as John Lennon once sang.

Left: Jessie Royce Landis, amusing as Grant's exasperated mother, asking these thugs
if they're really trying to kill her son!

A fine supporting cast goes far in making North by Northwest a smooth ride: Jessie Royce Landis as Grant’s mother; Leo G. Carroll, as the FBI “good guy;” Josephine Hutchinson as “Mrs. Townsend;” and Philip Ober as Lester Townsend; Ernest Anderson as the train porter, and Ned Glass as the station ticket master who’s on to Grant are welcome familiar faces.

Eye-catching Saul Bass titles & Bernard Herrmann's score get 'NBNW' off to a rousing start!

Ernest Lehman wrote one of the wittiest Hitchcock screenplays ever in NBNW. The classic opening credits by Saul Bass, paid homage to in Mad Men, still stuns on each viewing. The energetic and slightly exotic score by Bernard Herrmann is one of his best. One of Hitchcock’s favorite cinematographers, Robert Burks was up to the challenge of framing the thrilling set pieces. Perhaps that’s why Burks shot 12 films for Hitchcock. And for a ‘50s movie, the Mount Rushmore mock ups look pretty damn good. Hitch's love of rear projection, matte work, and actual location shooting is mixed just about perfectly in NBNW.

There’s the villain’s heavenly hideout home, even though it’s just a set and a mural/miniature. How amusing that Hitchcock has the villain live in a Frank Lloyd Wright-esque house that’s located next door to Mount Rushmore—totally inconspicuous, right?

Where else would a spy's hideout be located, but in a Frank Lloyd Wright-style mansion
next door to Mount Rushmore? Talk about hiding in plain sight!

At 2 ¼ hours, my one “nay” about North by Northwest is that it’s a tad overlong. Studio era movies could be deliberate in their storytelling set up, especially to today’s attention span deprived eyes. And this was especially true of Hitch. I recall at a retrospective showing of Rear Window, there were signs of audience restlessness during the opening scenes. In NBNW, Roger Thornhill’s kidnapping, induced drinking, drunken car ride, and subsequent arrest could be much shorter. Drunk scenes for laughs don’t play well today, and it doesn’t advance the movie much, except to show Grant’s comedic skills, and Hitch’s sometimes heavy-handed humor. By contrast, the near-silent crop duster scene hasn’t a wasted moment.

As with Alfred Hitchcock’s work, North by Northwest can be enjoyed multiple times. There are so many layers to Hitch’s storytelling and he utilizes all the top notch production elements to the fullest. NBNW is a film journey I love to re-visit.

FYI: I put all the movie overflow on my public FB  movie page.

Check it out & join!  https://www.facebook.com/groups/178488909366865/

This Julius Kroll promotional caricature captures all the elements of Hitchcock's 'NBNW.'

Classics for Comfort Blogathon

See Rick's Picks for comfort films below!

For the Classics for Comfort Blogathon, I could have easily named 50 classics that offer cinematic comfort over the allotted five films. The movies I listed are ones that I love for their uplift, whether it is romantic, musical, or suspense. These films have never failed to entertain me and also lift my spirits.

Paul Henreid & Bette Davis in 'Now, Voyager,' one of the golden era's most grown up romances.

Now, Voyager, 1942

Now, Voyager shows that Bette Davis could be just as brilliant playing a sympathetic character as she could with her famed villainous roles. Bette’s Charlotte Vale goes from a neurotic spinster to a stylish but insecure socialite to finally, a self-assured, independent woman. Davis takes Vale through an emotional minefield: a monster mother, a kind but married lover, and a rich but dull fiancée. Davis’ character evolves every step of the way. Even after her “cure,” Charlotte is still uncertain, a voyager in uncharted waters. Had this been a MGM production, with Joan Crawford or Norma Shearer, Charlotte Vale would have been fine and dandy after her therapy and makeover! Though 1942’s Now, Voyager’s plot is pure soap, the story still resonates with emotional truth and empathy. Bette Davis once wrote that she never received as much fan mail as she did for Now, Voyager, with people writing about their own tyrannical family members. This WB personal voyage is sublime.

For full review: https://ricksrealreel.blogspot.com/2018/02/now-voyager-1942.html

Cary Grant & Eva Marie Saint are a stellar duo in Hitchcock's ultra-nifty 'North by Northwest.'

North by Northwest, 1959

As I watched1959’s North by Northwest again recently, I realized the secret weapon is Eva Marie Saint, as mystery woman Eve Kendall. What Saint brought to North by Northwest, encouraged by Hitchcock, was an understated, confident, smart sex appeal. Brains and beauty were a hallmark of the Hitchcock blonde. After playing several sweet young things, Eva got to play the bad girl/good girl role as Eve Kendall. Eva’s Eve initiates an introduction to Cary Grant’s man on the lam, while aboard the 20^th Century Limited. Sparks and risqué repartee fly with Eve and Grant’s Roger Thornhill, but many twists and turns follow their further meet ups. Saint’s subtle changes in Eve’s supposed character benefited from her Actors Studio training, and was visually enhanced by Saint’s smooth makeover, guided by Hitchcock. North by Northwest presented her as a subtle siren who lures Cary Grant’s leading man. This Hitchcock classic takes viewers on the run, across the USA, with great humor, suspense, and romance. Grant and Saint lead a stellar cast. And Eve Kendall is a forerunner to the modern movie heroine and benefits greatly from having a multi-faceted performer like Eva Marie Saint to essay her.

For full review:

https://ricksrealreel.blogspot.com/2019/07/eva-marie-saint-secret-weapon-of-north.html

Christopher Reeve & Jane Seymour are timeless in 'Somewhere in Time.'

Somewhere in Time, 1980

Somewhere in Time captures Christopher Reeve and Jane Seymour at the height of their youth and beauty for eternity in this 1980 fantasy romance. Somewhere in Time begins with college grad Richard Collier (Reeve) celebrating the performance of his first play. At the after party, an aged woman approaches him, and clasps a watch into his hand, saying, “Come back to me.” Eight years later, Collier is a playwright living and working in Chicago. Suffering through a breakup and writer’s block, Richard goes to Michigan’s Mackinac Island to get away. Feeling a connection there, he sees a photo of a long ago actress that fascinates him. There seems to be clues of a strong connection between them. With the help of a professor who’s believes in time-travel, Richard seeks to self-hypnotize, to go back in time, and meet his dream girl. Once he goes back to the island circa 1912, Richard indeed meets the actress, Elise McKenna, but finds more than he bargained for. Jane Seymour later said that no one seemed to believe in Somewhere in Time except the people actually making the movie, and they were validated when Time went from instant cult classic to a perennial favorite.

For full review:

https://ricksrealreel.blogspot.com/2019/06/somewhere-in-time-and-its-timeless.html

Doris Day is abs adorable in 'The Pajama Game,' with a great cast, songs, dancing, & direction by Stanley Donen.

The Pajama Game, 1957

The Pajama Game, the delightful 1957 Doris Day musical, was released two years prior to Pillow Talk. That glossy sex comedy, with Rock Hudson, set Doris’ image stylishly in stone for the next decade. But in Pajama, Doris Day is a down-to-earth delight in this underrated Broadway adaptation. The story is as lightweight as those jammies they make Sleep-Tite Pajama Factory, where the workers’ call for a seven-and-a-half cent raise is turned down by the boss. He then hires a tough guy to become the factory superintendent to keep everyone on task. John Raitt plays Sid, the new man on the job; Doris plays Babe, the head of the grievance committee. Guess what happens next?

Doris Day was 35 and filled with snappy energy, smarts, not to mention natural sex appeal, in The Pajama Game. The rest of the cast is a delight down to the smallest parts. Vaudevillian Eddie Foy, Jr. and character actress Reta Shaw have a great song and dance number, “I’ll Never Be Jealous Again.” For Carol Haney, this would be her only film role with dialogue, but she’s a scene stealer as the bookkeeper who keeps the numbers close to her heart! Her big number, “Steam Heat,” is a stellar Bob Fosse choreographed number, and Haney’s moves are marvelous. Though The Pajama Game debuted 63 years ago in 1957, and it looks like a snapshot of an era, the film still feels fresh. Aside from the great material, credit must go to Stanley Donen, whose body of work is filled with some of the most stylish, imaginative musicals and comedies of the post-war era.

For full review: https://ricksrealreel.blogspot.com/2017/10/the-pajama-game-1957.html

Dorothy McGuire & Robert Young learn what love is truly about in 'The Enchanted Cottage.'

The Enchanted Cottage, 1945

One way to look at1945’s The Enchanted Cottage is a pure Hollywood golden era fantasy.  Another is that the film’s message—beauty is literally in the eye of the beholder—is timeless. First a play, then a silent movie, The Enchanted Cottage was remade two decades later for WWII audiences, with Dorothy McGuire and Robert Young heartwarming as the leads. 

Oliver Bradford brings his lovely fiancée to a cottage where honeymooners once nested, on the New England coast. The tradition was broken 25 years earlier when the last groom died tragically; the bride is now the cottage’s taciturn owner/housekeeper. The current couple's plans are put on hold when Oliver is sent off to war after the Pearl Harbor attack. Tragedy strikes when he is injured and left disfigured. His bride-to-be bails and Oliver arrives alone at the cottage. The soldier meets the maid, Laura Pennington, a girl with a homely face and the heart of a romantic. They slowly bond and Oliver proposes. Sadly, Laura is more in love than Oliver. Yet, on their honeymoon, he sees past his self-pity and realizes how loving Laura is. Miraculously, they begin to appear physically beautiful to each other. Laura attributes this to the enchanted cottage. Hedging their bets, they keep to themselves. Finally, the newlyweds decide to face his parents. Their sympathetic pianist pal, who is blind, tries to warn the visiting family. Let’s just say what follows isn’t pretty! Never fear though, the couple gets their happy ending. And the movie’s message will warm your heart and maybe bring a tear to your eye.

For full review:

https://ricksrealreel.blogspot.com/2018/05/the-enchanted-cottage-1945.html

Stay calm and watch comforting classic cinema! And read more here!

https://ricksrealreel.blogspot.com/

Eva Marie Saint: Secret Weapon of ‘North by Northwest’ 1959

Eva Marie Saint as mystery woman Eve Kendall, subtle & seductive in 'North by Northwest.'

North by Northwest is one of my all-time favorites, yet I hesitated to write about this cinema chase classic. What else is there to say about the famed Hitchcock film?

As I watched North by Northwest again, I realized the secret weapon is Eva Marie Saint, as mystery woman Eve Kendall. It also happens that Eva Marie Saint turns 96 on July 4, so it seems fitting to pay tribute to the actress’ talents in the Hitchcock classic. FYI, North by Northwest premiered 61 years ago, July 1, 1959, which made me want to write about this gem even more!

Eva Marie Saint paid tribute to that gorgeous red dress at a recent Oscars appearance, still looking stylish!

Like fellow movie star Audrey Hepburn and television’s Mary Tyler Moore, Eva Marie Saint was the thinking man’s sex symbol of her era: smart, charismatic, fun, good-hearted, and lovely in a non-stereotypical way.

'North by Northwest' played up both the suspense and sex angles of this Hitchcock classic.

Hitchcock found his ideal film blonde in Grace Kelly, starring in three of his films. Then Grace retired from the screen, going from movie queen to real life princess. The Wrong Man starred his next muse, Vera Miles, who inconveniently kept having babies. Next, Kim Novak starred in Vertigo, whose vulnerabilities made her perfect casting as the enigmatic blonde. After Saint in North by Northwest came Janet Leigh’s sympathetic, brisk presence in Psycho, and finally, Hitch’s protégé Tippi Hedren, who had the look but neither the talent nor charisma to be the next Hitchcock blonde. From the mid-1960s on, audiences no longer found cool blondes teasing fire beneath the surface enthralling. Evaluating the actresses, Miles has yet to receive revision, Psycho is one of Leigh’s key roles, and Novak and Hedren now have their defenders.

As elusive Eve Kendall, Eva Marie Saint got a chance to play someone other than a nice girl.

What about Eva Marie Saint? In her day, Saint was well-liked by fans and critics, and well-received as a Hitchcock blonde. But between Kelly’s iconic legacy and the latter day evaluation of Novak and Hedren, Saint’s been a bit overshadowed. I think that Eva Marie Saint is a bit like Dorothy McGuire, both of whom were lovely in an accessible way, skilled, effortless, and naturalistic. Both Eva and Dorothy had more of a foot in modern day acting than their contemporaries. They had quiet personal lives as well, not for public display, and have since been a bit overlooked and underestimated as actors and stars.

Saint's Eve and Cary Grant's Roger Thornhill weren't strangers on a train for long!

What Eva brought to North by Northwest, encouraged by Hitchcock, was an understated, confident, smart sex appeal. Brains and beauty were a hallmark of the Hitchcock blonde. After playing several sweet young things, Eva got to play the bad girl/good girl role as Eve Kendall. Eva’s Eve initiates an introduction to Cary Grant’s man on the lam, while aboard the 20^th Century Limited. Sparks and risqué repartee fly with Eve and Grant’s Roger Thornhill, but many twists and turns follow their further meet ups. Saint’s subtle changes in Eve’s supposed character benefited from her Actors Studio training, and was visually enhanced by Saint’s smooth makeover, guided by Hitchcock. North by Northwest presented her as a subtle siren who lures Cary Grant’s leading man. The scenario of the ambiguous female and the distrustful male, by the way, was reminiscent of the roles Grant and Ingrid Bergman played in Notorious.

However, romancing Eve isn't as easy as it seems!

As Eve, Eva Marie Saint skillfully goes from a seductive stranger on a train to two-timing traitor to redeemed heroine, performed in a stylish but straightforward way. North by Northwest was the twilight of an era when actors still acted in elevated studio system style, such as Lana Turner in the same year’s Imitation of Life. Eva acts with panache, but not with quotation marks.

Eva Marie Saint, as Eve, heading toward the film's famed climactic sequence.

In one of Pauline Kael’s essays on classic films, the famously cranky critic took a swipe at Eva Marie Saint in North by Northwest, writing that Eva looked embalmed. Since Kael was not a Hitchcock fan, this isn’t surprising. Still, I take exception to that evaluation. Hair and makeup were cartoonish on nearly all the ‘50s female stars. In contrast, Eva’s sleek, simple hairstyle and sophisticated but subtle makeup brings out her best qualities, including those huge blue eyes. Her whole look is sleek, including the lovely clothes Eva and Hitch picked from pricey NYC stores. That includes the striking black frock with red overlay flowers that is proper in the front and party in nearly backless back!

The famous red and black dress, from a NYC shopping trip with Hitch & Eva Marie Saint.

The dress symbolized Hitch's preference for sexy to be subtle.

Despite the difference in their training, Saint from the Actors’ Studio and Grant from the Hollywood studio system, Eva and Cary got on quite well. Cary Grant was generous to her, with his star perks. Grant made sure that the lighting flattered fair Eva as well as tan Cary, and that when he approved publicity photos, they favored both of them.

As a relative newcomer to films, established star Cary Grant had Eva Marie Saint's back.

Saint has commented that her character comes into the story a bit late, something I noticed too, in this enthralling but tad overlong film. Eva as Eve comes in at the 45 minute mark of the 130 minute film. At the time, Saint’s husband told her to consider the script as a whole, not just the size of her role. Janet Leigh found that out she took her part in Psycho, despite the character getting dispatched less than half way through.

Eva Marie Saint performs the role of Eve with style, without falling into the era's outdated acting style.

Once Eva’s character is introduced, Eve Kendall and Roger Thornhill zigzag around each other, which added a genuine romantic tension on top of the espionage thriller’s stakes. Eve Kendall is a forerunner to the modern movie heroine and benefits greatly from having a multi-faceted performer like Eva Marie Saint to essay her.

FYI: I put all the movie overflow on my public FB  movie page. 

Check it out & join!  https://www.facebook.com/groups/178488909366865/