ED THIGPEN'S ACTION-RE-ACTION – Ed Thigpen's Action-Re-Action (Sonet, 1974)

 

Instrumental
International relevance: ***

Ed Thigpen was a Chicago born drummer growing up in Los Angeles who played with several major league performers. He's probably best known for his work with Oscar Peterson from the late 50s to the mid 60s. He moved to Copenhagen in 1972, and spent the remainder of his life there (he died in 2010 and is buried in Copenhagen). ”Ed Thigpen's Action-Re-Action” was recorded in Denmark in spring 1973 but with a partly Swedish line-up including Lennart Åberg, Sabu Martinez and Kjell Öhman. It was first released on Swedish Sonet in 1974.

Split in two suites ”House Of Poets” and ”Action-Re-Action” divided by standalone track ”Danish Drive”, it's an often funky fusion affair touching on soul jazz, with slight hints at early 70s Miles Davis. The short ”Adventures Of A Duck With Friends” from the title suite even suggests Don Cherry's organic music. While the music isn't always stone cold excellent, it's actually a pretty pleasant experience to listen to the exceptionally tight line-up. It's indeed a high-level performance that everyone involved seem to love being a part of. And compared to several other Swedish jazz fusion albums that sound like they were recorded by a group of social workers on a day release trip to a conference center, this album ought to be a given choice for those into the genre.

The album was reissued on a CD as a twofer with another Danish but lesser 1973 set, "Resource", as "Ed Thigpen In Copenhagen 1973-74" in the mid noughties.

House Of Poets: Le Matin
House Of Poets: Le Soir
House Of Poets: Who's Kidding Who?
Danish Drive 
Action-Re-Action: Illusions
Action-Re-Action: Adventures Of A Duck With Friends
Action-Re-Action: Action-Re-Action

OPPOSITE CORNER / PALLE DANIELSSON -6- – Club Jazz 5 (SR, 1971)

 

 Instrumental

International relevance: ***

The ”Club Jazz” series was a series of nine volumes of jazz recordings made for Swedish Radio between 1970 and 1974, a bit like a jazz equivalent of the three ”Tonkraft” double LPs released in the early 80s. The albums were usually split between two artists, one per side, and not all couplings made sense. There's for instance one album with Arbete & Fritid on one side and trad jazzers Kustbandet on the other. ”Club Jazz 5” has a better match, with a very early Opposite Corner recording and one by a rare sixpiece line-up led by bassist Palle Danielsson.

This session with Opposite Corner is five years earlier than their proper debut album ”Jazz i Sverige '76” and a bit different. It's not full on free jazz wild but they let loose a bit more here than they did later on. And it's much better! The Arabic scales in opening track ”Ayazin” is very tasteful, and Gunnar Lindgren delivers some fine tenor sax soloing in ”Blacklouti Strikes Back”. Last track from them is ”Tibetanskt urindop” and is probably as close Opposite Corner ever got to Arbete & Fritid. A very good session, well worth hearing even if you're not into their later work.

Turn the record over and you find four tracks from Palle Danielsson's band. This is where it gets really interesting. Featured here is an all star cast of Lennart Åberg, Bobo Stenson, Jon Christensen, Bengt Berger and Roland Keijser along with Danielsson himself! A highly vivid session with Berger in particular going bonkers on the drums – it's among the most ferocious drumming I've heard from him, and it's interesting to note that this was recorded in the same year as Fickteatern's ”Allt växer till det hejdas” which also has some mad Berger playing. But the ensemble effort is great all through, and I really wish there were more recordings from this particular lot.

So with two unique and splendid sessions, this is one for the ages.

Full album

LENNART ÅBERG – Partial Solar Eclipse (Japo, 1977)

 

Instrumental

International relevance: *

If you're into fusion jazz, this one looks promising at a first glance, with several EGBA members and Lennart Åberg himself from Rena Rama, Häxmjölk and Oriental Wind. ”Partial Solar Eclipse” is a suite in six parts, and ”IV” is OK, moving in freer areas. But most of it is contemporary jazz in a progressive big band mode with only very light fusion touches. And a bit too heavy on the big band part. Not exciting at all. As a matter of fact, it's pretty damn boring.

Full album playlist