Showing posts with label Wlodek Gulgowski. Show all posts
Showing posts with label Wlodek Gulgowski. Show all posts

Sunday, August 18, 2024

RALPH LUNDSTEN & THE ANDROMEDA ALL STARS – Complete albums 1977-1982

A curious character, this Ralph Lundsten guy. His career somehow parallels that of Ragnar Grippe, as Lundsten started out as an electro-acoustic composer and then gradually moved towards more commercially accessible music. A wider attention came in the mid 70's with his series of so called nature symphonies taking inspiration from Swedish nature and folklore. Lundsten became something of a new age music pioneer, recording many of his albums in his Andromeda studio in a house painted pink. He was on a massive ego trip, seemingly only liking his own music. Most of his many many albums are cheesy and aimed at the crystal healers market. To be fair, a lot of his un-commercial early stuff (from the late 60's and early 70's) is quite superficial too but at least somewhat more interesting to listen to.

With the 70's drawing to a close, Lundsten assembled an amorphous band called The Andromeda All Stars and rarely has the term ”all stars” been more to the point. Plenty of name performers passed through, too numerous to mention in all, but a few would be Bernt Rosengren, Ahmadu Jarr, Tommy Körberg, Jojje Wadenius, Monica Dominique, Wlodek Gulgowski, Björn Inge (November et al), Björn J:son Lindh, Janne Schaffer, Tomas Ledin, and renaissance music flag-bearer Sven Berger. This massive lot of people helps the four Andromeda All Stars albums into the progg realm.


Universe (Harvest, 1977)
Instrumental, wordless vocals
International relevance: **

The first All Stars album (housed in a truly eye-catching cover) is one of Lundsten's best, although I hesitate to use superlatives when talking about Lundsten's albums, no matter what line-up they flash. It's uneven and still very cheesy, but it has some entertaining moments of gurgling and bubbling sounds where Lundsten probably just fools around with the crazy sound effects because he enjoys it. As typical to his post-EAM albums, there are plenty of synth washes. The best tracks are those that have a rhythmic structure, like ”Harvest In Heaven”, ”Space Funeral”, and the space rock sounding ”The Planet Of Winds”.


Discophrenia (Harvest, 1978)
Instrumental
International relevance: **

With the disco wave sweeping the world in the late 70's, plenty of musicians jumped the danceable bandwagon. Even the self-loving Ralph Lundsten got bit by the bug, but his interpretation of disco is of course different to others. He either mess with it deliberatly, or he misunderstands everything. The title track is in fact rather interesting as Lundsten seems to predict the synth pop still a few years away from public recognition. It actually reminds me a bit of the early Human League albums (those before the girls joined the group and they became MTV darlings with ”Don't You Want Me”) and they hadn't been released yet when ”Discophrenia” came out. The album even spawned a single (with an extended remix of the title track), a rather rare thing in Lundsten's discography.


Alpha Ralpha Boulevard (Harvest, 1979)
Instrumental, English vocals
International relevance: **

The third Andromeda All Stars album falls somewhere between the first two, with characteristics spilling over from both. ”Rendezvous With A Washing-Machine”, ”Ego Love Song” (appropriate title for Lundsten!) and ”Horrorscope” are still discophrenic, while other chunks stick to the wishy-washy synth layers. The album is very inconsistent, and it sounds as if it's cooked up from leftovers from the previous two discs. The all stars concept is beginning to wear thin.


The New Age (Harvest, 1982)
Instrumental
International relevance: **

After a couple of electronic/symphonic works in the beginning of the 80's, Lundsten returned in 1982 with the final album credited to The Andromeda All Stars. Largely new-agey as the title lets you know, but a more coherent work than ”Alpha Ralpha Boulevard”. But it does sound as if the steam had run out altogether of the All Stars project. It's less colourful and crazy than the initial trio, there's no real push to it.

From "Universe"
Universe Calling / The Space Sneaker / In The Shade Of The Purple Moon / The Hot Andromedary / The Blue Planet / Harvest In Heaven / In The Erotosphere / The Celestial Pilgrim / Rhapzodiac / The Planet Of Winds / Lunatic Safari / Space Funeral / Cosmic Song

From "Discophrenia"
Andromedan Nights / Discophrenia / Luna Lolita / Robot Amoroso

From "Alpha Ralpha Boulevard"
Alpha Ralpha Boulevard / Rendezvous With A Washing-Machine / Space Flower Dance / Ego Love Song / Happy Earthday / Horrorscope / Computerful Love / Dancing In A Dream / Lifetide

From "The New Age"
Morning Of Creation / Time Storm / Future Carnival / Trance-Action / The Remembering Castle / Garden Of Delight

Tuesday, August 7, 2018

POP WORKSHOP – Vol. 1 (Grammofonverket, 1973) / Songs of the Pterodactyl (Grammofonverket, 1974) / WLODEK GULGOWSKI – Soundcheck (Polydor, 1976)

A super group of sorts including Jan Schaffer, Wlodek Gulgowski, Ola Brunkert, Stefan Brolund, and on ”Songs of the Pterodactyl” drummer Tony Williams of Miles Davis and Lifetime fame. Just by reading those names you should get a clear idea of what the music's like, funky fusion permeated by technical talent. Which it is. 

POP WORKSHOP  – Vol. 1 (Grammofonverket, 1973)
Instrumental 
International relevance: ***

”Vol. 1” is a heavier and proggier album than expected though with some riveting guitar work from Schaffer. The powerful ”Perforated Mind” should appeal to Zappa heads while Magma fans ought to be delighted by ”Equinox”, but ”Vol. 1” is a solid affair way too good to be held hostage by the fusion crowd!

POP WORKSOP – Songs of the Pterodactyl (Grammofonverket, 1974)
Instrumental
International relevance: ***

”Songs of the Pterodactyl” is good too, almost great but lacks some of the debut's freshness, as if they tried to consciously repeat the quirky angularity of their first album. Everything is in the right place with thorough compositions by Gulgowski and his Polish countryman Zbigniew Namysłowski, but it doesn't thrill quite as much as ”Vol. 1”. Still a fine effort though, with fantastic cover art by Swedish horror painter Hans Arnold.

 WLODEK GULGOWSKI – Soundcheck (Polydor, 1976)
International relevance: ***
Instrumental

Wlodek Gulgowski had two albums of his own out in the 70's, although the first one he made was co-credited to Rory Vincent, ”Dream World”, so ”Soundcheck” is technically his first to count as a solo album. Unfortunately it's a very disappointing album coming after the two he did with Pop Workshop. It's full of slick fusion, very polished and not dissimilar to some of the weaker funky library albums that have gained collectors' interest in recent year.

Both Pop Workshop albums cry out for a reissue but ”Soundcheck” is definitely one to pass on.

Vol 1 full album playlist
Songs of the Pterodactyl full album playlist
Soundcheck full album