Two Party System

"Another Gecko Production" compilation CD-R, circa 2004, featuring some seriously heavyweight tunes.

Gecko is one of the aliases used by my brother for his mixtapes and CDs in the early 21st Century. He was living in Japan at the time, and we'd continue to swap DIY compilations with each other as a shorthand musical postcard of where we were at.

Spanning South West England to West Coast America and some wild zig zags in between, it's a reminder of how much exciting new music was coming out in the early 2000s. There are also plenty of nods to what had come in the decade before. Listening to the NaS track for the first time in a long while sent a shiver down my spine.

I've tweaked a couple of the versions included here, either because I don't have the album versions or because the remix alternative is so good. In the mid-2000s, I discovered McSleazy aka Grant Robson, who posted a load of bootleg mash-ups and remixes online. I particularly liked his darker take on the likes of Britney Spears and Christina Aguilera and today's pick by Kelis. 

Likewise, the version of Dreamy Days by Roots Manuva is a low slung relick by Lotek aka Wayne Bennett that appeared on the Exclusives!, a NME cover-mounted CD in 2001.

Harmonic 33 is one of the many nom de plumes used by Mark Pritchard, after Global Communication and way before he started making music with Thom Yorke. Harmonic 33 is a collaboration with Dave Brinkworth and not to be confused with Harmonic 313, another of Mark's solo ventures. Honestly, you need a sat nav to find your way through his vast body of work...!

Great to hear Definition Of Sound again, who should have been massive beyond the handful of hit singles.  My fact-obsessed brain was fascinated to discover that Pass The Vibes - and second album Experience - was co-produced by Chris Hughes (Adam & The Ants, Tears For Fears) and Jack Hues (Wang Chung). Every day is a learning day!

The mix opens heavy with Massive Attack featuring Mos Def and closes with a Serge Gainsbourg-sampling classic from David Holmes. Not a second wasted from start to finish.

1) I Against I: Massive Attack ft. Mos Def (2002)

2) Where Have They Gone: Harmonic 33 (2002)

3) The Seed (2.0): The Roots ft. Cody ChesnuTT (2002)

4) Trick Me (McSleazy Remix By Grant Robson): Kelis (2004)

5) Dreamy Days (Lotek Bonanza Relick) (Remix By Wayne Bennett): Roots Manuva (2001)

6) What Goes Around (Album Version By Salaam Remi): Nas (2001)

7) Natural Mystic (Ital Mix By Matt Green): Bob Marley (2001)

8) Solid As A Rock (Hexadecimal Edit By Steve Osborne): Bim Sherman (1996)

9) Year 2000: Smith & Mighty ft. Niji 40 & Louise Decordova (1999)

10) Evolution Revolution Love (Album Version): Tricky ft. Ed Kowalczyk & Hawkman (2001)

11) Television, The Drug Of The Nation (Album Version By Jack Dangers & Mark Pistel) (cover of The Beatnigs): The Disposable Heroes Of Hiphoprisy (1992)

12) Pass The Vibes (Album Version): Definition Of Sound (1995)

13) California Love (Long Radio Edit): 2Pac ft. Dr. Dre & Roger Troutman (1995)

14) Temple Head (Zenana Mix By Aki Nawaz & Paul Tipler): Transglobal Underground (1991)

15) Don't Die Just Yet (Album Version): David Holmes (1997)

1991: Temple Head EP: 14

1992: Hypocrisy Is The Greatest Luxury: 11

1995: California Love EP: 13

1996: Experience: 12

1996: Solid As A Rock EP: 8

1997: Let's Get Killed: 15

1999: Big World Small World: 9

2001: Blowback: 10

2001: NME Exclusives!: 5

2001: Remixed Hits: 7

2001: Stillmatic: 6

2002: Extraordinary People: 2

2002: Phrenology: 3

2002: Special Cases EP: 1

2004: Trick Me (bootleg MP3): 4

Two Party System (1:13:35) (GD) (M)

Balearica Discodelica

For no other reason than it's Thursday when I thought it was Friday, a six-song selection of choice Cosmodelica cuts, courtesy of Colleen Murphy.

The half dozen versions span one of her earliest excursions in 2009 through to a red hot remix of a 70s classic, released a couple of weeks ago, touching on multiple points of excellence along the way. 

I haven't yet heard Colleen's take on The Cure from their recently released Mixes From A Lost World album, but I'm confident that it will have turned Robert Smith's frown upside down!

1) Stop Apologising (Cosmodelica Extended Mix): David Holmes ft. Raven Violet (2024)

2) God Gets A Little Busy Sometimes (Cosmodelica Remix): Izo FitzRoy (2023)

3) Holiday Romance (Cosmodelica Holiday Drama Mix): Detachments (2010)

4) I Wanna Get Over (Cosmodelica Remix): Street People (2025)

5) When The Rain Falls (Cosmodelica Remix): Horace Andy & Ashley Beedle (2009)

6) Berlin (Cosmodelica Remix): A Certain Ratio (2021)

Balearica Discodelica (45:14) (Mega)

The eagle-eyed amongst you will have noticed that the usual second link to KrakenFiles is absent. This is what happened when I tried to log in this morning:

I will look for an alternative: Box has been a pain in the arse previously and other blogging buddies seem to lean towards GoogleDrive or DropBox, so I will have a secondary link up and running from the weekend.

Nine Bloggers* Walk Into A Bar...

...and a wonderful, unforgettable evening ensues.

John & Jenny, Alyson & Mr. WIAA, Cee, Ernie, The Swede and Walter **, it was a privilege to meet you all and spend a few hours in your company at #BlogCon25 last night.

Thank you so much for your kind words, support, encouragement, the amazing gifts and, most of all, the opportunity to be in your company. I loved every minute of it.

I hope you have many happy memories of your time in Bristol and have a safe and smooth journey (especially Walter - no flight cancellations or delays, I hope!)

1) Thank You (Falettinme Be Mice Elf Agin): Sly & The Family Stone (1969)

2) Thank You For Being A Friend: Andrew Gold (1978)

3) Letter Of Thanks To A Friend (Live @ Rockpalast, Biskuithalle, Bonn, Germany): Anne Clark (1998)

4) Thank You For Being That Friend, You Know, The One You Never Want To Say Goodbye To.: Unloved (2023)

5) Thank You Very, Very, Very, Very, Very, Very, Very, Very, Very, Very, Very Much (cover of The Scaffold): unknown (c. 1980s)

 

 

 

* Seven bloggers, two partners, to be precise, but that's nit picking.

** Yes, I now know all of their civilian identities. but blogging aliases preserved where necessary for the purposes of this post!

Tell Me A Thousand Times

Happy, happy, happy birthday to Sarah Cracknell, born 12th April 1967.

Chanteuse, songwriter, mother, wife and all round fabulous person, today's selection celebrates Sarah's 58th with 58 minutes of Sarah singing. What could be better than that?

It's mostly Saint Etienne, with a couple of songs from Sarah's solo catalogue and collaborations with David Holmes and Mark Brown. 

There are also mixes from Masters At Work, Kid Loco, Richard X, Two Lone Swordsmen aka Andrew Weatherall and Keith Tenniswood, as well as Andrew's former compadres in The Sabres Of Paradise, Jagz Kooner and Gary Burns. All very different styles and approaches, though Sarah's voice shines through.

Here's to you, Sarah, hiope you have a good one.

1) Aussie Soap Girl: Sarah Cracknell (1997)

2) Method Of Modern Love (Radio Edit By Richard X & Pete Hofmann): Saint Etienne (2009)

3) Nothing Can Stop Us (Masters At Work Dub) (Remix By Kenny 'Dope' Gonzalez & 'Little' Louie Vega): Saint Etienne (1992)

4) Goodnight Jack: Saint Etienne (1998)

5) Message In A Bottle: Saint Etienne (1995)

6) Stop And Think It Over (Kid Loco Mix): Saint Etienne (2002)

7) Penlop (Album Version By Pete Wiggs): Saint Etienne (2021)

8) Some Place Else: Saint Etienne (1992)

9) Gone (Edit By David Holmes, Jagz Kooner & Gary Burns): David Holmes ft. Sarah Cracknell (1995)

10) I Threw It All Away: Saint Etienne (2012)

11) Sleepytown: Sarah Cracknell (2015)

12) Like A Motorway (Japanese Version): Saint Etienne (1994)

13) The Journey Continues (Vocal Radio Edit): Mark Brown ft. Sarah Cracknell (2007)

14) Andersen Unbound: Saint Etienne (2002)

15) Heart Failed (In The Back Of A Taxi) (Two Lone Swordsmen Mix By Andrew Weatherall & Keith Tenniswood): Saint Etienne (2000)

1992: Avenue EP: 8

1992: Nothing Can Stop Us EP: 3

1995: Gone EP: 9

1995: Xmas 95 EP: 5

1997: Goldie EP: 1

1998: Good Humor: 4

2000: Heart Failed (In The Back Of A Taxi) EP: 15

2002: Action EP: 14

2007: The Journey Continues EP: 13

2009: Method Of Modern Love EP: 2

2009: Now 4 EP: 12

2010: Finisterre (Deluxe Edition) (2x CD): 6

2012: Words And Music By Saint Etienne: 10

2015: Take The Silver EP: 11

2021: I've Been Trying To Tell You: 7

Tell Me A Thousand Times (58:22) (KF) (Mega)

If that's left you hungry for more Sarah, I've resurrected my 1997 Saint Etienne C90 side which I posted last year. You can find it here.

Decadance V: 1998

Side 1 of an imaginary 90s compilation cassette, spooling out in 1998.

This selection went through several last minute changes as I discovered that several songs, whilst listed as or appearing on albums in 1998, weren't released or charted as singles until 1999. You may see some of those tomorrow, but the short list was already rather long, so maybe not...

Not the substitutes were sloppy seconds and, in what I think is a record for this series, a third of the selection all hit the UK #1 spot. Mind you, this was at a time when new releases would crash into the Top 5 in the first week and promptly disappear without trace the next. I'm not even sure that the guaranteed Top Of The Pops appearance carried all that much weight by then.

This was the first time I struggled to fill the MAW slot in this series. In 1998, Andrew Weatherall and Keith Tenniswood's cuts as Two Lone Swordsmen tended to be glitchy, queasy electro numbers, either very short or very long and with little or no vocals. 

The only real contender for me was their epic remix of Come Together by Spiritualized. The only problems being that it was over fifteen and a half minutes long, with not the faintest trace of Jason Pierce to be found. 

My solution - Lord Sabre forgive me - was to create my own vocal edit. I found a bootleg MP3 of the filtered vocal of Come Together and with some painstaking cutting, editing and sequencing, ended up with a version that comes in at just over four and a half minutes. The sound quality is shonky. the editing amaterish, but it's not as awful as I thought. Please feel free to disagree, I will not argue!

Cornershop were one the surprise #1s, entirely thanks to Norman Cook who was everywhere at the time as Fatboy Slim. Brimful Of Asha was a (very) modest hit in 1997, but Norman liked it, wanted to include it in his sets but needed to speed it up a bit. Cue the trademark big beats and carousel swirls and a chart topper was born. I still quite get over Tjinder Singh sounding like a member of Alvin & The Chipmunks and I will also prefer the original over the remix, but I'm happy that it gave Cornershop (and their album) a well-deserved boost.

A fair bit of rap here, from the masters Run-D.M.C. to new kids on the block Jurassic 5 and superb homegrown talent in Asian Dub Foundation. 

Roni Size Reprazent, er, represented my birthplace and, fresh off of winning the 1997 Mercury Music Prize, ploughed the prize money straight back into Bristol. Not the only Bristol artist though: Massive Attack return, this time with Elizabeth Fraser for Teardrop. Even the truncated promo edit featured here is phenomenal, and seeing it performed live last year was a real 'pinch me' moment.

Madonna returned with William Orbit at the controls for Frozen, with a Chris Cunningham-created video that had Madge looking her Gothic best. A slew of remixes accompanied the single as you might expect, though Stereo MC's version was head and shoulders above the rest.

Just outside the Top 30 was Don't Die Just Yet by David Holmes, sampling Serge Gainsbourg with aplomb. David remixed Failure by Skinny, label mates with Dido who also provided backing vocals on the song.

Speaking of samples, somehow Italian duo The Tamperer aka Alex Farolfi and Mario Fargetta managed to clear a hefty sample of The Jacksons' 1981 hit Can You Feel It? for their own song. 

Frankly, the sample does all the heavy lifting, but American singer and actor Maya Days gamely adapts lyrics from Urban Discharge's 1995 single Wanna Drop A House (On That Bitch), including the unforgettable line, "What's she gonna look like with a chimney on her?"  They don't write 'em like that anymore...

As a counter to all of the hits, 1998 closes with a 'flop' single from what proved to be one of my favourite albums of the year, by the wonderful Solex aka Elisabeth Esselink. Solex vs. The Hitmeister featured 12 songs, every single one featuring Solex in the title. I hadn't heard any of the music, but was so taken by the review I read that I tracked it down and bought the CD. A fabulously quirky album and a perfect way to round off the year.

Amazingly, sadly (for me at least), Sunday will see the final instalment of this alternative tour of the 1990s. Pre-millennium tension? Not 'arf!

 
1) Black White (Brendan Lynch Mix): Asian Dub Foundation

2) Concrete Schoolyard (Clean Radio Edit): Jurassic 5

3) Failure (Radio Mix): Skinny ft. Lee Stevens, Dido & Pauline Taylor

4) Watching Windows (Roni Size Vocal Remix): Roni Size Reprazent ft. Onallee

5) Brimful Of Asha (Brighton) (Norman Cook Remix Single Version): Cornershop

6) It's Like That (Drop The Break Radio Edit): Run-D.M.C. vs. Jason Nevins

7) Feel It (Blunt Edit): The Tamperer ft. Maya

8) Frozen (Stereo MC's Remix Edit): Madonna

9) Don't Die Just Yet (Radio Edit): David Holmes

10) Teardrop (Edit): Massive Attack ft. Elizabeth Fraser

11) Come Together (Two Lone Swordsmen Meet Khayem Downtown) (Vocal Edit): Spiritualized

12) Solex All Licketysplit (Album Version): Solex

4th January 1998: Don't Die Just Yet EP (#33): 9

22nd February 1998: Brimful Of Asha EP (#1): 5

1st March 1998: Frozen EP (#1): 8

8th March 1998: Watching Windows EP (#28): 4

15th March 1998: It's Like That EP (#1): 6

5th April 1998: Failure EP (#31): 3

12th April 1998: Solex vs. The Hitmeister (#n/a): 12

3rd May 1998: Teardrop EP (#10): 10

24th May 1998: Feel It EP (#1): 7

31st May 1998: The Abbey Road EP (#39): 11

28th June 1998: Black White EP (#52): 1

18th October 1998: Concrete Schoolyard EP (#35): 2

Side One (46:56) (KF) (Mega)

In Every Dream Holmes A Heartache

2024 has been quite the year for David Holmes, hasn't it?

Blind On A Galloping Horse, Holmes' album with Raven Violet and a highlight of last year, enjoyed a truckload of remixes over three companion volumes this year, all of them essential purchases. 

David was also busy remixing and producing other artists, and whilst I may wait until Primal Scream's latest effort ends up in the bargain bins, I was otherwise snapping up the various EPs and singles as soon as they dropped.

All of which has resulted in a '2024 highlights' selection today that focuses solely on David Holmes. Six remixes, forty five minutes, electronica with pure heart(ache) and soul. And I didn't even include this stone cold classic remix/rework/mash-up/call-it-what-you-will of an already classic tune.

Things get off to a heavy start with Theis Thaws, an intriguing collaboration between Mike Theis and Tricky, featuring Rosa Rocca-Serra. There's a three-minute version of this remix on the standard digital release, this one gets to Fly To Ceiling and out the skylight and up to the sky, stretching its wings for nearly eight minutes.

As Ammonite, Amy Spencer delivered a remix of Emotionally Clear for Blind On A Galloping Horse (Remixes Vol. 2) back in March. David repaid the favour with a rework of You Don't Know Me for Blueprints Revisited, an EP of remixes from Ammonite's debut album, which appeared in September. Only the latter appears in today's selection, but you need both of them in your life, believe me.

Two alternative picks from the Blind On A Galloping Horse remix collections. First up, X-Press 2 aka Rocky & Diesel aka Darren House and Darren Rock, with an instrumental remix of Yeah x 3 (with apologies to Raven Violet, the vocal version was released in 2023). It's a welcome reminder of why I fell in love with X-Press 2 in the 1990s. 

Smagghe & Cross are a relatively newer partnership. I'm familiar with Ivan Smagghe from his previous work, especially as a co-founder of Black Strobe. I didn't know anything about Rupert Cross, but the few Smagghe And Cross remixes I've heard have been really good, including this version of Too Muchroom, which features Raven Violet's vocals to stunning effect.

I've featured Sylvia by Lisa Moorish in a couple of previous 2024 selections, both the album version and David Holmes' vocal remix. As Peter Murphy from Bauhaus once sang, now here's the dub. One of my favourite songs of the year, in any version.

As is Aerodromes by Acid Klaus, whose P.T.S.D By Proxy EP is a treat from start to finish, featuring the various vocal talents of Philly Piper (Philly Smith to her family), Lias Saoudi, Cat Rin (Catrin Mair Robinson), Rosey PM and Maxine Peake. 

 

The single version of Aerodromes appeared on the same highlights selection as the album version of Sylvia last week, so here are Lisa Moorish and Acid Klaus reunited again today, this time given the David Holmes treatment. 

This is the second appearance of Aerodromes (David Holmes Remix), previously sitting in the middle of another 2024 highlights selection, barely a month ago. No apologies for this, it's a truly stunning eight minute masterclass in the art of the remix.

I have loved David Holmes' music since I first heard over three decades ago. 2024 has proven time and again why he remains an unstoppable force of nature, continually questing, inviting and thrilling with his work. And if you think that's mere hyperbole, stick this on for three quarters of an hour.

 

1) Fly To Ceiling (David Holmes Extended Remix): Theis Thaws ft. Rosa Rocca-Serra (Fly To Ceiling EP)

2) You Don't Know Me (David Holmes Remix): Ammonite (Blueprints Revisited EP)

3) Yeah x 3 (X-Press 2 Remix - Instrumental By Darren House & Darren Rock): David Holmes (Blind On A Galloping Horse (Remixes Vol. 2))

4) Sylvia (David Holmes Dub): Lisa Moorish (Sylvia EP / Divine Chaos (The Remixes))

5) Too Muchroom (Smagghe And Cross Remix By Ivan Smagghe & Rupert Cross): David Holmes ft. Raven Violet (Blind On A Galloping Horse (Remixes Vol. 3))

6) Aerodromes (David Holmes Remix): Acid Klaus ft. Philly Piper (P.T.S.D By Proxy EP)

In Every Dream Holmes A Heartache (45:32) (KF) (Mega)

As If All This Would Do, When All We Want To Have Is Fun

A double celebration today, and an excuse (not that any is needed) for an hour of Andrew Weatherall.

Lady K will see this as further evidence of my ongoing stumble into irrelevance and decrepitude, but somehow another year has passed and I enter my 54th year on this swirling, twirling, constantly confounding and exciting plane of existence. 

 

Also, a slightly belated cheer for this here blog, which first emerged blinking into the artificial light of the blogoverse on 7th December 2020. Thanks to all those who have joined the ride along the way, and continue to inspire and encourage me. 

I've created loads of Andrew Weatherall selections in the past four years, and yet there's so much to choose from that it's still relatively easy to come up with a mix of music (or versions) that hasn't featured on this blog before. In fact, I was convinced that several of today's tracks had appeared here, but with one very deliberate exception, as far as I can tell, it's first time for all of the rest.

All eight songs are Andrew remixing other artists, not quite going back to the very beginning but starting relatively early in 1991 and going right to one of the very last remixes that he produced, before his passing in 2020. 

By accident not design, I've inadvertantly skipped any of the remixes Andrew did with Keith Tenniswood as Two Lone Swordsmen or Timothy J. Fairplay as The Asphodells, but there are other collaborations here: The Sabres Of Paradise (of course) with Jagz Kooner and Gary Burns, plus David Harrow and Hugo Nicolson.

 

David Holmes is another inevitable inclusion; the instrumental mix of I Heard Wonders has previously appeared, here is Weatherall's full vocal version. Holmes has been a key figure in keeping the Weatherall flame burning and embodying the same spirit of curiosity, adventure and inclusion that typified The Guv'nor's approach to his craft.

 

Andrew previously remixed Jungle Bill by Yello in the early 1990s, and returned over twenty years later to refashion Frautonium. 

 

It was common for Andrew to deliver multiple versions in one go: Ohm's Tribal Tone got three, Sleeper by Audioweb got two, as did Son Sur Son by The Venetians. Value for money would be an understatement, none of the remixes were ever 'dialled in' and each has a character of their own.

 

One Dove and Andrew Weatherall were inextricably linked on their early singles and monumental debut, Morning Dove White. There are lots of mixes of Fallen, but the Nancy & Lee Mix was so epic that it was adapted for inclusion on the album.

 

I started this blog in 2020 with 50@50, a series of Dubhed selections, charting key songs from 1970 to 2020, each 'side' covering roughly 5 years. Andrew Weatherall dominated the 1990-1994 selection, with 3 of the 5 tracks being his remixes of Primal Scream, Finitribe and the Nancy & Lee Mix of Fallen by One Dove.

 

On 11th December 2020, I pulled all of the sides together and sequenced them together into an epic four-hour selection. So, to celebrate four years to the day since Fallen (Nancy & Lee Mix) by One Dove and Andrew Weatherall appeared on this blog, here it is again to close out today's selection.

 

Less self-promotion and more (of the usual) nonsense tomorrow.

1) The Drum (12" Mix By Andrew Weatherall & Hugo Nicolson) (Cover of Slapp Happy): The Impossibles (1991)

2) Tribal Tone (Sabres Mix #1 By Sabres Of Paradise aka Andrew Weatherall, Jagz Kooner & Gary Burns): Ohm (1993)

3) I Heard Wonders (Andrew Weatherall Vocal Mix): David Holmes (2008)

4) Frautonium (Battery) (Remix by Andrew Weatherall): Yello (2017)

5) Sleeper (Emissions No.5) (Remix By Andrew Weatherall & David Harrow): Audioweb (1995)

6) Son Sur Son (A.W. Edition Due) (Remix By Andrew Weatherall): The Venetians (2020)

7) Sweet Love For Planet Earth (Andrew Weatherall Remix): Fuck Buttons (2008)

8) Fallen (Nancy & Lee Mix By Andrew Weatherall & One Dove): One Dove (1992) 

 

All We Want To Have Is Fun (58:54) (KF) (Mega)

You Don't Dance...Except At The Weekend

2024 has served up it's fair share of top notch electronic music and remixes and here's another eight reasons why.

Just over an hour of tunes that have been pumping on my stereo, a mix of well-known names and artists that I've heard for the first time on my many online shopping runs this year. 

All of today's selections are available to purchase digitally (links included in the song title), if you're considering a gift to yourself as a thank you for buying presents for all those other people.

1) Like This (Mindbender Remix By Mårten Attling): Stylic

2) You Don't Dance (Kenneth Bager Remix): Hess Is More

3) Ecce Homo (Apparition Remix By Michael Heffernan): Gavin Friday

4) Blind On A Galloping Horse (Sons Of Slough Remix By Duncan Gray & Ian Weatherall): David Holmes ft. Raven Violet

5) Aerodromes (David Holmes Remix): Acid Klaus ft. Philly Piper

6) Weekend Machines (Shubostar Remix By Jiyoung Bak): Jezebell

7) End Of Times (Rude Audio's Protean Remix By Mark Ratcliff): David Harrow + Little Annie

8) Real Magnificent (sLEdger Remix By Robin Dallison): Fluke ft. Leah Cleaver

You Don't Dance...Except At The Weekend (1:01:13) (KF) (Mega)

We Can’t Deal With Culture We Don’t Understand

The news that there had been rioting, violence and looting following the tragedy in Southport was sadly not surprising. 

 

And when media outlets reported incidents "across the UK", in fact it appeared to be concentrated in England, with Belfast making the news but no mention of similar disturbances in Scotland and Wales, as far as I could see.

I was also sad to see Bristol named as one of the cities but then, given it's prominent anti-racist activity, it's often been a magnet for the far right. And goodness knows we have enough of the morons who were born and "bred" in the city. I grew up with, lived in the same street as and worked with a fair few of them. 

The Sky News screen grab above features a few of these fine examples of homo moronus in Bristol on Saturday, facing off against the police. Maybe you recognise some of them. If you happen to serve them at a cafe or takeaway any time soon, hawk a big flob into their food or drink with pleasure.

 

The mobs are described in the news reports as "protesters". That's far too kind a word for them. As a group gathered at a city centre hotel, I assume in the hope of forcing any immigrants within to go back where they came from, a larger group blocked them, chanting, "We are many, you are few. We are Bristol, who are you?"

 

There seems to have been some needless social media ripostes about how many of the counter group were in fact from Bristol, which I think is missing the point, or at the very least missing the scene from this classic film. On Saturday, those who turned up to challenge hate and violence were all Bristolian. 

 

I hadn't planned to write this when I started today's selection, it was supposed to be an fairly innocuous round up of some 2024 musical highlights that I haven't covered in previous posts. The post title is a line from one of the featured songs, Too Muchroom by David Holmes and Raven Violet. That, and a sense of horror at the TV news reports, seem to have guided my fingers at the keyboards as I started to type.

 

You may read some deeper meaning into some of the music choices today but I promise that any themes or connections are purely coincidental. What does link them however is that they represent what continues to be a great year, aurally speaking.

 

Fluke have been one of the comeback success stories of the year. Jack was released in May with another new song possibly titled Real Magnificent 'coming soon'. 

Jesse Fahnestock has never been away and here he is again, with two cracking collaborations, firstly with Emilia Harmony as Electric Blue Vision (and remixed by himself as 10:40). Then, Jesse returns to close the selection with his partner in crime Darren Bell as Jezebell, delivering the fruity tune Citric, freshly squeezed from their Weekend Machines EP.

Sean Johnston also makes a couple of appearances as Hardway Bros. Alessandro Sarsano aka DJALE remixes Functions For Machines from the excellent My Friends EP. Sean later reunites with Duncan Gray for another Hardway Bros Meet Monkton Uptown excursion, this time the aforementioned David Holmes and Raven Violet track.

Richard Norris released an exclusive 4-track EP (album?) in June, only available to subscribers, presenting music he'd created for a show at Paris Fashion Week. Each of the 4 mixes runs to nearly 14 minutes, so I've created a crude 8-minute edit of Mix 3 to include in this selection. 

I've been subscribing for a couple of years now. It's superb value for money and also raises funds for mental health charity MIND. I cannot recommend it enough.

Paris In The Summertime aside, Richard has a vast catalogue available on Bandcamp and in fact all of the music featured in today's selection is available to purchase there. If you like what you hear, go track them down, you will not be disappointed.

The penultimate song by Third Attempt samples from Louis Malle's 1981 film My Dinner With Andre

"You see, I keep thinking that what we need is a new language, 

a language of the heart."

 

The quoted lines are spoken by Andre Gregory, who appears opposite Wallace Shawn (if you don't know the latter's name, you will instantly recognise the face). The film is essentially two friends sharing anecdotes over a restaurant meal for the best part of two hours. They don't make 'em like that anymore. 

If you made it to the end of this post, many thanks for indulging me and I hope the music is sufficient compensation!

 

1) Jack: Fluke ft. Leah Cleaver (SW18 Sessions)

2) Trance Stance (1040s Haight Steppin Remix By Jesse Fahnestock): Electric Blue Vision (Trance Stance EP)

3) Hell Below: Acid Klaus ft. Lias Saoudi (P.T.S.D By Proxy EP)

4) Song Of Siraba (Mindbender Remix By Mårten Attling): A Space Age Freak Out (Shelter Me: In Crisis)

5) Paris In The Summertime (Mix 3 - Khayem's Olympic Edit): Richard Norris (Paris In The Summertime)

6) There’s Dust On It: Pye Corner Audio (There’s Dust On It EP)

7) Gold Rush (Dub): Break Mode ft. Nuri Orman (Boomarm Nation Family Album 2024)

8) Functions For Machines (DJALE Last Song Remix By Alessandro Sarsano): Hardway Bros (My Friends Remixes EP)

9) Waif Mentality: Orbury Common (Waif Mentality EP)

10) Too Muchroom (Hardway Bros Meet Monkton Uptown Remix By Sean Johnston & Duncan Gray): David Holmes ft. Raven Violet (Blind On A Galloping Horse (Remixes Vol. 2))

11) Language Of The Heart: Third Attempt (Offshore Sunsets EP)

12) Citric: Jezebell (Weekend Machines EP)

We Can’t Deal With Culture We Don’t Understand (1:09:56) (KF) (Mega)

Waiting For The Time To Come

Even now and then, I do a mix on the fly that lands just so, really hitting the sweet spot. I like to think I've managed it again today with a 63-minute selection of songs that have come out in the first half of 2024.

I say this every year, but it's been a bloody good year for music. If there's ever a moment when you think you've heard it all before and there's nothing to lift the spirits, along comes something to dissolve that cynicism. My longlist was at least twice as long as the 11 songs that made the final selection. I love every second of it and I hope you do too.

Fluke's surprise comeback this year was a delight, not least with the release of the, well, insanely beautiful single Insanely Beautiful. All of the mixes are worth your time, but I have been obsessed with their remix featuring lead vocals by Leah Cleaver. I think it's one of the best things they've ever done and I can't wait to hear what's next.

Likewise, Fruits Of The Deep, the first new album in 8 years by The Woodentops was like a gift from the heavens. Ride A Cloud paved the way in spring 2023, followed a year later by Dream On, which frankly should be mandatory listening. Rolo supplied a wonderful dub along with a superb, uplifting remix from Balearic Ultras which I've included here.

Pete Paphides has delighted me on two fronts this year: firstly, a belated catch up with his autobiography, Broken Greek; secondly, by signing Iraina Mancini to his Needle Mythology label. Following up on last year's Saint Etienne remix, Richard Norris and Erol Alkan have got together again as Beyond The Wizards Sleeve to re-animate the title track of Iraina's debut album, Undo The Blue. I'm so glad that they did as they have created a thing of exquisite beauty from a song that was already special.

C.A.R. is Chloé Alexandra Raunet, who I was vaguely aware of from her time in Battant and associations with Timothy J. Fairplay and Andrew Weatherall, but came back to in her current incarnation via a remix by (and for) GLOK aka Andy Bell. I previously included the Anzu EP in my 2023 'best of' singles. However, Anzu was re-released in March with a brace of Hardway Bros remixes that will make you fall for the song all over again. I've opted here for the dub, which is equally precision tooled for the dancefloor.

In February, Matt Gunn released the Elexperimental EP, four tracks self-described as resembling "something akin to Kraftwerk & LCD with a bass after a big night on the sauce". Drive Thru Century, featured here, is labelled as "Matt Gunn vs The Death Rattle Of An 80’s CR78", which may tell you all you need to know. Matt released a brand new track on Friday, Dub Clone Rising, too late to make this mix but well worth a listen, nearly ten minutes of bass heavy vibes.

Another February release on the always excellent Paisley Dark label was the 3-track PoPoPom EP by Spanish artist Stylic. Second track Like This is a thunderous beast, laden with vocal samples and locking into a hypnotic groove that's hard to resist. A remix EP followed in April, with both Keith Forrester and Mindbender aka Mårten Attling eager to get their hands on the track, and with good reason.

From there and a superlative remix from the aforementioned Andy Bell in his GLOK guise. David Holmes' album with Raven Violet, Blind On A Galloping Horse, is astonishing and between February and May, a steady stream of remixes and versions have emerged. Andy seems to be steering GLOK in a slightly different direction, if this and other recent remixes are an indication, though similarly transporting the listener to a wholly different headspace. 

Easing a little bit of funk back into proceedings is Steve Cobby & Third Attempt aka Torje Fagertun Spilde, with the closing track from their Offshore Sunsets EP. Feeling Seen is fuzzy funk (is that a thing?), perfectly connecting Kingston upon Hull and Tromsø, Norway.

Another international partnership that continues to deliver the goods is Jezebell aka Jesse Fahnestock and Darren Bell. Weekend Machines is the lead track from a 4-track EP landing on 3rd July and it signals a further evolution in the duo's work, which never fails to excite and entertain. If this doesn't get you moving, check your pulse.

I enthused about the México 24 EP by La Guardia De La Luz and Picotropico in May and I'm still feeling the love. I've inevitably gone for the best song- and remix title of the four, and it's chock full of chug, to put it mildly.

The closing track isn't new at all - it was released in September 2022 - but is new to me as I was gifted it on Saturday night. I'm on the mailing list for Lithuanian label Electric Shapes and they are extremely generous in dropping emails with free download codes for their back catalogue. Unfortunately, without fail I've seen the emails when the codes have long been used...until last night, when I just happened to be checking emails when their latest gift landed.

So, I am now the happy owner of the Crouching Tiger EP by Jokios Kultūros aka Dovydas Platakis. Jokios Kultūros loosely translates as 'uncultured' though this release is anything but. I've enjoyed all seven tracks, though the remix here by German DJ/producer Tassilo Vanhöfen has currently nudged ahead as my favourite.

I usually include Discogs links to the artist's names. This time around, I've gone for Bandcamp links so that you can check out purchase their releases if you like what you hear.

1) Insanely Beautiful (Leah’s Mix): Fluke ft. Leah Cleaver

2) Dream On (Balearic Ultras Brooking Bass Remix): The Woodentops

3) Undo The Blue (Beyond The Wizards Sleeve Re-Animation): Iraina Mancini

4) Anzu (Hardway Bros Conqueror Knock Dub): C.A.R.

5) Drive Thru Century: Matt Gunn

6) Like This (Single Version): Stylic

7) Agitprop 13 (GLOK Remix): David Holmes ft. Raven Violet

8) Feeling Seen: Steve Cobby & Third Attempt

9) Weekend Machines (Single Version): Jezebell

10) I First Learned About Shelley's Through A Magazine (Pico's Stoke-on-Trent Is Not In Mexico Remix By Picotropico): La Guardia De La Luz

11) Crouching Tiger (Tassilo's Vision Serpent): Jokios Kultūros

Waiting For The Time To Come (1:13:38) (KF) (Mega)