Showing posts with label Grant Morrison. Show all posts
Showing posts with label Grant Morrison. Show all posts

Saturday, January 01, 2011

The Return of Bruce Wayne #3 "The Bones of Bristol Bay" and #4 "Dark Knight, Dark Rider"

The Return of Bruce Wayne #3 August 2010
"The Bones of Bristol Bay"
Grant Morrison, story - Yanick Paquette and Michel Lacombe, art - Andy Kubert, cover

This appearance is more of a cameo, really, but it does give us a little bit more than a last panel reveal of Jonah Hex. The bulk of the story is devoted to Bruce Wayne versus Blackbeard. The last two pages are what we are interested in...

We are somewhere along a coast and we meet two men in a graveyard. They are discussing that they have to meet a man here in a huge haunted house that has been haunted since Judge Solomon's brother died in the caves. They speak of the mansion never having been finished and how their lives have been messed up since going out west. They also talk of having to meet a big-time spooky gunslinger.

As they approach the mansion, a voice beckons them into the parlor and we see a hand of cards, Aces and eights, on a table.  The man, Jonah Hex, tosses a joker toward the table and tells the men he figures they're men of reason since they had the guts to meet him on cursed and haunted ground.

The men state that they have brought down some sort of fury upon their heads, it never tires, it never stops. They present a primitive Batarang, saying that it was dug out of one of their shoulders. Their boss will pay triple of what is in the bag they brought if Hex can kill this thing that is after them. Then they ask is Hex is ready to prove that he is the best as everyone says that he is.

The next page reveals Bruce Wayne/Batman is 1800's garb, astride a horse.



Statistics for this issue
Men killed by Jonah - 0
Running Total - 487 (432 past, 55 future)
Jonah's Injuries - None
Timeline - With the reveal of the Deadman's hand, I'm somewhat quick to assume that this takes place after the death of Wild Bill Hickok but there is no direct reference to a Deadman's hand so that is no help. I would probably have to know more about the timeline of the series to pin this one down more precisely. The hand of cards reveals more as told in the Annotation at Comics Alliance.

Page 30: The mansion here is Wayne Manor -- Judge Solomon Wayne and his brother Joshua had purchased it unfinished from Van Derm, largely so they could use the caves as part of the Underground Railroad. Joshua died, as referenced here, playing a masked avenger role to save some escaping slaves. Note Hex's hand of cards - 8A8A, or "H.A.H.A." (with H as the 8th letter of the alphabet), the Joker's Dead Man's Hand from "Batman R.I.P." -- named such, by the way, for being the hand Wild Bill Hickok had in poker when he got offed.. It's worth noting, though, that here the cards are all black, rather than black and red as in the Joker's hand -- perhaps representing that instead of the punchline of life and death, we're dealing with the death that is life?

Page 31
: Of course, the first panel here makes the Joker allusion utterly blatant.

One thing I especially enjoyed was the juxtaposition of Jonah Hex's scar next to the iconic Joker card. For some reason it gave me chills. It's a nice cameo with some nice artwork.

The Return of Bruce Wayne #4 Sept 2010
"Dark Knight, Dark Rider"
Grant Morrison, story - Georges Jeanty and Walden Wong, art - Andy Kubert, cover

I'll be covering this issue a little more indepth because Jonah appears throughout it more. The keyword is "appears". The story starts with the gents from last issue slaughtering a family, hanging the father, killing the young son, and making off with the daughter and a small box with a bat symbol on it. They ride off, leaving the mother holding her dead son, her husband's corpse hanging in a tree as the rain falls.

She prays for a dark avenging angel to rescue her and we see Bruce Wayne/Batman appear.

Gotham City: The two men have been joined by a third (who was also at the house) and Jonah Hex. They are explaining how they encountered this bat creature back west and that they have hired Hex to work for "Monsewer Sauvage". They enter a gambling hall and introduce Hex to Vandal Savage.

Savage is pouring himself a stiff dose of laudanum because, while he can't die, the cancer he has is still eating him alive. Savage asks Hex if he cut himself shaving (nice little nod to the original WWT tales, there) and says that he would offer Hex some, but doesn't want to ruin Hex's aim. Hex declines anyway and clarifies that he has been hired to kill a mystery man, at least that is all he could understand from Savage's lackys.

Savage explains about a cowboy in black that have been giving Chuck and Lucky problems and Savage wants an end put to it since they have work to do. Hex comments that Savage is paying and then asks about what is behind a nearby door since it smells like they are burning sage and something else it that other room. Savage replies that it's complicated and it has something to do with Bonaparte.

Just then the door opens and Midnight Horse stumbles out (thank you, Comics Alliance for helping me with that part). Horse remarks that he is no longer needed but if the box is opened it will be the end of the world. Jonah states "End of the world's extra" as Chuck tosses a roll of bills to him. Savage says that there is more, always more, as soon as that demon is put down.

We cut to outside the gambling hall in the rain (however, the artwork makes it appear to be a small western town, rather than large Gotham City). Four men confront Batman and they end up with batarangs in their shooting arms. Batman ends up on the roof, taking out a guard. Inside, Horse shouts that HE is coming for the box, causing Hex to ask what has Horse been chewing. Savage replies that Hex can have either money or answers, not both.

Savage tells Chuck and Lucky to bring in the mystery man so Hex can kill him and orders Horse back into the room to open the box. Now that seems weird, you hire the best bounty hunter in the world and send to grunts out to drag in a mysterious bat-man so the bounty hunter can shoot him. I would send out Hex to earn his dang money!

Hex says that they can spare all the hoodoo, just point him to the target (!?!?!? He's a bounty HUNTER!) so he can get out of there.

Inside the room is Thomas Wayne(?), questioning the daughter from earlier, getting her to open the box. Horse enters the room, there is an argument and Wayne shoots and kills Horse, sending him crashing through the door and back into the room with Savage and Hex. Savage asks Hex to help him fill some old saddlebags with gold bars. Wayne exits the room, holding the box and dragging the girl with him.

Outside, Chuck and Lucky are tracking down Batman in the fog. One of them gets jerked up into the shadows and the other turns and shoots the third thug as he's trying to help. Suddenly Batman jumps out of the fog (we then learn they are inside (?)) and kicks the remaining thug down into the gambling tables.

Outside, Savage, the girl, the box, and Wayne are making a break for it in a covered wagon through the streets of Gotham. Hex is riding alongside on his horse. Batman swoops down, landing on the wagon. Hex shoots at Batman, hitting him in the left shoulder, Batman throws a batarang, hitting Hex in the right arm and knocking him off his horse.

The wagon is careening towards the docks where Alan Wayne is contemplating suicide and as Thomas Wayne battles Batman, Savage is fighting the girl and then the whole shooting match overturns on the dock, narrowly missing Alan Wayne and crashes into the water. Batman encounters Alan Wayne and the girl, the girl opens the box by whistling to it, Vandal Savage knocks out Thomas Wayne before he can shoot everyone, Batman beats the crap out of Thomas Wayne as Wayne calls out to Hex.

Jonah comes striding out of the rain, holding a pistol on Batman. Wayne demands that Hex shoot, while the girl begs him not to. Hex replies:

and shoots Batman, causing him to fall off the dock into the water, never to surface. There is closing dialogue from Alan Wayne explaining that Hex rode off to meet his destiny, we see Jonah Hex riding into the sunset, looking at a batarang, his saddlebags stuffed with the gold bars. A few bars lay in the sand behind him and we are unsure if he has tossed them aside or they have accidentally fallen out.

Statistics for this Issue
Men Killed by Jonah -  0
Running Total - 487 (432 past, 55 future)
Jonah's Injuries - Batarang in right bicep.
Timeline -  Unclear, right after last issue.

It's hard to rate the 4th issue of a 6 part series when you don't follow the series, so I won't try. I'll just go into the characterization of Hex. Let me just say: What the HELL?!?!?! The whole idea of hiring a bounty hunter and having him just sit around waiting for some thugs to drag the prey to him is absolutely nuts. We should have seen Hex on the rooftops attempting to track Batman down. But since this is a Batman title, he gets all the glory and everyone else stands around letting Batman be all spooky and stuff.

Hex just working for the cash is nice, especially shutting up when Savage tells him that he can have money or answers.  Jonah shooting Batman in the end seemed appropriate, since he did have a score to settle for the batarang in the arm. And i did like the idea of Hex ending up with Napolean Bonaparte's gold, but it is very unclear as to why it's on the ground in the end.

The artwork was murky and made it hard to follow the story. The previous issue had art that I could follow, even though I didn't know the whole storyline.

I would give this about a 3 out of 10 for a Hex appearance, not great and Hex didn't do much, but it was better than his appearance in Swamp Thing.

Tuesday, February 24, 2009

Friday, February 20, 2009

Eldest #1

Well, hidey ho fair readers of the greatest Jonah Hex blog ever. This is Eldest and I'm gonna try my hand at this whole comic book blogging thing. I know Sally and Sea discussed the ways to make a comic blog successful, but I unfortunately don't have the resources available at the moment to do it their way, so I'll have to try from scratch.

I finally managed to wrangle some free time away from my job and other random things to get to Barnes and Noble so I could "free-read" some trades I had missed out on.

All-Star Batman
Honestly, I'm not sure I really like Frank Miller all that much. I mean, I enjoyed The Dark Knight and The Dark Knight Returns was ok, but Sin City isn't really how I roll and I enjoyed 300 the movie more than the book (awful, I know). All that aside, it was all I could do to not laugh out loud while reading this book. Batman's running train of thought is perfect for his 21st century characterization (Note: I think it's important to clarify the 21st century thing because I'm not sure this is how Bats should actually be written, but it's how he's being written so...).

Overall, a great book. I especially loved the yellow room and how Hal is just a complete and total moron compared to Bats. Almost dying because of an inexperienced Robin: Not cool. Being taunted with lemonade: Freakin hilarious. Take that Guardians of the Universe! My one gripe with the story is how easily Dick becomes Robin. Seriously he doesn't flip out or anything? Disbelief....suspension.....reaching....limit.....

All-Star Superman
There's no way Grant Morrison could have actually written this book, but I'll get to that later. Absolutely loved this story. Characterization was great, Clark acting like a bumbling but lovable idiot (while saving people in the background) was great. As usual I remain in the minority for not liking Quietly's artwork...at all. I mean, it's good, just not my style. Didn't like him back when he was doing New X-Men with Morrison and I still don't like him. Only person I've ever seen who can make Emma and Jean into hideous man-like figures, but whatever. Great story, great dialogue (Random side note: Why is blogger telling me this is spelled wrong? Proof I'm smarter than the interwebs).

Ok, back to why someone else wrote this story. It was entirely too coherent. I actually understood it all in one read. And that had me worried because I have this theory about Grant Morrison. Bear with me because this could be a little hard to follow. There was an episode of Family Guy where Lois finds out that Peter is a prodigy on the piano but only when he's drunk. That's exactly how I think Morrison writes. He has to be sitting at his computer or in his living room getting ready to go on a 48 hour writing binge and just drink everything he can get his hands on and then snort, shoot, or smoke every drug he can find. This is the only explanation for what he comes up with. And that brings us to...

Batman: R.I.P
Weirdest story I've ever read. And this is coming from the guy who's dad has the largest single collection of Weird Western Tales in the world. The entire idea of Bats creating a subconscious identity for himself in case of a post hypnotic attack AND THEN MAKING THAT IDENTITY ANOTHER BATMAN is one of three things:

1. Pure genius

2. Absolutely the most ludicrous thing I've ever read

3. The highest of high comedy

and the best part... I can't decide which it is! Having absolutely no backstory and for some reason expecting this "event" to stand on its own (which it did better than I expected after finishing the first page) I managed to follow the story for the most part. The Joker was amazingly insane, people randomly disappeared with no explanation, in perfect Morrison fashion, only to reappear later, people lived, people "died", and everything was drawn beautifully. Not sure I would recommend this to someone who didn't either follow Batman or enjoy Morrison but then again, I doubt it was written for anyone else. So...

Final Crisis
Followed this from the beginning but I don't really think it should ever be considered as anything BUT a trade because that's just not how Grant Morrison rolls. Seriously, reading his stuff issue to issue is like watching the middle five minutes of LOST every week and that's it. I even went and bought the two Superman Beyond issues so dad would stop whining. Taken as a whole I really think this was about what I expected. After the 2 recent Crises failed miserably to live up to the original (which kicked ass and took names in my humble opinion) and the fact that the Idiot-in-Chief over at DC was prominently involved, I wasn't optimistic. So, read as a whole, I actually enjoyed this, even if it was so far out there I had to trip out on LSD sometimes to feel like I belonged.

So there's your introduction to my ridiculously rambling writing style (and my alliterative ability). Hope it doesn't scare you away. Stay tuned for why Sally's blog may cost you a fortune...and why that's a good thing. Coming soon!

_J