Lollo Asplund's first album ”Eldsjäl” is
reviewed here, and this is his second. Although it wasn't released
until 1983 which is technically one year too late for this blog's
time span, it was recorded in 1982.
Ӏppelmelodier &
lurendrejerier” is a children's record that retains the spirit of
70s children's progg. It's done with the honest intent to make music
for kids with the same care as if it was made for grown-ups. You can
of course tell right away that it's aimed at kids; the singing is
more tongue-in-cheek and cheerful than on ”Eldsjäl”, and the
overall performances don't have the same degree of seriousness. But
the songwriting itself is as thorough as before, and Asplund even
sneaks in a remake of his radio hit ”Råckenroll till frukost”
from his debut album, here in a more acoustic sounding rendition.
There are also more children singing along here than on ”Eldsjäl”
which of obviously gives away the album's intent. And if you're
familiar with the Swedish language, the lyrics are telling enough.
The overall feeling will likely not attract a post-childhood
audience, but as a reminder of the spirit of the previous decade when
children's music was considered something just as important as any
other music deserving of acknowledged musicians such as Sten Källman
(Text & Musik, Skrotbandet) and Tomas Gabrielsson (Förklädd Gud), then ”Äppelmelodier & lurendrejerier” works just fine.
In the end, it stands out as one of the finer children's albums of
its age.
Saturday, June 7, 2025
LOLLO ASPLUND – Äppelmelodier & lurendrejerier (MNW, 1983; rec. 1982)
Sunday, July 14, 2024
LOLLO ASPLUND – Eldsjäl (MNW, 1981)
Lars Olof ”Lollo” Asplund is a rather overlooked figure now although he was a versatile, well-known character back in the day. He debuted to a wider audience already on a TV show in the early 70s, worked with a choir on one of his albums, wrote music for a movie in the 90's, performed regularly to and with children and released an album of children's music in the 80's. He wrote about music for a local newspaper and hosted several literary nights in his native town Linköping. He even scored something of a radio hit with ”Råckenråll till frukost” from his debut album ”Eldsjäl” recorded in 1980 and released the following year.
Despite being issued by MNW, ”Eldsjäl”
sounds more like a Metronome album, like something by
Ola Magnell. Asplund's slightly warbly voice and the occassional
Latin American influence also make me think of Jan Hammarlund in
places. The album has a well-rounded production courtesy of Thomas Almqvist, and a cast of musicians well acquainted to studio
work including Stefan Brolund (Monica Törnell, Bernt Staf, Björn J:son Lindh, millions more), Malte Sjöstrand (Solen Skiner, Robert Broberg, Rolf Wikström and others) Ale Möller, Turid and of course
Thomas Almqvist himself. The songs are well-written and there's
nothing really wrong with it, not hard to listen to but
essentially unengaging..
Full album playlist