War! What Is It Good For? Two Sides Of A C60 Cassette!

Sides 1 and 2 of a C60 cassette, collating classic live compilation Urgh! A Music War, created 14th July 1992.

When I used to visit my brother's bedsit on the edge of St. Paul's in Bristol city centre, I would always try to get this album on the turntable. I was a little obsessed with it, to be honest. 

The sleeve itself was fascinating: text-heavy with a camouflage background and the illustration of a dodgy loooking character pulling a vinyl record from within his long overcoat.

My brother's copy also had, stamped firmly in embossed gold lettering, the notice that this was a promo, not for resale. For years, I mistakenly thought this meant that the album had never been officially released, let alone that it was the soundtrack to the 1981 film of the same name by Derek Burbidge.

Two slabs of vinyl squeezed into a slightly oversized sleeve (no gatefold), twenty-seven songs packed into the grooves, six on Side 1, seven on Sides 2, 3 and 4. As advertised, all previously unreleased live performances by bands that I knew and many that I didn't.

As my music obsession grew during my teens, so did my DIY cassette compilation, which continued through my twenties. I'd seize opportunities to rip my brother's vinyl to cassette and I nabbed Urgh! A Music War when circumstances meant that we were both back living with our parents, our music collections in adjoining rooms.

I'm pretty sure I could have fit most if not all of the album onto a C90 cassette, so I don't recall why I instead ended up with a cut down 17-track version on a C60 instead. Maybe there was only a limited window to get the album recorded and I didn't have a 90-min tape available. 

As such, today's selection is missing Au Pairs, The Cramps, Pere Ubu and Gang Of Four, although back in 1992 I would have been less bothered at leaving off Joan Jett & The Blackhearts, John Otway or Jools Holland.

Side 1 of the mixtape literally copies and pastes the entirety of the vinyl's first side, in order, finishing off with Side 4's opener and the closing song of Side 2.

The flip side of the C60 bounces from Side 3 to four straight songs from Side 2 to two from Side 4, before returning to Side 3 for the epic closer.

By the 2000s, and access to the internet, I had acquired not only a vinyl rip of the album - the source of today's selection - but also the ten 'bonus' performances from the film, lifted from its DVD release in the 1990s.

There are a few gems, with John Cooper Clarke, Dead Kennedys, Pere Ubu and UB40 with a great performance of Madam Medusa and, but I think the 1981 vinyl track list pretty much got it right first time.

Side One

1) Driven To Tears (Live @ The Frejus Amphitheater, Paris, 28 August 1980): The Police

2) Back In Flesh (Live @ The Santa Monica Civic, Santa Monica, 16 August 1980): Wall Of Voodoo

3) Dance (Live @ The ICA, London, 05 September 1980): Toyah

4) Enola Gay (Live @ Guild Hall, Portsmouth, 19 September 1980): O.M.D.

5) Ain't This The Life (Live @ The Whisky, Hollywood, California, 17 August 1980): Oingo Boingo

6) Respectable Street (Live @ The Frejus Amphitheater, Paris, 28 August 1980): XTC

7) Shadow-Line (Live @ CBGB's, New York, 21 August 1980): The Fleshtones

8) Ku Klux Klan (Live @ The Rainbow Theatre, London, 18 September 1980): Steel Pulse

Side Two

1) Uncontrollable Urge (Live @ The California Theater, San Diego, 20 August 1980): Devo

2) The Puppet (Live @ The Lyceum Ballroom, London, 07 September 1980): Echo & The Bunnymen

3) We Got The Beat (Live @ The Whisky, Hollywood, California, 17 August 1980): Go-Go's

4) Total Eclipse (Live @ The Ritz, New York, 22 August 1980): Klaus Nomi

5) Where's Captain Kirk (Live @ The Lyceum Ballroom, London, 17 September 1980): Athletico Spizz 80

6) Nothing Means Nothing Anymore (Live @ The Whisky, Hollywood, California, 17 August 1980): Alley Cats

7) Beyond And Back (Live @ The Santa Monica Civic, Santa Monica, 15 August 1980): X

8) Model Worker (Live @ The Santa Monica Civic, Santa Monica, 16 August 1980): Magazine

9) Down In The Park (Live @ The Hammersmith Odeon, London, 16 September 1980): Gary Numan

Side One (29:42) (GD) (M)

Side Two (30:06) (GD) (M)

If you have a couple of hours to spare, then treat yourself to the movie, available in full online. 

It's a thrill to see O.M.D., Echo & The Bunnymen, XTC, Steel Pulse and Magazine. The sight of Gary Numan tootling about on stage in his precursor to the Sinclair C5 is perhaps unintentionally amusing in 2026, whilst Klaus Nomi is a fantastical being that perhaps would only be imagined via CGI these days. Tragically, Klaus died barely two years after the release of Urgh! A Music War, one of the first celebrities to die of AIDS.

If you've never seen Urgh! A Music War, or haven't for a long while, give it a go. I suspect that there's nothing better on TV this Sunday (especially if you're in the UK)>

Because You Demanded More, The Return Of Versions Galore!

Side 2 of a cassette compilation of cover versions, recorded 26th November 1999.

When I posted Side 1 in July 2024, I remarked "Who would have thought a quarter of a century on, many of these artists would still be recording and touring?"

The more sobering realisation is how many artists are sadly no longer with us since I originally recorded the mixtape at the end of the last century: Brian Wilson, Marc Moreland, Tony Ogden, Charlie Watts, Cathal Coughlan, Rod McKuen...and that's just in the first four songs of Side 2 alone.

The other thing that struck me was the 1993 was clearly a good year for cover versions, as demonstrated here by Spell aka Boyd Rice and Rose McDowall, Barry Adamson and Louise Ness, One Dove (Dot sings Dolly!) and Slowdive all turning in versions that hold up well against the originals.

And despite Frente! having the greater commercial success with their cover of a cover, it's the earlier acoustic driven version of Bizarre Love Triangle by Devine & Statton aka Ian Pinchcombe and Alison Statton that wins hands down every time. 

1) Do It Again (Album Version): Wall Of Voodoo vs. The Beach Boys (1987)

2) She's A Rainbow (Left Hand Blue Mix By Fluke): World Of Twist vs. The Rolling Stones (1991)

3) Shiny Happy People: The Fatima Mansions vs. R.E.M. (1991)

4) Seasons In The Sun: Spell vs. Rod McKuen (1993)

5) Jolene (Edit By Khayem): One Dove vs. Dolly Parton (1993)

6) Some Velvet Morning: Slowdive vs. Nancy Sinatra & Lee Hazlewood (1993)

7) Broken English (7" Extended) (Remix By Sunscreem & Phil Bodger): Sunscreem vs. Marianne Faithfull (1992)

8) White Rabbit: The Shower Scene From Psycho vs. The Great Society with Grace Slick (1985)

9) Purple Haze: Soft Cell vs. The Jimi Hendrix Experience (1983)

10) "Heroes": Goodbye Mr. Mackenzie vs. David Bowie (1990)

11) Bizarre Love Triangle: Devine & Statton vs. New Order (1989)

12) Je T'Aime ... Moi Non Plus: Barry Adamson & Louise Ness vs. Serge Gainsbourg & Jane Birkin (1993)

1983: Soul Inside EP: 9

1985: White Rabbit/Cinnamon Girl EP: 8

1987: Happy Planet: 1

1989: Bizarre Love Triangle EP: 11

1990: Love Child EP: 10

1991: Bertie's Brochures: 3

1991: She's A Rainbow EP: 2

1992: Broken English EP: 7

1993: Seasons In The Sun: 4

1993: The Negro Inside Me EP: 12

1993: Volume Seven: 6

1993: Why Don't You Take Me EP: 5

Side Two (46:15) (GD) (M)

Side One here

In September 2022, I posted another all-covers compilation, Hokey Karaoke (Volume One), which repeats some of the tracks from Versions Galore, and can be found here

In Amongst The Moshers

January will be a gig-free month for me, so to fill the void I've compiled a imaginary live set featuring some top-notch performances from 1977 to 1979. And imagine the mosh pit!

 

The formidable line-up includes The Fall, Joy Division, Blondie, The Clash, The Specials, Scritti Politti and Magazine with heavyweight appearances from The Police, John Cale and David Bowie.

I even managed to sneak in some John Cooper Clarke.

Enjoy! But no spitting. I don't like spitting.

 

1) Stepping Out (Live @ Electric Circus, Manchester): The Fall (1977) 

2) Detroit 442 (Live @ The Walnut Theatre, Philadelphia): Blondie (1978)

3) Sabotage (Live @ CBGB, New York): John Cale (1979)

4) Armagideon Time (Live @ Hammersmith Odeon, London): The Clash (1979)

5) Guns Of Navarone (Live @ The Lyceum, London): The Specials (1979)

6) Be My Wife (Live @ Earls Court, London): David Bowie (1978)

7) Persecution Complex (Live @ Electric Circus, Manchester): The Drones (1977)

8) Tomorrow (Live @ University Of California, Riverside, California): Wall Of Voodoo (1979)

9) Bronze Adonis (Live @ Rafters, Manchester): John Cooper Clarke (1978)

10) Miracle Man (Live @ The Nashville Room, London): Elvis Costello & The Attractions (1977)

11) She Can Only Say No (Live): The Undertones (1979)

12) Art Forever (Live @ Acklam Hall, London): Scritti Politti (1979)

13) Time's Up (Live @ Electric Circus, Manchester): Buzzcocks (1977)

14) Message In A Bottle (Live @ Park West, Chicago): The Police (1979)

15) At A Later Date (Live @ Electric Circus, Manchester): Joy Division (1977)

16) Definitive Gaze (Live @ Lesser Free Trade Hall, Manchester): Magazine (1978)

In Amongst The Moshers (49:49) (KF) (Mega)

Decade IV: 1986

Side 1 of a cassette compilation, recorded 8th April 1990.

Okay, so we're back with the OG Decade tapes that I compiled in 1990, a new decade and the end of my teens ahead, ten years of life-shaping music behind me.

Time to address the elephant in the room. You may have noticed from the track listing below and in the previous fortnight that the selection leans heavily on alternative, guitar-based music, and very little in the way of club or pop music. 

Yes, I will admit that as well as receiving my first proper Valentine's card and the same person agreeing to be my first proper girlfriend, I was beginning to tap into my inner Goth. I think I bought my first pair of winkle picker boots with shiny buckles around age 15. And the shirts. Oh, the shirts. My local Boots was also doing quite well out of my regular custom for hair gel and hairspray. Yep, I was quite the catch. I don't know what she was thinking.

Anyway, for all that, the parallel story of my teens was also my propensity for a pop song. My nascent record collection happily included the likes of Heaven 17, Bronski Beat, Erasure, Giorgio Moroder with Phil Oakey, Pet Shop Boys, Cameo, Madonna, Propaganda and so on. 

The reason why you're seeing little of that here is that, when I had the idea in 1990 of recording a themed series of mixtapes covering the 1980s, I already had the overarching title, Decade. I also had the thought that there would be a second, parallel series of more club/pop-oriented songs, acknowledging my love of the 12" single and called Decadance (sic). I never got around to recording any of the latter series, but maybe an idea to revisit here one day...

I will also add that whilst I enjoyed a bit of gnarly guitar, I despised Bon Jovi with a passion. No surprise that at school, I was in the minority, as the bobbins hair metallers were especially popular with my female friends. Thankfully, my girlfriend was an exception, in many ways but crucially in her indifference to the hirsute charms of Jon and the lads.

Scene set, here’s the mixtape.

Frankie Goes To Hollywood open up, though a band very much on the downward slide by 1986. I bought the single but more out of a weakening sense of loyalty and I didn't even bother with the accompanying album, Liverpool, at the time. And I echoed the howls of protest when an interview with comic writing legend Alan Moore on Channel 4's The Tube was abruptly cut short to segue to the video of Warriors (Of The Wasteland). It wasn't Frankie's fault of course, but they bore the brunt of my disgruntlement.

John Lydon had made a triumphant return with Public Image Ltd. and the single Rise, ahead of an album that depending on the format you bought was titled 'Album', 'Cassette' or 'Compact Disc' or 'untitled', if you want to be contrary. Co-produced with Bill Laswell, it's big on percussion, like the musical equivalent of a left hook from Mike Tyson (who became the youngest heavyweight champion in history in November 1986, fact fans). I love 'Album' for lots of reasons, and follow up single Home is one of them.

The Godfathers are next in line, matching Tyson's left hook with a piledriver to the head. I bought I Want Everything on 12" and played it loud. My mum understandably hated it. Tick.

I'm not sure my parents were fans of Gene Loves Jezebel but for all their backcombing, lipstick and chiffon, Sweetest Thing was a brilliant pop song. This is one brotherly reunion that isn't likely to happen until hell freezes over, though there's much to love in their early 80s albums. Sweetest Thing only got to #75 in the UK yet Discover reached #32, the only UK Top 40 album in their career.

A perhaps surprising return for Wall Of Voodoo, after their first appearance in 1983. Mexican Radio had a least been a minor hit (#64). Far Side Of Crazy failed to make even that much of an impression, despite the added appeal of 12" B-side Dance You F***ers (the label's censorship, not mine!). I didn't buy this first time around though I acquired Far Side Of Crazy when it was itself included as a B-side to follow single, a cover of The Beach Boys' Do It Again, which fared equally poorly with record buyers in general. Andy Prieboy was now lead singer and it's worth mentioning that former frontman Stan Ridgway had a #4 hit with Camouflage in July 1986. That must have stung a little.

Also on the comeback trail was Iggy Pop, aided and abetted yet again by David Bowie, with a phenomenally successful album, Blah Blah Blah, to boot. Cry For Love was the opening salvo and whilst Iggy enjoyed greater success with the follow up cover of Real Wild Child, I prefer this.

I mentioned earlier that Bronski Beat didn't make it into this series, though Jimmy Somerville's next project does. I thought The Communards was a brilliant next step and the musical partnership with Richard Coles produced some fabulous music, politically charged pop, beautifully arranged and sung, with incisive, insightful lyrics. Disenchanted is perhaps the prime example of this. It could be taken as an update or reflection on Smalltown Boy, though it's many other things too. And that wonderful descending piano chord at the bridge. A shame that The Communards are generally remembered for their 80s revival of disco classics. All hits and all good, but they were so, so much more than that.

Depeche Mode began the second phase of their career in 1986, following the mega-selling Singles 81-85 compilation. Many of my classmates referred to them as 'Depress Mode', though my friend Ady and I were increasingly committed to this new direction. 1986 would bring the Black Celebration album and my first ever live gig, seeing Dave and the lads at the Colston Hall in Bristol. I loved lead single Stripped and I bought the 5-track 12" single without having heard a note of the song. I didn't need to. Still hits the spot, four decades on.

My first proper girlfriend and I shared a love of Talk Talk. The Colour Of Spring and it's attendant singles came out as our young romance was blossoming and so the music inevitably became very special for us both. To be truthful, Give It Up was 'our song' - sadly prescient, given that our relationship lasted mere months - yet I have had an enduring love for Living In Another World as it's arguably the least Talk Talk-like song that they ever recorded. And I love it for that.

After committing the crime of not including either E=MC² or Medicine Show in my 1985 mixtape - all the more unforgivable, as This Is Big Audio Dynamite was one of my favourite albums of that year - here they are at last. C'mon Every Beatbox was released to announce the arrival of second album, No. 10, Upping Street. It's a cracking single, from it's familiar riff on Eddie Cochran's C'mon Everybody, to Sam Sever's deft editing and scratching, to Mick Jones and Don Letts' superb trade offs. The 12" version is even better, even if my vinyl rip is sounding to my ragged ears like it might be running a tad too fast....

My second crime is the paucity of Julian Cope in this series. Apart from his appearance with The Teardrop Explodes in 1981, this side marks the first sample from Julian's solo career. Though what an example! World Shut Your Mouth had been demo'd but never finished before the Teardrops, er, imploded. It then provided the title of Julian's first album in 1984 though omitting the song itself.

World Shut Your Mouth finally saw the light of day at summer's end in 1986, the song beefed up by US producer Ed Stasium, famed for his work with Ramones, and with a remix 12" by fellow Americans Trouble Funk. This was a different Cope for sure: sexy, pouting, leather clad; though the climbing frame mike stand was a sure sign that he was still bonkers as ever. The Saint Julian album also proved to be a huge success (#11 in the UK) and for a brief moment, the world did shut its mouth and pay attention. 

Another hugely underrated and underappreciated act is It's Immaterial. Driving Away From Home had been a surprise Top 20 hit in April 1986 and the record label reasonably thought that Ed's Funky Diner, a flop single in 1985 yet an equally brilliant and quirky song, deserved another shot. 

As before, Ed's Funky Diner was given the full format treatment: 7", 7" double pack with an extra single, 12", limited edition remix 12". It did better than before, though by better I mean a peak of #65. Their debut album got a few places higher and that was the end of the band as a chart-troubling entity. Thankfully, despite a series of unfortunate events in the intervening decades, It's Immaterial are actively recording and releasing music in the 21st century and the world is a better place for it.

1) Warriors (Of The Wasteland) (Single Version): Frankie Goes To Hollywood

2) Home (Single Version): Public Image Ltd.

3) I Want Everything (Single Version): The Godfathers

4) Sweetest Thing (Album Version): Gene Loves Jezebel

5) Far Side Of Crazy (Remix): Wall Of Voodoo

6) Cry For Love (7 Inch Edit): Iggy Pop

7) Disenchanted (Album Version): The Communards

8) Stripped (Single Version): Depeche Mode

9) Living In Another World (Single Version): Talk Talk

10) C'mon Every Beatbox (Extended Vocal Version): Big Audio Dynamite

11) World Shut Your Mouth (Album Version): Julian Cope

12) Ed's Funky Diner (Album Version): It's Immaterial

12th January 1986: Seven Days In Sammystown (# n/a): 5

23rd February 1986: Black Celebration (#15): 8

16th March 1986: The Colour Of Spring (#48): 9

23rd March 1986: Discover (#75): 4

27th April 1986: Album (#75): 2

1st June 1986: Communards (#29): 7

3rd August 1986: Life's Hard And Then You Die (#65): 12

7th September 1986: Sun Arise / I Want Everything EP (# n/a): 3

12th October 1986: No. 10, Upping St. (#51): 10

19th October 1986: Saint Julian (#19): 11

26th October 1986: Blah Blah Blah (# n/a): 6

23rd November 1986: Liverpool (#19): 1

Side One (46:19) (GD) (M)

Decade II: 1983

Side 2 of a mixtape, compiled circa March 1990, lost along the way, reimagined and recreated 12th August 2024.
 
I hope you've brought your cardboard, there's some electric boogaloo ahead...
 

Again, as the cassette, sleeve and track listing are lost in the car fumes of history, I've recreated this from scratch, a dozen songs culled from my collection in spring 1990, when I originally recorded this thing.

I'll acknowledge the elephant in the room and say that yes, Temptation by Heaven 17 got to #2 in May 1983 and even that wasn't enough to secure a place in this collection, much as I love it. 

Was swapping it out for Kissing With Confidence by Will Powers (a mere #17 in Oct 1983) a step too far? Not for me, it's not. Besides, it's got Carly Simon on vocals and it's produced by Todd Rundgren! And the video's lots of fun.

At the expense of other contemporary classics, I've also given a nod to the fact that though I'd been blown away by The Message and Buffalo Gals, The Rock Steady Crew were the ones that my mates at school were more interested in. Whilst I didn't feel particularly inclined to wear a Sergio Tacchini tracksuit or start body popping behind the Science block, I did enjoy the music. 

I do remember that the original 1983 cassette started with Burning Down The House by Talking Heads, which is an obvious choice, perhaps. What's more surprising is that when released as a single in the UK in July 1983, it failed to chart. It took 16 years, Sir Tom Jones leathery lungs and The Cardigans' polish to take the song into the Top 10.

 

More debuts on this side, including Cocteau Twins with the beautiful (but non-charting) Sugar Hiccup. I perhaps should have picked something from the equally wonderful Sunburst And Snowblind EP as the record buying public at least managed to get that release to #86, but it's all good.

Talk Talk, Siouxsie & The Banshees and Depeche Mode are all back, with debuts from Aztec Camera, Shannon, Wall Of Voodoo, Fun Boy Three and an up-and-coming band from Manchester, with a striking lead singer and lyricist. Sadly now a complete twit, but made a big impression on me as a 12-year old.

 

More from this decade next weekend. Don't miss it, Big Brother is watching....

1) Burning Down The House (Album Version): Talking Heads
2) Oblivious (Album Version): Aztec Camera
3) (Hey You) The Rock Steady Crew (Vocal) (Single Version): The Rock Steady Crew
4) Let The Music Play (Radio Edit): Shannon
5) Kissing With Confidence (12" Mix): Will Powers ft. Carly Simon
6) Everything Counts (Single Version): Depeche Mode
7) This Charming Man (Manchester): The Smiths
8) Mexican Radio (UK Extended Mix): Wall Of Voodoo
9) My Foolish Friend (Extended Version): Talk Talk
10) Sugar Hiccup (Single Version): Cocteau Twins
11) Dear Prudence (Single Version) (Cover of The Beatles): Siouxsie & The Banshees
12) Our Lips Are Sealed (Singles Version): Fun Boy Three

20th March 1983: My Foolish Friend EP (#64): 8

27th March 1983: Call Of The West (#57): 9

15th May 1983: Waiting (#7): 12

??? July 1983: Speaking In Tongues (# n/a): 1

14th August 1983: Construction Time Again (#6): 6

9th October 1983: Dear Prudence EP (#3): 11

16th October 1983: High (Hey You) The Rock Steady Crew EP (#6): 3

30th October 1983: Kissing With Confidence EP (#17): 5

27th November 1983: High Land, Hard Rain (#18): 2 *

27th November 1983: Sunburst And Snowblind EP (#86): 10

27th November 1983: This Charming Man EP (#25): 7

19th February 1984: Let The Music Play (#14): 4 *

Side Two (46:00) (GD) (M)

* Oblivious initially entered the UK chart on 30th January 1983 and got to #47 by March, but no higher. Second time lucky when Oblivious was re-released at the end of October and got to #18 a month later.

** Let The Music Play first charted on 13th November 1983, peaked at #51, dropped out of the chart for a month or so, then returned in January 1984 for a further 14 weeks.

Long Time Coming

If you're a UK voter, there's only one place you have to be today*

And for the incumbents who have used and abused their privileged position for far too long: Don't forget to switch off the lights when you fuck off. 

 

And no looting. You've done enough already.

 

1) Fuck You. It's Over: Glasvegas (2008)

2) Electioneering: Radiohead (1997)

3) Fuck Off: Mindless Drug Hoover (1994)

4) Burn The Bastards (Album Version): The Justified Ancients Of Mu Mu (1988)

5) Fuck U (Album Version): Archive (2004)

6) The Election (Part 2): Andy Fairley (1992)

7) Voter: Songhoy Blues (2017)

8) Please Don't Fuck Up My World: Sparks (2020)

9) You've Got Nothing To Lose: Michael Kiwanuka (2014)

10) Hey Fuck You: Beastie Boys (2004)

11) Dance You Fuckers: Wall Of Voodoo (1986)

12) Nothing To Lose Except My Mind: Julian Cope (2005)

13) P.S. Fuck You: The Anchoress (2016) 

 

1986: Far Side Of Crazy EP: 11

1988: Shag Times: 4 

1992: System Vertigo: 6 

1994: Volume Eleven: 3

1997: OK Computer: 2 

2004: Noise: 5

2004: To The 5 Boroughs: 10

2005: Dark Orgasm: 12

2008: A Snowflake Fell (And It Felt Like A Kiss) EP: 1 

2014: You've Got Nothing To Lose EP: 9 

2016: Confessions Of A Romance Novelist: 13

2017: Résistance: 7

2020: A Steady Drip, Drip, Drip: 8

Long Time Coming (48:40) (KF) (Mega)

* unless you've already submitted a postal vote.

Boxing Day

Too obvious?
 

1) Boxes: The Naturals (2007)

2) Call Box (1-2-3): Wall Of Voodoo (1981)

3) Heart-Shaped Box: Nirvana (1993)

4) Beast Box: Luxuria (1990)

5) Boxing Day: AFX (2006)

6) Hasj Box: Olav Brekke Mathisen (2003)

7) Glory Box / Toy Box (Remix): Portishead (1994)

8) Lanhydrock, Cornwall / The Old Music Box Playing In The Nursery (Produced by Jarvis Cocker): National Trust (2010)

9) The Box (Part Four): Orbital ft. Grant Fulton & Alison Goldfrapp (1996)

10) Pillar Box Red (Album Version By Clive Langer & Alan Winstanley): The The (2002)

1981: Dark Continent: 2

1990: Beast Box: 4

1993: In Utero: 3

1994: Glory Box EP: 7

1996: The Box EP: 9

2002: 45 RPM: The Singles Of The The: 10

2003: Disco Pogo For Punks In Pumps Vol. 12 (Jockey Slut magazine promo CD): 6

2006: Chosen Lords: 5

2007: Bristol Fringe 2007 (Venue magazine promo CD): 1

2010: National Trust: The Album: Time To Think (2010)

 

Boxing Day (36:54) (GD) (M)

The Naturals on Howling Owl Records

Call Box (1-2-3) (Official Video): Wall Of Voodoo

Heart-Shaped Box (Official Video): Nirvana 

Beast Box (Official Video): Luxuria

Boxing Day (YouTube): AFX

Hasj Box (YouTube): Olav Brekke Mathisen

Glory Box (Official Video): Portishead

Lanhydrock on the National Trust website 

The Box (Official Video): Orbital ft. Tilda Swinton

Pillar Box Red (Official Video): The The