Saturday Leftover Day.
Dutch former underground arstist turned Duck writer (among his many acomplishments) Evert Geradts once told he he was a huge fan of Blondie, mainly because when he was younger it was reprinted in his parents' tv guide, De VARA Gids. I understand, but as far as I am concerned they reprinted it in the wrong format. Like all strips that started before the war, Blondie used to have a full page of it's own, one third of which was filled with a second strip, Colonel Potterby and the Dutchess. It was a pantomime strip in a totally different style, somwhere between Chic Young's own Blondie and Otto Soglow's The Little King. I would have thought that this strip was the work of one of Young's assistants, but most online soures credit it to Young himself. Maybe he only used assistants on Blondie (such as Paul Fung Jr., who drew all those dogs in the fifties strips). Samples of Colonel Potterby can be seen if you follow the link.
Although Potterby started as a half page strip, sharing the page equally with Blondie and Dagwood, it shrank to one third of a page in the forties. That is also, when some papers started cutting the two apart, sometimes running either or if both were used, never together. The remaining four tier Blondie was the original format in which the strip was drawn, but it had a problem: it ran two thirds of a page and that was deemed too much by most papers. So a new three tier version was made that only filled half a page. That was achieved by lengthening all the panels. And although it seemed almost natural, if you see the two thirds version it somehow fits better. Here are a couple of samples from the fifties, including one rare two thirds page one. Unfortunately, the paper I found it in was badly folded and I couldn't repair it without damaging the art, but I hope you'll catch the drift.
Update: I uploaded another two thirds one.
Update: and two more from the same period.
Showing posts with label Blondie. Show all posts
Showing posts with label Blondie. Show all posts
Saturday, June 15, 2019
Sunday, March 20, 2016
Blondie-ey
Saturdy Leftover Day.
After doing Hey Look for most of the post war period, Harvey Kurtzman was asked to do something a bit more commercial. He was offered the Rusty Book with a new twist: it weas going to be written by Stan Lee and drawn in a style similar to the succesful Blondie strip. Kurtzman, who already was unable to make anything look unexciting, di his best. But somehow the character, the writer and the artist didn't click. Al Jaffee took over for the remaining stories (as I have shown before). I had only one of the two issues of this reincarnation of Blondie by Harvey and Stanley, but found the second one online so I am able to share it now. The most exciting part for me is the activities page, where Kurtzman shows his cartoon and design skills quite ably.
After doing Hey Look for most of the post war period, Harvey Kurtzman was asked to do something a bit more commercial. He was offered the Rusty Book with a new twist: it weas going to be written by Stan Lee and drawn in a style similar to the succesful Blondie strip. Kurtzman, who already was unable to make anything look unexciting, di his best. But somehow the character, the writer and the artist didn't click. Al Jaffee took over for the remaining stories (as I have shown before). I had only one of the two issues of this reincarnation of Blondie by Harvey and Stanley, but found the second one online so I am able to share it now. The most exciting part for me is the activities page, where Kurtzman shows his cartoon and design skills quite ably.
Labels:
Al Jaffee,
Blondie,
Harvey Kurtzman,
Rusty,
Stan Lee
Wednesday, June 19, 2013
Matters of Size
Tuesday Comic Strip Day.
Somehow I never want to like Blondie, but when you look close at them it is immediately clear how ell made they are. Especially in the late forties and fifties when Paul Fung jr. was ghosting them (as opposed to the mid sixties when he was allowed to sign them, but the quality dropped). I have said before and still feel that the 'cropped' version you see in the first few sampled is better balanced than the 'elongated' one. I get the impression the 'cropped' version is the original and the other the product of some assistant adding some space so the same strip can be run in a smaller amount of newspaper space.
Tuesday Comic Strip Day.
Somehow I never want to like Blondie, but when you look close at them it is immediately clear how ell made they are. Especially in the late forties and fifties when Paul Fung jr. was ghosting them (as opposed to the mid sixties when he was allowed to sign them, but the quality dropped). I have said before and still feel that the 'cropped' version you see in the first few sampled is better balanced than the 'elongated' one. I get the impression the 'cropped' version is the original and the other the product of some assistant adding some space so the same strip can be run in a smaller amount of newspaper space.
Tuesday, May 10, 2011
Fundie
Tuesday Comic Strip Day.
Everytime I look at Blondie, I am impressed by the liveness of the drawing and how funny it can be. But somhow, I never want to have a look at it. There is something so inherantly bland about this strip, that it repulses the reader. I think the best years are in and around the fifties, especially in the Sundays. There is a lot of very good action cartooning going on, that later seems to have disapeared. Another thing you can not see here, is that you should really see this strip in it's (usually) four tier wide panel version instead of the three tier square one. The wider version really lets the action breathe. Why anyone would think you ca just cut down those panels, is beyond me.




















































Tuesday Comic Strip Day.
Everytime I look at Blondie, I am impressed by the liveness of the drawing and how funny it can be. But somhow, I never want to have a look at it. There is something so inherantly bland about this strip, that it repulses the reader. I think the best years are in and around the fifties, especially in the Sundays. There is a lot of very good action cartooning going on, that later seems to have disapeared. Another thing you can not see here, is that you should really see this strip in it's (usually) four tier wide panel version instead of the three tier square one. The wider version really lets the action breathe. Why anyone would think you ca just cut down those panels, is beyond me.
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