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Showing posts with label 1970S. Show all posts
Showing posts with label 1970S. Show all posts

Wednesday, 13 May 2026

THE QUAREFELLAS

 


The Quarefellas were four immigrants who met by accident at Mulligan's Irish Restaurant in Perth in 1972. Mick McAuley from Ireland was the restaurants bouncer and spent much of his time bouncing out the rabble. Londoner Anita Blacker worked as a kitchen hand and helped to serve the Irish stew. She studied at the Royal Academy of Music. Alan Ferguson a Scot, was there mainly because he maintained the beer at Mulligans which was the cheapest in town! Fred Rae another Irishman collected the cover charge on the door. The four came together musically after members of the restaurants resident band ended up in hospital following one of the typical brawls at the venue.

The new group previously unknown to each other as musicians named themselves after Brendan Behan's book The Quarefellas (Irish slang for an itinerant musician). The Quarefellas were an instant success . From Mulligan's they went on to cover the Western Australian scene with concert, TV and radio appearances, including an ABC special and much acclaimed appearances at the Perth Concert Hall. The group had a popular residency at Albert's Tavern. They added Colin Merrey before they recorded their first album 'The Quarefellas First (Governor Broome Folk Club)' on the Clarion label in 1974. It was highly successful with the traditional and contemporary folk scene in WA. Merrey left the band before they recorded their second album 'Bottom Of The Punchbowl' the following year. It is unknown how long they soldiered on for.

Members

Mick McAuley (vocals, lagerphone), Fred Rae (guitar, vocals), Anita Blacker (fiddle, vocals), Alan Ferguson (bass, guitar, flute, vocals), Colin Merrey (mandolin, banjo)




SINGLES
''Put A Light In Every Country Window / Bricks And Mortar'' 1974 Clarion 

ALBUMS
'The Quarefella First' (Governor Broome Folk Club) 1974 Clarion 
'Bottom Of the Punchbowl' 1975 Clarion 


Saturday, 2 May 2026

RAY BURTON

 


Ray Burton was born in 1945. He joined Dave Bridge Quartet as a rhythm guitarist in 1961 in Sydney. The instrumental band included Bridge (ex-Col Joye and the Joy Boys) on lead guitar, Warren Foley on drums and Ken White on bass guitar. They were signed to His Master's Voice which issued two singles, "Skip to My Lou" (1961) and "San Fernando Valley" (1962) before disbanding early in the next year. After leaving that band he formed instrumental band The Telstars in Sydney with drummer Sunny Pratt (ex Vibratones), rhythm guitarist Bob Van Eckeres and bass player Ken White. The band signed to the CBS label and released five singles all produced by Sven Libaek between 1963 and 64. Burton composed his songs under the name Ray Doughty. 'Reef Ride’ was the most successful reaching #1 in Switzerland.He joined vocal harmony, rock 'n' roll group, the Delltones, for a year from 1965 to 1966.

In 1967 Burton (under the name Raymond Doughty) was enlisted by pop group, the Executives, on lead guitar. According to Australian musicologist, Ian McFarlane, they had, "scored a run of hit singles" in Sydney with "My Aim Is to Please You'" (June 1967), "Sit Down I Think I Love You" (August), "It's a Happening World" (March 1968), "Windy Day" (June) and "Summerhill Road" (December). The group toured the United States in 1968 and again in the following year (under the name Inner Sense), McFarlane observed, "by that stage, however, their breezy pop had become outmoded in the face of rock's new progressive phase and the band quietly folded." Most of the members returned to Australia.

While in the US Inner Sense had worked with the talent management company, DiBlasio, Wald & Day, in Los Angeles, which led to Burton collaborating with fellow Australian, Helen Reddy (her then-husband and manager was Jeff Wald), in early 1971. Two of their co-written tracks, "I Am Woman" and "Best Friend", appeared on her debut album, 'I Don't Know How to Love Him' (May 1971). Paramount Records had Ray in their New York studios writing more chart makers - ‘World Of Fantasy’, ‘Dream For A Love’, ‘Astral Plane Ride’ – recorded and performed by Burton and his ex -Executives bandmate Gino Cunico on the album 'Strive, Seek, Find'. The album was voted #1 best album of the month toppling Sly and The Family Stone. A single was released off the album ''Run For Your Life / Grandfathers. Burton's work permit had expired and he returned to Australia. By December 1972 "I Am Woman" had become a #1 hit on the Billboard Hot 100. In February of the following year it peaked at #2 on the Go-Set Australian National Charts top 40.

Burton traveled to Melbourne where he joined funk, soul and country music group, Leo de Castro and Friends, in April 1973 on guitar, alongside de Castro on lead vocals, Mark Kennedy on drums and Duncan McGuire on bass guitar. Burton McGuire & Kennedy formed their own eponymous group in June and added Jimmy Doyle (ex-the Delltones, Dig Richards) on guitar in August. In September they were renamed, Ayers Rock, as a jazz fusion, progressive rock group and in the next month, Col Loughnan joined on saxophones. Burton left the group in March 1974 and travelled to the US, "to push his claim for unpaid royalties due from the sales of ''I Am Woman'."

In the US he worked as a session musician for Billy Joel, Dave Mason and Jimmy Webb. He returned to Australia in 1977 where he formed a rock group, the Nightflyers, with Rex Bullen on keyboards (ex-Bakery, Jim Keays' Southern Cross), Ian Davidson on guitar and synthesiser, Gus Fenwick on bass guitar (ex-Pleazers, Band of Talabene, Healing Force), Steve Hopes on drums and John Pugh on guitar (ex-Eighteenth Century Quartet, Cam-Pact, James Taylor Move, Healing Force). They recorded his debut solo album, 'Dreamers and Nightflyers', and two associated singles, "Too Hard to Handle" and "Paddington Green", in 1978, which was produced by Charles Fisher via Warner Records. He returned to the US where he worked as a song writer. His movie credits include: Warner Bros Rabbit Run starring James Caan, two songs ''Hey Man'' and ''You’re Going To Love Me''; Airport 75, song ''Best Friend'' performed by Helen Reddy; My Best Friend’s Wedding starring Julia Roberts. Short films: Lilian – theme song ''Lilian''. Theatre: Of note – worked with the renowned Sam Shepard on the entire score for ‘Melodrama Play’ a musical staged in Sydney.Advertising clients: include Coca-Cola, Revlon, P&O, and of late – in the US the Burger King Ad – “I Am Man”.As of June 2003 Burton was living in Queensland's Gold Coast, where he would occasionally perform at local venues.




SINGLES
''Too Hard To Handle (#50) / Lady Of The Morning'' 1978 Warner Bros
''Paddington Green (#97) / Ain't It Funny'' 1978 Warner Bros

ALBUMS
'Dreamers And Nightflyers' 1978 Warner Bros




Tuesday, 28 April 2026

MICHAEL JOHN

 


Disk Jockey and Radio Announcer Michael John Fewster began his career at 5AK in Adelaide aged 18 followed by a permanent slot on the breakfast shift at 2CA in Canberra from the late 60s to the late 1970s. He was also a bookmaker at Canberra racecourse (Thoroughbred Park). Recording under the name Michael John he released some comedic singles in the 70s. His ''Australia's Santa Claus'' originally released on the PK label in 1973, and played mercilessly on 2CA was re released on the Rainbow label a year later and went to #1 on the 2CA Top 40 and charting nationally at #97.




SINGLES
''Australia's Santa Claus / Chewy On Ya Boot'' [as Michael John and The Lads?] 1973 PK
''Chewy On Yer Boot / Ossie The Football Hero'' 1974 Rainbow 
''Australia's Santa Claus (#97) / Sort Of Auld Lang Syne'' 1974 Rainbow Records 


Sunday, 26 April 2026

MARK HEMBROW

 



Mark Hembrow (born 1955 in Brisbane) is an Australian actor, writer and musician. He has also worked as a producer and director. Mark first stepped on stage at age 16 at La BoƮte Theatre Company as Barnaby Tucker in The Matchmaker and then Sandy in Hay Fever and Apollo in Fetch Me a Fig Leaf: The Musical, all directed by Graham Johnson. He then performed the lead in Once Upon a Mattress at the Brisbane Arts Theatre, which was to be his last amateur production at aged 17.

At 18 years of age, Mark first started working professionally for the main company at Queensland Theatre Company where he worked in productions over two years while doing in-service training. Productions included Springle a secondary school theatre and education production, written by Bille Brown to celebrate 100 years of education. He also performed in Equus, School for Scoundrels, Savages, Jumpers, The Department, Hamlet and Fourth of July before heading to Sydney.

His first professional jobs in Sydney were with the Old Tote Theatre Company (now Sydney Theatre Company) in a production of The Night of the Iguana, and on television series The Young Doctors as Georgie Saint. He released the single ''If I Had Time'' which went #58 nationally. It was produced by Mario Millo and arranged by John J Francis. This single was also released in NZ.

He then worked on two musicals, The Rocky Horror Show and Paradise Regained, followed by his first feature, Goodbye Paradise directed by Karl Schultz. Mark featured in many television shows and films over the years. Mark returned home from the USA, and decided to have a break from acting for a number of years, in order to raise his family. During this time, he wrote two feature film scripts and was composing music.



SINGLES
''If I Had Time (#58) / Sunday Evening Girl'' 1977 Living Sound 
''Street Kids / Moonflight'' 1979 Laser





Wednesday, 8 April 2026

MIKE BRADY

 


Mike Brady was born in England in 1948 and migrated to Australia in the 1950s with his family aboard the Strathnaver. His first job was at the Commonwealth Aircraft Corporation factory in Port Melbourne, Victoria, as an apprentice sheet metal worker.Brady abandoned his apprenticeship and formed a garage band unpromisingly named the Hearsemen for a year or so. When The Phantoms lead guitarist Dave Lincoln broke his arm Brady filled in as a temporary member. In the band was bassist Pete Watson and the two decided to join forces and form a new band. Recruiting drummer Danny Finley from The Saxons they used their first initials to provide the name MPD Ltd. It didn't take them long to hit the recording studio. The trio were signed to Go!! Records by July 1965 to release their debut single, "Little Boy Sad". It was a cover version of Johnny Burnette's 1961 hit. MPD Ltd's rendition reached #1 in Brisbane, Melbourne and Perth, #5 in Sydney and top 10 in Adelaide. They appeared on TV pop programmes, The Go!! Show and Saturday Date, as well as touring Australia. In 1966 they relocated to the UK but made little headway and decided to return home. For additional info on MPD Ltd CLICK HERE.

By 1967 it was all over and Mike got an offer to join Johnny Young's old backing band Kompany. Danny Finlay also joined up and they recorded two singles on the Clarion label. ''The Family Way'' is a personal favourite of mine and I reckon its a forgotten gem. When Kompany disbanded Mike spent the majority of his time building his career as producer and writer of jingles for Television and Radio. One such jingle brought Mike back into the public spotlight. He was asked to record a promotional song for Channel Seven’s Football program. Under the moniker Two Man Band, ''Up There Cazaly'' went on to be the biggest selling local single of its time, with sales in excess of 250,000 and has become the unofficial Anthem of all Australian Rules Football Fans. For additional info on Two Man Band CLICK HERE

Over the years, he has been responsible for some of Australia’s most catchy advertising jingles. His jingles include; classics such as ''Lucky, Your with AAMI'' and ''Hard Yakka'' and many current music tracks on TV. Mike has written jingles for most of Australia’s famous brands. During the 70’s Mike formed his own Record Label and Record Production Company, Full Moon Records, and publishing company, Remix Publishing. Two hugely successful singles released by Full Moon were Mark Jackson’s ''I’m An Individual'' and Joe Dolce’s ''Shuddap You Face''. ''Shuddap You Face'' broke the record previously held by Mike’s ''Up There Cazaly'' as the biggest selling single in Australian History and has been translated into many different languages. Mike and his company have produced albums for artists such as Tina Arena, Colleen Hewett, Mark Gillespie and Mike Rudd and Bill Putt. Many of Mike’s songs have been recorded by leading artists including Tina Arena, and John Farnham.

2006 saw Mike in the home of country music, Nashville Tennessee. He had a swag of songs he’d written over the years that he had always wanted to record. 'Country To Country' was released later that year. In June 2013 Brady was appointed a Member of the Order of Australia (AM) for services to the community and to music as a composer and performer. On Monday 3rd July 2017 Mike was honored to be named Victorian of the Year in a ceremony in Melbourne.




SINGLES
''Finger Poppin' (#76) / Big White Bird'' 1970 Fable 
''Sympathy (#42) / Look At Me'' 1970 Fable 
''Oh Lord, Why Lord (#50) / I Have Changed [with Ticket] 1971 Fable 
''Hello Mum / I Wonder Why'' 1972 Fable 
''Dreamer / How Does It Feel'' 1980 Full Moon 
''The Cube [with The Cubettes] / The Headless Horsemen'' [with Peter Sullivan And The Cubettes] 1981 Full Moon 
''Up There For Sydney / There's A Little Bit Of Cazaly In Us All'' 1982 Full Moon 
''You're Here To Win (#49) / Advance Australia Fair'' 1982 Full Moon 
''We'll Be There / One Day In September'' 1988 Fable
"Up There Cazaly '99" (#78) [with Haley White]  1999 Shock
"Up There Cazaly" (re-release) 2014
"Come My Children" [live - featuring Russell Morris] 2017
"This Place" 2018
"When I Was Young" 2019

EPs
'Up There Mike Brady' 1982 Full Moon Records

ALBUMS
'Invisible Man' 1979 Full Moon 
'Mike Brady Presents: The Songs of Football's Greatest' (#44) 1981 Full Moon
'Country to Country' 2007 Bradyworks 
'Bloodlines (The Australian Irish Story)' 2014 Full Moon





Sunday, 8 March 2026

JOSH MORGAN


Josh Morgan was an Irish- Australian cabaret singer who’d had great success in 1977 with his tribute song to the recently deceased Elvis Presley. ''Here’s To The King'' produced by former Loved One Ian Clyne reached the Top 40. There is very little info on this chap. Please help




SINGLES
''When We Were Young (#89) / All Shook Up'' 1977 Candle 
''Here's To The King (#22) / Feelings'' 1977 Fable 
''Whatever (Que Sera) / Cry'' 1978 Fable 
''Tas-a-mania / A Man In White'' 1979 Candle 

ALBUMS
'Josh Morgan In Tasmania' Candle




Monday, 2 March 2026

JAMIE DUNN

 


Jamie Dunn (born 12 August 1950) began his early performing days as a singer-songwriter and as drummer for the Brisbane band Hands Down. He then joined another Brisbane band Burke and Wills in 1969. They had a residency on the ABC TV show Eyeforce for one year in 1970 under the name The Platter Pushers. Under that moniker they recorded a single on RCA in 1971, ''As Long As There’s A Twinkle In Your Sprinkle / Make A Move''. The band worked locally until 1972 when they moved to Melbourne. The band played at the Mulwala Festival held at Yarrawonga in the same year. In 1973 they supported Lobo on his tour of Australia. They released two singles on the Image label before disbanding in 1974. Dunn signed on with the Astor label as a solo artist releasing five singles and an album from 1975 to 1980. During this period he also released a single on the Warner Bros label. 

Jamie Dunn moved into television, working the puppet Agro on Agro's Cartoon Connection, Seven's Super Saturday and The Super Sunday Show. Dunn's creative range extended beyond his work with Agro. In 1996, he created the children's series Spuds In Duds, a parody of Bananas in Pyjamas, and later served as the narrator for the series Snake Boss. His willingness to experiment with characters and formats was further evidenced by his appearances as Hector Pascals in 1997, illustrating a performer who was constantly seeking new ways to engage and surprise his audience. He released the single ''It's Raining Men'' which charted and an album under this guise. Jamie Dunn died in 2026.





SINGLES
''Jamie Come Home (#42) / When You Walk In The Room'' 1975 Astor 
''Mr. Rock And Roll / Easy Money'' 1976 Astor 
''Once I Had A Friend / Raggedy Anne'' 1976 Astor 
''Another Sunday Afternoon / By The Light Of The Moon'' 1977 Astor 
''Fun Fun Fun (#79) / Any Street'' 1978 Warner Bros. 
''She'd Rather Be With Me / Dreamtime Lover'' 1980 Astor 
''It's Raining Men'' (#85) [as Hector Pascals] 1995 Columbia

EPs
'Hector's Fourplay' [as Hector Pascals] 1995 Columbia

ALBUMS
'Thankyou Linesmen Thankyou Ballboys' 1979 Astor
'Hector's Closet Clasics' [as Hector Pascals] 1996 Sony 





Saturday, 28 February 2026

FRANK HYDE

 


Francis Patrick Aloysius Hyde MBE, OAM born 7 February 1916 was an Australian rugby league footballer, coach and radio caller. A New South Wales representative three-quarter, Hyde played his club football in Sydney for NSWRFL Premiership clubs Newtown, Balmain (with whom he won the 1939 Premiership) and North Sydney. Following his playing career, Hyde enjoyed even greater success as a commentator, earning him membership in the Order of the British Empire and a place in the Sport Australia Hall of Fame and the Australian Commercial Radio Industry Hall of Fame. Hyde's contribution to Rugby League is celebrated each year with the Frank Hyde Shield, a three match tournament played between the Newtown Jets and North Sydney Bears.

During the 1970s, Hyde signed on with the EMI label and recorded three albums. His famous rendition of the Irish classic ''Danny Boy'', with ''Try a Little Kindness'' as the B Side were released in 1973 and peaked at #69 on the Kent Music Report. Frank Hyde died in 2007 at age 91.




SINGLES
''Danny Boy (#69) / Try A Little Kindness'' 1973 Parlophone 
''Smoke Gets In Your Eyes / And I Love You So'' 1976 Parlophone 
''Ballad Of Dally M / The Legend Of Dally M'' 1981 Festival 

ALBUMS
'Frank Hyde Sings' 1973 Parlophone
'The Frank Hyde Party Sing-a-Long' 1973 Parlophone
'Frank Hyde Sings For The Good Times' (#84) 1976 Parlophone





References

https://en.wikipedia.org/wiki/Frank_Hyde


Friday, 16 January 2026

BRASS CARNIVAL

 


Brass Carnival formed in Adelaide in the late 60s and was likely one of the town’s first showbands in the 1970s. The band went through many lineup changes over the years. Brass Carnival regularly supported visiting national and international artists including John Farnham, Robin Jolley, Pussyfoot, Cleo Laine, Bev Harrell, and many more. In 1977, they released the single ''One Little Kiss'', which charted in South Australia. In 2020 Gary Burrows reflected on his time with the band ''It does seem a strange name for Brass Carnival, however, we did have a brass section that was with us for years until we decided to move to Sydney and tour up and down the east coast. They were replaced by two synth players and trumpet some of whom stayed with us for the recording of two singles with Nationwide on EMS. "One Little Kiss" did peak at #8 on either 5KA or 5AD printed charts, but I am unable to find any of those charts in existence now''. The band finished up in 1977.


Members

Allen Attwood (guitar, vocals), Phil Banyitis (guitar), Gary Burrows (drums, vocals), Ray Fanning (vocals, trumpet), Alan Griffiths (bass), Ray Howlett (guitar), Bruce Keipert (drums), Tony Mecorella (drums), Greg Myer (trumpet), Jeff Ruetter (bass), Brenton Roberts (keyboards), Mike Ronayne (guitar), Peter Smith (vocals), Graham Sturrock (sax, flute), Renzo Tonin (keyboards, vocals), 





SINGLES
''One Little Kiss (#86) / Rock And Roll Lady'' 1977 EMS 
''It's All Right With Me / That's Music'' 1977 EMS





Tuesday, 23 December 2025

EVAN JONES



James Evan Jones was born in 1948 in Broken Hill. He played guitar and sang for the Adelaide band the Gingerbread Men, formed in 1965. The group could have continued on and become a complete success, but Evan's career was interrupted by his conscription into military service (which resulted in him serving in the Vietnam War). The band also included his brother, Idris Lloyd Jones, on lead vocals and guitar, Tony McNicoll on drums, and Dean Birbeck on bass. They released a couple of singles before Idris became lead vocalist for the Mixtures in Melbourne in late 1967. The Jones brothers co-wrote the Mixtures’ hit ''The Pushbike Song'', released in late 1970, which topped the charts in Australia and also made its mark in the UK and US. In 1972, Jones recorded a couple of singles on the Raven label, followed by his 1973 album 'Trudy'. In 1977, Graham Cornes released two of Jones’s songs, ''I Gotta Girl'' and ''Untying the Laces'' as a single.  

In 1981, with the band Y Knot, Jones released ''Mm! Mm! Don’t Cha Love Summertime!'' which peaked at #85 nationally. He later worked as a children’s television host, appearing on Here’s Humphrey, C’mon Kids, and Cartoon Connection. Returning to Broken Hill in 1993, he completed a Bachelor of Visual Arts and, since 1994, has regularly exhibited at venues such as the Horizon Gallery in Silverton, the Scotch College Fine Art Show, the Adelaide Central Gallery, and various Rotary and Apex Art Shows.




SINGLES
''Little Black Spider / Shoo Fly Shoo'' 1972 Raven 
''Jesus Song (If Jesus Came Tomorrow Would You Care?) / All Men Are Equal'' 1972 Raven 
''Give Me A Call / I Wanna Be Your Friend'' 1975 Countryside
''Damn' Ya Darlin' / Half-Hearted'' [with Idris Jones] 1975 Astor
''And I Wish You Were Staying Forever / Jamestown'' 1981 EMI Custom
''Mm! Mm! Don't Cha Love Summertime! (#85) / Hero (Them's The Breaks)'' [with Y Knot] 1981 RCA

ALBUMS
'Trudy' 1973 Raven





Sunday, 14 December 2025

PETER CAMPBELL

 


The 1970s were a golden era for singer-songwriters, with talents like Ross Ryan, Doug Ashdown, Graham Lowndes, and Glen Cardier drawing crowds nationwide. Sydney based Peter Campbell was a standout on both secular and Catholic coffee house circuits in the early ’70s. Coming from a deeply evangelical and musical family and inspired by folkies Pete Seeger and Bob Dylan he recorded two excellent but underrated LPs. A trip to Europe in 1974 inspired his debut album, 'Of Time and Its Distance', released on the Trinity label the following year. A single ''Let Me Ride'' was lifted off the album. 

Noel Stookey of Peter, Paul and Mary became a fan and in 1980, Campbell traveled to the US to record his second LP, 'Across the Border', at Stookey’s farm in Maine. Peter, Paul and Mary later covered his song "Wild Places" on their album 'Such is Love', and he joined them again to support their 1982 tour of Australia. In 2020, Pete wrote "Waited Too Long," which became the anthem for the United Nations International Summit on Domestic/Family Violence in the COVID-19 Era—a three-day online conference from New York attended by leaders and experts from 47 countries and opened by Pope Francis. While some call it the saddest song in the world, its intimate observations and cinematic detail showcase his strength as a songwriter. Peter has played at all the major folk festivals - Newstead Live Festival, Bundannon Folk Festival, Kangaroo Valley Folk Festival to name a few. In 2025, Peter Campbell released his striking fifth album, 'Burden of Hope', produced and engineered by Brendan Gallagher.





SINGLES
''Let Me Ride / On The Run'' 1975 Trinity 

ALBUMS
'Of Time And Its Distance' 1975 Trinity
'Across The Border' 1980 Neworld Media
'Burden Of Hope' 2025

  


Friday, 17 October 2025

IAN B MACLEOD


Ian was born on January 25, 1938, aboard the Coronation Scot, an express passenger train launched in 1937 for the coronation of King George VI and Queen Elizabeth, traveling from Glasgow to Southampton before heading to Ipswich. In 1947, he started singing in the local church choir and tuned in to Armed Forces Radio from Luxembourg, which played plenty of country and early rockabilly music. Every Saturday morning, he could be found at the Odeon Cinema, watching his idol, singing cowboy Roy Rogers, on the big screen. It was then that he decided he would become a cowboy singer himself.

At 15, he started working as a commercial artist but soon grew restless and joined the merchant navy, beginning as a kitchen hand peeling potatoes on old cargo ships. He eventually became a first-class waiter on P&O cruise ships, traveling the world aboard the Arcadia, Iberia, Himalaya, and Stratheden. While on these ships, he bought a guitar in Spain and formed his first group. They practiced every night in the mess, and during a stop in Sydney, Ian and The Bop Street Boys appeared on 2UW’s Australia’s Amateur Hour. They won with "Boppin’ The Blues" but were disqualified for not being Australian residents.

After returning to the UK, he packed his bags and set off for Australia as a first-class passenger on the Strathmore. He won his first talent competition at the Great Northern Hotel in Chatswood. When Johnny O’Keefe heard him sing "Honey Don’t" and "Move It," he booked him to appear on the radio show Rockville Junction and TV’s Six O’Clock Rock. O’Keefe wasn’t thrilled with his name, saying it sounded like a Scottish piper, and renamed him Adam. For the next four years, Ian B. MacLeod was shelved, and Adam appeared on Six O’Clock Rock, Bandstand, Teen Time, The Youth Show, Woody’s Teen Time, and Adelaide Tonight. As Adam, he became a teenage idol and was likely the first true rockabilly artist of that era. He toured extensively, performed at every teenage dance in town, and released a single, "Princess / Made To Be Loved," on the Teen label, backed by Johnny Devlin’s Devils.

With The Beatles' new music style emerging, Ian formed The Nashville Five and started over as an unknown singer with a band playing country and rockabilly – genres that weren’t very popular at the time. The group later added another member and became The Major Six, performing in clubs, pubs, and teenage dances. They were approached by David Gibson of Top Spot Records and recorded around 20 tracks on a Rola two-track tape machine in an old warehouse in Redfern. Shortly after finishing these recordings, Top Spot Records went out of business, and the tapes were thought to be lost. Twenty years later, while sorting through an old trunk at his sister’s house, Ian found a box of tapes labeled The Johnny Cash Show. Inside were the missing Top Spot sessions from 1964. The tapes were taken to Roy Cooper at Soundlab Studios and transferred to a new master tape. In April 1984, twelve tracks were released as 'Return To Six O’Clock Rock'.

During the late 1960s and into the 70s, Ian appeared on shows like the Ernie Sigley Show, IMT, The Bob Rogers Show, The Club Show, Travlin’ Out West, Reg Lindsay’s Country Homestead, and the Lee Conway Show. Club bookings started flooding in, and country tours became his routine. He also began performing on the Sitmar cruise line, introducing country music to cruise audiences until 1978. In 1975, he launched his own record label, Bunyip, signing notable artists such as Johnny Heap, Bill Newman, Jonnie Russell, Roland Storm, Christine Roberts, and Barry Stanton. In 1997, he rebranded the label as Pinewood, bringing more acts to its roster. He also owned the subsidiary label Rockabilly in which he recorded on.

Ian has had an impressive career, recording numerous albums and singles. His show, "A Tribute to Slim Whitman," showcased his country talent with a stunning collection of Whitman classics, highlighting his three-octave range and featuring hits from one of country music’s most beloved icons. From Mt. Gambier in South Australia to Townsville in Queensland, Ian has amazed audiences with his remarkable portrayals of Carl Perkins and Slim Whitman, consistently drawing packed crowds. In 1997 he was inducted into the Hands of Fame, Tamworth. In 2008, he was a key performer at the first Gympie Country Music Stampede (later renamed The Maryborough Stampede) and has become a regular feature, performing annually. A frequent and cherished visitor to New Zealand, Ian has toured both the North and South Islands multiple times, and in 2008 released his first DVD, filmed during a sold-out concert at Eltham Town Hall in Taranaki. In 2000, he was inducted into the Rockabilly Hall of Fame at the Wintersun Festival on Queensland’s Gold Coast and later that October, into the International Rockabilly Hall of Fame.




SINGLES
''Princess / Made To Be Loved'' [ As Adam With Johnny Devlin's Devils] 1960 Teen 
''When You Say Love / Less Of Me'' 1974 Festival
''Goodbye Joanne / Sweet Fantasy'' 1974 Festival
''If We Don't Have Love / Goodbye, Joanne'' 1976 Bunyip
''Song For Jenny / Rockabilly Cowboy'' 1982 Bunyip
''Captain Moonlight / God Bless The Children'' 1982 Bunyip
''Help Me Dream'' [with Melinda Johnstone] / ''The Rockabilly Express'' [with The Rockin' Chevies] 1986 Rockabilly 
''Be-Bop-A-Lula / I'm Goin' Home'' 1986 Rockabilly
''Forever Yours / Buddy, Gene, Eddie, Elvis, Rick And John'' 1990 Rockabilly

ALBUMS
'Restless' 1972 Troubadour
'In Concert At Sea' 1975 Bunyip
'Hello Mary Lou' 1977 Bunyip
'Just For You' 1981 Bunyip
'The Rockabilly Country Special' 1982 Bunyip
'Return To Six O’Clock Rock' 1984 Rockabilly
'Thank You Mr Perkins' 1988 Rockabilly
'Jesus Even Loves Cowboys' 1995 Pinewood
'Blue Misty Mountains' 2006 Pinewood
'Classic Rockabilly' 2006 Rockabilly
Sings Slim Whitman 2006 Pinewood
To Sail On A Dream 2006
Ride For The Kids 2007
Blue Suede Shoes: 16 Great Rockabilly Hits.
'Easy Lovin' 2009 Pinewood
Cedar Creek Memories.2013
That’s How The Yodel Was Born.2016




References

IAN B MacLEOD; IAN B MacLEOD; HOF_1997_MACLEOD | eHive


Monday, 1 September 2025

MIKE QUARMBY

 



Country singer Mike Quarmby, raised in South Australia, spent years writing and performing his own songs but initially turned down recording offers, fearing he couldn't produce his music the way he wanted. Producer Mike Fitzhenry eventually persuaded him to record an album, leading to the release of his debut album 'Visions' in 1973 on CBS. The album received high praise in the November issue of Electronics Australia for its brilliance and Quarmby's acoustic guitar skills, with tracks like "Someday the Sun" and "People, People, People" standing out. A single, "The Far Outback / Someday the Sun," was also released from the album.

In 1977, Quarmby released his second album, 'It’s Nothing You Could Ever Hang a Name On,' and performed at the Southern Country Music Festival alongside other artists, drawing a crowd of 8,000. His third album, 'Misty Morning,' came out in 1981 on RCA, along with the single "Whatever The Moment Requires / Misty Morning." That same year, he and his band performed with the S.A. Police Band at the Bushing Fair, which was hailed as one of McLaren Vale's biggest events by the Victor Harbor Times. By 1988, Quarmby's music had gained widespread popularity, and he released a self-titled cassette album in 1989.

Quarmby regularly played at the Currency Creek Winery and appeared with other artists like Trevor Warner and Kelly's Revenge Bush Band in a country music event at the Mount Barker Show in 1990. Beyond music, Quarmby has been a horticulturalist for many years, working alongside his wife Gayle on bush tucker projects. 




SINGLES
''The Far Outback / Someday The Sun'' 1973 CBS
''Whatever The Moment Requires / Misty Morning'' 1981 RCA

ALBUMS
'Visions' 1973 CBS 
'It’s Nothing You Could Ever Hang a Name On' 1977 EMS
'Misty Morning' 1981 RCA 
'Mike Quarmby' 1989





Sunday, 3 August 2025

CLIFF PORTWOOD

 


Clifford Portwood born (17 October 1937) was an English professional footballer (who played with Preston North End, Port Vale, Grimsby Town and Portsmouth) and later a singer and television personality. He played 251 games from the period 1955 - 1969. In 1970 he signed on with South African team Durban United. Whilst there he entered a talent contest and won his heat, and he started singing at the Mayfair Hotel in Durban. His soccer manager wasn't impressed and tried to ban Cliff doing more gigs, so he quit after 8 games with them. Portwood ended up winning the final of the singing contest in Johannesburg. The prize was two tickets to Australia, 600 rand and a recording contract. He recorded the album 'Sweet Memories' on the Gallo label in Johannesburg.

Following a three-week Chevron Hotel date in Melbourne and lured by the warmth of the sunshine and people, Cliff decided to make Australia his home. Portwood’s first stop in Melbourne was at the house of the Seekers bassist Athol Guy. The pair had formed an unlikely friendship in England, exchanging tickets to Portsmouth with tickets for Guy’s live shows. With a little help from his well-connected friend, Portwood quickly settled in the area, finding himself a regular position on Channel Seven’s Saturday night variety show The Penthouse Club. Between a mixture of sports results and light-hearted comedy, the Englishman would belt out tunes for an adoring audience.

Despite establishing himself in the entertainment industry, Portwood struggled to convince his new acquaintances that he was, indeed, a former professional footballer. As Australian musician Mike Brady (of Up There Cazaly fame) puts it: ''Most people didn’t believe it. What would you be doing in Australia singing if you were a former pro?'' Portwood reflected ''They all thought it was just a lie, until some footballers came from the United Kingdom to play in Australia in their summer break. I got Mike Summerbee from Manchester City on the show, and he said, ‘Yeah, Cliff played, of course’. So the proof came that I wasn’t telling lies about my ex-career.''

Having accepted that Portwood was no fraud, his Channel Seven colleagues set about devising a nickname for their charming English friend. The co-host of the show Mary Hardy, sister of the author Frank Hardy and a popular figure in her own right, settled on "Sexy Legs", because, the story goes, Portwood had to stand in one position while singing for the camera so could only shake his hips. The nickname quickly stuck and, according to Brady ''he became a bit of a sex symbol to women, which suited Cliff’s personality perfectly''.

Portwood’s popularity in Australia grew, and on the back of several letters to the station asking for his music, the Englishman released the album ''By Request Here’s Cliff'' which went gold four times. Between recording, rehearsing and performing, Portwood also found time for drinking sessions with celebrities, including Keith Moon from the Who – ''an interesting experience'' he later recalled in understated fashion.

With the television industry in a state of flux, The Penthouse Club came to an end in the late 1970s. With a suitcase full of gold records, the Englishman and his family returned home for their next adventure. Portwood’s music career continued after he left Australia, with regular shows in England and the USA. As he once commented wryly about performing in Blackpool clubs: ''If you haven’t done them, you haven’t done anything!''. He died in hospital at Basingstoke on 10 January 2012, after losing his battle with lung disease.




SINGLES
''The Wind / My World'' 1971 RCA
''Turn Around / The World Around Us'' 1972 RCA
''Happy Anniversary / I'm Thinking Of You'' 1976 Hammard 

EPs
'I Never Said Goodbye' Jay Records

ALBUMS
'Love Portraits' 1970 Crest 
'By Request Here's Cliff Portwood' 1975 Hammard 
'Two Sides Of' 1977 Hammard 





Monday, 2 June 2025

COL HARDY

 



Colin Hardy, musician and Gamilaraay man, was born in July 1940 and raised at Brewarrina, north-western New South Wales, one of eleven children. Hardy won a talent quest in Walgett NSW, and did a short tour with the Willie Fennell Travelling Show. He stated ''I grew up with music all around me,” he says. “Before I moved to Sydney, I worked in the shearing shed with my dad and we used to listen to the radio at night. In those days one of my favourite singers was Roy Orbison''.

In 1962, Col moved to Sydney to pursue a career in music. During the 1960's he was part of the Opals a little country outfit, which at times became house-band for Jimmy Little's travelling All Coloured Revue. In Sydney, he worked for the Water Board, while still performing at parties, dances and charity shows. In 1963, he appeared on Bandstand. 

In 1971 he recorded his first EP 'Protest; Protest! on Opal Records based in Tamworth. In 1973 Col recorded his debut album 'Black Gold'. In the same year the first Australasian Country Music Awards was held in Tamworth. Col was the first Aboriginal singer to be awarded with a Golden Guitar. He won the Radio Listener Award, which has not been awarded since. The song ''Black Tracker'' from his second album 'Country' tells its own story of the days when black trackers were called upon by the police to track bushrangers, convicts. Other singers have written songs about black trackers. Brian Young recorded ''Black Man Jacky Jacky'' for his album 'Brian Young Country' in 1976. Throughout the 1970s he toured Australia extensively and performed with some of the biggest names in country music. He would often do club work with Auriel Andrew. In 1979 he was inducted into the Hands of Fame at Tamworth.

In 1983 he released his third album 'Black and White Tangle' followed by 'Remember Me'. In 1990 during NAIDOC Week, Hardy was voted Aboriginal Artist of the Year for New South Wales. In 2007 he won an OAM for service to country music and in 2011 he won the Jimmy Little Lifetime Achievement Award. In 2014 he recorded his last album 'I Am Me' of songs that were his favourites and held special meaning.




SINGLES
''Don't She Look Good / (A Land They Call) Down Under'' 1972 Opal
''Excuse Me / Words'' 1976 Opal
''Black And White Tangle'' 1983 Opal

EPs
'Protest; Protest!' 1971 Opal 

ALBUMS
'Black Gold' 1973 Opal 
'Country' 1978 Opal 
'Black & White Tangle' 1983 Opal 
'Remember Me' 1991 Opal 
'I Am Me' 2014 Swingin Doors Studio





Sunday, 19 January 2025

MEN OF COUNTRY

 


Men Of Country were formed in the early 70s. After releasing a single on Troubadour, they were signed to RCA and recorded their first album 'Free Country' in 1975. The lineup was Max Richards on vocals/guitar, multi-instrumentalist Wes Grady on guitar, pedal steel, banjo and harmonica, Neil Barlow on drums and Bruce McCumstie on bass. The album was produced by Johnny Ashcroft. McCumstie left the band after the album release to fill in as bass player on occasion at the Texas Tavern with Nev Nicholls and his Country Playboys. He eventually became a member of Wildwood.

After leaving RCA they linked up with the Bunyip label and recorded their second album 'Country Concept' (1977) adding Nelson Arentz on bass. In 1979 at the prestigious Mo Awards in Sydney, they were voted by their fellow entertainers as "Best Country Showgroup". In 1981 at the same awards, they won ''Best Country Group''. Add to these the dozens of appearances on every major TV show, including The Mike Walsh Show and Travellin' Out West, touring with Jimmy Little, Johnny Ashcroft & John Cootes, playing to packed houses with their versatile style which included bush ballads, comedy & country rock they were immensely popular wherever they played. 

Members

Max Richards (vocals / guitar), Wes Grady (guitar / pedal steel / banjo / harmonica), Neil Barlow (drums) Bruce McCumstie (bass), Nelson Arentz (bass)




SINGLES
''Mrs. Newman's Thirty Months / Bills'' 1972 Troubadour 
''Heavy On My Mind / Loaded Gun'' 1974 RCA
''Nudist Beach / No One Knows Midnight Like Melinda'' 1975 RCA
''Lusty Lady / All The Kings' Horses'' 1979 Bunyip 
''Woman Of The World / A Part Of My Life'' 1980 Bunyip 
''It Doesn't Matter Any More / Country Casanova'' 1981 Bunyip 
''Dig A Little Deeper In The Well / Do I Ever Cross Your Mind'' 1982 Bunyip 

ALBUMS
'Free Country' 1975 RCA
'Country Concept' Bunyip 1977
'Lusty Lady' 1978 Bunyip
'Whole Lotta Country' 1983 Bunyip





Wednesday, 1 May 2024

U-TURN

 


Hard-rocking band U-Turn formed in Sydney in 1976, comprising vocalist Chris Fitzgibbon (who was clearly influenced in the coiffure department by Rod Stewart), guitarists George Steffe and Shane Pacey, bassist Shane Rogers and drummer Geoff Full. During 1977, the band released the ultra-catchy glam-infused single ''Traffic Lights'' and their sole album 'Living In The City' (1977) which spawned a single of the same name. All releases were on the Laser label and produced by Sherbet's producer, Richard Lush. The band appeared on Countdown several times. After they disbanded Shane Pacey would wind up in the legendary Bondi Cigars. As for the others I have no idea.

Members

Chris Fitzgibbon (vocals), George Steffe (guitar), Shane Pacey (guitar), Shane Rogers (bass), Geoff Full (drums)



SINGLES
''Traffic Lights / Long Lost Years'' 1977 Laser
''Living In The City / Do You Remember?'' 1977 Laser

ALBUMS
'Living In The City' 1977 Laser





Monday, 1 January 2024

MILLIONAIRES

 


Henry Vihnyl (ex-Pelaco Bros) formed Millionaires in 1976 with longtime friend Nick Smith. The band was supposed to be the next big thing, but they were unfairly compared to Skyhooks and drew some criticism. They signed to Mushroom and released ''It's A Deal''. The band performed it on Countdown. The single flopped and they were unceremonially dumped by the label. They managed to record another single ''Please Don't Mention The Junta'' from a press of around 500 records but they didn't last much longer. After they disbanded Tim Brosnan would go on and join Paul Kelly & The Dots. Steve Leeson and Nick Smith would wind up in The Kevins and work with Joe Camilleri. 

Members

Tim Brosnan (guitar), David Hicks (drums), Steve Leeson (bass), Carl Segnit (drums), Nick Smith (vocals), Henry Vynhal (violin, Rex Wailer (guitar) 




SINGLES
''It's A Deal / Gossip'' 1976 Mushroom





Monday, 18 December 2023

SMOKESTACK LIGHTNING



Smokestack Lightning was a blues band formed in Adelaide in the early 70s. The band was very popular in the local pub scene; most notably at The Eagle Hotel where they had a weekly residency. Their debut album was released in 1975 on the EMS label and coincided with their Muddy Waters support show at the Adelaide Festival Theatre. Smokestack Lightning supported many overseas blues bands including John Mayall, Freddy King, BB King and Hound Dog Taylor to name but a few. The band went through many lineup changes in their five-year tenure. They disbanded in 1978. 

Members

Greg Baker (harmonica), Marty Honow (guitar/vocals), Andy Jennings (drums), John Selmer (sax/flute), Ron Tabuteau (guitar/vocals), Peter Tsounis (bass/vocals), Rod Venning (harmonica), Julie Charlton (vocals), Mark Cornwall (bass), Marty Honow (guitar/vocals), Peter Horsam (guitar), Bob Petchell (harmonica/sax), Sue Wylie (vocals) 




    ALBUMS
    'Don't Nobody Know' 1975 EMS





    Sunday, 19 November 2023

    LAURIE ALLEN


    Lawrence Frank Allen was born in Melbourne on 09 March 1942 to Jack and Edna Allen. Having been a student of The Melbourne Banjo Club as a child and a self-taught guitar player - Laurie formed his first band in the mid 1950’s. On vocals and guitar, Allen called themselves The Three Jays with Jimmy Braggs on piano accordion and Johnny MacGaw on drums. He followed with stints in the Lories (c. 1958) and then the Roulettes (1958–59), a long-running Melbourne revue band. From 1959 to 1961, he was lead guitarist for Malcolm Arthur and the Knights, and in 1962 he was lead singer and organist of a previously instrumental group, the Blue Jays. The Blue Jays were picked up by the newly formed local label Crest Records. The first single ''Māori's Farewell'' was written by Allen as was the second single ''Wolfman''. Neither track charted and at the end of 1963, the Blue Jays became the Fabulous Blue Jays, the backing band for singer, Tony Worsley. Allen then rejoined the Roulettes. 

    Whilst in The Blue Jays, Laurie played the keyboard riffs on Colin Cook’s hit single ''Heart''. In 1964 Allen met former Adelaide singer Bobby Bright and they decided to form a duo. In the short time they were together (1964-66) they enjoyed significant success with a number of single releases. Their inaugural release, an Allen-penned foot-stomper called ''I Belong With You'' raced up the national charts and landed a few weeks at #9. Their 1966 version of Roger Miller's "Hitch Hiker" gave them a national #1 hit for five weeks in June remaining in the charts nationally for a further 12 weeks! On the strength of "Hitch Hiker", the ABC gave them their own TV show, It's a Gas, which was later re-branded as, Dig We Must. 

    After recording their last album 'Exposaic', the pair officially split on Christmas Eve of 1966. Soon after, Laurie put together a soul revue along the lines of the popular Stax and Motown acts. Originally called Dice, it was later renamed The Laurie Allen Revue, and its members included ex-Rondells Barry Rogers, Gary Young, Wayne Duncan, with guitarist Harry Herni (ex- The Harts) and backing singers Michele Kennedy and Colleen Hewett. Colleen’s sister Glynis later replaced Michele. In April 1967 Allen had told Go-Set: "I realized just a three-piece group couldn't give me the sound I wanted, so I added two girl vocalists, to give us a distinctive sound which can't be done by any Australian group". The Revue released three singles on the Festival label ''Beautiful Brown Eyes / Saved'' (Aug. '67), ''Any Little Bit / Cool Jerk'' (Apr. '68) and ''As Long As I Got You / Not Born To Follow'' (Jun. '68). Only Colleen and Michele can be heard on The Revue’s singles. They disbanded in 1968.

    Laurie reunited with his old mate Bobby Bright and they returned to the charts with their cover version of the country music song, "The Carroll County Accident". It was followed by "Looking Through the Eyes of Love", but they had split again by late 1971. Allen's first love was always country music and he eventually moved in that direction. Allen signed on with Col Joye's ATA label and released the singles ''Sunshine On Your Face'' (1972), ''I Belong With You'' (1975) and ''Musical Chairs'' (1976). During this period, he also recorded two albums with the label. Backed by The Joy Boys his first album 'Once Upon A Song' came out in 1972 with all the songs on the album self-written. His second album 'Any Other Man' was released in 1975 and included a few covers including a revamped version of the ''Carroll County Accident''. 

    A collaborative album 'Truck Stop' accompanied by label mates Col Joye, Bob Purtell and Jim Cooper was released in 1976 which had the who's who playing on the recording: Mick Hamilton from The Vibrants, Kenny Kitching on pedal steel, Errol Buddle on reeds and Bob Barnard on trumpet to name a few. In 1976 Bob Purtell won New Talent Of The Year at the Tamworth Golden Guitar Awards with the Laurie Allen written song ''Motivatin' Day''. Allen also played occasionally as a ‘guest’ with The Promised Band: Bernie O’Brien (ex-The Rondells) on vocals, lead guitar; Harold Frith (ex-Thunderbirds) on vocals and drums; Peter Hayes (The Hayes Brothers) on bass guitar, banjo and lead vocals; and Doug Wallace (Hayes Brothers Band) on rhythm guitar, dobro and fiddle. The Promised Band would eventually morph into Saltbush. 

    Allen would continue to record on Col Joye’s ATA label and in the 1980s occasionally perform with his old mate Bobby Bright, before they permanently reunited in the late 1990s, performing regularly on the club and rock'n'roll revival circuit and a last-ditch tour of Queensland and Northern Territory. The tour was very successful, but it took a toll on Laurie physically as he had suffered two broken legs from a horrendous motor accident a few years prior. In his last years Laurie Allen suffered chronic health problems but he largely kept this to himself. Bobby and Laurie were slated to take part in the Long Way To The Top concert tour, but these plans were dashed by Laurie's sudden death from a heart attack on June 13th. 2002 - just 12 days following his last performance with Bob Bright at Moorabbin Town Hall (June 1st. 2002).

    Some of Laurie Allen's recordings were donated to the NFSA by Col Joye where they are preserved for all time. In summary his contribution to Aussie music can't be denied. Col Joye, Johnny Mac, The Johnny Hawker Orchestra, Lionel Rose and many other Aussie vocalists recorded Laurie's songs. On hearing of his death, vocalist Colleen Hewett attributed her singing successes to her early work and ‘vocal tuition’ to Laurie (in The Revue). Laurie Allen was indeed an Australian Music legend.




    SINGLES
    ''Wolf Man /I Left A Broken Heart (In Broken Hill)'' [with The Blue Jays] 1962 Crest
    ''Sunshine On Your Face / On A Ferris Wheel'' 1972 ATA
    ''I Belong With You / Little Country Church'' 1975 ATA
    ''Musical Chairs / Me And Jack Daniels (And Jim Beam And Old Grandad)'' 1976 ATA
    ''Movin' On / Big Wheel Cannonball [with Col Joye, Bob Purtell, Jim Cooper,] 1976 ATA
    ''The Singo Song / Who Am I'' [with Bob Purtell] 1981 Wheel

    ALBUMS
    'Once Upon A Song' 1972 ATA
    'Any Other Man' 1975 ATA
    'Truck Stop' [with Col Joye, Bob Purtell and Jim Cooper] 1976 ATA
    'Rockabilly Beatin' Boogie Band' [with Nite Train] 2000 JRM
    'One Last Round' 2002 LBW
    'The Cowboy Album' 2010 LBW




    References

    Susie Gamble