Showing posts with label Life. Show all posts
Showing posts with label Life. Show all posts

Sunday, June 22, 2025

LIFE – Life (Coop, 1982)


Instrumental
International relevance: **

Before you gasp in anticipation: this has nothing to do with Anders Nordh's Life. It's a jazz funk album released on the Coop label best known to proggsters for one LP each by Pondus and Sabu Martinez. Speaking of Martinez: Life drummer Conny Lundström can be heard on his legendary ”Afro Temple” as well as Mellotronen's archival Sabu disc ”The Dalecarlia Recordings”. Keyboardist Pierre Swärd is probably the best known member of the gang though, with a curriculum vitae covering Mikael Ramel, Acke and Soffgruppen and plenty beyond that.

But make no mistake: The Life album is a truly futile effort of stiff furniture store fusion devoid of soul, spirit and driving force. Hadn't it been for the band name, this album would show no traces of life whatsoever. It's so empty that I can't even be angry at it – it's just nothing. Zero, zilch, nada and nought. Even the album cover excels in utter voidness.

Albums like this always make me wonder why they even exist. Why did anyone bother to record this? Who bothers to listen to it? Does anybody actually like it? Isn't there a road somewhere that needs filling?

Sheesh.

Full album

Saturday, August 25, 2018

LIFE – Life (Columbia, 1970)

Swedish vocals [Swedish edition], 
English vocals [export edition], instrumental
International relevance: ***

Life's only album was released in two versions, one with Swedish vocals aimed at the domestic market, and one with English vocals intended for export. However, the export edition never reached outside Sweden but is still one of the rarest progg albums ever with only 800 copies made. Both versions have been reissued, the English version with bonus tracks.

I personally prefer the English variant of the album because the vocals, oddly enough, sound better than on its domestic counterpart. But the vocals in general are the weakest point here. Certainly not as good as Anders Nordh's guitar playing.

”Life” isn't as good as its reputation. ”En bit av evigheten/Sailing in the Sunshine” is a fine slice of heavy Sweden, but the album is extremely uneven, constantly losing momentum due to several short but pointless instrumental bits between the proper tracks. And string laden ballads like the ”Jag stod ensam på min väg/Nobody Was There to Love Me” and ”En gång i tiden/Once Upon a Time” almost sound like something David Bowie pulled out of Elton John's wastebasket.

Yes, ”Life” is a classic, and it's reasonable to mention it along with November since both bands were first generation Swedish heavy rockers, but history is history and music is music, and this time history is better.

Full album playlist (Swedish version)
Full album playlist with bonus tracks (English version)

Friday, August 24, 2018

KING GEORGE DISCOVERY – King George Discovery (Haparanda, 1969) / Peace of Mind (Shadoks, 2011; recorded 1968)

George Clemons has an illustrious past to say the least. Born in 1938 and raised in Virginia, he moved to New York in the 60's where he performed at the legendary Apollo Theater with soul singer Don Covay. Clemons sang back-up on his 1964 classic ”Have Mercy”, covered by The Rolling Stones the following year. Upon leaving Covay's band, George Clemons added 'King' to his name and released his first solo single ”Drive on James” in 1966, backed by members of Ray Charles' band and legendary soul drummer Bernard Purdie. He played gigs in Harlem, made friends with Jimi Hendrix and performed with Jimmy Castor (of The Jimmy Castor Bunch).

A Scandinavian promoter found out about King George and asked him to come over to Europe for a three month tour with the Sweden based band Harlem Kiddies. Once here, they made a couple of recordings together, and as it happened, King George remained in Sweden. In 1968 he teamed up with guitarist Anders Nordh and bassist Paul Sundlin, both formerly of Trolls that made a couple of singles in the 60's and later to form Life. Completing the line-up was Lennart 'Lilly' Bergman, and together they made one 7”, the Motown sounding ”I'm the Best” backed with pop soul track ”Hold me Closer” for the Swedish Columbia label in 1968.

King George Discovery (Haparanda, 1969)
English vocals 
International relevance: ***
 
An album followed in 1969, curiously enough the second outing on the Haparanda label that later turned to Swedish dance bands and budget albums with uncredited cover versions of current hits. ”King George Discovery” is on one hand funkier than what the preceding single suggested it would be, on the other softer and a tad more psychedelic (sometimes in the direction of 'B' grade soul outfit The Chambers Brothers).

The album was produced by one Cbristopher P. Cooper who previously had worked on one single by Rolling Stones copycats The Shakers (lead by Tommy Rander). Cooper obviously had no idea what he was doing – the album sounds weak with the vocals too loud in the mix and the guitars way too low. He effectively ruined any possible impact the album might have had had it been mixed by a real professional. (There's a Christopher P. Cooper currently writing books about tourism. I've no idea if it's the same guy, but one thing's for sure, Cooper the producer would have been better off as a tourist guide...)

”King George Discovery” is a wasted opportunity, although the material isn't particularly good either. There's no point whatsoever getting this album when there's so much truly great soul/funk from the same period. Without the Life connection, I'm sure no-one would give a rat's arse about this album.

Peace of Mind (Shadoks, 2011; recorded 1968)
English vocals
International relevance: ***

The ”King George Discovery” sessions resulted in a slew of tracks voted off the final release to avoid the obvious comparisons to Jimi Hendrix. Those outtakes were only pressed as a demo LP, like a keepsake for the band and not intended for official release. A copy of the demo album fell into the lap of a UK record collector who uploaded a few of songs to Youtube. They caught the interest of German reissue label Shadoks who released the six rejected tracks as ”Peace of Mind” in 2011.

If you thought Mecki Mark Men and Nature were aping Hendrix, wait until you hear this. I understand why they kept those tracks off the album for that reason. Yes, it's guitar drenched; yes, it's psychedelic (if you by 'psychedelic' mean loads of fuzz, reverb and an idiotic drum solo); yes, it's rawer and therefore better sounding than the proper King George Discovery album. But so what? If I want to listen to Jimi Hendrix, I put on a Hendrix album. Simple as that. And if I want to hear a crappy cover of ”Light My Fire”, I can just as well pick up a ”Best of José Feliciano” in any flea market in the Northern hemisphere (although that will admittedly not sound like Jimi Hendrix).

Sessions were held for a proper second album but it was scrapped as King George Discovery split up. Clemons then formed another band, Red White & Blues with a couple of U.S. draft dodgers residing in Sweden. They released one 45 in 1971 on MNW subsidiary Green Light, ”Last Train to Georgia” with ”Far, Far Away” on the flip – better and than anything on the Discovery albums.

from King George Discovery
Far, Far Away
King George Discovery single
"I'm The Best"

Sunday, August 19, 2018

BÄTTRE LYSS – Bättre lyss till den sträng som brast än att aldrig spänna en båge (Musiklaget, 1975)

Swedish vocals
International relevance: ***

One of many one-off outfits to feature the prolific Anders Nordh of Life. The album has a ponderous title but the music is thankfully a lot more fluent. It's heavy and mellow at the same time in a pleasing way. The lyrics are political but never get in the way of the the enjoyment. Rolf Hammarlund's high voice is a bit overstretched in places, but it actually adds a certain tension and urgency to the songs. An album worthy of more attention than it got upon its initial release.

Full album playlist