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Showing posts with label Michael Slattery. Show all posts
Showing posts with label Michael Slattery. Show all posts

12 January 2017

Centurions Power Xtreme monthly - issue 10


Last issue then, from February 1988 we have...
A Michael Slattery cover...
Tim Perkins art of "The final conflict"
 A US reprint here 'Diplomatic immunity!'
Then this image, which was last seen at the back of issue #9 (ad which I thought would be the cover for this issue) is reproduced but in full cover, signature by Will Simpson visible bottom right...
Then there's a 2 pages text story "Into the sun!" followed by, as the centrespread, the wraparound (Will Simpson) cover from issue 3, before we get into "Skyvault Invasion!" by 'Marshall (who he?)
And the last US reprint (but from where, when and by who I have no idea)...

10 January 2017

Centurions Power Xtreme monthly - issue 8

From issue 8 we again have a diverse selection of artists...
Cover is by Will Simpson (his signature is hiding (again) on an ankle rocket)

'Time Trap' is by Tim Perkins (signature just visible in the bottom of frame one)

Then 'Forecast' is by Steve Ditko. I'll say that again, Steve Ditko. I can't think of any other independent British comic that featured his art. It's only 3 pages, but there you go.

Next up is Michael Slattery's contribution to the issue

Then we have the unattributed 'Arctic attack' - update 01/07/19...Tim Perkins has left a comment saying that this is his work

And all rounded off by 'The Monsters' by Michael Fleisher.

8 January 2017

Centurions Power Xtreme monthly - issue 6

Issue 6 and the US reprints are missing in action this issue as we get all British, all new art.


Cover is by Will 'Game of Thrones' Simpson (look for his distinctive signature hiding on the ankle rocket for the character falling backwards).
 First strip is uncredited
 'Fight of the century' art is by Tim Perkins
Don't open the door, whatever you don don't open the door. You opened the door didn't you? Big Stee wouldn't like that.
'Terror takes control' is unsigned but the style is distinctive of Michael Slattery (who has contributed to previous issues).