Showing posts with label M.I.A.. Show all posts
Showing posts with label M.I.A.. Show all posts

Sunday, 2 November 2025

Decayed Prelude

Exactly eight months ago, I posted Decadance V: 1999, the final year in my mixtape series covering the 1990s, itself a follow on from Decade, the original cassette compilations I had recorded to sum up the 1980s.

In an attempt to create some (pre-millennial) tension, I concluded my post with a portentous - many (me included) would say pretentious - statement

I suspect that when I get around to a series on the Noughties, 
the gulf between my singles selections and the UK charts will be vast, 
yet I know that like Decadance and Decade, 
there will be many gems to be uncovered and shared. 
I'm not planning on doing it any time soon, 
possibly not even this year, though I have come up with the series name. 

Decayed. 

Well, it proved to be a scratch that I needed to itch sooner rather than later, it seems!

And so, here we are again, with a prelude to a series that will start properly next Saturday (8th) and run for the next 5 weekends.

As before, each mixtape will cover a single year via a dozen songs to fit on, in old money, one side of a C90 cassette, just like the original Decade series managed back in the day.

It turned out that "the gulf between my singles selections and the UK charts" was not as vast as I suspected and there are a fair share of UK hits, number ones even, throughout. That said, I've reserved the right to include songs that spectacularly failed to dent the Top 100, just because I think they're great songs and should've had more love at the time. Especially when you consider some of the inexorable crap polluting the upper regions of the Top 40 in this decade.

This was a decade of significant changes in my life: becoming a homeowner, a husband, a father; I gained friends and lost friends; soaring highs and deep, deep lows. And always music to discover or rediscover and rejoice in.

Today's prelude selection features ten songs, each charting in the UK in respective years from 2000 to 2009, starting and ending with a #1 hit. None of the artists featured today will appear in the main series. Yep, this is the only time that you'll hear The White Stripes or Massive Attack in the next five weeks. 

Much as I'd like to make an exception, Julian Cope will be absent from proceedings, as The Arch Drude didn't release any singles in the 2000s. Some might argue that he didn't release any decent albums either, but I will stick my fingers in my ears and sing ba ba ba ba ba if I see any of this nonsense.

A feature (gimmck, you say?) of the Decadance series was my efforts to shoehorn in a MAW (Mandatory Andrew Weatherall) track into every year, mostly remixes of other artists, which proved to be less difficult than I first thought.

No such studio trickery this time, though I can reveal that The Guv'nor will be making an appearance in this series, with a surprise Top 30 single.

But what of the ten that have made the cut?

Groovejet by Spiller was a ubiquitous tune in the summer of 2000, although in terms of chart action, it followed the growing trend of singles debuting at #1 then dropping out immediately after. In fairness, Groovejet dropped to #2, then #3, and spent 12 weeks in the Top 40, 30 weeks in the Top 100, which clearly reflected it's popularity. 

It also proved to be a relaunch for Sophie Ellis-Bextor, fresh from the break up of theaudience and about to launch a solo career that, a quarter of a century later, has seen her elevated to National Treasure status.

In 2001, The Avalanches came out of nowhere (well, Australia) with an approach to sampling and cut-ups that as dizzying as it was unsustainable. Since I Left You sounds as magical now as it did then and the album of the same name that followed was a breathtaking piece of work. I don't know the full story of the  'extended alternate version' featured here, and discovered on YouTube in 2016, but I reckon it's a DIY cut and edit job by the poster, the wonderfully named Chungus Bungus.

From two seven-minute songs to one that comes in at under two minutes, it can only be The White Stripes. It took me a while to catch on to Jack and Meg's back-to-basics music and whilst I don't love everything they did, singles like Fell In Love With A Girl were spot on, retro yet sounding fresh and exciting. I'm surprised that this stalled just outside the Top 20 in March 2002.

Massive Attack returned in 2003 with 100th Window, and lead single Special Cases, featuring Sinéad O'Connor. Only four albums in, yet a world apart from the Blue Lines album just over a decade before. I finally got to see Massive Attack live in concert the following year, appropriately enough in our shared birthplace, Bristol.

Reign was originally released on the UNKLE album Never, Never Land in 2003, then as a single, peaking at #40 in November 2004. The song features Ian Brown, at this point half a decade into his solo career, with no hope of The Stone Roses getting back together again. 

Antony & The Johnsons caused a stir in 2005 when they won the Mercury Music Prize with debut album I Am A Bird Now, qualifying in part as Antony Hegarty (now Anonhi) had been born in Chichester, West Sussex. You Are My Sister features a beautiful duet with Boy George, who also enjoyed an artistic renaissance in the 2000s.

The Automatic had a monster hit with, er. Monster in June 2006. It looks like the band called it a day in 2010, after three albums. I can confidently say that I have never knowingly heard another song by The Automatic and, much as I like Monster, I don't feel a strong urge to check out their catalogue. 

Asobi Seksu, on the other hand, were a band that I feel for as soon as I heard the single Strawberries in 2007. Clearly the record buying public didn't agree, as Strawberries managed only one week at #54 before disappearing without trace. Sadly, Asobi Seksu have been on 'indefinite hiatus' since 2013, though I hold hope of a musical reunion one day.

When I started accessing loads of free MP3s via the RCRD LBL in 2007, I discovered loads of new artists and songs as a result. Paper Planes by M.I.A. is a good example, with a plethora of official and unofficial remixes offering up for download. Roughly a year later, it was released as a physical single in the UK, cracking the Top 20 in September 2008. The mix I've picked here, by then-partner Diplo, retains The Clash sample and adds raps from Big Bun and Rich Boy. Whatever happened to them?!

Another RCRD LBL freebie in 2008 was Just Dance by Lady Gaga, remixed by the RAC (that's the Remix Artist Collective, not the motoring services company!) Just Dance subsequently scored Lady Gaga her first UK #1 in January 2009, followed a couple of months later by Poker Face. Her debut album was appropriately titled The Fame.

As with previous series, for all those info heads, I've listed the parent EP or album, and the single's peak position in the UK charts. I've also included the date it got there which sometimes, but not always, is the same week that it debuted.

If you're thinking, as I did back in March, that the 2000s was the decade that your music tastes acrimoniously parted from the UK Top 100, stick around for the next five weeks, you may be pleasantly surprised.
 
1) Groovejet (If This Ain't Love) (Spiller's Extended Vocal Mix): Spiller ft. Sophie Ellis-Bextor (2000) 
2) Since I Left You (Extended Alternate Version By Chungus Bungus): The Avalanches (2016)
3) Fell In Love With A Girl: The White Stripes (2002)
4) Special Cases (Album Version): Massive Attack ft. Sinéad O'Connor (2003)
5) Reign (Album Version): UNKLE ft. Ian Brown (2004)
6) You Are My Sister: Antony & The Johnsons ft. Boy George (2005)
7) Monster (Album Version): The Automatic (2006)
8) Strawberries (Album Version): Asobi Seksu (2007)
9) Paper Planes (Diplo Street Remix): M.I.A. ft. Big Bun & Rich Boy (2008)
10) Just Dance (RAC Mix By André Allen Anjos): Lady Gaga ft. Colby O'Donis (2008)

20th August 2000: Groovejet (If This Ain't Love) EP (#1): 1
1st April 2001: Since I Left You (#16): 2
3rd March 2002: White Blood Cells (#21): 3
2nd March 2003: 100th Window (#15): 4
21st November 2004: Never, Never, Land (#40): 5
4th December 2005: I Am A Bird Now (#39): 6
11th June 2006: Not Accepted Anywhere (#4): 7
12th November 2007: Citrus (# 54): 8
28th September 2008: Kala (#19): 9
11th January 2009: The Fame (#1): 10
 
Decayed Prelude (45:37) (GD) (M)

Saturday, 18 October 2025

The Greatest Joy Belongs To The Simple Heart

Hot on the heels of Jah Wobble's world tour yesterday, I've created a companion selection of tunes that loosely and lazily attract the World Music label.

Today's expedition starts in Mali with Ali Farka Touré and an on-the-nose title that announces the great man's arrival with style. I was a late comer to Ali's singular sound, via a secondhand copy of his Red and Green albums, sitting unloved and underpriced in a charity shop. I've been a fan ever since.

From there, it's onto Nigeria and the percussive power of Tony Allen, joined here by his pal Omololu Ogunleye. This pick is lifted from a 2006 album released on Damon Albarn's label, Honest Jon's Records, but Tony's jaw-dropping CV is nearly as long as the list of adjectives to describe his talent and impact on music that defied genres and categorisation.

Amadou & Mariam welcome you back to Mali for a brief refuel of the soul. Again, I was rather slow in picking up on the immense talent of this pair and am still catching up with their catalogue. Sadly, Amadou passed in April this year, bringing to a close an incredible musical partnership.

Next stop is Equatorial Guinea, where Apo Piruchi and her niece Paloma Botupá Loribo Apo are patiently waiting to share their music as Las Hijas Del SolThey wrote and performed songs in the Bubi and Spanish languages, but unfortunately went their separate ways around 2005-2006.

After that short stay, it's off to Belgium by way of Egypt, courtesy of the glorious Natacha Atlas. Natacha's invited a couple of friends over:  Sinéad O'Connor (Eire) and Z* or Z-Star aka Zee Gachette aka Michelle Nichol (England/Trinidad). What an unforgettable party that would be.

No time to hang about though, otherwise you'll miss your flight to Brazil and three-tunes-for-the-price-of-one from Jorge Dubman aka Dr. Drumah. I discovered this music via the excellent Mukambo Presents Global Afrobeat Movement compilation, lifted from Dr. Drumah's 2020 album, The Confinement Vol. 1: Africa.

Right, enough holiday photos, it's back across the water to Kenya and Ndalani 77 Brothers. Like so much music in this genre, I was introduced to this wonderful song by the inimitable Ernie Goggins at the indispensable music blog 27 Leggies.

As was the case with Nana Benz Du Togo from, er, Togo. Suffice to say, Ernie's hit rate for signposting super sounds from around the globe is unmatched. I love this band and this is a particularly uplifting, body-positive tune.

The penultimate leg of the tour is Malawi, home to the exuberant Esau Mwamwaya and his family. When he teamed up with London-based duo Etienne Tron (France) and Johan Karlberg (Sweden) in the late 2000s, they were not joking when they named their collaboration The Very Best. M.I.A. brings an additional Sri Lankan/London spice to the mix.

All good things must come to an end, and this journey's final stop is back where it all started, in Mali and a chilled out choon from Luka Guindo aka Luka Productions.

Not the most obvious round trip it has to be said, zig-zagging from one continent to another and racking up an eye-watering 26,770 air miles (more or less). Thank goodness that you can do it all from the comfort of this playlist in just over three quarters of an hour!

1) Ali's Here: Ali Farka Touré (1999)
2) Moyege: Tony Allen ft. Omololu Ogunleye (2006)
3) La Fête Au Village: Amadou & Mariam (2004)
4) M-30: Las Hijas Del Sol (1999)
5) Simple Heart: Natacha Atlas ft. Sinéad O'Connor & Z* (2003)
6) Shadow Dance / Africanism / Freedom Fighters: Dr. Drumah (2020)
7) Nzaumi: Ndalani 77 Brothers (1977)
8) Tousse: Nana Benz Du Togo (2023)
9) Rain Dance: The Very Best ft. M.I.A. (2009)
10) Christianisme: Luka Productions (2017)

1977: Nzaumi / Nzioka EP: 7
1999: Kchaba: 4
1999: Niafunké: 1
2003: Something Dangerous: 5
2004: Dimanche A Bamako: 3
2006: Lagos No Shaking: 2
2009: Warm Heart Of Africa: 9
2017: Fasokan: 10
2020: Mukambo Presents Global Afrobeat Movement: 6
2023: Ago: 8

The Greatest Joy Belongs To The Simple Heart (46:23) (GD) (M)

Sunday, 5 March 2023

Life Could Have Been Very Different, But Then...

Celebrating Steve Mackey, 10th November 1966 to 2nd March 2023.

By sad coincidence, Steve appeared with Pulp in Tuesday's selection. On Thursday, he was gone at the age of 56. Far too soon.

It was when I was reading the tributes that followed that I began to appreciate how much of Steve's contribution to music outside of Pulp was sitting in my collection. So, rather than a straight selection of Pulp songs, I've gone a little wider and deeper.

Steve's partnership with Jarvis Cocker is undeniable and followed into the latter's solo albums and current releases as JARV IS... Steve and Jarvis also produced several remixes as The Chocolate Layers, with three included in today's selection.
 
I had no idea that he'd co-written, produced and later remixed (as Cavemen) M.I.A.'s debut single Galang. Or that he'd been behind the desk for Spiritualized's 2018 album And Nothing Hurt. Or that he'd produced The Long Blondes and Florence + The Machine. He had a hand in Race Of Life by Vangoffey too, a single from the 2015 collaboration between Louis Eliot (Rialto) and Danny Goffey (Supergrass). Steve also joined fellow Pulp members in writing and performing on Marianne Faithfull's 2002 album, Kissin Time.
 
And then there's Pulp. Not just the bass playing, the song writing, but a fringe to die for circa 1996. Far too many songs to choose from, but the selection starts and ends with two of my favourites, with a This Is Hardcore-era demo snuck in somewhere in between.
 
All in, an hour of Steve Mackey, with love and thanks. The title is taken from a line in this selection's final song and a tip of the hat for a life well lived. Rest in peace, Steve.
 
1) The Trees (Album Version By Scott Walker & Peter Walsh): Pulp (2001)
2) Pilchard (Album Version By Steve Albini & Jarvis Cocker): Jarvis Cocker (2009)
3) Weekend Without Makeup (Album Version By Steve Mackey & Richard Flack): The Long Blondes (2006)
4) Sliding Through Life On Charm (Album Version By Jarvis Cocker, Steve Mackey & Clive Goddard): Marianne Faithfull (2002)
5) Kiss With A Fist (Album Version By Steve Mackey & Richard Flack): Florence + The Machine (2009)
6) Galang (Cavemen Remix By Steve Mackey & Russ Orton): M.I.A. (2004)
7) Up A Tree Again (The Chocolate Layers' St. John's Ambulance Mix By Jarvis Cocker & Steve Mackey): Looper (1999)
8) Dirge (Cossack Apocalypse Mix By The Chocolate Layers aka Jarvis Cocker & Steve Mackey) (Edit): Death In Vegas ft. Dot Allison (2000)
9) My Erection (Demo): Pulp (1996)
10) Race Of Life (Album Version By Sam Dyson, Simon Byrt, Danny Goffey & Steve Mackey): Vangoffey (2015)
11) The Facts Of Life (Remixed By The Chocolate Layers aka Jarvis Cocker & Steve Mackey): Black Box Recorder (2000)
12) Am I Missing Something? (Pilooski/Jayvich Late Night Mix By Cedric Marszewski & Julien Vichnievsky): JARV IS... (2021)
13) Here It Comes (The Road) Let's Go (Album Version By Jason Pierce, Darren Lawson & Steve Mackey): Spiritualized (2018)
14) Something Changed (Album Version By Chris Thomas): Pulp (1996)
 
Life Could Have Been Very Different, But Then... (1:00:25) (Box) (Mega)

Tuesday, 18 October 2022

Time's A Double-Edged Sword

Forty five minutes of hip hop and rap, featuring Beastie Boys, De La Soul and Run-D.M.C., some next gen artists with Antipop Consortium and Young Fathers, and some lyrical treats bridging Wales and Brooklyn as Green Gartside meets Mos Def, Lee Majors and A Tribe Called Quest's Ali Shaheed Muhammad
 
By sheer coincidence, I flip from a young mother to the Young Fathers, with Monie Love's exhortation to Build Relationships Where Education and Enlightenment Dominate followed by Edinburgh's finest who returned after a four year break in July with Geronimo.
 
The selection starts and ends in 1998, with cuts from Hello Nasty by Beastie Boys and Jurassic 5's self-titled debut, two much-loved albums in my collection. As you might expect, a parental advisory sticker is slapped over this selection due to occasional smut and cussing.
 
1) Body Movin' (Album Version): Beastie Boys (1998)
2) The Projects ('Ocean's Eleven' Album Edit): Handsome Boy Modeling School (1999)
3) Say No Go (New Kick Instrumental) (Remix By Pasemaster Mase): De La Soul (1989)
4) War: Outkast (2003)
5) Capricorn One: Antipop Consortium ft. Mr. Live (2009)
6) Born 2 B.R.E.E.D. (The Freedom Mix): Monie Love (1993)
7) Automatic (Jayou Remix): Young Fathers (2010)
8) Feel The Vibe (Album Version): Diamond & The Psychotic Neurotics (1992)
9) Tinseltown To The Boogiedown (Ali Shaheed Muhammad Variation): Scritti Politti ft. Mos Def & Lee Majors (1999)
10) It's Tricky (Album Version By Rick Rubin & Russell Simmons): Run-D.M.C. (1986)
11) Bucky Done Gun (DJ Marlboro Funk Carioca Remix): M.I.A. (2005)
12) Lesson 6: The Lecture (Album Version): Jurassic 5 (1998)

Monday, 21 June 2021

Ain't Hip Hop To Be A Hippie

Happy hip hop Monday, with just over half an hour of beats and rhymes to shake off the weekend.
 
1) Volcano (Four Tet Remix): Anti-Pop Consortium (2009)
2) Hazy Shade Of Criminal: Public Enemy (1992)
3) Ain't Hip To Be Labelled A Hippie (Single Version): De La Soul (1989)
4) Bucky Done Gun (Album Version): M.I.A. (2005)
5) Bad Boy (The Real Heat Remix): Young Fathers (2014)
6) Straight Outta Compton (Album Version): N.W.A. (1988)
7) Metaphysics: One Inch Punch (1996)
8) Don't Play No Game That I Can't Win (Radio Edit): Beastie Boys ft. Santigold (2011)
9) Pro Nails (SMD Minimal Remix By Simian Mobile Disco) (Edit): Kid Sister (2008)
10) Gravel Pit (Radio Version): Wu-Tang Clan ft. Paulisa Moorman (2000)