Showing posts with label Ljudspår. Show all posts
Showing posts with label Ljudspår. Show all posts

Friday, July 18, 2025

RÖDA LACKET – Röda Lacket (Ljudspår. 1974)


Swedish vocals, instrumental
International relevance: *

Ljudspår was the musical outlet of film studio Europa Film and managed to release several highly credible albums 1972-1976 including the first Mikael Ramel, second Fläsket Brinner and the final album from Vildkaktus. Röda Lacket's only LP isn't quite one of them. Not fusion, not really jazz rock but more of a horn rock album with vocalist Göran Folkestad sounding like a Christian commercial singer. Well, both commercial and Christian is right insofar he appeared in the Eurovision Song Contest twice in the 80s and bassist Thomas Lindbjer was in both Vatten and Salt. The musicianship is OK enough but the songwriting is blunt and undistinguished. It doesn't matter if they dabble in jazz (”Gasen pyser”), instrumental Latin soul (”Jättarnas dans”) or pop ballads (”Våra statsmän”), nothing here has any personality. ”Röda Lacket” is a perfectly pointless album by a perfectly pointless band.

Jättarnas sång 
Jättarnas dans
1848

Tuesday, September 11, 2018

FLÄSKET BRINNER – Fläsket (Ljudspår, 1972)

Instrumental, Swedish vocals, English vocals
International relevance: ***

Fläsket Brinner's second album ”Fläsket” has everything going for it. It's a double LP with one disc recorded in the studio and the other disc live, it has several Fläsket classics (”Jätten Feeling” immediately leaps to mind), it features both Bo Hansson and Mikael Ramel, there's a whole lot of excellent playing (of course). Still, something is lacking, at least on the first album in the set. But I can't put my finger on what. I mean, it is good but something's just not there. It doesn't sound as sparkling as their immaculate debut.

The live portion is much better. More spirited, more exploratory. More adventurous. Dangerous even. The rendition of ”Bosses låt” is simply unbelievable, like a monster growing right in front of you, five feet away. That's the Fläsket Brinner I love. Disc one is more like an approximation of the band. But with the live disc being half of the album, it's still a whole lot.

Please note that CD reissues lack two songs on the original LP, ”Pukolle I Valparaiso” and ”Wild Thing”. Not that you need their version of ”Wild Thing”...

Full album playlist (CD version)

Saturday, August 25, 2018

MIKAEL RAMEL – Complete albums 1974-1982

 Extra vagansa (Ljudspår, 1974)
Swedish vocals, instrumental
International relevance: ***
 
With ”Till dej” occupying slot #5 on my Top 25 list, it should be obvious I have a special place in my heart for Mikael Ramel's music. Then again, it's hard to top an album like that, or even make another album on the very same level. But fear not, ”Extra vagansa” is a brilliant effort! Several tracks would have fit perfectly on the debut – ”Flödet”, ”Så länge're svänger” and the title track rival the best parts of ”Till dej”. This is a meticulously crafted album, but never as meticulous it loses swing and emotion. With ”Till dej,” Mikael Ramel promised to be one of the greatest Swedish artists of the 70's, and with ”Extra vagansa” he fulfills the promise.

3:e skivan (YTF, 1977)
Swedish vocals, instrumental
International relevance: ***
 
And he wasn't kidding the second time either. ”3:e skivan” may be less exuberant and more reflective than ”Till dej” and ”Extra vagansa” but beneath the surface, it's just as thorough and playful. ”Gurus att anamma” is an untranslatable word play referring to the lyrics' questioning of religious (and for that matter, political) leaders. A tribute to the power of independent thinking. ”Strax dax” is beautifully decorated by an ”Eleanor Rigby” inspired string quartet providing further melancholy to an already wonderful track. And so on. ”3:e skivan” may not be as immediate as Ramel's earlier albums; it's more of a slow burner that wins in the end. Three strikes in a row!

Rycker dej i svansen (Sonet, 1979)
as Mikael Ramels Musikband
Swedish vocals
International relevance: ***
 
With the initial trilogy getting most of the attention, ”Rycker dej i svansen” has become unjustly overlooked. It has a different sound than its predecessors, and perhaps some people are scared off by the rhythmic sensibilities of the album, with loans from funk, reggae and Latin. But what a sorry shame if things like that get between the listener and the music because this is a lovely album, as essential as Ramel's previous three. ”Förpackningar” is one of the best songs he's ever written. And Bosse Skoglund is as masterful with the syncopation as always. And Kenny Håkansson's here too. In short: another dazzling disc from Mikael Ramel.

Strömavbrott (Sonet, 1982)
as Harru Lust med Mikael Ramel
Swedish vocals
International relevance: **
 
A single with a Swedish version of Johnny Clarke's masterpiece "Roots Natty Congo", intended as a poke at everybody that jumped the reggae bandwagon in the early 80s but still being a highlight track in Ramel's ouvre as "Patriotidioten" held a lot of promise for him and his new band Harru Lust. The following album was however problematic. The translation of Chuck Berry's ”No Particular Place to Go”, ”Små partiklar i min Pernod” is witty but the album in general is surprisingly lacklustre. The songs aren't quite as sharp as before but the two biggest problems are that a) backing band Harru Lust sounds stiff and b) that the dull production makes Harru Lust sound even stiffer. ”Strömavbrott” is a victim to the era, with too loud bass and drums in a typical early 80's fashion. I'm not the one to call out for remixes and other fiddling with once finished albums, but this one sure could use a careful overhaul.

Extra vagansa full album playlist with bonus tracks
3:e skivan full album playlist with bonus tracks
Rycker dej i svansen full album playlist
Strömavbrott full album playlist
"Patriotidioten" + "Bättre och bättre"

VILDKAKTUS – Vindarnas vägar (Polydor, 1971) / Natten (Ljudspår, 1973)

Vindarnas vägar (Polydor, 1971)
Swedish vocals
International relevance: ***

Another very fine effort from Vildkaktus. Not quite as good as ”Tidsmaskinen” but not far from it. ”Vindarnas vägar” is a more 'typical' prog than their debut, whatever that means and besides, nothing about Vildkaktus is exactly typical anyway. ”Vindarnas vägar” reveals influences from late 60's harmony laden American bands with jazzy inclinations. But it's isn't an epigonic work; it's tight, meticulously constructed and imaginative. The songs are excellent and confirm Vildkaktus as one of the most original bands of the era.

The album had a Record Store Day reissue in 2017.

Vildkaktus had a non-album 45 out on Polydor in 1972, "Vila vid denna källa"/"Natur du kämpar", before leaving the label for their third album.

Natten (Ljudspår, 1972)
Swedish vocals, English vocals
International relevance: ***

Vildkaktus' third album is their weakest. It's less intricate than their previous two, on one hand opting for a little heavier sound (case in point: ”Ånglåt”) and on the other for a more straight-ahead West Coast sound, as on ”Substitute Woman”. It sounds as if Vildkaktus had lost a bit of interest in their music, and not surprisingly they disbanded after ”Natten”. Guitarist Olle Nilsson, pianist Gösta Nilsson and bassist Tommy Johnsson reappeared in Ibis a couple of years later.

A 1971 session for the Tonkraft show is included in "Progglådan".