After All These Years, Audrey Is Still A Little Bit Partial

Side 1 of an Andrew Weatherall compilation, recorded 8th December 1996.

Dusting off and representing Dubhed selections yesterday brought the sobering revelation that I posted Side 2 of the Audrey Is A Little Bit Partial mixtape on 17th February 2022 and then promptly forgot to follow up with the other side.

So, three years and two days later, here's the opening side to complete the set.

Given the year of recording, this C90 is very firmly rooted in the early to mid-1990s, with a heavy emphasis on Andrew's music with Jagz Kooner and Gary Burns as The Sabres Of Paradise. 

Four of the five tracks on this side are remixes of other artists, with a solitary Sabres song to round things off. Edge 6 was originally a B-side on the Theme EP, getting a promotion when Sabresonic II, a substantial overhaul of The Sabres Of Paradise's debut album, was released in 1995.

The remixes take the original songs on a long journey, the destination largely unrecognisable from the starting point. 

I first discovered the remix of Give Me Some Love by Love Corporation, aka Edward Ball of The Times, on a Creation label compilation and it's ten minutes of chiming chug-before-chug is one of Andrew's finest moments. 

Always delivering value for money, Andrew, Jagz and Gary delivered three remixes of Conquistador to Espiritu in 1993. I've gone for Mix No. 2, at just under eight minutes the shortest of the lot, but not lesser in any other respect. This one is from vinyl and the only one of the three not to get a CD/digital release, as far as I'm aware, so please excuse the added crackles and pops.

I'd never heard anything by Irish band Bumble before - or, to be honest, after - I picked up a 12" of their single West In Motion for the sole reason that the label stated that it included an Andrew Weatherall mix (one of two, in fact, with a different remix on the CD single). The other mixes on the 12" are so-so but Weatherall's is worth the price alone, twelve minutes of shivery, spooky spaced out grooves.

I've featured The Sabres Of Paradise remix of Brixton by Renegade Soundwave before, when I created a Dubhed selection of their own music. I love RSW's original and dub versions, but this is the business: nine minutes of incessant, propulsive loops built around a sample of Gary Asquith stating, "I'm checking out her rhythms". Great stuff.

1) Give Me Some Love (Remix By Andrew Weatherall): Love Corporation (1991)
2) Conquistador (Sabres Of Paradise Mix No. 2): Espiritu (1993)

3) West In Motion (Andrew Weatherall Mix): Bumble (1992)

4) Brixton (Sabres Of Paradise Mix): Renegade Soundwave (1995)

5) Edge 6: The Sabres Of Paradise (1994)

Side One (45:40) (KF) (Mega)

Side Two here

Decadance I: 1990

Side 1 of a mock cassette compilation, kicking off a new series of mixtapes that never were, and a sequel of sorts to one that I posted last August and September.

As 1989 turned into 1990 I had the idea of creating a themed series of cassette compilations, looking back at the previous decade and inspiringly titled Decade. Five C90s, one year per side, 12 songs apiece. 

I recorded the first volume on 3rd February 1990. Thirty five years later, I've finally got around to the follow up.

Decadance (sic) was originally the title of a planned companion to the Decade series, featuring selected 12" versions of 80s songs. I've appropriated it for this series instead, intentional misspelling and all, starting obviously with 1990.

The next five weekends will feature each year of the 90s, sticking with the same format of a dozen songs that dip into my record collection, which grew exponentially during the decade as I got a regular wage and a increasing addiction to music.

This was a bloody tough one to begin with. My 'shortlist' ran to over 50 songs. I decided quite early on that 1990 was going to be limited to more dance-oriented music. Although I still buying lots of guitar-based and indie records, the songs here are more reflective of what I was leaning into and hearing when I was out and about.

So, that immediately relegated Pixies, Lush, Nick Cave & The Bad Seeds, Mazzy Star, Inspiral Carpets and, reluctantly, World Of Twist. Being in the list of 1990s biggest sellers was no guarantee either, as Sinéad O'Connor, Maria McKee, Madonna found out to their cost. 

And Vanilla Ice, MC Hammer and especially Turtle Power by Partners In Kryme were proof if needed that being in the Top 15 best-selling singles of 1990 does not mean that the record buying public was right. Although I agonised longer than perhaps I should have about whether to include Infinity (1990's...Time For The Guru) by Guru Josh (RIP).

That said, two-thirds of today's selection were Top 40, and I've even managed to include two #1's with Beats International and Adamski (who naughtily didn't co-headline with Seal) although I would have sworn that there were three.

In fact, Groove Is In The Heart by Deee-Lite didn't hit the top spot. It was kept at #2 for two weeks by the re-release of The Joker by The Steve Miller Band, before Maria McKee came in with Show Me Heaven and ruined it for both of them.

Before I'd picked any of the other songs, I knew 1990 would begin with Renegade Soundwave, simply because I loved their singles and debut album, Soundclash.  Andrew Weatherall's game changing overhaul of Primal Scream with Loaded was a strong contender but inevitably was the only way to end the selection.

In between, there are perhaps some obvious choices, with The KLF, EMF and The Beloved but hopefully a few pleasant surprises too. 

Of the singles that stalled outside the Top 50, The Fall's inspired collaboration with Coldcut was huge for me, as was The Shamen's game changing album En-Tact. The single version of Make It MIne is a different mix, but the version with the rap by Rhyme & Reason that was so cheesy it was cool is the definitive in my opinion.

As well as samples aplenty, a couple of used another song as the entire foundation of their own, to startling effect. Beats International's cover of Just Be Good To Me by The S.O.S. Band laid Lindy Layton's vocals over the rhythm of Guns Of Brixton by The Clash, with a re-recorded verse lifted from Johnny Dynell & New York 88's Jam Hot was just inspired. 

As was A Tribe Called Quest's debut Top 50 hit, Bonita Applebum, whose pairing with Carly Simon & Chic 1982 hit Why? elevated both songs to another level entirely.

Although never in the same league as Andrew Weatherall, I liked Paul Oakenfold's remixes and whilst he's represented here, you may be scratching your heads wondering why I've left off his frankly brilliant remix of Step On by Happy Mondays (#5 in April 1990) for his arguably lesser known remix of Nothing by Frazier Chorus (#51 in August 1990).

Despite Step On coming out earlier in the year, I actually bought the 12" singles of Cloud 8 and Nothing first. Both featured Oakenfold remixes (I'd also recommend the limited edition Chad Jackson reworks of Nothing) and both were a surprising and pleasing departure for Frazier Chorus. Not that it helped them in the commercial sense, unfortunately,  but look what success did to Happy Mondays...

As an added bonus, this time around, I've included info at the end on when each single's peak (UK) chart placing and date, and the respective EP or album the featured version is lifted from. Well, it keeps me occupied and off the streets.

It will come as no surprise that Sunday will take a look at 1991. 

The Top 10 best selling singles of that year included Bryan Adams, Queen, The Simpsons, Chesney Hawkes and Color Me Badd. You may be relieved to know that none of them will be showing up here.

1) Probably A Robbery (7" Remix By Daniel Miller & Rico Conning): Renegade Soundwave
2) Telephone Thing (Album Version By Coldcut): The Fall
3) Unbelievable (Album Version By Ralph Jezzard): EMF
4) Make It Mine (V2.5) (Remix By The Shamen & 'Evil' Eddie Richards): The Shamen ft. Rhyme & Reason
5) Hello (Album Version By Martyn Phillips): The Beloved
6) What Time Is Love? (Live At Trancentral) (7" Version): The KLF ft. MC Bello & The Children Of The Revolution

7) Dub Be Good To Me (Album Version By Norman Cook): Beats International ft. Lindy Layton

8) Bonita Applebum (7" Why? Edit By CJ Mackintosh & Robin Hancock): A Tribe Called Quest

9) Groove Is In The Heart (LP Version By Deee-Lite & Mike Rogers): Deee-Lite ft. Bootsy Collins & Q-Tip

10) Nothing (7" Edit By Paul Oakenfold & Steve Osborne): Frazier Chorus

11) Killer (Edit By Adamski & Mike 'Spike' Drake): Adamski ft. Seal

12) Loaded (Andrew Weatherall Mix) (7" Version): Primal Scream

27th Jan 1990: Extricate (#58): 2

11th Feb 1990: Happiness (#19): 5

18th Feb 1990: Probably A Robbery EP (#38): 1

25th Feb 1990: Dub Be Good To Me EP (#1): 7

18th Mar 1990: Loaded EP (#16): 12

6th May 1990: Killer EP (#1): 11

12th Aug 1990: Bonita Applebum EP (#47): 8

26th Aug 1990: Nothing EP (#51): 10

9th Sep 1990: World Clique (#2): 9

9th Sep 1990: What Time Is Love? EP (#5): 6

22nd Sep 1990: En-Tact (#42): 4

25th Nov 1990: Schubert Dip (#3): 3

Side One (47:24) (GD) (M)

East End Rise

The first and last time I posted a Renegade Soundwave selection was in November 2022, so it's well past time for a return to The Big Smoke for some sleazy beats and frayed rhymes.

Where to start? Both albums and their dub companions are essential purchases in my mind and the singles offer up a plethora of remixes, usually by RSW themseleves, that are all worth checking out.

So, here's another brief (under 45 minute) selection that dips in and out of all of them. You may need a shower after to wash the grime of the city off.

 

1) Space Gladiator (Vocal Remix) (1989)

2) Manphibian (1990)

3) On TV (Album Version) (1989)

4) Cocaine Sex (Bonus Porno Beats) (1987)

5) Probably A Robbery (7") (1990)

6) Positive I.D. (Radio Mix) (1995)

7) Thunder (Album Version) (1990)

8) The Man Who Wouldn't Let Wax Wane (Album Version) (1995)

9) Kray Twins (12" Version) (1987)

10) Brixton (Album Version) (1995)

11) Women Respond To Bass (Women Respond To The Terror Drums ft. Pascale Fuillée-Kendall) (1992)

 

1987: Cocaine Sex EP: 4 

1987: Kray Twins EP: 9

1989: Soundclash: 3

1989: Space Gladiator/The Phantom EP: 1 

1990: Probably A Robbery EP: 5 

1990: RSW In Dub: 7

1990: Thunder II EP: 2

1992: Women Respond To Bass EP: 11

1995: Howyoudoin?: 10

1995: Positive I.D. EP: 6

1995: The Next Chapter Of Dub: 8

East End Rise (43:47) (KF) (Mega)

You can find the previous RSW selection, I'm Checking Out Her Rhythms, right here.

I Still Know What You Did Last Sombre

Side 2 of a mix CD-R, originally compiled for my brother and burned on 4th December 2006.

 

The previous post was described as the 'downtempo side'. Side 2 is definitely more upbeat, musically at least, even if the lyrics poke at the festering sore of humanity on occasion.

Adding to Side 1's sole album release from 2006 (Scritti Politti), there are three more on this side. I don't listen Writer's Block by Peter, Björn & John that often and I probably should as, hype at the time around Young Folks aside, I remember it being a pretty good album. Sparks are in constant rotation so and I have a lot but not all of their albums, so Hello Young Lovers (and Lil' Beethoven, also represented here) get regular airings at Casa K.  

 

Charlotte Gainsbourg's 2006 album 5:55 (her belated second) was already in the bargain bin when I bought it on CD later that year but it was a revelation. The album seemed to have a bit of a Marmite reaction from reviewers at the time as I recall but it was an immediate winner for me. When you've got AIR, Jarvis Cocker and Neil Hannon working with you on your songs and Nigel Godrich, can you go wrong? I didn't think so. The Swede posted about ten go-to albums on his blog Unthought Of, Though, Somehow last week. Deliberately avoiding the big hitters, it threw up some interesting choices. 5:55 by Charlotte Gainsbourg is one of my go-to album, a "musical comfort blanket", as The Swede so brilliantly describes it.

 

I'd been trying and failing to get hold of Kevin Shields' wonderful remix of Autumn Sweater by Yo La Tengo for a while, when it became one of my very first internet downloads (dial-up on a custom-made PC, so you can imagine that it took a fair while just to get a nine-minute track. It was a fairly ropy rip as I recall. Thankfully, both Yo La Tengo and their label Matador agreed as it finally got a re-release in 2005 as part of the superb Prisoners Of Love collection...well, the limited edition 3CD set, at least. This is a perfect marriage of artists that makes me wish they had done more together.

The opening pair of songs came from cover mounted cassettes with Select magazine, so will come with some quality limitations given the source. Positive I.D. originally appeared on Renegade Soundwave's second album and was released in multiple remixes as a single. This is my favourite mix of them all, making the most of the Bryan Ferry sample.

Don't Fight It Feel It by Primal Scream is good in any version that I've heard, but this version amply demonstrates their ability to inject the funk and ratchet up the guitar for a live audience. Denise Johnson takes it all in her stride and delivers a powerful vocal. I wish I'd been able to experience her magnificence in person.

Fosbury by Tahiti 80 was another chance bargain bin discovery - I think I paid 50p for this one in the Virgin Megastore in Bristol. The 'special edition' with two bonus songs, no less. It's a great album, and introduction to the band, not least with Big Day. As good a statement of intent as you could wish for. I'm not kept pace with Tahiti 80, to be honest, though I see that they're still a going concern. One for the next Bandcamp Friday shopping list.

I closed things off with Chris Morris, with a one-off release for Warp Records in 2003 and following up their collaboration on the Blue Jam album (2000) and My Wrongs 8245–8249 & 117 short film (2002). Bushwhacked 2 as you might guess, featured chopped up snippets of speech from then-incumbent White House cretin George 'Dubya' Bush. This compilation featured the original 'Raw Feed' version but I've opted to swap it for Adrian Sutton's orchestral rework, which I think works a little better in context. Sadly, with the Orange Baby previously in post and threatening to do so again, no editing and rearranging needed as he says similar stuff of his own volition. What times we live in!

 

1) Positive I.D. (Security Analysis Remix): Renegade Soundwave (1994)

2) Don't Fight It Feel It (Alive In Tokyo): Primal Scream ft. Denise Johnson (1994) 

3) Big Day: Tahiti 80 (2004)

4) Suburban Homeboy: Sparks (2002)

5) AF607105 (Album Version By Nigel Godrich): Charlotte Gainsbourg (2006)

6) Autumn Sweater (Remixed By Kevin Shields): Yo La Tengo (1997)

7) Metaphor: Sparks (2006)

8) Amsterdam: Peter, Björn & John (2006)

9) Bushwhacked 2 (Adrian Sutton Mounting - Orchestral Mix): Chris Morris (2003)

 

1994: Secret Tracks (Select magazine promo cassette): 1

1994: Secret Tracks 2 (Select magazine promo cassette): 2

1997: Autumn Sweater EP: 6

2002: Lil' Beethoven: 4 

2003: Bushwhacked EP: 9

2004: Fosbury: 3 

2006: 5:55: 5

2006: Hello Young Lovers: 7

2006: Writer's Block: 8

 

Side Two (40:07) (KF) (Mega)

Side One here

I'm Checking Out Her Rhythms

Time for some Renegade Soundwave, their first selection and only fifth appearance on this blog in total (six if you count their remix of Pop Will Eat Itself).

This selection draws from various singles and album tracks from 1987 to 1995, most of the remixes by RSW themselves. Inevitably, there's an epic remix by Andrew Weatherall, Jagz Kooner and Gary Burns aka the mighty Sabres Of Paradise.

1) Renegade Soundwave (Basstube Shakin') (Remix By Renegade Soundwave & Mark 'Spike' Stent) (1994)

2) Last Freedom Fighter (Album Version By Renegade Soundwave, Steve Osborne & Ben Hillier) (1994)

3) Probably A Robbery (Extended Mix By Daniel Miller & Rico Conning) (1990)

4) Brixton (Sabres Of Paradise Mix By Andrew Weatherall, Jagz Kooner & Gary Burns) (1995)

5) Deadly (Album Version By Renegade Soundwave & Tim Davies) (1990)

6) Kray Twins (Dragon Bass Sound System Mix By Renegade Soundwave, Karl Bonnie & Paul Kendall) (1987)

7) Positive I.D. (Book Of Isaiah Mix By Gary Asquith & Julian Briottet) (1995)

8) Cocaine Sex (Sub-Aqua Overdrive) (Remix By Renegade Soundwave, Karl Bonnie, Paul Kendall & Rico Conning) (Original Version) (1987)

9) Biting My Nails (Bassnumb Chapter) (Remix By Renegade Soundwave & Flood) (1990)

1987: Cocaine Sex EP: 8

1987: Kray Twins EP: 6

1990: Biting My Nails EP: 9

1990: Probably A Robbery EP: 3

1990: RSW In Dub: 5

1994: Howyoudoin?: 2

1994: Renegade Soundwave EP: 1

1995: Brixton EP: 4

1995: Positive Dub Mixes EP: 7

I'm Checking Out Her Rhythms (48:23) (KF) (Mega)

Senza Voce

...or 'without voice' (thank you, Google translate), which sums up today's selection of instrumental songs, stripped of their usually familiar vocals bar the odd sample, whoop and ad lib here and there.

When trawling for ideas for a cover image, I was reminded of the rather bizarre primary school ritual of 'fingers on lips'. Teachers obviously considered us such a wild, unruly, feral lot that simply telling us to be quiet wasn't enough, we had to seal the deal by placing a digit on our mouth and hold it there until we were deemed worthy of voice again. What a strange instruction. 

 

No surprise that Shane MacGowan would struggle with this into adulthood, Glenn Gregory of Heaven 17 seems similarly resistant but you can rely on ol' Madge, although she's unsurprisingly adopting the role of teacher not pupil here.

For anyone feeling anxiety before casting their eyes down at the track list, I can reassure you that Hush by Kula Shaker does not appear in any shape or form. There is Simply Red, but DJ Muggs has done us all the favour of removing Mick Hucknall altogether...along with pretty much the whole band, by the sound of things.

The selection starts with the opening track of Madonna's 1998 album Ray Of Light, albeit with no trace of Ms. Ciccone's dulcet tones. From there, we go past Simply Red to Tears For Fears reading Sylvia Plath, winding our way into Hell's Ditch where we find The Pogues and Joe Strummer.

Love And Rockets lend a hand out of the ditch with an instrumental version of If There's A Heaven Above, re-titled God And Mr. Smith, before Frazier Chorus give us a lift the rest of the way there until The KLF point out that we're actually about 30 miles southwest of Glasgow 3 miles north of Manchester [note; thanks for the save, Charity Chic, I don't think anyone noticed!]

 

Renegade Soundwave riff on Serge Gainsbourg with their eponymous 1994 single, crashing into Yo La Tengo's motel room in the wee hours of the morning with Jah Wobble and Animal (Dave Maltby, not the Muppets drummer). 

 

Crawling out of the room the following morning, we find Pete Wylie slumped against a wall, with a note pinned to his chest explaining that L'Espwah! is French for Hope (I Wish You'd Believe Me). I got a D in my French 'O' Level, so I don't have a clue what he means. 

 

No-Man promise fun Days In The Trees but we're distracted by The Wolfgang Press arguing with the vicar about Christianity outside the local church. We ditch the both of them and head back with Heaven 17. I'm hungry and fancy noodles but all we get is a noodly Fairlight and System 100 Simulated Classical Guitar instrumental of The Skin I'm In, which does little for my appetite.

Depeche Mode try to convince us that It Doesn't Matter but having had enough of them all, we head off with It's Immaterial to find some Space. Peace at last, and it only took an hour.

 

1) Drowned World / Substitute For Love (Instrumental Version By Madonna & William Orbit): Madonna (1998)

2) Never Never Love (DJ Muggs Instrumental Mix): Simply Red (1996)

3) Johnny Panic And The Bible Of Dreams (Instrumental): Tears For Fears (1990)

4) Hell's Ditch (Instrumental Version By Joe Strummer & Paul Cobbold): The Pogues (1990)

5) God And Mr. Smith (Instrumental Version): Love And Rockets (1985)

6) Heaven (God Like Instrumental) (Remixed By Youth): Frazier Chorus (1990)

7) Prestwich Prophet's Grin (Instrumental Remix) (120 BPM): The KLF (1988) 

8) Renegade Soundwave (7" Instrumental): Renegade Soundwave (1994) 

9) From A Motel 6 #2 (Instrumental Version): Yo La Tengo (1993)

10) A Long, Long Way (Instrumental): Jah Wobble with Animal (1982) 

11) L'Espwah! (Instrumental Version By Mike Hedges & Pete Wylie): Wah! (1983)

12) Days In The Trees (Bach) (Instrumental Version By Steven Wilson): No-Man (1991)

13) Christianity (Instrumental Remix By Drostan Madden & Howard Gray): The Wolfgang Press (1995)

14) Skin (Instrumental Mix By Greg Walsh & Martyn Ware): Heaven 17 (1984)

15) It Doesn't Matter Two (Instrumental): Depeche Mode (1986)

16) Space (Instrumental Remix By Bert Bevans): It's Immaterial (1986)

 

1982: A Long, Long Way EP: 10

1983: Hope (I Wish You'd Believe Me) EP: 11 

1984: This Is Mine EP: 14

1985: If There's A Heaven Above EP: 5 

1986: A Question Of Lust EP: 15

1986: Space EP: 16

1988: Burn The Beat (USA 12") / Shag Times: 7

1990: Advice For The Young At Heart EP: 3

1990: Ray / The Baby Album (ltd 2x CD): 6

1990: Summer In Siam EP: 4

1994: Renegade Soundwave EP: 8

1995: Christianity EP (USA promo CDS): 13

1996: Genius + Love = Yo La Tengo: 9

1996: Never Never Love EP: 2

1998: Ray Of Light (Instrumentals) (bootleg): 1

2001: Lost Songs: Volume One: 12

 

Senza Voce (1:00:37) (KF) (Mega)

Wise Up! Again

Side 1 of a mixtape, recorded between December 1991 and January 1992. When I posted Side 2 last August, I mentioned the use of a couple of tracks from Keeping The Faith: A Creation Dance Compilation and there's another here. I didn't buy either of the two 12" singles of Come Together by Primal Scream at the time, but the excellent Hypnotone remix opened Side 2 of Keeping The Faith and remains my second only to Andrew Weatherall's unassailable mix. 

 

The other reference point on this mixtape side is Renegade Soundwave's debut album Soundclash. Excellent though it is, I think the real reason two tracks appear here is that I had been lent a copy by my friend Stuart and ended up cramming songs onto various mixtapes before returning it. 

 

There's also a heavy Adrian Sherwood vibe on this side, with production and remix duties for Cabaret Voltaire, Gary Clail / On-U Sound System and Tackhead. The full length version of False Leader featured on the album The Emotional Hooligan, whilst this edit was a B-side of the Escape remix 12". The Tackhead remix of Dangerous Sex was edited to squeeze onto the cassette side, so I've done the same here to preserve the original running time.

 

A Certain Ratio's Martin Moscrop remixes opening instrumental Bendy, which initially appeared on the Intastella single People; my copy resurfaced on the limited edition "Intastella Meet Adamski" remix 12" of follow-up Century. This is my favourite version of the song.

 

Killing Joke's Youth remixes Pop Will Eat Itself, dropping the BPMs and stretching the song out to over five minutes. Again, this one has the edge as my preferred version and - no surprise - provides the mixtape with its title.

 

Lastly, the song that introduced me to Colourbox. I picked up the Vertigo-Sampler from a record stall in St. Nicholas' Market in Bristol a few years previously, a Canadian import double vinyl compilation from 1985. If I'm honest, most of it is dispensable: late-period Boomtown Rats, Big Country, Dire Straits and - even more dire - Mark Knopfler solo, twice! However, there are a couple of sides of alternative and indie music: Cocteau Twins, Love And Rockets, This Mortal Coil and Colourbox, which made the price worth a punt. 

The Colourbox track is listed as Sex Gun (Instrumental Version) but is identical to the version (re)titled Just Give 'Em Whiskey on their eponymous debut album. The vocal version of Sex Gun made it onto the free extra album that came with limited quantities, though the one featured in today’s selection is far and away the best version out there, heavy with samples from Westworld and The Prisoner.

 

1) Bendy In The Disco (Remix By Martin Moscrop): Intastella (1991)

2) Biting My Nails (Album Version By Flood & RSW): Renegade Soundwave (1989)

3) Thank You America (Album Version By Cabaret Voltaire & Adrian Sherwood): Cabaret Voltaire (1987)

4) False Leader (Edit By Adrian Sherwood, Doug Wimbish & Skip McDonald): Gary Clail / On-U Sound System ft. Big Youth (1991)

5) Head Like A Hole (Album Version By Trent Reznor & Flood): Nine Inch Nails (1990)

6) Come Together (The HypnotoneBrainMachine Mix By Hypnotone): Primal Scream (1990)

7) Wise Up! Sucker (12" Version By Youth): Pop Will Eat Itself (1989)

8) Blue Eyed Boy (Album Version By Flood & RSW): Renegade Soundwave (1989)

9) Sex Gun (Instrumental Version) (aka Just Give 'Em Whiskey): Colourbox (1985)

10) Sex Overdubs (Remix By Adrian Sherwood, Doug Wimbish, Keith LeBlanc & Skip McDonald) (Edit): Tackhead (1990)

 

Side One (45:59)

Side Two here

Junk Garage

Side 2 of a mixtape recorded by my friend Stuart, circa August 1991.

There was an excellent post from JC (could it be anything else?) at The Vinyl Villain on Thursday, titled State Of The Blogging Nation, which provoked a great response from readers and fellow bloggers alike. Whether we read and comment, or write and post, it's the passion for music and the tangible sense of community that keeps bringing us back. I regularly read dozens of music blogs, some of which are updated daily, others weekly, others considerably less so. I try to comment as much as possible, but it's increasingly hard to keep up, especially since committing last year to posting on Dubhed every day for as long as I can keep being inspired.

A guaranteed daily visit is Charity Chic Music as I read with awe about Stevie's latest find for mere pennies in his never' ending search for charity shop gems. Friday's post featured Pere Ubu's 1990 album Worlds In Collision and one of the two songs he showcased was I Hear They Smoke The Barbecue. This was almost certainly the second Pere Ubu song I ever heard (after Waiting For Mary) and came courtesy of another trusty tape from my friend Stuart. We'd been apart for a year whilst I was working and travelling Australia, so this was a kind of "welcome home" mixtape, summing up what he had been listening to recently.

 

Renegade Soundwave are hugely underappreciated, in my opinion. Actually, I've just realised that this is their first appearance on this blog, so clearly by me too! Soundclash and RSW In Dub were incredible sonic slabs that demanded repeat listening and whilst it was a few years before their respective follow ups, they maintained a singular sound before their premature end. Murder Music is a great example and a perfect opener to Side 2.

 

Tracks 2 & 3 were lifted directly as the opening two songs on The Island Tape, a Select magazine freebie cassette, but Julian Cope's magnum opus Peggy Suicide was an immediate purchase on my return whilst - bizarrely, in retropect - it was a couple of years later with Bone Machine that I finally bought a Tom Waits album. I borrowed and taped Stuart's copy of Out Of Time but, of course, R.E.M. achieved global domination with this, so I was already familiar with most of the songs from constant radio and MTV rotation.

 

I was largely ignorant of Bob Dylan at this time (dismissive even, given his association with The Travelling Wilburys), so it was a bold move to an 11-minute epic on, but it paid off. Desolation Row remains one of my favourite Dylan songs. Despite being 3 decades older than most of the other songs, fits perfectly , sandwiched between one of This Mortal Coil's (& Kim Deal's) and R.E.M.'s finest moments.

 

We saw The Fat Lady Sings supporting The Psychedelic Furs in 1990 and in Stuart's opinion, they were the highlight of the night. He's followed them and subsequently singer/songwriter Nick Kelly's solo exploits ever since.

 

I've tweaked the playlist slightly, for practical reasons: I don't have the original album version of Aeroplane Blues, only the "LA Mix" from the Volume CD/magazine series. It sounds like a rougher, earlier mix to these untrained ears, but my box of Volume is buried in the attic somewhere so I can't check the detail.

 

I've also swapped the album version of Hang On St. Christopher from The Island Tape for the USA-only 12" version as (a) you may be less familiar with this one and (b) it bolsters the running time, which was running a bit short on the original tape.

Junk Garage (American pronunciation of the latter) is a phrase taken from R.E.M.'s Country Feedback. 

 

Junk Collage (do you see what I did there?) by me, ripped from various magazines and adverts. I can easily spot Buddy Holly and Christian Slater in there. I think the main picture was a toilet wall backdrop to a photo of a music artist, but I've forgotten who.

Some of the typeface has worn away, but you get a sneak preview of what will eventually pop up when I post Side 1. The reason I didn't go with that one today is that the tape opens with an expletive-ridden intro, but one which segues perfectly into a Neil Young & Crazy Horse track. I'm debating whether it stays, goes or is edited in some way before posting. Watch this space...it might be a while.

 

1) Murder Music (Album Version): Renegade Soundwave (1989)

2) Hang On St. Christopher (Extended Remixed Version By Tchad Blake): Tom Waits (1987)

3) Double Vegetation (Album Version): Julian Cope (1991)

4) You And Your Sister (Cover of Chris Bell): This Mortal Coil ft. Kim Deal & Tanya Donelly (1991)

5) Desolation Row: Bob Dylan (1965)

6) Country Feedback (Album Version): R.E.M. (1991)

7) Aeroplane Blues (LA Mix): The Blue Aeroplanes (1991)

8) Sexy Eiffel Towers: Bow Wow Wow (1980)

9) I Hear They Smoke The Barbecue: Pere Ubu (1990)

10) Twist (Album Version): The Fat Lady Sings (1991)

11) Safesurfer (Reprise): Julian Cope (1991)

 

1965: Highway 61 Revisited: 5 

1980: Your Cassette Pet: 8

1987: Hang On St. Christopher (USA 12"): 2

1989: Soundclash: 1

1990: Worlds In Collision: 9

1991: Blood: 4 

1991: Out Of Time: 6

1991: Peggy Suicide: 3, 11

1991: Twist: 10

1991: Volume Two: 7

 

Side Two (45:59) (Box) (Mega)