Showing posts with label Michael Smith. Show all posts
Showing posts with label Michael Smith. Show all posts

Sunday, 3 December 2023

Can You See The Rockets?

Today's selection turns the spotlight on Nina Walsh, composer, performer, engineer, producer, supreme talent and looong overdue a Dubhed selection. I say that a lot, but I really mean it.

Sundays are often reserved for something a little bit more downtempo, a little bit more relaxed and this is no exception, although being Nina, this is more Cabaret Voltaire than Cafe Del Mar ambience.

That said, things start off with the beautiful and delicate original version of Borderland, featuring Sarah Sarhandi on viola, by Woodleigh Research Facility. Initially a joint project with Andrew Weatherall, since his death in 2020 Nina has continued to release music as WRF. Nina and Andrew's connection goes way back: previously romantically involved, the pair also founded and ran the Sabres Of Paradise and Sabrettes labels in the early 1990s, which is how I first became of Nina's work. Here's a photo the pair by John Barnett circa 2016.
 
Borderland was originally recorded in 2019 and was finally released as volume 4 in the Apparently Solo series of EPs. I had to include the original here as it was such a strikingly obvious opener, but the EP includes a pair of remixes, one of Andrew's last, the other by uber-producer (and former Sabre) Jagz Kooner in 2021.
 
 
The rest of the selection takes in Nina's further collaborations as Slab with Lol Hammond (Drum Club), with Alex Paterson/The Orb and solo as C-Pij, with a rare A-side and couple of remixes for Andrew Weatherall and Keith Tenniswood aka Two Lone Swordsmen.

Bringing things bang up to date is an epic remix earlier this year of In A Wonderland from Steve Queralt and Michael Smith's brilliant companion to the equally excellent Sun Moon Town album. 
 
Nina provides vocals on several songs, not least the closing track, Slab's cover of Mazzy Star's 1993 song Fade Into You. The original may be definitive, but I really love this cover and there's something about Nina's voice here that really gets me. It's a wonderful way to bring things to an end.

Although what is the end? A couple of weeks ago, Nina released a Woodleigh Research Facility album, Phonox Nights. Her final WRF recordings with Andrew Weatherall, it's a stunning collection, tinged with sadness and loss and yet imbued with a positivity and joie de vivre, the latter seemingly typifying their working relationship. Joe Muggs had a superb interview with the pair for Fact magazine in 2016 which captures this wonderfully.

 
Nina continues to make music and I think is receiving (over)due credit for her immense talent. Head over to Nina's website for links to her solo, WRF and other releases and immerse yourself in some incredible music.
 
1) Borderland (Original Version): Woodleigh Research Facility ft. Sarah Sarhandi (2019)
2) Mental Ground Zero: Slab ft. Younger Youth (1999)
3) Big Clapper (C-Pij Remix By Nina Walsh): Two Lone Swordsmen (1999)
4) Rabbit's Moon (Squelch Mix aka Lateral Lagomorph Mix By Lol Hammond & Nina Walsh): Slab (1997)
5) Primitive.... (Orbtij Mix By The Orb & C-Pij aka Alex Paterson & Nina Walsh): D-Kiku (1999)
6) Nostik: C-Pij (2000)
7) Aeronauts The Next Phase: Woodleigh Research Facility (2015)
8) Taste Of Our Flames: Two Lone Swordsmen ft. Nina Walsh (2004)
9) In A Wonderland (Wonk On The Gnosis Mix By Nina Walsh): Steve Queralt & Michael Smith (2023)
10) Cosmo: Slab (1999)
11) Tiny Reminder No. 1 (C-Pij Remix Vocal) (Remix By Nina Walsh): Two Lone Swordsmen (2001)
12) Plum Island (Flat Mix By Nina Walsh & Andy Sheriff): The Orb (2001)
13) Fade Into You (Single Version) (Cover of Mazzy Star): Slab (1999)

Can You See The Rockets? (1:18:26) (KF) (Mega)

Monday, 25 September 2023

In Love With The Light

More gems from this year's releases to distract from the drawing in of the sunsets and the drop in temperature as autumn beds in.

Richard Norris appears twice, firstly remixing Katy J Pearson's cover of Willow's Song from the classic film The Wicker Man then with Lightning Version, a 10-minute dub extravaganza from his Oracle Sound project. As a subscriber to Richard's music, which is worth every penny as it is, I was also recently the beneficiary of a free Oracle Sound T-shirt, which I'm happily modelling for today's selection.

A couple of purchases recommended this year by Swiss Adam at Bagging Area, who is always on the mark. Trotting the globe, New Zealand's Stinky Jim is remixed by British Columbia's Seekersinternational, featuring vocals by Nazamba aka George Scott, who sadly passed in July 2022. From there, it's a trip from Oxford to London via Mozambique as Steve Queralt and Michael Smith are remixed by Nandele Maguni.
 
Róisín Murphy's excellent Hit Parade album has been unfortunately overshadowed by her recent comments on social media, follow up response and what seems to have been a pulling back of promotion and support by record label Ninja Tune. The album, created in collaboration with DJ Koze, isn't quite as immediate as predecessor Róisín Machine but repeated listens reward.  

Dub Pistols have been around forever it seems though this is the first album of theirs that I've bought. Lots of dub and dancehall influences, unsurprisingly, with a great vocal turn from Natty Campbell, I can imagine this would go down a storm in a live setting. 

Jason Buckle's releases as JP Buckle have been a relatively recent discovery, including his quirky Covers mini-album/EP. The selections are quite heavily rooted in 1980s popular culture - Prince & The Revolution, Wham!, U2, Bruce Springsteen - with a few surprises such as a cover of Into The Garden, a 1981 song by post-punk Artery. Perhaps less of a surprise when you know that Jason Buckle is member of JARV Is... and Jarvis Cocker convinced Artery to reform and perform at the Meltdown Festival which he curated in 2007.

Pye Corner Audio possibly need no introduction if you've frequented these pages before. As I wrote last month, Martin Jenkins has released several superb pieces of music this year and the brilliantly-titled Cabaret Sauvage is just one example. I said at the time that the song "immediately strikes as lost Pink Industry outtake, with a striking bass line and synth effects that call to mind 1980s arcade games". 'Nuff said.
 
1) Willow's Song (Richard Norris Ritual Mix) (Cover of Magnet): Katy J Pearson (Willow's Song EP)
2) Steam Fish (Steam Veg Dub) (Remix By Seekersinternational): StinkyJim ft. Nazamba (Social Awareness: The Remixes)
3) Arabiklan (Högt I Tak Remix By Janne Berglund): James Rod (Synthetic Glory EP)
4) Can't Replicate (Album Version By DJ Koze aka Stefan Kozalla): Róisín Murphy (Hit Parade)
5) Moving On: Dub Pistols ft. Natty Campbell (Frontline)
6) Lightning Version: Richard Norris (Oracle Sound Volume One)
7) Cabaret Sauvage: Pye Corner Audio (Cabaret Sauvage EP)
8) Into The Garden (Cover of Artery): JP Buckle (Covers)
9) Vespertina (Nandele Remix By Nandele Maguni): Steve Queralt & Michael Smith (Sun Moon Town Versions)

In Love With The Light (57:49) (KF) (Mega)