Desperate To Disappear And Still Be Someone

Continuing with the A-Z of artist releases from 2025 that I haven't yet bought, but are on the shopping (long) list for this Bandcamp Friday.

Yesterday covered A to F; today, it's my picks of artists from G to M, specifically

Gwenno remixed by Cornelius

Horizontals aka Leo Zero

Ibibio Sound Machine

Jah Wobble

KLOUDs

Little Annie & Baby Dee ft. Bonnie 'Prince' Billy

MAN2.0 remixed by Tronik Youth

Gwenno's fourth album Utopia came out in July, her first predominantly in English, with previous albums in Welsh or Cornish. What's not changed is Gwenno's way with a song and this carries through into the Utopia Remixes EP, released last week. Versions by QUINQUIS and Stone Club both recommended, but I've opted here for the unexpected and delightful remix from Japanese legend Cornelius. 

Leo Zero has been a busy man this year and it's been hard to keep up with everything he's put out there, including two excellent EPs as Junk System (there's a third to come), 20-track disco monster Nebulon Systems Vol. 1, plus a ton of edits, remixes and one-offs.

Wild Light by Horizontals is Leo's ambient/balearic project, 10 tracks of on-the-nose bliss, including this one. 

I was a bit slow on the uptake with Ibibio Sound Machine, but I'm now all in, so the arrival last week of a new EP, Anyone Like You, is very good news indeed. In addition to three versions of the title song is the "cosmic funk" of Jagaban, featured here. The title is from Hausa, a widely spoken language in Nigeria, and translates as "leader of warriors". 

When Jah Wobble drops an album called Dub Volume One, you know what you're going to get, and you know it's going to be great. And of course it is.

Written, performed, and recorded entirely solo by Jah Wobble, mastered by Anthony Chapman (Collapsed Lung) and issued on Dimple Discs, the indie label founded in 2018 by Damian O'Neill (The Undertones, That Petrol Emotion) and Brian O'Neill (not related).

I could have chosen any of the eight tracks, opting here for the wonderfully titled Tragic Slav Dub.

KLOUDs is a collaboration between Ukrainian-born Sam Levin aka Zullah, and Israel's Itay Menashe aka Fistuk. I can't say that I've heard of either of them, but I really like this 2-track single, pairing PALMS and Côte D'Ivoire. Released in August on the Stereo MC's label called - what else? - Connected, it's a welcome ray of sunshine and recollection of summer in this damp, dark English winter.

I have loved Little Annie, since I first discovered her music in the early 1990s, courtesy of Adrian Sherwood / ON-U Sound. As the title suggests, With is an 8-song collection of 21st century collaborations with like-minded artists. 

The album opens with a rousing 2008 live version of Yesterday When I Was Young with Marc Almond and ends with Some Things We Do, from Swans' 2014 album To Be Kind. Included in between are team ups with Coil, Kid Congo Powers, Paul Wallfisch and Larsen.

I've gone for State Of Grace, the title track of the 2012 album by Little Annie & Baby Dee, featuring Bonnie "Prince" Billy.

Last but not least is MAN2.0's latest, on the ever dependable NEIN Records label. I'm a big fan of MAN2.0's previous music and mixes and this 5-track EP from July offers up two versions of CTRL ALT DEL (with Precious Blood) and three of Nightmare Walking.

All five tracks mean business, including this stunning remix by NEIN label boss Tronik Youth.

More tomorrow.

So Hurried, So Tomorrow, No Today...I Can't Keep Up

As we're heading to the last Bandcamp Friday of 2025, I'm going to spotlight an A-Z of artist releases from this year that are at least on my shopping list, even if they don't quite make it final check out.

Today covers artists A-F, namely

Alex Kassian x Spooky x Placid Angles

Burial

Coyote

Deeply Armed remixed by Andrew Innes & Brendan Lynch and Keith Tenniswood

Eddie Chacon

Fatboy Slim vs. The Rolling Stones

Alex Kassian has taken Orange Coloured Liquid, a lush, languid track from Spooky's 1993 debut album Gargantuan, on a trip through time. Part I is upbeat, Part II is closer to the shimmering original, whilst Placid Angels aka John Beltran lands somewhere between the two. You also get Spooky's version to round out a satisfying EP.

 

Burial returned in August with the 2-track single Comafields / Imaginary Festival. As usual, I find both tracks simultaneously soothing and disconcerting, which are even more effective as I listen to this on a cold, dark, wet November morning...thankfully, not alone at Casa K.

Coyote aka Richard Hampson and Timm Sure have been successfully creating an immersive Balearic environment for many years now, and it shows no sign of running out of space to grow. This year has so far seen a trio of releases: 6-track EP/mini-album Wailing To The Yellow Dawn in April, one-off track Battle Weary in October; today's pick, also October, is the 3-track Escape Pattern EP.

Deeply Armed is Belfast trio Michael McKeown (vocals, guitar, synth, percussion), Aaron O’Neill (electronics, synth, engineering), and Kenny Whaley (bass, synth). 

The Healing is the first song that I've (knowingly) heard by them and there's a real David Holmes vibe, circa The Holy Pictures. No surprise that he and Andrew Weatherall were early supporters. Andrew Innes and Brendan Lynch offer a rousing 3-minute remix that sounds like (good) Primal Scream, but the pick of the bunch is Keith Tenniswood's down low mix that sounds like you're listening to the party next door, ear pressed up against the wall, wishing you there. Great stuff.

Eddie Chacon's solo catalogue has been a revelation. Lay Low is I think Eddie's third album, released at the end of January this year. The previous two were made with John Carroll Kirby; this time Eddie has collaborated with Nick Hakim and the results are phenomenal.

I could have picked any of the eight songs so, if you like Let The Devil In, you will love Lay Low.

Back in 2003, Fatboy Slim aka Norman Cook remixed The Rolling Stones' classic Sympathy For The Devil. Fast forward twenty two years, and this time he's mashed up (I Can't Get No) Satisfaction (1965) with his own The Rockafeller Skank (1998)... and it works for me.

 

 

More tomorrow.