Today The Dub, Tomorrow The World

An hour of dub, disco style, courtesy of Ashley Beedle vs. Deep Dish, Róisín Murphy vs. Crooked Man and Cosmos aka Tom Middleton, before Richard Norris takes you the long way home. 

Let the bass vibrate, the funk flow and the groove move you. 

Much as I'd like to say that this will be soundtracking an afternoon relaxing with a cold drink, maybe a barbecue, and some socialising, closer to the truth that this will be motivating Mrs. K and I as we plough through a weekend's worth of chores before the working week begins again.

I think it'll work in either scenario, and more. Let me know what you think.

1) Revolutions In Dub (Deep Dish Jumpin' At The Bar Parts 1 And 2 (Full Length Extended Versions)): Ashley Beedle (1995)

2) Murphy's Law (Murphy's Big Dub) (Remix By Crooked Man aka Richard Barratt): Róisín Murphy (2020)

3) Summer In Space (Miami Dub Plate Mix By Tom Middleton): Cosmos ft. David Laudat (1999)

4) Shark Tooth Dub Extended: Richard Norris (2023)

Today The Dub, Tomorrow The World (59:29) (GD) (M)

Was It That Obvious?

Rounding off my 3-day celebration of Australia, what better way to get the weekend started than with Kylie?!

 

If Dubhed was a prize-giving blog, then Charity Chic would have cleaned up yesterday with his astute prediction. Unfortunately, it's not but hopefully the crushing disappointment will be offset by the prospect of nearly 90 minutes of Ms. Minogue.

This being Friday, I've often tended to feature selections of 12" mixes and slightly more 'up' music so in Australian terms, it was always likely to be Kylie over Nick Cave & The Bad Seeds, wasn't it? Although they did collaborate back in 1995, including a memorable appearance on Top Of The Pops, when the pop princess reinvented herself as Indie Kylie.

Today's selection however focuses solely on Disco Kylie, spanning three decades and showing no sign of slowing down now we're midway through the 2020s. 

Although her music career exploded from the Stock, Aitken & Waterman hit factory, Kylie moved on in the early 1990s and has followed her own course ever since, working with some dynamic producers and remixers along the way.

 

I've never particularly considered myself a Kylie fan, I've bought a few singles here and there mainly for the remixes but never any of her albums. I thought the 'country' songs a few years ago were a misstep, but that's the beauty of Kylie. If you don't like what's she doing right now, there will either be club-friendly remixes to compensate, or another change around the corner with her next album.

 

This is one musical pleasure I don't feel guilty about in the slightest. And even if my primary reason for buying a single or compilation was to get that remix by DNA, The Chemical Brothers or Tom Middleton, so what?

Today's selection reflects some early favourites: Je Ne Sais Pas Pourquoi is cheesy perhaps but I love it; What Do I Have To Do? and Shocked were the big hits whilst I was in Australia; The Chemical Brothers remix of Slow is twice as good as the original. And I would have bought the Soulwax remix compilation anyway - they're brilliant - but their scuzzy, fuzzy overhaul of Can't Get You Out Of My Head was worth the price alone.

In a half-arsed attempt to dodge the sniffer bots and a DMCA takedown notice, I've avoided any reference to Ms. Minogue in the post title and have named the selection SmileyKylie in the hope that it similarly avoids unwanted attention on KrakenFiles or Mega. As usual, the download links will be up for roughly a month, so get in there now!

 

1) Too Much Of A Good Thing (12" Mix By Phil Harding & Ian Curnow) (1992)

2) Into The Blue (Yasutaka Nakata (CAPSULE) Remix) (2014)

3) Finer Feelings (Brothers In Rhythm 12" Mix By Dave Seaman, Steve Anderson & Alan Bremner) (1992)

4) Red Blooded Woman (Whitey Mix By Nathan White) (2005)

5) Confide In Me (Justin Warfield Mix) (1994)

6) It's No Secret (Alternative Extended Version By Dave Ford) (1988)

7) What Do I Have To Do? (Extended Album Mix II By Phil Harding & Ian Curnow) (1991)

8) Falling (Farley & Heller Alternative Mix By Terry Farley & Pete Heller) (1994)

9) Slow (Chemical Brothers Remix By Ed Simons & Tom Rowlands) (2003)

10) Shocked (DNA Mix By Neal Slateford & Nick Batt) (12" Version ft. Jazzi P)  (2001)

11) Je Ne Sais Pas Pourquoi (The Revolutionary Mix By Phil Harding) (1989)

12) Chocolate (Tom Middleton Cosmos Mix) (2004)

13) Dancing (Initial Talk Remix) (2018)

14) Can't Get You Out Of My Head (Soulwax Kyluss Remix By David Dewaele & Stephen Dewaele) (2001)

 

1989: Hand On Your Heart EP: 6 

1989: Je Ne Sais Pas Pourquoi EP: 11

1991: Shocked EP: 10

1992: Celebration EP: 1

1992: Finer Feelings EP: 3

2003: Kylie Minogue (Special Edition) (2x CD): 5 

2003: Slow (promo 12"): 9

2004: Chocolate EP: 12

2005: Red Blooded Woman EP: 4 

2007: Most Of The Remixes We've Made For Other People Over The Years...: 14

2010: What Do I Have to Do? (The Original Synth Mixes) EP: 7

2014: Kiss Me Once (Japan only bonus track): 2 

2016: Confide In Me: 8

2018: Dancing EP: 13

SmileyKylie (1:28:22) (KF) (Mega)

* Or, to give the Soulwax compilation it's full title,

Most Of The Remixes We've Made For Other People Over The Years Except For The One For Einstürzende Neubauten Because We Lost It And A Few We Didn't Think Sounded Good Enough Or Just Didn't Fit In Length-Wise, But Including Some That Are Hard To Find Because Either People Forgot About Them Or Simply Because They Haven't Been Released Yet, A Few We Really Love, One We Think Is Just OK, Some We Did For Free, Some We Did For Money, Some For Ourselves Without Permission And Some For Friends As Swaps But Never On Time And Always At Our Studio In Ghent.

Sat In The Passenger Seat, Having An Out Of Body Experience

A selection of long songs for Sunday, designed to transport you...well, take your pick from Mars or Dorset and all points in between, or just head straight out of this galaxy and see what else is out there.

 

The shortest song in this selection clocks in at a few seconds under twelve minutes, the longest contribution edges over fourteen and a half. Too many beats between them all to be considered pure ambient music perhaps, but they all have enough going on to stimulate the senses.

First stop, Japan and a couple of electronic music legends. Magic Dome by Yoshihiro Sawasaki was (I think) his debut release, first appearing on the flip of the Neocrystal 12" single, then the album Perfumed Garden, both in 1994. 

Soft Ballet was formed by Ryoichi Endo, Ken Morioka and Maki Fujii in 1986, though my introduction to them was via their remix albums featuring Western artists such as LFO, Jah Wobble, Orbital, Fluke and Global Communication. The third and final in the series reworked 1995 album Form, by which time Soft Ballet had split, although they reunited for a couple of albums in the early 2000s. 

Speaking of Global Communication, Tom Middleton resurrected the GCOM alias in 2021 for a 20-track magnum opus E2-XO. Most of them are pretty short, several clocking in at a minute or less, until you get to the album closer, Beyond The Milky Way. Just ride the stellar wave and drift into the unknown.

 

The Orb and Youth transformed ambient music in the late 80s/early 90s, whether separately or together. I've plumped for the latter, with a remix of Spanish Castles In Space, one of my favourite songs by The Orb, in any incarnation. Alex Paterson and Martin Glover have continued to work together, not least last year's Orb album, Prism.

 

Back down to Earth now, more specifically Wimborne in Dorset. Al Stewart grew up there and Robert Fripp was born in Wimborne Minster, so you know the vibes are good.  MLO were/are Jon Tye and Peter Smith; Jon continues to push the ambient envelope, as one half of Seahawks.

 

Matt Gunn is the new kid on the block, relatively speaking, with a clutch of great releases on the Paisley Dark and Electric Wardrobe labels. Matt's first album Mostly Fiction is a good jumping on point, though his EPs also come recommended.

 

Youth is back for the finale, with an end of the millennium reworking of psychedelic rockers Gong. I first discovered Steve Hillage as the credited producer on the 12" single of Sweat In Bullet by Simple Minds, later as a founder of System 7, so my journey back to Gong was full of detours and diversions, but I eventually got there. A bit like this compilation, if you will.

 

1) Magic Dome (Full Length Version): 澤崎吉広 (Yoshihiro Sawasaki) (1994)

2) No One Lives On Mars (Even Longer) (Remixed By Carl Craig): Soft Ballet (1995)

3) Beyond The Milky Way (Full Length Version): GCOM (2021)

4) Spanish Castles In Space (Extended Youth Mix By Martin Glover): The Orb (1991)

5) Wimborne (Spacetime Continuum Mix By Jonah Sharp): MLO (1994)

6) Space Drohne I & II (Album Version): Matt Gunn (2023)

7) A Sprinkling Of Clouds (Full Length Edit By Youth aka Martin Glover): Gong (1999)

 

1991: Aubrey Mixes: The Ultraworld Excursions: 4

1994: Perfumed Garden: 1

1994: Wimborne Revisited EP: 5

1995: Forms: Remix For Ordinary People: 2

1999: You Remixed: 7

2021: E2-XO: 3 

2023: Mostly Fiction: 6

Sat In The Passenger Seat, Having An Out Of Body Experience (1:30:02) (KF) (Mega)

Monoliths

Four sonic slabs to stir the senses on a Sunday. Rescued from the abandoned shopping trolley of an overstuffed music collection, these are not for the faint hearted - the pieces run between 15 and 23 minutes long - but will hopefully have an energising not enervating effect.

1) When We Return You Won't Recognise Us (Manafon Variation): David Sylvian (2011)

2) III: Taj Mahal Travellers (1974)

3) The Monolith: The Beta Band (1998)

4) Alpha Phase (Retranslated By Global Communication aka Tom Middleton & Mark Pritchard): Chapterhouse (1993)

1975: August 1974: 2

1993: Blood Music: Pentamerous Metamorphosis (Retranslated By Global Communication): 4

1998: The Patty Patty Sound EP / The Three E.P.'s: 3

2011: Died In The Wool: Manafon Variations: 1

Monoliths (1:13:25) (GD) (M)

Loop Da Loop Da Loop

Side 1 of a mixtape, recorded sometime in 1999 and bringing another half dozen tracks with rolling beats and repetitive rhythms.

 

The selection starts off with Mark Pritchard reuniting with former Global Communication partner Tom Middleton for a remix/edit of the latter's Summer In Space, released in 1999 under his Cosmos moniker. It's a jazzy, syncopated saunter along the starways. 

 

The boys are back later on with one of their final releases as Global Communication, here remixed by DJ/artist Davidson Ospina, born and raised in Queens, New York and bringing some pulsing, insistent grooves to the floor.

 

Over in Washington DC, Jean-Phillippe Aviance and Victor Imbres aka Alcatraz take on Apollo 440's tribute to Gene Krupa. A cracking tune in it's original form, the remix stretches out the ride to nearly 11 minutes without missing a beat. 

Meanwhile in Europe... German duo Hardfloor meet Dutch duo Work for a meeting of the minds on 1995 single Mahogany Roots, with suitably explosive results.

Side 2 opens with Ben Watkins aka Juno Reactor, but his first appearance on this mixtape is as co-writer (with Wonder Schneider, one half of Secret Knowledge) of Traci Lords' 1994 single Control. Traci first gained notoriety in the adult film industry before moving into mainstream acting and then music, duetting with Manic Street Preachers in 1992 then releasing a solo album (produced by Watkins) called 1000 Fires a couple of years later. 

Bringing this side to a close in spectacular fashion is Leftfield with Afro Ride, as remix of Leftism album highlight Afro-Left and featuring Djum Djum, who they'd previously collaborated with on the 1990 single Difference. Afro Ride takes the original, takes it for a night on the tiles and ends up at a heaving club, nine minutes feeling like it could go on forever.

1) Summer In Space (Mark Pritchard Edit): Cosmos ft. David Laudat (1999)

2) Mahogany Roots (Work Remix By Olav Basoski & Erick Eerdhuijzen): Hardfloor (1995)

3) Krupa (Alcatraz Within The Joint Remix vs. @440) (Remix By Jean-Phillippe Aviance & Victor Imbres): Apollo 440 (1996)

4) The Way (Davidson Ospina Mix): Global Communication (1996)

5) Control (DJ E FX San Frandisco Dub): Traci Lords (1994)

6) Afro-Left (Afro Ride) (Remix By Neil Barnes & Paul Daley): Leftfield ft. Djum Djum (1995)

 

Side Two (45:31) (Box) (Mega)

Side One here

A Quiet Glade In A Burning Forest

Side 2 of a mixtape, recorded sometime around 1997, featuring the music of Mark Pritchard & Tom Middleton in a variety of guises, but mainly Global Communication.

 

First off however is one of their remixes as Reload. The 147 Take of In Mind by Slowdive appeared on Side 1 and was recently highlighted in a typically great post by Swiss Adam over at Bagging Area. Their remix of On by Aphex Twin is a close second as my favourite remix that Mark and Tom did as Reload, but then the song is a thing of beauty to begin with so how could they possibly go wrong?

Next up is Link, one of Mark Pritchard's many, many solo projects. This remix of Arcadian by Global Communication originally appeared on Warp Records compilation Artificial Intelligence II, running to just under ten minutes. In order to squeeze it into a C90 side, I crudely faded it out halfway through. Unlikely Side 1, where I restored the minimal cut to a track, I've kept this one in to maintain the original sequencing and running time.

The Grid aka Dave Ball and Richard Norris were enjoying much-deserved success with a brace of UK hit singles, Texas Cowboys reaching #21 in October 1993 and then Swamp Thing crashing in at #11 in June 1994, peaking at #3 a month later, spending a total of 12 weeks in the Top 20. Rollercoaster didn't enjoy quite such a chart run, entering at #19 in September 1994, then #22, #42, #70 and out of the Top 100 by mid-October. It's an underrated single and contained a hidden gem in Global Communication's ambient reworking of the song. I say 'hidden' but the remix was that good that it appeared on several compilations, including Survival 2000 and respective 'best of' remix collections by Global Communication and The Grid *

 

Epsilon Phase is the closing track on Mark and Tom's radical overhaul of Chapterhouse's Blood Music album, originally released as a limited edition double CD in 1993. I discovered the Global Communication CD all on its own in the secondhand trough at Replay Records in Bristol and bought it without hesitation. It was roughly another ten years before I bought and heard the parent album by Chapterhouse for the first time!

 

Nav Katze (translates as 'Nervous Cat') were a Tokyo-based female rock group who released music between 1987 and 1997. Initially a trio, by 1994, Nav Katze were Miwako Yamaguchi and Naoko Iimura, with male producer Yuji Sugiyama as unofficial third member. Wild Horse appeared on the first of two remix compilations titled Never Mind The Distortion, in a beautiful 15-minute journey with Global Communication, easing in with synth washes and snatches of vocal before heading into more percussive territory in the latter stages. Like much of Mark Pritchard and Tom MIddleton's music from the early/mid-1990s, Wild Horse should have been all over like-minded compilations of the time but according to Discogs seems to be relatively rare.

 

* I realised when researching and writing this post that tracks 3 to 5 of this selection are the exact same sequence as the last three tracks on the aforementioned Remotion: The Global Communication Remix Album from 1995. I bought the compilation for my girlfriend at the time but I have no recollection whether I was so inspired by the running order that I was compelled to replicate it for my mixtape or if I was simply being a lazy git. Probably a bit of both and definitely no coincidence!

 

On a completely unrelated note, after 2 years, 2 months and 18 days and 685 posts, I've received my first takedown notice via Mega. It was for my recent posting of Django Django and was submitted by one of those companies that appear to specialise in actively finding and shutting down any potential infringements. I'm wondering whether my uncharacteristic decision to include the artist's name in the post and MP3 title made it easier for the bots to home in this particular Dubhed selection. 

 

Anyway, Box and Mega links have now been removed from the offending post and, in a bit of housekeeping, I'm now running a tighter ship on how long links stay up in general. Whenever I post the corresponding side of a mixtape that's appeared previously, I'll continue to add new Box and Mega links to the older post.

 

1) On (Reload Mix): Aphex Twin (1993)

2) Arcadian (Remix By Global Communication) (Edit): Link (1994)

3) Rollercoaster (The Global Communication Yellow Submarine Re-Take): The Grid (1994)

4) Epsilon Phase (Retranslated By Global Communication): Chapterhouse (1994)

5) Wild Horse (Global Mix Communication): Nav Katze (1994)

1993: Blood Music: Pentamerous Metamorphosis: 4

1993: On EP: 1

1994: Artificial Intelligence II: 2

1994: Never Mind The Distortion: 5

1994: Rollercoaster EP: 3

Side Two (45:55) (Box) (Mega)

Side One here

I'm So Deep In A Cloud I'm Drifting Out

Storm Eunice was fairly gentle with us: a couple of smashed windows and a strip of roofing ripped off of the shed and that was pretty much it. The Saturday morning sky promises a calmer day, and although the wind and rain will be back in force later, hopefully nothing like yesterday.

To capture this moment of serenity, today's selection gathers up some healing and uplifting tunes from the past couple of years. I raved about Jezebell's new one on Monday and Little Dragon's latest EP in January. I subscribed to The Future Sound Of London's digital calendar again this year and include their first offering for 2022. 

 

On the last day of 2021, Dave Allen's new project Uptick released the marvelous Universe, with a typically fantastic remix from 10:40 aka Jesse Fahnestock, bringing Bolton & Stockholm together in a stupendous soundclash. Available as a free download on Soundcloud.

 

Thanks also to blogging legends The Vinyl Villain and Bagging Area for the nods to Mogwai, GCOM (aka Tom Middleton) and Hypernatural (including Cut Copy's Dan Whitford). The selection closes with Mildlife, hailing (like Hypernatural) from Melbourne and bringing some welcome Antipodean sunshine to dispel the stormclouds.

 

1) Drifting Out (Version): Little Dragon ft. Jakob Koranyi & Yo-Yo Ma (2021) 

2) Beyond The Milky Way (Edit): GCOM (2021)

3) Jezebelle Et Moi (Original Widescreen Version) (Cover of Max Berlin's): Jezebell (2022)

4) Opk Machines Trx M2: The Future Sound Of London (2022)

5) Ritchie Sacramento (Other Two Remix By Gillian Gilbert & Stephen Morris): Mogwai (2021)

6) Universe (10:40's Dark Matter Mix By Jesse Fahnestock): Uptick (2021)

7) Stormfront (Album Version): Hypernatural (2022)

8) Automatic (Jono Ma Ascend Mix By Jonathan Marr): Mildlife (2020)

I'm So Deep In A Cloud I'm Drifting Out (51:44)
 

Viewed From Outside

Back to the future...The Future Sound Of London, that is. This is a 30-minute mix by Brian Dougans & Garry Cobain, tying in with Record Store Day 2016. It was originally broadcast in the closing segment of The 6 Mix With Nemone on BBC 6 Music on Saturday 16th April 2016, roughly 1.30am or thereabouts. Nine tracks from 1991 to 1994, including B12 (as Redcell), Reload (aka Mark Pritchard & Tom Middleton), Luke Slater (as Morganistic) and closing with an (at the time) unreleased FSOL track.

 

1) Papua New Guinea (12" Original): The Future Sound Of London (Papua New Guinea EP, 1991)
2) Mad Monks On Zinc (Original Mix): Holy Ghost Inc. (Mad Monks On Zinc EP, 1991)
3) Schottkey 7th Path: Aphex Twin (Selected Ambient Works 85-92, 1992)
4) Paradroid: Redcell (Redcell EP, 1992)
5) Go To Sleep: Laurent Garnier (A Bout De Souffle EP, 1993)
6) Le Soleil Et La Mer (Original Mix/Album Version): Reload (Auto Reload EP: Volume 2 / A Collection Of Short Stories, 1993)
7) In The Shadow (Original Version): Morganistic (In The Shadow EP, 1992)
8) Basscadet (Bcdtmx): Autechre (Basscad,EP, 1994)
9) Viewed From Outside: The Future Sound Of London (1994) (Ramblings Vol. 1 EP, 2017 / Music For 3 Books, 2021)

Nemone's Electric Ladyland Mix: The Future Sound Of London (29:59)

A Pool Of Calm In A Sea Of Chaos

Side 1 of a mixtape, recorded sometime around 1997, featuring the music of Mark Pritchard & Tom Middleton aka Global Communication and Reload. Their remix of In Mind by Slowdive is memerising and a precursor to their similarly radical overhaul of Chapterhouse's Blood Music album the same year. The selection closes with the transformative Ob-Selon Mi-Nos By Mystic Institute aka Mark Pritchard & Paul Kent, which itself transformed into 14:31 by Global Communication on their seminal 1994 album, 76:14. This remix originally had a couple of minutes lopped off to squeeze the tracks onto one side of a cassette; this recreation features the full 15-minute version.

1) Amor Real (Remix By Global Communication): Jon Anderson ft. Milton Nascimento (1995)

2) In Mind (Reload Remix (The 147 Take)): Slowdive (1993)

3) Maiden Voyage (Original 8'07>5'23 Version): Global Communication (1994)

4) Le Soleil Et La Mer (Original Mix): Reload (1993)

5) Ob-Selon Mi-Nos (Re-Painted By Global Communication): Mystic Institute (1993)

1993: 5 EP: 2

1993: Auto Reload EP / A Collection Of Short Stories: 4

1993: The Cyberdon EP (Reload Remixes): 5

1994: Maiden Voyage EP: 3

1995: The Deseo Remixes: 1

Side One (47:14) (Box) (Mega)

Chic Thug Stuttered Through A Stereo Dream

I have too much collected music. Simple as that. 

I listen to music for at least 2-3 hours every day, directly tuned in through my headphones, in the background whilst I'm working from home or soundtracking my business commutes across Gloucesterhire. I try to discover new music, revisit old favourites and dust off songs neglected in the depths of my hard drive. 

This selection falls into the latter category, Apple Music stating plainly (though with a possible hint of cybernetic smugness) that I have failed to give any of these songs an airing since November 2013. Jeez, that's nearly 8 years ago, where did the time go?!

The common thread here - apart from the fact that they're all very long - is that I first heard them in the 1990s, a time when I was fully immersed in electronic and ambient music. Gavin Bryars' truly epic Jesus' Blood Never Failed Me Yet dates from two decades previously, originally paired with his equally epic The Sinking Of The Titanic. However, like many, I first heard the song on the radio - possibly Annie Nightingale's wee hours BBC Radio 1 show - in the re-recorded version with Tom Waits from 1993, which places it with the other songs in this selection. 

The post title is a line from the album version of the opening song (in this remix arguably better titled Eno's Removing The Band), Brett Anderson trying to channel Mark E. Smith, perhaps.

 

1) Eno's Introducing The Band (Remix By Brian Eno): Suede (1994)

2) Mogwai Fear Satan (Mogwai Remix, LP Version): Mogwai (1998)

3) Democracy (The Russian Tundra Mix By Le Petite Orb & Sheldon Isaac): Killing Joke (1996)

4) Wild Horse (Global Mix Communication) (Remixed by Tom Middleton & Mark Pritchard): Nav Katze (1994)

5) Jesus' Blood Never Failed Me Yet (Album Version): Gavin Bryars (1975)

Chic Thug Stuttered Through A Stereo Dream (1:24:22) (GD) (M)