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Showing posts with label 2005. Show all posts
Showing posts with label 2005. Show all posts
Tuesday, 6 August 2024
CONRAD SCHNITZLER - CONTEMPORA CON-TINUOUS SERIES - 00 333 - MIX SOLOS 1-13 - KRÄNE - 2005 (FLAC)
Tuesday, 30 July 2024
Sunday, 28 July 2024
Friday, 26 July 2024
Saturday, 20 July 2024
Thursday, 18 July 2024
Wednesday, 2 February 2022
Monday, 18 October 2021
Saturday, 16 October 2021
Friday, 31 July 2020
WENDY CARLOS – REDISCOVERING LOST SCORES - VOLUMES ONE & TWO (QUINTESSENTIAL ARCHEOMUSICOLOGY – FILM MUSIC BY WENDY CARLOS) (EAST SIDE DIGITAL – ESD81752, CD 2005) (WMA)
A PETICIÓN POPULAR, RESUBO ESTE MATERIAL:
Para hablar de WENDY CARLOS no me considero suficientemente válido, por lo tanto prefiero recurrir a los dos mejores artículos que se han escrito sobre ella: el de JUAN BERMÚDEZ en el nº 11 de la revista MÚSICA Y TECNOLOGÍA y el de PABLO FREIRE en AUDIONAUTAS.
Aquí os dejo el de JUAN BERMÚDEZ:
El resto del nº 11 de la revista MÚSICA Y TECNOLOGÍA podéis descargarlo aquí.
El artículo de PABLO FREIRE de AUDIONAUTAS lo podéis leer aquí.
Por lo que respecta al material que os ofrezco, prefiero dejaros con las palabras de la propia WENDY CARLOS:
About Rediscovering Lost Scores, volumes one and two--
With the release of these disks we answer the requests of many of you who have written over the years, and those who have sent message to our website. Here are selected tracks from most of my film score work, never available in any format until these two volumes. It was, as the cover depicts, an exercise in "Archeomusicology" to locate and check out stacks of masters and pre-master tapes, listening to hours of music which had been forgotten, and then carefully transfer many tracks to high-res digital masters.
You will find a very eclectic mix of styles and musical media represented herein. There are traditional orchestral and chamber music ensembles, vocal solos and choruses, Moog synthesizers, novel one-of-a-kind devices (like the Circon), and on to recent digital tools. The majority of tracks are hybrids -- blends of live with electro-acoustic media.
It's impossible for such a collection of music from over three decades to emerge as a single project, aside from their distinguishing characteristic, Lost Scores. Most of the selections are composed pieces, while others ought be categorized as "musical soundscapes", or "mood-setting textures." But bear with us, we've tried to include something for all of you, a broad range of musical treatments.
Fortunately, nearly all of the master tapes remain playable (a few required tape-baking). They all used Dolby-A for low tape hiss, recorded on professional Ampex and 3-M tape machines, never more than 2 tracks per quarter inch of tape width. So dropout is low, and only a minimum of sound cleaning and enhancement was necessary to render the surprisingly high quality sound heard here, even when a few generations of analog tape mixing were required for their creation.
We were lucky to find several tracks that had escaped the deadline searches during earlier remasterings of Clockwork Orange and Tron, and they're included on this release. You'll see that we've ordered the music mainly chronologically, with a split in volumes midway through scoring The Shining.
Nearly all of this music has never been available on albums in any form, like most of our score to Kubrick's The Shining, and my entire score to the 1998 British SF antiwar movie, Woundings. I worked on three other films during the '80s and '90s. I'm still searching for examples from two of those films, but was fortunate to locate two tracks from a score I wrote for the 1991 British film, Split Second. Political intrigue behind the scenes led to canceling my score midway, a depressing experience film composers are too familiar with.
Other music from that film found its way into the album, Tales from Heaven and Hell, but two completed tracks were orphaned. They're included on Rediscovering Lost Scores, with some other surprises. For those of you who have been asking for CDs of my music to The Shining (only two excerpts were included on the original soundtrack LP), your wish is finally met. It's a big relief to present this music to you, pieces I began to fear would never see the light of day.
Por mi parte decir que el material contenido es de enorme valor documental y que espero que sepáis apreciarlo y disfrutarlo como se merece.
CD1
CD2
Friday, 14 June 2019
EXPERIMENTAL AUDIO RESEARCH - WORM TO A SHADOW (LUMBERTON TRADING COMPANY, CD / VINYL ALBUM, 2005) (FLAC)
Este trabajo se editó en cd por el sello LUMBERTON TRADING COMPANY y posteriormente en vinilo en una edición numerada a mano de 525 ejemplares, en la cual, ambos lados de este disco cuentan con ilustraciones que, en combinación con su mesa giratoria, producirán ilusiones visuales opti-cinéticas. El trabajo fue grabado y mezclado en New Atlantis Studio, Rugby, Inglaterra, entre 2001-2005.
Cuatro temas de electrónica de diferentes atmósferas, mucha experimentación con sintetizadores analógicos, grabaciones de campo y una excelente factura final. Personalmente destaco el tema Delian Lament, orgásmico...
GOZAD !!!
TRACKLIST:
A1 Worn To A Shadow 24:30
B1 Delian Lament 11:17
B2 Blue Loop 10:43
B3 Off The Deep End 9:10
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Sunday, 6 March 2016
Indra - Echo in Time (1998, reed. 2005, Perfect Music)
Músico nacido en Rumanía en 1961. Estudió percusión en el colegio y aparte fue un autodidacta tanto de la guitarra como de los teclados. Tocó en varios grupos de folk locales hasta que en 1993 pudo comprar su primer equipo de estudio con el que compuso varios trabajos para otra gente.
Su discografía es muy extensa para la edad que tiene aunque a veces se mueve en la onda del trance y músicas muy del estilo. Este trabajo que presentamos, al igual que otros muchos, están muy influidos por la escuela de Berlín, sobre todo de Klaus Schulze.
Esta versión que os traigo se publicó por primera vez en 1998 y ha sido reeditado en 2005 por Perfect Music.
Esta versión que os traigo se publicó por primera vez en 1998 y ha sido reeditado en 2005 por Perfect Music.
www.indramusic.ro/
Track List
1 - Alpha & Omega
1.1 - Mysteries of God 7:14
1.2 - Dancing with Merlin 12:09
1.3 - Sea of Elves 3:38
1.4 - The Great Celebration 9:22
2 - Holy Mountain 16:37
3 - Echo in Time 16:06
Escucha el tema Echo in Time
Sunday, 23 August 2015
CURTIS ROADS - POINT LINE CLOUD (ONLY AUDIOS) (ASPHODEL ASP 3000, CD, DVD, 2005) (MP3 320)
DEDICADO A FLUXOR.
Curtis Roads, especialista en el manejo de la sintesis granular, tomó como antecedente directo los trabajos desarrollados por I. Xenakis. Este disco ofrece un gran aporte para explorar las posibilidades de la técnica en un marco musical, exponiéndolas a modo de "estudios para sintesis granular".
El disco originalmente contiene nueve piezas seleccionadas con imágenes de Brian O'Reilly, con visualizaciones adicionales por Woon Seung Yeo y Garry Kling. Conferencia a cargo de Curtis Roads en la Universidad de Stanford junio 2004. Ejemplo histórico de síntesis granular: Prototype (1975).
El amigo Fluxor nos ofrece los audios de esta obra, que bajo mi humilde opinión son maravillosos y altamente adictivos.
Disfrutad...
Curtis Roads – Point Line Cloud
Label:
Asphodel – ASP 3000
Format:
CD
DVD
Country:
US
Released:
30 Mar 2005
Genre:
Electronic
Style:
Modern Classical
Tracklist ▼
CD01 Now (2003) 6:14
CD02 Eleventh Vortex (2001) 4:06
CD03 Half-life, Part I: Sonal Atoms (1999) 3:34
CD04 Half-life, Part II: Granules (1999) 2:44
CD05 Sculptor (2001) 3:13
CD06 Volt Air, Part I (2003) 3:16
CD07 Volt Air, Part II (2003) 2:35
CD08 Volt Air, Part III (2003) 2:15
CD09 Volt Air, Part IV (2003) 2:07
CD10 Fluxon (2003) 3:05
CD11 Pictor Alpha (2003) 3:23
CD12 Nanomorphosis (2003) 3:16
CD13 Tenth Vortex (2000) 3:01
DVD01 Sculptor (2001) 3:12
DVD02 Half-life (1999) Parts I And II 7:36
DVD03 Volt Air, Part I (2003) 3:14
DVD04 Volt Air, Part II (2003) 2:34
DVD05 Volt Air, Part III (2003) 3:19
DVD06 Volt Air, Part IV (2003) 2:01
DVD07 Fluxon (2003) 3:09
DVD08 Pictor Alpha (2003) 3:25
DVD09 Nanomorphosis (2003) 3:15
DVD10 Sonal Atoms Visualization By Woon Seung Yeo 3:36
DVD11 Pictor Alpha Visualization By Garry Kling 3:26
DVD12 Audio Lecture By Curtis Roads At Stanford University June 2004 20:57
DVD13 Historical Example Of Granular Synthesis: Prototype (1975) 6:42
Notes▼
Electronic Music 1999-2003
Additional texts on CD
Origins of granular synthesis: the prototype study - Curtis Roads
Visualising Pictor alpha - Garry Kling
Interview with Curtis Roads - Brigitte Robindoré
The path to Half-life - Curtis Roads
Score of Half-life, part 1: Sonal Atoms realized by James Ingram
DVD contents
Nine selected pieces with visuals by Brian O'Reilly
Additional visualizations by Woon Seung Yeo and Garry Kling
Lecture given by Curtis Roads at Stanford University June 2004
Historical example of granular synthesis: Prototype (1975)
Cover: Bubble chamber image of a collision of a high-energy neutrino particle with the nucleus of a hydrogen atom. Bubble chamber image courtesy of CERN, Switzerland.
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