For a mid-90s compilation, like Side 1 before it, this selection focuses quite heavily on the tail end of the 80s, with the rest made up of tracks that were already a couple of years old. All essential tracks though, in this blogger's humble opinion.
M|A|R|R|S start things off with what is still one of the finest four minutes of chop and edit sampladelic music ever. Incredible at the time, incredible now to believe that this is 36 years old. Still sounding fresh after all these years.
Ché aka Alex Johnson was completely new to me when I first heard this cassette but will have been included as a club classic from the days before I started going clubbing with my brother and also because I was really getting into Adrian Sherwood, who produced and remixed this song. I've managed to track down other versions of this song since but this remains the definitive version for me.
I loved System 7 from the first time I borrowed my brother's handful of 12" singles and the Ultraworld Colony Mix of Mia is simply spectacular. The Orb's Alex Paterson was 'mix consultant' on this and it shows, lots of trademark Orbient sounds complementing Steve Hillage and Miquette Giraudy's sonic palette. Producer Nigel Butler also gets a co-writing credit on this one.
For a brief period in the 1980s, Psychic TV went about as pop as they could and ever would, exploring the 1960s in a way that no Levis advert-endorsed reissue or cover version was at the time. None of it really troubled the charts but it was spectacular, including Godstar, their homage to Brian Jones, and a surprisingly faithful cover of The Beach Boys' Good Vibrations which makes every second of it's 7-minute 12" version count.
The Chrono Psionic Interface is a much-loved song by A Man Called Adam, even more so with Andrew Weatherall at the controls. The Godiva Mix is the one that seems to pop up on t'internet the most though I also love the more conventional, radio friendly mix included here, not least because it features Sally Rodgers' vocals in full.
I might be in a minority here but I think that, as Jesus Loves You, Boy George produced some of the finest music of his career and it still holds up really well. Massive Attack's bass-heavy, sample-laden remix of One On One is just brilliant, up there with their rework of Neneh Cherry's Manchild.
The selection - and the compilation - ends with Fluke, who I adored...and still do. They didn't seem to attract the same level of credit and respect that, say, Orbital and Underworld got, The Chemical Brothers and Fatboy Slim later, and certainly not the stellar commercial success that any of these achieved, which always seemed hugely unjust to me. So many classic singles and remixes throughout the 1990s, though it doesn't get much better than their Make Mine A 99 remix of Groovy Feeling. Thirty years later, still a masterclass in making huge, euphoric dance music.
Damn, is it really on Tuesday? Suddenly feels like a Friday. Oh well, only one thing for it... (presses 'repeat')
1) Pump Up The Volume (7" Version): M|A|R|R|S (1987)
2) Be My (Powerstation) (Bloodsucker Mix By Adrian Sherwood, Ché & Fats Comet): Ché (1986)
3) Mia (Ultraworld Colony Mix By Steve Hillage, Nigel Butler & Alex Paterson): System 7 (1991)
4) Good Vibrations (Kundalini Mix By Phil Harding) (Cover of The Beach Boys): Psychic TV (1986)
5) The Chrono Psionic Interface (Spaced Out Mix By Andrew Weatherall): A Man Called Adam (1991)
6) One On One (Massive Attack Mix): Jesus Loves You (1990)
7) Groovy Feeling (Make Mine A 99): Fluke (1993)
Side One here