Showing posts with label Skäggmanslaget. Show all posts
Showing posts with label Skäggmanslaget. Show all posts

Wednesday, June 1, 2022

SKÄGGMANSLAGET – Kniviga låtar tillägnade länsman i Delsbo (Sonet, 1973)

 
Instrumental
International relevance: **

It's hard for a progg fan not cross paths with Skäggmanslaget as they were one of the most popular traditional folk outfits in the 70s whose popularity was only elevated by their collaboration with Contact on most notably ”Hon kom över mon” which remains a celebrated progg chestnut to this very day. Contact, of course, also appeared on Skäggmanslaget's debut album ”Pjål, gnäll och ämmel” to great effect on the track ”Gråtlåten”.

”Kniviga låtar tillägnade länsman i Delsbo” is their third album and it's a straight-up folk effort with no rock music involved. Unless you count their fiery playing that is that was rock'n'roll enough compared to many other traditional fiddle constellations of the time. The album consists of fifteen tracks from their native Hälsingland, an area in the southern part of Northern Sweden known for its rich musical history. Skäggmanslaget is smack dab in the middle of tradition, and born and raised straight into it, they are as credible as they are engaging. The liner notes declare ”it sounds genuine, and fun it is, and rocks it does”, and that description is as good anything I could come up with to describe the album. Having an interest in Swedish folk fiddling of course helps, but the Skäggmanlaget's contagious enthusiasm should be obvious to anyone. This is one pretty great album in its field.

Full album playlist

Friday, July 27, 2018

SKÄGGMANSLAGET – Pjål, gnäll & ämmel (Sonet, 1970) / Snus, mus och brännvin (Sonet, 1971)

Instrumental, Swedish vocals, other languages
International relevance: **/ **

Skäggmanslaget was one of the best known folk music groups, partly due to their involvement with Contact, playing on their best known track ”Hon kom över mon”. They also worked with accordionist Leif ”Pepparn” Pettersson on his 1973 album ”Nää, nu jäsicken!” and others, and they released a number of albums of their own. They were serious about what they did, but had a more easygoing approach than, for instance, Norrlåtar.

”Pjål, gnäll & ämmel” was their first album and nicely demonstrates their abilities. Apart from core members Peter Logård, Thore Härdelin and Wilhelm Grindsäter, Kjell Westling joins in a couple of tracks, as do noted singer Marie Selander. Contact makes an appearance here, backing Skäggmanslaget on the excellent closing track ”Gråtlåten” – what a pity they never made a full album together!

”Snus, mus och brännvin” followed suit in 1971, again with a guest appearances from Kjell Westling along with Bengt Berger, Urban Yman and nyckelharpa player Ceylon Wallin. It's an even more self-assured album than its predecessor. A fun take on famous Swedish tune ”Trettondedagsmarschen” almost sounds like a cheerful Arbete & Fritid recording features tablas, as does ”Polska efter Nils Hägg” which rounds off the album in a nice way.