Showing posts with label Jacknife Lee. Show all posts
Showing posts with label Jacknife Lee. Show all posts

Saturday, 22 November 2025

Decayed III: 2004

Side 1 of a cassette compilation that never was, travelling through the 2000s.

Guitars are back! Back!! BACK!!!

Not that they ever go away, but the press likes to enforce a death/rebirth cycle when it comes to guitar-based music and based. It's nonsense of course, and completely disregards the dizzying array of other popular genres and the blending and mashing up of most of them by creatives. Does it even sell column inches? Who cares?

Today's selection is quite guitar-heavy, for all that. U2 were back (along with that man Jacknife Lee) with one of the best songs they'd released in years, even if the rest of the album couldn't match up.

Beastie Boys were also back, revisiting the rap rock golden age of (You Gotta) Fight For Your Right (To Party!) with Triple Trouble, thanks to a rifftastic remix by Graham Coxon.

New kids on the block, all delivering fresh and exciting music, included Art Brut, The Vines, Bloc Party and Franz Ferdinand, whose debut album got my vote for one of The Top 20 Greatest Eponymous Albums Of All Time over at No Badger Required.

Aside from Jacknife Lee, another producer who seemed to be everywhere was Mark Ronson, here popping up with a remix of AIR, featuring Chicagoan rapper Che Smith aka Rhymefest. Licenced to Ill(inois), you might say.

After last week's guest appearance with wife Beyoncé, Jay-Z is back in his own right with Dirt Off Your Shoulder. Another example of the creative ways that labels would deal with the F's, MF's and N's that peppered rap music in order to get it played on the radio. Not so easy to sing along to, I can promise you.

Another returning guest star from last week is Jake Shears, this time in his day job as front person with Scissor Sisters. What a breath of fresh air they were. A cover of Pink Floyd in the style of Bee Gees' disco pomp, it shouldn't work, but Comfortably Numb is glorious. And there was plenty more where that came from.

After my contrived attempt to ensure that Andrew Weatherall appeared in every year of my 1990s series, a welcome return for Lord Sabre under his own steam, with old mucker Keith Tenniswood as Two Lone Swordsmen. Sex Beat is a cover of The Gun Club's 1981 song and a surprise UK Top 25 hit in August 2004.  

The opening and closing songs of today's selection represent artists that I didn't connect with at first, but later grew to love.

Gwen Stefani fronted No Doubt, who had a #1 in 1997 with Don't Speak, an atypical ballad compared to the pop/rock/ska that was their stock in trade. I wasn't a fan. However, Gwen's solo single What You Waiting For? is up there with the best pop songs of the decade and her album Love.Angel.Music.Baby. had lots to enjoy, even if not quite at the same stratospheric level. 

I'm astounded that What You Waiting For? only got to #4, losing out to Girls Aloud, Destiny's Child and Lemar from Fame Academy. No Doubt? No justice, more like!

2004 closes with Slow Life by Super Furry Animals, which I was reacquainted with during the summer thanks to The Robster's must-read series on SFA singles, featured at The Vinyl Villain

I'd strongly recommend that you read the entire series from end to end, it's amazing. Here's an extract from The Robster's post on Slow Life:

It was the third and final single from Phantom Power, 
but its release, in April 2004, was far from conventional. 
It, along with its two b-sides, was initially available digitally 
only from the website of Placid Casual, the band’s own independent record label, 
which suggests that Epic may have been reluctant to release it themselves, 
possibly due to its length. 
They did, however, put out a single-sided 12” promo. 
It then featured as a CD single  in the special limited edition of 
the Phantom Phorce remix album  in its own slipcase sleeve. 
Needless to say, it didn’t chart due to the nature of its release.

In the opening paragraph, The Robster writes that Slow Life "really does stand up as one of the finest moments of their existence" and, even in the truncated edit featured here, he is absolutely right.

Decayed is now at the halfway mark and has hopefully demonstrated that the first decade of the 21st century had plenty to offer, musically speaking. Can 2005 hope to keep up?


1) What You Waiting For? (Album Version): Gwen Stefani
2) Alpha Beta Gaga (Mark Ronson Vocal Mix): AIR ft. Rhymefest
3) Vertigo (Jacknife Lee 7"): U2
4) Triple Trouble (Graham Coxon Remix): Beastie Boys
5) Formed A Band (Album Version): Art Brut
6) Comfortably Numb (Album Version) (Cover of Pink Floyd): Scissor Sisters
7) Ride (Album Version): The Vines
8) Take Me Out (Album Version): Franz Ferdinand
9) Helicopter (Original Version): Bloc Party
10) Dirt Off Your Shoulder (Radio): Jay-Z
11) Sex Beat (Remix) (Cover of The Gun Club): Two Lone Swordsmen
12) Slow Life (Edit): Super Furry Animals

18th January 2004: Franz Ferdinand (#3): 8
25th January 2004: Scissor Sisters (#10): 6
14th March 2004: Winning Days (#25): 7
4th April 2004: Bang Bang Rock & Roll (#52): 5
25th April 2004: Phantom Power (# n/a): 12
16th May 2004: The Black Album (#12): 10
1st August 2004: From The Double Gone Chapel (#22): 11
15th August 2004: Talkie Walkie (#44): 2
19th September 2004: To The 5 Boroughs (#37): 4
31st October 2004: Silent Alarm (#26): 9
11th November 2004: How To Dismantle An Atomic Bomb (#1): 3
21st November 2004: Love.Angel.Music.Baby. (#4): 1

Side One (45:36) (GD) (M)

If you enjoyed this, why not check out the corresponding mixtapes from 1984 and 1994?

Saturday, 3 May 2025

R.F.E.R.E.M.

Five versions of Radio Free Europe by R.E.M., plus an unearthed rarity, to enliven your weekend.

Racing ahead at the top is the most familiar, the Don Dixon & Mitch Easter produced version opening R.E.M.'s debut album Murmur in 1983, with video approved by I.R.S. (the label that is, not the Internal Revenue Service).

Close behind is the original video by Arthur Pierson, who provides this fascinating back story

"I "directed" this video for Michael and the band. 
Really he was in charge. 

The president of the label, said that 
it would be on MTV over his dead body 
and we were forced to recut it 
together with some crap video from a county fair or something. 

When the band released their "Succumbs" collection, 
much to my gratification, 
they included this original version. 

Saw Michael years later 
and he greeted me like an old friend. 
True artists."

Next up is R.E.M.'s debut UK TV appearance, performing on Channel 4's The Tube. Radio Free Europe was one of three songs played live, the others being Talk About The Passion and So. Central Rain. 

All of this preamble leads to Friday's release of Radio Free Europe 2025, a 5-track EP "honoring Radio Free Europe/Radio Liberty [...] with proceeds from the vinyl pressing to benefit RFE/RL on its 75th anniversary & World Press Freedom Day".

The lead track is a brand new remix by Garret 'Jacknife' Lee, who previously co-produced R.E.M.'s final two studio albums, Accelerate (2008) and Collapse Into Now (2011). Lee also has a CV of artists he's worked with that would take several posts just to list. 

To be honest, Radio Free Europe 2025 (Jacknife Lee Remix) is the least exciting version on the EP. He ramps up the bass, tones down the rest and plays around with the intro a bit. For all that, it sounds more like a studio soundcheck, Mike Mills hogging the mike (excuse the pun) whilst the others play away in the background.

You also get both sides of the original HIb-Tone single (Sitting Still being the B-side), which are far more satisfying propositions. I've owned both of these since I bought the 2CD collection And I Feel Fine...The Best Of The I.R.S. Years 1982-1987 back in 2006, so I'm pleased that these are available again on this new EP.

Of the greatest interest is Radio Free Dub, a remix by Mitch Easter dating from 1981. Nothing can surpass the single or album versions, but this is a lot of fun. Still very demo sounding, though hearing Stipe's vocals occasionally put through the effects blender is a hoot. 

Closing out is Wh. Tornado, a 1981 demo of instrumental song White Tornado, which popped up half a decade later on the B-side of Superman, though I first heard it on the Dead Letter Office compilation a few years after that. 


Saturday, 30 September 2023

#SynthPopSeptember

Another of my occasional engagements with Musk's Mad World, the theme this time being thirty days of synth pop throughout September.

No surprise that the likes of Visage, Depeche Mode, Chvrches, Duran Duran, AIR, New Order, LCD Soundsystem, Blancmange, O.M.D., Goldfrapp, Bronski Beat, Hot Chip, Pet Shop Boys and The Human League were generally well represented by their best-known songs.
 
It was a lot of fun and an opportunity to offer up some lesser tweeted songs by many of the above plus Fad Gadget, Les Rythmes Digitales, Ladytron, Alan Vega, Telex, Boytronic and La Roux, several of whom have featured in posts this month.

My 30 synth pop choices in full were

1) Lady Shave (Single Version): Fad Gadget (1981)
2) Sleep On The Left Side (Les Rythmes Digitales' Living By Numbers Mix): Cornershop (1998)
3) The Black Hit Of Space (Album Version): The Human League (1980)
4) The Sun And The Rainfall (Album Version) (Cover of Depeche Mode): Marsheaux (2015)
5) Cccan't You See... (Single Version): Vicious Pink (1984)
6) Almost (Album Version): O.M.D. (1980)
7) Leave In Silence (Single Version): Depeche Mode (1982)
8) (Hey You) What's That Sound? (Album Version): Les Rythmes Digitales (1999)
9) Clean Your House (The Emperor Machine Extended Remix): Blancmange (2020)
10) Pale Green Ghosts (Album Version): John Grant (2013)
11) Synthesize (Single Version): Autumn (1981)
12) Real Thoughts In Real Time (Vince Clarke Extended Version): Hifi Sean & David McAlmont (2023)
13) Frozen Faces (Single Mix): Propaganda (1985)
14) Let's All Make A Bomb (New Version): Heaven 17 (1983)
15) Gun (Album Version): Chvrches (2013)
16) Saturn Drive (Extended / Album Version): Alan Vega (1983)
17) Seventeen (Darren Emerson Radio Edit): Ladytron (2003)
18) Stand Up (Get Down) (7" Version): Kissing The Pink (1988)
19) You (Extended Version): Boytronic (1983)
20) The Walk (Album Version): Eurythmics (1982)
21) Mixed Bizness (Nu Wave Dreamix By Les Rythmes Digitales): Beck (2000)
22) Moskow Diskow (French 12" Version): Telex (1979)
23) Glam (Album Version): Icehouse (1982)
24) Let Me Down Gently (Prins Thomas Diskomiks): La Roux (2014)
25) Disenchanted (Album Version): The Communards (1986)
26) Mister Imperator (Album Version): Telefís (2022)
27) Lies (Bigger & Better) (12" Version): Thompson Twins (1983)
28) Jackson's Last Stand (Radio Edit): Où Est Le Swimming Pool (2009)
29) When Do I Get To Sing 'My Way' (Album Version): Sparks (1994)
30) Pleasure Boys (Special Dance Mix): Visage (1982)

As my final contribution is being tweeted today, here's a random 10-song selection from the 30, spanning four decades and neatly squeezing onto an imaginary C90 cassette side. Click on the song title links for more YT goodies. Enjoy!
 
1) Pale Green Ghosts (Album Version): John Grant (2013)
2) Cccan't You See... (Single Version): Vicious Pink (1984)
3) Stand Up (Get Down) (7" Version): Kissing The Pink (1988)
4) Glam (Album Version): Icehouse (1982)
5) Frozen Faces (Single Mix): Propaganda (1985)
6) When Do I Get To Sing 'My Way' (Album Version): Sparks (1994)
7) Real Thoughts In Real Time (Vince Clarke Extended Version): Hifi Sean & David McAlmont (2023)
8) Synthesize (Single Version): Autumn (1981)
9) Mister Imperator (Album Version): Telefís (2022)
10) Clean Your House (The Emperor Machine Extended Remix): Blancmange (2020)
 
1981: Synthesize EP: 8
1982: Primitive Man: 4
1984: Cccan't You See... EP: 2
1985: p: Machinery EP / A Secret Wish (CD bonus track): 5
1988: Stand Up EP: 3 
1994: Gratuitous Sax & Senseless Violins: 6
2013: Pale Green Ghosts: 1
2020: Clean Your House EP: 10
2022: a hAon: 9
2023: Real Thoughts In Real Time EP: 7
 
#SynthPop September (46:02) (KF) (Mega)

Tuesday, 7 June 2022

These Altered States And Altered Bodies Are Telegenic Holy Relics

I'm still trying to take in the fact that Cathal Coughlan has passed. Last week's sad news was a real shock, which reverberated across many of the music blogs that I follow. I posted a celebration of Cathal's music as The Fatima Mansions but, as is often the case in times of loss, it also provided the impetus to finally catch up with his subsequent work.

I'll focus a future post on Cathal Coughlan's last solo album, Song Of Co-Aklan, and companion E.P. Of Co-Aklan, the latter released less than a week before his death on 18th May 2022.

Today is all about Telefís, Cathal's electronic/dance project with producer Jacknife Lee. Of course, being Cathal Coughlan, you inevitably also get the biting satire and acerbic lyrics. I ended up buying the complete Telefís discography available on Bandcamp, including the album a hAon and the Archbishop Beardmouth At The ChemOlympics EP, both released in March this year.
 
Cathal is no stranger to juxtaposing hard-hitting narratives with dancefloor-friendly rhythms, as remixes of The Fatima Mansions' Blues For Ceausescu, The Loyaliser and Nite Flights will attest.
 
Cathal Coughlan and Garret Lee were apparently working on new Telefís songs prior to Cathal's passing and I hope that there is sufficient material that may make it's way into the world in the future. For now, I'd highly recommend the album and EP releases, including a trio of reworkings of Falun Gong Dancer featuring the mighty Jah Wobble.

Today's selection spotlights Archbishop Beardmouth At The ChemOlympics, both in it's original album form and as remixed/versioned by Thomas Leer
 
Cathal held his promise to Keep Music Evil right to the end. 
 
 
 
We used to be
And we believed
It's plain to see
Toxicology
 
From the devotional freakout
of Archbishop Beardmouth:
ChemOlympics! ChemOlympics!
Don't call it chemo
These toxins are for fun!
These altered states and altered bodies are telegenic holy relics
 
We used to be
And we believed
It's plain to see
Toxicology
 
The common sense
(doesn't matter, doesn't matter)
Raped by events
(doesn't matter, doesn't matter)
Back in your trench
(doesn't matter, doesn't matter)
The games won't relent, won't relent
 
Culvert, truck-bonnet, crazed mob, crowbars -
We're not going out like poor Muammar
Gollies next to eagles next to crosses
on the aprons of the ungiven tosses
 
We used to be
And we believed
It's plain to see
Toxicology
 
The medals gleam
(doesn't matter, doesn't matter)
The nostrils steam
(doesn't matter, doesn't matter)
COPD
(doesn't matter, doesn't matter)
Google, Pepsi, epilepsy!
 
...Doesn't matter, doesn't matter.