Paola Pitagora – Sputafuoristrega (1976, LP, Italy)

Tracklist:
A1 Sputafuoristrega
A2 Frigida E Poi?
A3 Mostruoso Amore
A4 Come Una Donna
A5 Barricata Dietro Un Mal Di Testa
A6 Mamma (Uno)
B1 Mamma (Due)
B2 Batte Il Sole
B3 Verso Un Nuovo Tipo D'Amore
B4 La Più Bella Notte
B5 Spaiata
B6 La Casalinga
B7 Pensando A Nilla Pizzi

Musicians:
Alto Saxophone, Tenor Saxophone – Claudio Fasoli
Bass – Gigi Belloni
Cello – Umberto Galli
Choir – Gisella Fusi (A1)
Clarinet, Tenor Saxophone – Sergio Rigon
Clarion, Tenor Saxophone – Giancarlo Barigozzi
Drum, Percussion – Flaviano Cuffari
Flute – Pino Sacchetti
Guitar – Maurizio Martelli
Orchestrated By – Riccardo Giagni (A5)
Orchestrated By, Directed By, Music By – Roberto Colombo
Organ – Alberto Mompellio
Piano, Electric Piano – Roberto Colombo
Trombone – Palmiro Mautino
Trumpet – Angelo Faglia, Giuliano Bernicchi, Luciano Biasutti
Viola – Bruno Nidasio, Elsa Parravicini
Violin – Gianni Berlendis, Sergio Almangano
Voice – Nanni Ricordi (A1)

Brigitte Fontaine - Areski Belkacem – Les Églantines Sont Peut-Être Formidables (1980, LP, France)

Tracklist:
A1 Le Ménage 4:50
A2 L'Éternel Retour 2:34
A3 La Traversée 3:06
A4 Le Light Show 2:01
A5 La Vache 2:45
B1 Pif 3:10
B2 Tout Le Monde Se Rappelle Peut-Être De Quoi Il S'Agit 10:07
B3 La Maison Du Café 3:33
B4 Baby Boum-Boum 3:22

Musicians:
Bass Guitar – Emmanuel Binet
Drums, Percussion – Frank Raholison
Electric Guitar, Acoustic Guitar – Mimi Lorenzini
Electric Piano, Synthesizer [A.R.P.], Synthesizer [Odyssey Oberheim Polyphonique] – Anne Ballester
Piano, Electric Piano, Organ [Hammond] – Thierry Tamain
Recorded By [Voices] – Guy Bezançon (A1 to A5)
Sitar [Kanoune - Cithare Arabe] – Kakino Depaz

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Harpy – Sleep Trumpet (1999, CD, Japan)

Tracklist:
1 Sleep ... 1:10
2 Royal Toy 2:00
3 Quality 0:59
4 Floating Fat Fader 2:49
5 Global Drug 1:05
6 Acrobat 1:09
7 Kcor Oisac 2:12
8 TIKATIRO 2:25
9 PIVOT 0:29
10 Steps 2:00
11 Greg Likes Peanuts Butter 1:36
12 Flat Wire 2:22
13 HOLE 2:19
14 James 1:07
15 Spearmint 1:51
16 Electric History 1:32
17 Sleep Trumpet 1:00

Musicians:
Itoken/ Drums, Toys
Onotetsu/ Piano, Toys
Kyoko/ Vocals, Toys
Suzuki/ Guitar, Toys

Andy Summers, Robert Fripp – Bewitched (1984, CD, England)

Tracklist:
1 Parade 3:01
2 What Kind Of Man Reads Playboy 11:12
3 Begin The Day 3:33
4 Train 4:33
5 Bewitched 3:53
6 Tribe 3:23
7 Maquillage 2:16
8 Guide 2:34
9 Forgotten Steps 3:57
10 Image And Likeness 1:30

Musicians:
Bass – Chris Childs, Sara Lee
Composed By – Andy Summers (tracks: 1, 4, 5, 8, 9)
Drums – Paul Beavis
Saxophone – Chris Winter
Synthesizer [Roland Gr700 & 300, Jupiter 6, Jx 3p], Sequencer [Msq 700 Sequencer], Drum Machine [Tr909 Drum Machine], Acoustic Guitar, Electric Guitar, Percussion, Loops, Other [Water Bucket] – Andy Summers, Robert Fripp
Tabla – Jesse Lota

After Dinner – Paradise Of Replica (1989, CD, Japan)

Tracklist:
1 Paradise Of Replica 3:28
2 A Walnut 4:29
3 Kitchen Life I 2:07
4 Motorcycle 1:19
5 Kitchen Life II 1:23
6 Ironclad Mermaid 4:42
7 Dancing Twins 0:59
8 KA-NO-PU-SU-NO-HA-KO 7:54
9 I'll Just Go Birdwatching 3:21

Musicians:

Haco: all vocals, volley ball (7), tapes (8)

Yosuke Isshiki: all pianos and keyboards, pin-hammer piano (5), percussion (2, 3, 6, 8)

Masahiro Kitada: rhythm box and keyboards (1, 5), soroba-tone (2), drums (2, 3), guitars (3), toms (6)

Tadahiko Yokogawa: keyboards (1), bass (6, 8), percussion (8, 9), charango (9)

Ichiro Inoue: percussion (1, 3, 6), indian harp (1), yanch'in (1), glockenspiel (2)

Seiichi Kuroda: tung-siao (4), hichiriki (7, 8), percussion (8)

Ryo Okuda: yanch'in (1), jew's harp (1), percussion (1, 8)

Hideaki Yamagata: drums (6, 8), tambourine (8)

Takumi Fukushima: violin (6-9)

Kazumi Matsumura: cello (6-9)

Shoichi Miyamoto: flute (2, 4)

Junji Naoe: clarinet (2, 4, 7)

Takaaki Miyazaki: tenor sax (2, 4, 7)

Izumi Yae: oboe (2, 7, 8)

Naoki Yamada: acoustic guitars (8)

Masakazu Kinoshita: pianica (2)

"The Japanese avant-garde pop band strove to create a “sacred ambiance” on their second album, fusing unconventional arrangements with bouncing volleyballs and an eyes-wide air of wonder." “It’s rare that art-pop matches its extravagance with such alluring modesty. In doing so, Paradise of Replica feels like encountering cinematic spectacles in miniature.” —Joshua Minsoo Kim 

Ground-Zero – 革命京劇 Revolutionary Pekinese Opera (1995, CD, Japan)

Tracklist:
1 Opening ~ Flying Across The J.P.Yen 9:29

2 Consume Mao 1:32
3 Rush Capture Of The Revolutionary Opera - 1 2:05
4 Red Mao Book By Sony 4:22
5 Crossing Frankfurt Four Times 2:01
6 The Glory Of Hong Kong - Kabukicho Conference 4:52
7 Paraiso - 1 7:03
8 Announcing Good News From The West 0:39
9 Revolutionary Enka 2001 1:14
10 Grand Pink Junction Ballad 1:27
11 Crossing Snow Mountains With Yamaha Bike 1:28
12 Rush Capture Of The Revolutionary Opera - 2 0:51
13 Yellow Army, Beloved Of The Various Nationalities 0:51
14 Triumphant Junction (Grand Finale) 1:14
15 International - Epilogue 3:18
16 Paraiso - 2 6:38

Musicians:
Bass – Nasuno Mitsuru
Drums – Uemura Masahiro
Drums, Percussion – Yoshigaki Yasuhiro
Featuring – Original Pekinese Opera Groups
Guitar, Effects – Uchihashi Kazuhisa
Music By – Otomo Yoshihide
Piano – Heiner Goebbels
Saxophone [Sampled Guest] – Alfred 23 Harth
Tenor Saxophone – Kikuchi Naruyoshi (9, 12 to 14)
Turntables, Guitar – Otomo Yoshihide

Based on a re-sampling of Heiner Goebbels and Alfred Harth's sampled rendition of 1960's Revolutionary Pekinese Opera from China the Peking Oper (from the LP Frankfurt/Peking, CD Goebbels Heart) from 1984.

Ver. 1.28 is a updated edition of the original version released from Trigram in 1995.

YHWH····Black Omen II – Kingdom Of Familydream (1986, LP, Japan)

Tracklist:
A1 Die Verwandlung (変身)
A2 Kingdom Of Familydream I
A3 Kingdom Of Familydream II
B1 Deadhuman's Paradise
B2 Universe
B3 Springfield
B4 Lovery On The Water

Musicians:
Bass – Kitamura
Drums – Yoshida
Guitar – Kawamoto (A1, A3 to B3), Kitamura (A2, B1, B4), Morikawa (A2, B1)
Mellotron – Kitamura (A2, A3, B4)
Percussion – Yoshida (A2)
Piano – Yoshida (A1, B3)
Saxophone – Mal (A3, B2)
Voice – Kitamura (A1 to B1, B3, B4), Morikawa (A1, A3, B2), Yoshida (A1, A3, B2)
Written-By [All Songs & Music By] – YBO² (A1 to B3)

Officer! – Dead Unique (2014, CD, England)

Tracklist:
1 Nest 1:59
2 Elephant Flowers 3:42
3 It Goes Up / Revenge 2:34
4 Go Back 3:35
5 Cows Hum In The Fields 2:20
6 Shrug / Good 3:19
7 Biteman 1:52
8 Nardis 5:22
9 Someone At The Door 5:46
10 Stewed Fruit 4:41
11 All I Got 2:03
12 V.I.M. 5:31
13 Bugs In Amber 5:00
14 Guess 1:10 4:40
16 Rachot 6:24
17 Lilac & Orange 1:16
18 Clint 3:33

Musicians:
Vocals – Fred Collins
Drums, Banjo, Keyboards, Cymbal, Recorder, Vocals, Guitar, Bass – Mick Hobbs
Drums, Voice, Bass – Benb Gallaher
Voice, Trumpet, Bass, Keyboards – Jason Willett
Drums, Vibraphone – Mike Evans
Voice – Jad Fair
Bass Clarinet – Tim Hodgkinson
Cello – Dan Livet
Drums – Gilles Rieder
Trumpet – Peter Moser
Violin – Patrick Q
Vocals, Keyboards – Joey Stack
Loops [Drum Loops] – Amy Denio
Vocals – Martha Colburn

Clarinet, Bass Clarinet, Soprano Saxophone – John Dierker
Sampler, Effects, Guitar – Julia Brightly

Recorded at the Warehouse, Baltimore.

Additional recording at Studio 99, London E2 and Worldwide International, London W10.

All tracks mixed at Studio 99, 1995, except 'Good' recorded and mixed at Red Shop, London, 1990.

Mastered at Alchemy.

Harry Roesli – Titik Api (1976, Cassette, Indonesia)

UnknownmiX – Domina Dea (1991, CD, Switzerland)

Roger Miller, Maximum Electric Piano – The Big Industry (1987, LP, Usa)

Tracklist:
A1 Portrait Of A Mechanical Dog - 3:01
A2 Boil Away - 2:59
A3 Hammers - 4:04
A4 Upon This Boat In This Sea - 3:00
A5 The Age Of Reason - 4:49
B1 Groping Hands - 4:38
B2 Manic Depression - 3:29
B3 The Big Industry - 7:19
B4 We Don't Know Why - 3:29

Musicians:
Sampler [Sampled Percussion Set: Oil Tank, Furnace, Egg Beater, Lawn Mower, Hubcap, Metal Sheet, Childeren's Bells, Helium Tank, Marching Snare Drum With Marbles In It,occasional Linndrum Sounds] – Russ Smith
Saxophone, Clarinet – Steve Adams
Percussion [Hammers On Pipes, Girders, Etc.], Vocals [Foreman's Vocals] – Russ Smith
Piano, Percussion [Sampled And Realtime Percussion], Voice – Roger Miller
Viola – Melissa Howe

Roger Miller's career is one of the most adventurous in rock history. He began with Sproton Layer, a Boston band who played psychedelic, Pink-Floyd-like music (and which had their first album With Magnetic Fields Disrupted published by New Alliance just in 1992). Miller became then the guitarist of Mission of Burma, the legendary punk band also from Boston. Afterwards, together with Erik Lindgren, Miller founded the Birdsongs of the Mesozoic. As that experience also came to an end, Miller had revealed himself to be a virtuoso of the piano, which was soon to be his only instrument.

...

Miller's classical ambitions are more evident in The Big Industry (Ace Of Hearts, 1987), a maximum electric piano album (where maximum stands for prepared). It contains blurring, industrial mini-symphonies (above all The Age Of Reason and the title-track) and surreal, crazy lieder (Portrait Of A Mechanical Dog). The ballad Groping Hands, based on a weak metallurgic poli-rhythm, is emblematic. (Scaruffi)

Demi Semi Quaver – Demi Semi Quaver (1994, CD, Japan)

Songs:
1. Recreation (4:41)
2. Love Maniac (3:31)
3.Fundamentarhythm (5:21)
4. Black Milk (5:24)
5. P+P (0:21)
6. A*Merika (12:08)
7. Diva Operation Sex Nox (6:25)
8. 第２魔術 Second Magic (3:54)
9. S+P (0:11)
10. ロックの隠れ家 Hideout Of Rock (4:13)
11. ~S~mash Room (6:27)
12. The Door Was Always Part Of The Wall And ~Key~ (2:15)

Musicians:
Bass – Hidenori Yokoyama
Drums – Koichiro Naka
Guest, Violin – Yuji Katsui (tracce: 3, 5)
Guitar, Kazoo – Toru Terashit*
Keyboards, Sampler – Genya Kuwajima
Percussion, Effects [Metals], Backing Vocals – Steve Eto
Vocals, Accordion, Synthesizer [YC-30], Piano, Backing Vocals – Emi Eleonola
Written-By – Demi Semi Quaver (tracce: 1 to 4, 6 to 12), Emi Eleonola (tracce: 5), Hoppy Kamiyama (tracce: 2, 6, 8, 9, 11, 12), Yuji Katsui (tracce: 5)

DEMI SEMI QUAVER got started as an experimental-avantgarde rock outfit featuring Emi ELEONOLA, a female vocalist of marked personality. Dressed in a bondage suit, Emi utters a weird and mysterious lyrics called 'Eleonola Language' upon their songs, that can charm the audience into Demi Semi world. In 1995, they appeared on Japanese underground rock scene with their eponymous debut album full of experimentalism, aestheticism, avantgardism, and individualism. A magnificent lineup - Yuji KATSUI (violin), Steve ETOH (percussion), TELLASIT (guitar), Hidenori YOKOYAMA (bass), and Koichiro NAKA (drums) - supports her, and they leaped into Japanese Underground Stardom.

Through many active gigs, DEMI SEMI QUAVER made their major debut with the third album '3' in 1996. They often appears on stage despite of getting less active than before, since each member can get more renowned currently as a session musician or a member of another progressive rock project (Emi has got a versatile artist e.g. actress, model, or fashion designer).

Clonicos – Aspetti Diversi (1986, LP, Spain)

Tracklist:

A1. Paraphernalias Pork 1:08

A2. Persecuted By Japan 3:46

A3. Cha Cha Cha 2:51

A4. In - Out 2:43

A5. La Voz De Sudafrica 2:37

A6. Apocalipsis 1:01

A7. Material 2:21

B1. Hande 0:28

B2. Pa Eli 1:29

B3. Aspetti Diversi 3:47

B4. How To Order 4:13

B5. Estrellas 1:03

B6.  Pasajero 2:05

B7. Pulsar 3:06

Musicians:

Alto Saxophone – Pelayo Fernandez Arrizabalaga

Bass Clarinet – Pelayo Fernandez Arrizabalaga

Chorus – Celes Coyote Arbizu, Justo Bagueste, Katrina Haegerty, Markus A. Breuss, Pelayo Fernandez Arrizabalaga

Drums – Celes Coyote Arbizu

Electric Guitar – Victor V. Polanski

Keyboards – Pelayo Fernandez Arrizabalaga

Percussion – Markus A. Breuss

Synthesizer – Markus A. Breuss

Tenor Saxophone – Justo Bagueste

Trumpet – Markus A. Breuss

Vocals – Markus A. Breuss, Victor V. Polanski

Clonicos from Spain was active from 1984 till 1994. This 1986 release is an interesting mix of post-punk, avant-garde and pop/rock. Although experimental and chaotic in places, the production remains pop. The compositions contain elements of spoken word as well as generous spaces for imporised and arranged brass section, which keeps the entertainment value throughout the album.

ホッピー神山 Hoppy Kamiyama Visual Works 2 – Nympho Has Some Great Elements (1994, CD, Japan)

Tracklist:
1. Arh (Nympho) (2:42)2. First Movement (Grome) (11:32)
3. Pause One (Symbiosis) (0:28)
4. Second Movement (Nariad) (6:14)
5. Pause Two (Symbiosis) (2:43)
6. Third Movement (Oread) (9:53)
7. Pause Three (Symbiosis) (3:06)
8. Fourth Movement (Salamander) (14:33)
9. Pause Four (Symbiosis) (2:18)
10. Fifth Movement (Sylph) (13:30)
11. Sixth Movement (Nymph) (8:12)
12. Arh - Blood Orgy (1:08)

Musicians:
Hoppy Kamiyama/ oberheim, emu-II, simmons, gram-pot
Masafumi Minato/ drums, simmons, metals
Yasuhiro Yoshigaki/ drums, percussion, vibraphone, batphones, metals
Kumiko Takara/ marimba, vibraphone, percussion, batphones, xylophone
Steve Eto/ metals, wave drum, pecussion
Junji Hirose/sax, self-made noise machine, metal board, sonai

Contains the soundtrack for designer brand Dr. Mahler's "Tokyo Collection 95 Spring and Summer" show held in Fall 1994, as well as pieces inspired by the soundtrack.

Anatrofobia ‎– Uno Scoiattolo In Mezzo Ad Un'Autostrada (2001, CD, Italy)

Songs:
1. La torta
2. Re: person i knew
3. Uno scoiattolo in mezzo ad un'autostrada
4. Caduti in libertà
5. San zio
6. John chowning e le regole del caso
7. Marano
8. 5 sedie vecchie
9. Ff1
10. West germany
11. Sils maria

Musicians:
Biondello Andrea / percussions
Cartolari Alessandro / alto saxophone, electronics
Cartolari Luca / bass, electronics
Simeoni Mario / flute, tenor saxophone
Trovero Gianni / trumpet
Guests:
Grosso Silvia / trombone
Occhiena Alberto / marimba
Trovero Giuseppe / bass tuba

Anatrofobia, meaning Fear Of Ducks, was formed in Perosa Canavese, Italy in 1991, taking its name from an American comic strip. The core trio consisted of brothers Luca Cartolari (bass and electronics), Alessandro Cartolari (alto sax and elecotrnics) and Andrea Biondello (percussions) who experimented and improvised together. Their first album, Frammenti Di Durata, was released in 1997 through C.M.C. In 1998 Mario Simeoni (flute, sax) joined them and in 1999 they recorded their second album, Ruote Che Girano A Vuoto, followed by yet another lineup expansion and a 2001 release Uno Scoiattolo In Mezzo Ad Un Autostrada, which received wide acclaim and won the remio Darwin 2001 best Italian album of the year. Being hard at work, the band recorded and released in 2002 their fourth album, Le Cose Non Parlano, with the collaboration of lessio Pisani (bassoon), and Roberto Sassi (electric guitar). This album again received praises and came in second in the Premio Darwin 2002. In 2003 they recorded a track for the tribute album to King Crimson and also released another album, Tesa Musica Marginale, which was released in 2004. In 2005 and 2006 they contributed composition to two music collections: Suono Sonda 4 (the track L'ultimo Grande Statista) and BääFest: 1stand2ndyeardiary (the track Mi Prenderò Cura Di Te). In 2007 a change of direction came with Brevi Momenti Di Presenza, in which they shifted from fusion to focus more on electronic and free improv approach.

The Parasites Of The Western World ‎– The Parasites Of The Western World (1978, LP, Usa)

Tracklist:

A1 Mo - 3:15

A2 Electrokil - l1:58

A3. Flying - 3:42

A4. A Rare Case of Blues - 1:05

A5. Funeral for a Mouse - 7:43

B1. Accessories - 9:53

B2. God or Just a Slow Breeze - 1:55

B3. Siege of Twilight Loon - 4:04

B4. You Must Be Joe King - 3:37

B5. Alienending - 2:13

"The Parasites Of The Western World are a band from Portland OR who released their recorded debut in 1978. It's a fascinating spin, a galactic ramble across the otherworldly themes of alienation and paranoia, seemingly inspired by LSD and Philip Dick. Primarily the creation of Patrick Burke and Terry Censky, the Parasites were limitless with invention and completely DIY. This is a record that was recorded in an apartment, by a crew thoughtful enough to curtail its loud excursions for the daylight hours. Its rockist moves are surprisingly informed by the typical institutions of this era : Pink Floyd, the Beatles and Hawkwind and its many electronic flourishes are an above-ground sound that would presage the likes of Vertical Slit, F/I and Vertigo. The Parasites remain to be light years ahead of a time that has yet to come." Includes poster and insert.

The first album from Patrick Burke's space-punk collective uses heavy, phase-shifting guitar, fuzz bass, and electronics galore. Chrome, MX-80 Sound, Vertical Slit, and earlier futurists like Heldon and Eno share similar realms as this underrated, under-heard album from Portland.
"Mo" is a rocking opener with alien vocals. It's the most punk number on the album, and a preview of the sound they'd unleash on "Substrata".
"Electrokill" is a brief noise loop of the kind avant-noisemakers love tinkering with. "Flying" is a "Telstar"-like instrumental with wide, buzzing organ. I wish they'd written in a vocal, or something to make it really memorable. "A Rare Case Of Blues" is a snippet of studio jamming. I'd call it filler, but maybe they were trying for a Zappa-esque collage effect. It's only a minute long; compared to the filler blues jams on earlier psychedelic albums this is a very minor flaw.
"Funeral For A Mouse" closes the side and is a stately bass and keyboard instrumental. The drums kick in after five minutes and the synths sound like the ones of Battiato's "Fetus" album.
"Accessories" is where this album really earns its wings. Terry Censky's fuzz bass leads the way through a jungle of otherworldly sounds. At the 6 minute mark the vocals begin, over a stomping beat, and machine shop noise sculptures which fly and spin through the mix. An awesome centerpiece, and a bold distillation of Magma and Faust.
"Accessories" is such an awesome trip that the acoustic ballad "God or Just a Slow Breeze" and the piano and synth duet "Siege of Twilight Loon" are easy to overlook. Their inclusion feels pretentious and old-fashioned for 1978. Perhaps they were running out of studio time. "Alienending" is two minutes of backwards voices and ostrich guitar ... I have friends who used to trade tapes of this kind of doodling.
The side is saved by "You Must Be Joe King", a fully stacked psych nugget, something like Tuxedomoon paying tribute to SRC. Flipped with "Mo" this would've been a killer art-punk single. The album is worth it for "Accessories" alone, and their combination of fuzz bass and cosmic noise is potent when it comes together, which is about 2/3 of the time. With another strong number on each side "Parasites of the Western World" would be a classic.

Killsong ‎– He Is Risen (2013, CDr, Australia)

Songs:
1. Dear Anthony
2. Pissflaps' Magic Medacine
3. Is That You Mr Roebuck?
4. Hotdogs
5. He Is Risen (Slight Return)

Musicians:
Bass – Josh Ahearn
Drums – Alon Ilsar
Guitar – Dave Sattout
Saxophone, Clarinet – Ian Pieterse
Vocals, Violin – Daniel McIvor

Killsong's debut album is one of the most twisted and enjoyable albums to come out of Australia in some time; an unhinged, avant-garde assault resembling Frank Zappa on crystal meth, a coked-up Captain Beefheart and a rambling Tom Waits in the depths of an ether binge.
Killsong cultivate a style that sporadically embraces spoken word poetry, world music, progressive rock, metal and sheer inanity. Few groups have trod the fine line between genius and madness with such reckless abandon.
If this band didn't feature veterans of Australia's experimental music scene, you'd be forgiven for thinking this was a field recording by escapees of an insane asylum. Members have previously played in Squat Club, Darth Vegas, The Bakery, Mr. Bamboo, Slimey Things, The Bznzz, Jimmy Swouse and the Angry Darts, and Rica Tetus amongst others.

The Plastic People Of The Universe & Agon Orchestra ‎– Obešel Já Polí Pět - Koncert Na Počest Ladislava Klímy (2003, CD, Czech Republic)

Tracklist:

1. Dechovka I.
2. Slavná Nemesis
3. Eterna/K Denici mluví Dryáda
4. Jak bude po smrti
5. Jsem Absolutní Vůle
6. Dechovka II.
BONUS - nahrávka z roku 1980:
7. Obesel já polí pět
8. Slavná Nemesis
9. Jsem Absolutní Vůle

The Plastic People Of The Universe ‎– Líně S Tebou Spím = Lazy Love (2001, D, Czech Republic)

Tracklist:
1. II. podzim / The Second Autumn
2. Bylo to nedávno / Recently
3. Ach líně, líně... / Oh Lazy, Lazy...
4. Teď uz vím / Now I Know
5. V konečcích prstů / Tips Of Fingers
6. Konec léta / Summer's End
7. Sen o hadech / Snake Dream
8. Pan K. / Dear Mr. K.
9. Spáč / The Sleeper
10. Moc jsem si neuzil / It Wasn't Such A Blast

PPU:
Vratislav Brabenec / bass-clarinet [1], alto saxophone [2, 4, 7, 9, 10], vocals [3, 6, 8], clarinet [8]
Josef Janíček / keyboard [1-10], vocals [2, 3, 4, 9]
Jiří Kabes / viola [1-10], vocals [7]
Ludvík Kandl / drums [1-7, 9-10], vocals [1]
Joe Karafiát / guitar [1-2, 4-10], bass [3]
Eva Turnová / vocals [1, 3, 5, 6], bass [2, 4, 7, 9, 10]
Ivan Bierhanzl / contrabass [1, 5, 6, 8, 10]
Milan Hlavsa / vocals [10]

The Plastic People Of The Universe ‎– Půlnoční Myš (1986, CD, Czech Republic)

Tracklist:
1. Půlnoční mys (4:39)
2. Ruka (1:45)
3. Co zde sním a co zde vypiju (1:21)
4. Mladý holky (4:02)
5. Leze (2:36)
6. Podvlíkačky 5:24)
7. Vrátí se (2:39)
8. Podél zdi a doleva (4:11)
9. Z kouta do kouta (2:59)
10. Zpívá (3:03)
11. Pokousení (22:58)

PPU:

Milan Hlavsa / bass [1-10], vocals [1-5, 7-8], choir [6, 9]
Josef Janíček / synthesizer Korg [1-10], vocals [1, 3, 6, 7, 9], choir [5]
Jiří Kabes / viola [1-10], choir [5, 6, 9]
Jan Brabec / drums [1-9], xylophone [9], choir [5, 6, 9], automatic drums [10]
Ladislav Lestina / violin [1-10]
Václav Stádník / flute [1, 5-7, 9], bass-clarinet [2-5, 8, 9]
Petr Placák / clarinet [1-9]
Vladimír Dědek / trombone [2-8, 10]
Jan Macháček / guitar [1, 4-10]
Tomás Schilla / cello [10]

Recorded in March and October 1985 in Antonín Pěnička's flat, Praha-Michle and in Vladimír Dědek's house, Týnec nad Sázavou [1 to 9], and in January 1986 in Jan Brabec parents' house, Praha-Zbraslav [10].