Ljudspår was the musical outlet of film studio Europa Film and managed to release several highly credible albums 1972-1976 including the first Mikael Ramel, second Fläsket Brinner and the final album from Vildkaktus. Röda Lacket's only LP isn't quite one of them. Not fusion, not really jazz rock but more of a horn rock album with vocalist Göran Folkestad sounding like a Christian commercial singer. Well, both commercial and Christian is right insofar he appeared in the Eurovision Song Contest twice in the 80s and bassist Thomas Lindbjer was in both Vatten and Salt. The musicianship is OK enough but the songwriting is blunt and undistinguished. It doesn't matter if they dabble in jazz (”Gasen pyser”), instrumental Latin soul (”Jättarnas dans”) or pop ballads (”Våra statsmän”), nothing here has any personality. ”Röda Lacket” is a perfectly pointless album by a perfectly pointless band.
Showing posts with label Ljudspår. Show all posts
Showing posts with label Ljudspår. Show all posts
Friday, July 18, 2025
Tuesday, September 11, 2018
FLÄSKET BRINNER – Fläsket (Ljudspår, 1972)
Instrumental, Swedish vocals, English
vocals
International relevance: ***
Fläsket Brinner's second album
”Fläsket” has everything going for it. It's a double LP with one
disc recorded in the studio and the other disc live, it has several
Fläsket classics (”Jätten Feeling” immediately leaps to mind),
it features both Bo Hansson and Mikael Ramel, there's a whole
lot of excellent playing (of course). Still, something is lacking, at least
on the first album in the set. But I can't put my finger on what. I
mean, it is good but something's just not there. It
doesn't sound as sparkling as
their immaculate debut.
The live portion is much better. More
spirited, more exploratory. More adventurous. Dangerous even. The
rendition of ”Bosses låt” is simply unbelievable, like a monster
growing right in front of you, five feet away. That's the Fläsket
Brinner I love. Disc one is more like an approximation of the band. But with the live disc being half of the album, it's still a whole lot.
Please note that CD reissues lack two
songs on the original LP, ”Pukolle I Valparaiso” and ”Wild
Thing”. Not that you need their version of ”Wild Thing”...
Full album playlist (CD version)
Full album playlist (CD version)
Saturday, August 25, 2018
MIKAEL RAMEL – Complete albums 1974-1982
Extra vagansa (Ljudspår, 1974)
Swedish vocals, instrumental
Swedish vocals, instrumental
International relevance: ***
With ”Till dej” occupying slot #5
on my Top 25 list, it should be obvious I have a special place in my
heart for Mikael Ramel's music. Then again, it's hard to top an album
like that, or even make another album on the very same level. But
fear not, ”Extra vagansa” is a brilliant effort! Several tracks
would have fit perfectly on the debut – ”Flödet”, ”Så
länge're svänger” and the title track rival the best parts of
”Till dej”. This is a meticulously crafted album, but never as
meticulous it loses swing and emotion. With ”Till dej,” Mikael
Ramel promised to be one of the greatest Swedish artists of the 70's,
and with ”Extra vagansa” he fulfills the promise.
3:e skivan (YTF, 1977)
Swedish vocals, instrumental
Swedish vocals, instrumental
International relevance: ***
And he wasn't kidding the second time
either. ”3:e skivan” may be less exuberant and more reflective
than ”Till dej” and ”Extra vagansa” but beneath the surface,
it's just as thorough and playful. ”Gurus att anamma” is an
untranslatable word play referring to the lyrics' questioning of
religious (and for that matter, political) leaders. A tribute to the
power of independent thinking. ”Strax dax” is beautifully
decorated by an ”Eleanor Rigby” inspired string quartet providing
further melancholy to an already wonderful track. And so on. ”3:e
skivan” may not be as immediate as Ramel's earlier albums; it's
more of a slow burner that wins in the end. Three strikes in a row!
Rycker dej i svansen (Sonet, 1979)
as Mikael Ramels Musikband
Swedish vocals
Swedish vocals
International relevance: ***
With the initial trilogy getting most
of the attention, ”Rycker dej i svansen” has become unjustly
overlooked. It has a different sound than its predecessors, and
perhaps some people are scared off by the rhythmic sensibilities of
the album, with loans from funk, reggae and Latin. But what a sorry
shame if things like that get between the listener and the music
because this is a lovely album, as essential as Ramel's previous
three. ”Förpackningar” is one of the best songs he's ever
written. And Bosse Skoglund is as masterful with the syncopation as
always. And Kenny Håkansson's here too. In short: another dazzling
disc from Mikael Ramel.
Strömavbrott (Sonet, 1982)
as Harru Lust med Mikael Ramel
Swedish vocals
Swedish vocals
International relevance: **
A single with a Swedish version of Johnny Clarke's masterpiece "Roots Natty Congo", intended as a poke at everybody that jumped the reggae bandwagon in the early 80s but still being a highlight track in Ramel's ouvre as "Patriotidioten" held a lot of promise for him and his new band Harru Lust. The following album was however problematic. The
translation of Chuck Berry's ”No Particular Place to Go”, ”Små
partiklar i min Pernod” is witty but the album in general is
surprisingly lacklustre. The songs aren't quite as sharp as before
but the two biggest problems are that a) backing band Harru Lust
sounds stiff and b) that the dull production makes Harru Lust sound
even stiffer. ”Strömavbrott” is a victim to the era, with too
loud bass and drums in a typical early 80's fashion. I'm not the one
to call out for remixes and other fiddling with once finished albums,
but this one sure could use a careful overhaul.
Extra vagansa full album playlist with bonus tracks
3:e skivan full album playlist with bonus tracks
Rycker dej i svansen full album playlist
Strömavbrott full album playlist
"Patriotidioten" + "Bättre och bättre"
Extra vagansa full album playlist with bonus tracks
3:e skivan full album playlist with bonus tracks
Rycker dej i svansen full album playlist
Strömavbrott full album playlist
"Patriotidioten" + "Bättre och bättre"
Labels:
1974,
1977,
1979,
1982,
Bosse Skoglund,
Harru Lust,
instrumental,
IRG **,
IRG ***,
Kenny Håkansson,
Ljudspår,
Mikael Ramel,
Mikael Ramels Musikband,
R,
Sonet,
Swedish vocals,
YTF
VILDKAKTUS – Vindarnas vägar (Polydor, 1971) / Natten (Ljudspår, 1973)
Vindarnas vägar (Polydor, 1971)
Swedish vocals
International relevance: ***
International relevance: ***
Another very fine effort from
Vildkaktus. Not quite as good as ”Tidsmaskinen” but not far from
it. ”Vindarnas vägar” is a more 'typical' prog than their debut,
whatever that means and besides, nothing about Vildkaktus is exactly
typical anyway. ”Vindarnas vägar” reveals influences from late
60's harmony laden American bands with jazzy inclinations. But it's
isn't an epigonic work; it's tight, meticulously constructed and
imaginative. The songs are excellent and confirm Vildkaktus as one of
the most original bands of the era.
The album had a Record Store Day
reissue in 2017.
Vildkaktus had a non-album 45 out on Polydor in 1972, "Vila vid denna källa"/"Natur du kämpar", before leaving the label for their third album.
Natten (Ljudspår, 1972)
Swedish vocals, English vocals
International relevance: ***
International relevance: ***
Vildkaktus' third album is their
weakest. It's less intricate than their previous two, on one hand
opting for a little heavier sound (case in point: ”Ånglåt”) and
on the other for a more straight-ahead West Coast sound, as on
”Substitute Woman”. It sounds as if Vildkaktus had lost a bit of
interest in their music, and not surprisingly they disbanded after
”Natten”. Guitarist Olle Nilsson, pianist Gösta Nilsson and
bassist Tommy Johnsson reappeared in Ibis a couple of years later.
Tonkraft 1971 full album playlist (Vildkaktus starts at track 8)
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