Here It Comes Again

"it" being "Friday", "the start of the weekend" or "another bloody 12"/80s Dubhed selection".

If the latter doesn't get your hackles rising then you're in for a treat with some poptacular extended mixes featuring Altered Images, B.E.F., Billy MacKenzie, Erasure, Eurythmics, New Order, Pet Shop Boys and Stephen Duffy.

Fair warning that the BPMs will remain "up" for the next 72 hours....

1) See Those Eyes (Long Version) (Remix By Martin Rushent): Altered Images (1982)

2) It Doesn't Have To Be (Boop Oopa Doo Mix By Mixmaster Phil Harding): Erasure (1987)

3) In The Night (Remix By Arthur Baker): Pet Shop Boys (1986)

4) Round & Round (Club Mix By Ben Grosse & Kevin Saunderson): New Order (1989)

5) Cool Blue (Vocal Mix By John 'Jellybean' Benitez): Eurythmics (1984)

6) The Secret Life Of Arabia (Dub Mix By Martyn Ware & Ian Craig Marsh) (Cover of David Bowie): B.E.F. ft. Billy Mackenzie (1982)

7) I Love You (Diversion) (12" Version By David Leonard): Stephen Duffy (1986)

1982: Methods Of Dance Volume 2: 6

1982: See Those Eyes EP: 1

1984: Touch Dance: 5

1986: Disco: 3

1986: Extended Play EP: 7

1987: It Doesn't Have To Be EP: 2

1989: Round & Round EP: 4

Here It Comes Again (46:06) (KF) (Mega)

Not Just A Drummer

The sad news emerged yesterday that Clem Burke has passed at the age of 70. 

Tributes have unsurprisingly been in great supply, from musicians, critics, fans and of course his bandmates in his career-spanning primary job, who described Clem as "not just a drummer [but] the heartbeat of Blondie". 

Clem's much-lauded work ethic was played out in the number of records he appeared on outside of Blondie, including Bob Dylan, Eurythmics, Wanda Jackson, Pete Townshend, Iggy Pop and Nancy Sinatra. Oh, and Mark Owen from Take That.

I've picked half a dozen of Clem's extracurricular activities from YouTube, a few of which have proper videos. Like 'em or not, they're all better for having Clem playing on them.

1) Run Like A Villain: Iggy Pop (1982)

2) Blue Guitars: Vivabeat (1986)

3) King Of Confusion (Cover of The Go-Go's): The Coolies ft. Kathy Valentine & Clem Burke (2023)

4) Child: Mark Owen (1996)

5) Revenge: Eurythmics (1981)

6) Where Were You: Adult Net (1989)

The motherlode of course is Clem's contribution to (every single one of) Blondie's eleven albums, six between 1976's self-titled debut and 1982's The Hunter, and five more from 1999's No Exit to 2017's Pollinator.

Clem's contribution cannot be understated. Just listen to Heart Of Glass, Denis, Atomic, Rapture. And he was cool, so cool. 

You can find my 45-minute selection of Blondie circa '76-'82 from August 2023 here

In August 1999, I was lucky enough to see Blondie perform live in Long Island, New York on their No Exit tour. I reflected on the gig and recreated the setlist in August 2022, which can be found here

You're laying down a different kind of beat now, Clem, but the echo of your heartbeat will stay with us. Thanks for everything.

 

 

 

 

 

 

Decade III: 1984

Side 1 of a cassette compilation, recorded sometime in March 1990, discarded or misplaced somewhere along the way, reimagined and recreated 18th August 2024.

 

The halfway point, and the second of the two cassettes from the Decade series that I lost, broke or smashed with a lump hammer at some point in the last twenty years. One of these scenarios is highly unlikely.

 

I had a vague recollection of some of the songs on the previous mixtape, but I have no memory of the original 1984 tracklisting whatsoever. It probably would have featured Bronski Beat, almost certainly Depeche Mode and would I have left off Tears For Fears with Shout or at a push Mothers Talk? I don't know, but none of them have made the cut this time around.

 

The selection starts off with two of the defining songs of the year for me, by Prince and Frankie Goes To Hollywood. My appreciation of the Purple One really kicked off a few years later, but I was in with the Liverpool lads as soon as they appeared on The Tube and Top Of The Pops. Neither song has lost its edge or impact, forty years later.

Eighties by Killing Joke, as well as being an apt choice for this series, was the one that hooked me in to the band. Most likely I would have heard them on the radio previously, but it was probably Love Like Blood and the Night Time album the following year that sealed the deal. Kurt Cobain was similarly inspired.

1984 was also the year that the ZTT aka Zang Tumb Tuum label exploded, on the back of Frankie Goes To Hollywood's success with Relax and Trevor Horn's huge production. It was also the home to The Art Of Noise and the bonkers Close (To The Edit), in the days when this kind of craziness could also be a #1 single in the UK. I've got multiple versions of this song, reflecting ZTT's saturation of the market with vinyl, cassette, VHS and Beta, endless 12" remixes and probably a kitchen sink format for one of their releases. On the downside, every single length version of Close (To The Edit) in my collection is prone to vinyl crackles or tape hiss and dropout, so please excuse the slight dip in sound quality.

At the other end of the spectrum, Eurythmics were becoming increasingly more slick with each album. Previous album Touch seems to have been the jumping off point for many, though I liked it and was positively disposed towards follow up single Sexcrime (Nineteen Eighty-Four). Released to promote the film adaptation of George Orwell's 1984 (one film that couldn't afford to have a delayed release), Eurythmics also provided the largely instrumental soundtrack album. Not much to recommend it, to be honest. I skipped this album and was disappointed with the 1985 follow up, Be Yourself Tonight. 

I've inadvertently created a mini Six Degrees Of Separation here. Elvis Costello got Green Gartside in to provide backing vocals on I Wanna Be Loved. Green had also appeared on Eurythmics' Sweet Dreams album; Elvis would do the same on Be Yourself Tonight. And the thankfully prophetic Nelson Mandela by The Special AKA was produced by... Elvis Costello.

 

The thread ends there as I couldn't find any link to Strawberry Switchblade, though suggestions on a postcard are welcome. Since Yesterday is a low-fi pop classic that made me briefly want to buy a polka dot shirt. I didn't, though my fashion crimes in this decade were many and there are photos to prove it. Fiction Factory were another one-hit wonder from this year, and whilst I have no recollection of their wardrobe choices, what a song, eh?

Billy Idol came as close as he ever did to a ballad with Eyes Without A Face (UK #18 in August 1984, pop fans), though Steve Stevens succumbs about two thirds of the way in, releasing an almighty riff. None of that guitar nonsense for Heaven 17 though, who (Fair)light the way with Sunset Now, backed by female vocal trio Afrodiziak. Member Caron Wheeler would find her moment in the spotlight a few years later, first with Soul II Soul, then as a solo artist.

I'm pretty sure that I didn't include Come Back by The Mighty Wah! on the original compilation in 1990, which may have been one of the triggers for losing/destroying it years later. In 2024, Pete Wylie and Josie Jones get to close the show as only they can. A fantastic song that manages to soar even higher than The Story Of The Blues.

I'm hoping that you'll all, ahem, ‘Come Back' tomorrow for 1985, though if you're expecting Madonna, Tina Turner, Nik Kershaw and Dire Straits, you're going to be bitterly disappointed...

 

1) When Doves Cry (Edit): Prince & The Revolution

2) Two Tribes (For The Victims Of Ravishment) (Album Version): Frankie Goes To Hollywood

3) Eighties (Album Version): Killing Joke

4) Close (To The Edit) (Video Version 2): The Art Of Noise

5) Sexcrime (Nineteen Eighty-Four) (Single Mix): Eurythmics

6) I Wanna Be Loved (Radio Version): Elvis Costello & The Attractions ft. Green Gartside

7) Nelson Mandela (Extended Version): The Special AKA ft. Stan Campbell

8) Since Yesterday (Album Version): Strawberry Switchblade

9) (Feels Like) Heaven (Album Version): Fiction Factory

10) Eyes Without A Face (Single Version): Billy Idol

11) Sunset Now (Album Version): Heaven 17 ft. Afrodiziak

12) Come Back (The Story Of The Reds) (Album Version): The Mighty Wah! ft. Josie Jones

29th January 1984: Throw The Warped Wheel Out (#6): 9

1st April 1984: Night Time (#60): 3

8th April 1984: Nelson Mandela EP (#9): 7

10th June 1984: Welcome To The Pleasuredome (#1): 2

24th June 1984: I Wanna Be Loved EP (#25): 6

22nd July 1984: When Doves Cry EP (#4): 1

22nd July 1984: A Word To The Wise Guy (#20): 12

29th July 1984: Eyes Without A Face EP (#18): 10

9th September 1984: How Men Are (#24): 11

2nd December 1984: 1984 (For The Love Of Big Brother) (#4): 5

20th January 1985: Strawberry Switchblade (#5): 8 *

17th February 1985: Close (To The Edit) EP (#8): 4 **

Side One (46:25) (GD) (M)

* Since Yesterday debuted in the UK singles chart at #89 in the week of 21st October 1984, gradually rising week on week for three months, eventually peaking at #5.

** Close (To The Edit) first charted at #78 in the week of 11th November 1984, finally cracking the Top 10 thirteen weeks later!

Unwrapped

After 2021's inaugural Boxing Day themed selection and 2022's even more tenuous link to gifts, I'm stretching credulity (and your patience) to the limit, with 14 wrap songs. That's wrap, not rap. And no, I've not hit the Harvey's Bristol Cream yet.

 

There are a couple of actual Christmassy songs in this selection, starting with Saint Etienne and a song from their fabulous festive album, A Glimpse Of Stocking. Randy Travis also makes a brief appearance, before Barry Adamson takes him around the back and duffs him up.

 

There's a bit of leftover mash (up) from Mark Vidler aka Go Home Productions - apart from The Police and Elvis Costello, how many other artists can you pick out? There's disco, Northern Soul, calypso (from O.M.D. no less), techno pop (for all you Amelia Fletcher fans out there) and some beautiful noise from The Delgados.

Green Gartside shares the mic with Annie Lennox, Idha (at least I think it's her) does the same with Edward Ball, whilst Gang Of Four clearly aren't sharing with anybody. There's a rare B-side from Sharkboy and to, ahem, wrap things up the single-that-nearly-was from XTC.

 

No refunds!

 

1) Unwrap Me: Saint Etienne (2010)

2) Shrinkwrapped: Gang Of Four (1995)

3) Wrap It Up: Eurythmics ft. Green Gartside (1982)

4) Wrapped Detective: Go Home Productions (2004)

5) Wrap My Arms Around Him: Amelia Fletcher (1991)

6) Wrap Your Arms Around Me: KC & The Sunshine Band (1976)

7) How Do I Wrap My Heart Up For Christmas: Randy Travis (1988)

8) Under Wraps: Barry Adamson (1989)

9) Gold Wrapper: Sharkboy (1993)

10) Wrapped, Tied And Tangled: LaVern Baker (1968)

11) All Wrapped Up: O.M.D. (1984)

12) Wrapped Up In Lonesome Blues: Edward Ball (1996)

13) Under Canvas Under Wraps: The Delgados (1996)

14) Wrapped In Grey: XTC (1992) 

 

Unwrapped (47:25) (KF) (Mega)

 

If you're a glutton for punishment, then click on the links at the top of the post for the previous selections from 2021 and 2022.

Another Teenage Remix

Side 1 of a 1980s 12" mix cassette compilation, recorded 24th April 2000. According to my sleevenotes on the reverse, "these 12" singles kept me going even when my hairstyle just couldn't keep pace". It's fair to say that in the mid to late 1980s, I went through an environmentally unfriendly amount of hairspray and gel, rarely to impressive effect.

The selection starts off with Act, who featured here in their own right last year. A short-lived but oh-so-wonderful collaboration between Claudia Brücken and Thomas Leer. Unfortunately for them, Act was launched just as label ZTT experienced a dip in popularity, post-Frankie Goes to Hollywood and pre-808 State and Seal. A shame as Brücken and Leer looked and sounded great, with satirical lyrics and none-more-80s production. 

 

Snobbery & Decay was Act's opening statement and deserved a far better UK chart placing than #60, which would sadly prove to be their biggest 'hit'. As with most ZTT releases, there were multiple formats and remixes. As this mix title suggests, this limited edition 12" was housed in a beautiful sleeve with a photo of Quentin Crisp by Anton Corbijn on the reverse. What's less obvious is that the remix heavily samples Cybil Shepherd and Bruce Willis from US TV series Moonlighting, which was hugely popular at the time. In fact, the song proper doesn't kick in until five and a half minutes into a remix just shy of nine minutes. All good fun, but you had to buy the other formats to get more Claudia and Thomas.

Visage arguably made one good album (their debut) and it was all downhill from there. Personally, I also have a lot of love for second album The Anvil and, singles-wise, everything up to Pleasure Boys. Night Train is one of their best and the record-buying public seemed largely to agree as it proved to be their fourth UK Top 20 hit, pipping Mind Of A Toy by one place to peak at #12. I first got the dance mix of Night Train on vinyl courtesy of the Old Gold series, which would usually slap two extended mixes on a 12" single in a hideously generic sleeve for a bargain price. I tracked down the original 12" single years later in Replay Records in Bristol. I still love it.

 

What can I say about Associates? Well, other than whether to use the definite article in their name or not. Billy MacKenzie and Alan Rankine created some of the finest pop music of the 1980s, managing both perfect and off-kilter often in the same song. Club Country had a tough gig, being the follow up to Party Fears Two, but it managed #13 in the UK and matched it's predecessor's 10-week run in the charts. I love the song, whether the 7" single, slightly longer album cut or here in it's extended version. And, for my money, the best phrasing of the word 'pseudonym' in a song, ever. 

 

It's only occurred to me whilst writing this that there's a Scottish theme running though this selection: Thomas Leer, Midge Ure, Billy MacKenzie and Alan Rankine. Zeke Manyika was born in Zimbabwe, but moved to (and I think still lives in) Scotland, joining Orange Juice in 1982, so that's good enough for me. 

 

Runaway Freedom Train was released in 1989 as the follow up to Bible Belt and sadly also seems to have had little impact on the charts. It carries a similar political heft to Bible Belt, albeit with a slightly more oblique comment on apartheid in South Africa:

"No matter how hard you try
To break this motion,
It's a one way ticket,
Only one destination,
You can't break the wheels of history" 

 

I still have the 12" single of Runaway Freedom Train, but I haven't digitised the songs or currently have the means to do so. The original 12" version is about eight minutes long and a fairly straightforward extended mix by Keith Cohen. The only version available online is the "U.S.A. Extended Club Version", which appears to be a re-edit of the Cohen mix, initially by The Latin Rascals and re-edited in 2009 by Mixmaster DJ Heavy M aka Malik Jefferson. The tracks runs to nearly ten minutes and is a veritable frenzy of scratches and edits. I tried cutting it down for use in this selection, but it just sounded way out of place with the rest of the tracks. I also didn't want to use different mixes of any of the other tracks to maintain the original running time.

 

So, what you've got here is my own re-edit of the re-edit of the, er, re-edit. Largely the album version from Zeke's second album Mastercrime, I've spliced a chunk of edits a little way into the intro and dropped in a further slab of edits at the end. It still runs a little short at just over seven and a half minutes, but (I think) it just about works. As ever, you'll be the judge of that. The mix title says it all.

 

Grace Jones next, with Living My Life. I first heard the song in 1983 on The Master Tape, a freebie compilation with Record Mirror which I think was a sampler of forthcoming releases. The irony with Living My Life was that it didn't appear on either her album of the same name or as a single in the UK, although a limited 12" was released in Portugal. I could have used the Long Version from the latter to solve the issue with Runaway Freedom Train, but true to the original mixtape, I've stuck with the 1986 remix by Steven Stanley, which is much closer to the version that I originally heard on the Record Mirror compilation. Neither Grace Jones nor Steven Stanley were born in Scotland and regretfully, I can't find any evidence that either have lived there, so my Scottish theme ends there.

 

But only briefly, as Aberdeen's own Annie Lennox leaps to the rescue with, er, Sunderland native David A. Stewart as Eurythmics. Would I lie to you? No, siree. This was the lead mix (of two) from the 12" single, with Eric 'ET' Thorngren bringing his customary BIG drums in and pushing everything bar Annie's vocals back in the mix. He likes his drums, does ET. I did buy the accompanying album, Be Yourself Tonight, but this was pretty much the point that I started checking out on Eurythmics. I like this single but it was all getting a bit slick and aimed squarely at global domination for my liking. Fair play to Eurythmics, they achieved it, but it's the first three albums that I return to time and again.

 

And blowing the Scottish theme once and for all (well, it was good while it lasted), Side 1 ends with Scarlet Fantastic, who both hail from the West Midlands, and are remixed here by Australian Karen Hewitt. The wonderfully named Maggie De Monde and Rick Phylip-Jones were previously in Swans Way, who had a Top 20 hit with the avant-garde pop of Soul Train. Scarlet Fantastic were more out-and-out pop and No Memory is a fantastic example, although it sadly didn't quite find an audience, reaching #24 in 1987. The pick of the bunch is the Extra Sensory Mix but the Ecstacy Mix is also a corker. The version here was ripped several years ago from my copy of the limited edition 12" single in  - what else? - "scarlet fantastic" red vinyl.

 

Have a fun Saturday, everyone!

 

1) (The Naked Civil) Snobbery & Decay (Remix By Stephen Lipson): Act (1987)

2) Night Train (Dance Mix By Visage & John Luongo): Visage (1982)

3) Club Country (Extended Version By Associates & Mike Hedges): Associates (1982)

4) Runaway Freedom Train ('All This Scratching Is Making Me Itch' Re-Edit By Khayem): Zeke Manyika (1989/2022)

5) Living My Life (Remix By Steven Stanley): Grace Jones (1986)

6) Would I Lie To You? (An Eric 'ET' Thorngren Mix): Eurythmics (1985)

7) No Memory (Ecstacy Mix By Karen Hewitt): Scarlet Fantastic (1987)

 

Side One (45:49) (KF) (Mega)

Side Two here

A Kick Up The Eighties

Side 1 of a mixtape, recorded 22nd January 1990, and an early Eighties retrospective, a few weeks into the new decade.

This side firmly focuses on 1980 to 1985, with half of the tracks from 1982, now unbelievably (to this listener, at least) four decades ago. It's mostly hits and perhaps obvious choices, with a few oddities from albums and B-sides. All personal favourites.

The title is a nod to the BBC2 TV comedy sketch show of the same name that ran for two series from 1981 to 1984, featuring Rik Mayall, Tracey Ullman, Miriam Margoyles and (from the second series) Robbie Coltrane. A full episode from the first series has been posted on YouTube and is worth a look, if only for the brilliant Rik Mayall as investigative reporter Kevin Turvey.

The cover photo is a even more obscure, a scene from 1987 sci-fi movie, Cherry 2000. You wouldn't know it, but the person precariously hanging on to the car is none other than Melanie Griffith. I've watched the film once, which was possibly one time too many, but the picture seemed a good fit with the title. 

Happy listening!

1) Visage (Album Version): Visage (1980)

2) Today (Single Version): Talk Talk (1982)

3) Europa And The Pirate Twins (Album Version): Thomas Dolby (1981)

4) The Chase (Album Version By Stephen Lipson & Trevor Horn): Propaganda (1985)

5) The Beach: New Order (1983)

6) Blind Vision (Album Version By John Luongo): Blancmange (1983)

7) Night Suit: John Foxx (1981)

8) We Take Mystery (To Bed) (Single Version): Gary Numan (1982)

9) Mad World (Album Version By Chris Hughes & Ross Cullum): Tears For Fears (1982)

10) The Ring: Fad Gadget (1984)

11) The Walk (Album Version): Eurythmics (1982)

1980: Visage: 1

1981: The Garden: 7

1982: The Golden Age Of Wireless: 3 

1982: The Hurting: 9

1982: Sweet Dreams (Are Made Of This): 11

1982: Today (7" single): 2

1982: We Take Mystery (To Bed) (7"): 8

1983: Blue Monday (12" single): 5 

1983: Mange Tout: 6

1984: Gag: 10

1985: A Secret Wish: 4 

Side One (45:27) (Box) (Mega)

Revenge Is A Dish...Best Served Cold

Songs about revenge this morning. 'Nuff said.

Revenge Is A Dish... (17:19)

1) Revenge (Against The World): Martha & The Muffins (1980)

2) The Hazards Of Love 3 (Revenge!): The Decemberists (2009)

3) Kasparov's Revenge: Lo Fidelity Allstars (1998)

4) Revenge: Eurythmics (1981)

 

...Best Served Cold (18:53)

1) Living Well Is The Best Revenge (Album Version): R.E.M. (2008) 

2) The Princess Takes Her Revenge (Album Version By Prince Jammy): The Roots Radics (1982)

3) Genie's Revenge (Full Version) (Christina Aguilera vs. The Strokes): Go Home Productions (2002)

4) Wikki's Revenge: London Funk Allstars (1996)

5) Revenge: Danger Mouse & Sparklehorse ft. Wayne Coyne (2009)

Revenge Is A Dish... (17:19)

...Best Served Cold (18:53)