Showing posts with label julia benson. Show all posts
Showing posts with label julia benson. Show all posts

Sunday, June 8, 2014

SyFy vs. The Mynd: Earth’s Final Hours (2011)

aka Armageddon 2012

Uh-oh! A rude white hole spits dense matter at the Earth, which goes right through the planet, destroys the magnetosphere and stops our favourite planet’s rotation. It looks very much as if it’s time for the end of the world again.

CIA agent John Streich (Robert Knepper) is on the scene when the matter strikes, and soon it’s up to him, scientist Chloe Edwards (Julia Benson), his hacker son Andy (Cameron Bright), and Andy’s best friend Michelle (Julia Maxwell) to save the world with a very secret scientific method developed by one Dr. Rothman (Bruce Davison).

Unfortunately, the actual world-saving method Rothman devised has never been tested or investigated much, because the CIA under Streich’s evil boss Lockman (Michael Kopsa) and his evil boss’s evil boss, the doubly evil Arnett (Roark Critchlow), a) wanted to use it as a weapon (of course) and b) preferred the simpler plan of only saving a small part of the world full of the Important People™. Consequently, Rothman has spent the last fifteen years in a secret CIA prison masked as a mental institution.

Streich and his friends are a “let’s save everyone” kind of gang, though, so soon they are not only involved in a race against time (and some mighty destructive solar storms) to save the world, but also against Lockman’s attempts to only save a very small part of it, and kill everyone getting in the way.

Here I thought I had by now seen all SyFy movies actually worth seeing, and then along comes W.D Hogan’s (him of the execrable Independence Daysaster and the excellent Behemoth) Earth’s Final Hours to prove me wrong. Of course (and do I even need to say this?) the plot is patently ridiculous, the science is preposterous, and the way the film’s world works has nothing whatsoever to do with any part of consensus reality, but then, that’s really not what anyone (except IMDB reviewers and other people with a desperate need to prove their superiority over innocent little films like this) looks for in this kind of film.

What we – or at the very least I – do look for in a SyFy disaster movie is the joy of witnessing yet another silly yet imaginative way of destroying the Earth, and the comfortable and even more silly way the given film will go about saving it. We generally also enter with a degree of hope concerning as much destruction as the budget will provide and perhaps even one or two fun performances.

Final Hours doesn’t disappoint here, for the way the world (doesn’t – spoiler!) ends here is indeed silly yet imaginative, gives reason to much movie science nonsense speak (pleasantly disconnected from any of your established scientific facts), the world is saved in an improbable, cheap yet awesome way that to my great surprise doesn’t involve exploding the white hole or Earth, and the little bit of destruction the sun storms wreak is very fun to look at.

As are Knepper’s, Kopsa’s and Davison’s performances, so the surprisingly well done action sequences Hogan provides are a bit of an overachievement (not that I’m complaining), as is the visual (and plot-logical) cleverness of having the whole thing take place in the brightest of sunlight. It’s quite impossible for me to argue with any of this, so Earth’s Final Hours gets my seal of approval.

Tuesday, July 23, 2013

SyFy vs, The Mynd: Chupacabra vs. the Alamo (2013)

As it goes with films carrying titles this promising, Terry "Dependable" Ingram's Chupacabra isn't one of the best SyFy Channel movies I've seen, even though it is generally entertaining. Or it is entertaining, if you have patience with these films, and don't roll your eyes too hard when the whole monster action brings another family back together, as is any SyFy movie monster attack's true job.

The film's problem might be that the silly contortions its script has to go through to reach what it absolutely correctly deems the point of awesomeness (that is, bangers teaming up with our cop heroes, then all of them ending up in the Alamo, fighting the chupacabra menace) aren't all that fun too watch. Or it might be that the CGI chupacabras look particularly unconvincing even for a SyFy movie, though they are perfectly adorable when they are jumping all around the screen like idiot rabbits. Or it might be that all the film's best moments - like Erik Estrada's daughter microwaving a chupacabra to death, Erik Estrada being a horrible dad but looking awesome with a shotgun, Erik Estrada riding his motorcycle in green screen magic that is even less convincing than the monsters - all fall into its first half, with the climax in the Alamo just lacking in charm, if not in explosions.

More positively speaking, Chupacabra vs. the Alamo's first half is excellent fun to watch, with Estrada playing up his macho side, his new (of course) partner played by Julia Benson being the better cop even though neither film nor Estrada seeming to notice, and some really neat practical gore effects. Ironically, the Alamo is the part of the film I'll remember least.