Lötsjön released two albums in 1976 and 1982
respectively, and this EP released on streaming platforms some 35
years later shows what they did inbetween, i.e. the same thing they
always did. That means playing covers of stuff like ”California
Dreaming” and ”Hello Stranger” and the occasional original tune
in such a sexless manner they make Peter, Paul & Mary sound like
Motörhead. I mean, this is a bunch of gals and pals that would be
kicked out from a campfire party for spoiling the mood by being too
mawkish. So unprovoking its provocative.
Full EP playlist
Showing posts with label Lötsjön. Show all posts
Showing posts with label Lötsjön. Show all posts
Tuesday, January 27, 2026
LÖTSJÖN – Live 1978-1979 (Holmia, 2013; rec. 1978-1979)
Wednesday, September 12, 2018
LÖTSJÖN – Ostbiten (no label, 1976) / Things That Never Die (no label, 1982)
Swedish vocals, English vocals,
instrumental
International relevance: **/**
International relevance: **/**
A band from the Stockholm area that released two privately pressed albums of twee usually acoustic and harmony driven folk rock in a mellow British style. Half decent vocals, some nice fingerpicking in the John Renbourn vein and some bad wah-wah guitar (but that alone probably triggers the instincts of collectors worldwide, then call it 'acid folk' and they'll cream their pants).
”Ostbiten” contains a rosy-cheeked
cover of Jethro Tull's ”Mother Goose” and a pointless version of
Stephen Still's ”4+20”. Second album followed six years later but
is similar to the first only with an off-putting 80's sounding Tascam
sound.
This is the kind of band that their
friends say they love, giving them an inflated self-esteem and
prompting them to release ”Live 1978-1979” with previously
unreleased live recordings from the gap years between their two
original albums. Only for streaming, but still.
I bet you can find Xian albums in a
flea market near you that is more exciting than this. Or better yet,
get some real UK folk. You don't need this.
From ”Ostbiten”:
”Things That Never Die”:
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