Showing posts with label John Zorn. Show all posts
Showing posts with label John Zorn. Show all posts

27 May 2016

John Zorn & Pierre Boulez ~ String Quartets ~ Jack Quartet ~ Cernier; 24th August 2015


I wasn't familiar with John Zorn's string quartets before listening to this recording, but on the strength of this, I'll be looking for more. The Remedy of Fortune is the strongest piece, and contains multiple quotes from other quartets I know and play, including the Beethoven's Grosse Fuge.

This concert also includes performances of both the early and late versions of Boulez's Livre pour Quatuor; beautiful serial works that condense an entire narrative into small gestures.

John Zorn: The Alchemist
Pierre Boulez: Livre pour quatuor (1948/49)
Pierre Boulez: Livre pour quatuor (2011/12)
John Zorn: The Remedy of Fortune

Jack Quartet
Christopher Otto, violin
Ari Streisfeld, violin
John Pickford Richards, viola
Kevin McFarland, cello

Cernier, Switzerland; 24th August 2015

22 October 2015

John Zorn 19, 20, 21 March 1999 Hertogenbosch, Holland FLAC FM



Disc 1:
19 March 1999
Cobra

Anton Goudsmit (g)
Erik Friedlander (cello)
Fred Frith (g)
Michael Moore (cl)
Mary Oliver (violin)
Alan Purves (perc)
Marc Van Rooy (b)
Jeoren Van Vliet (p)
John Zorn (as, prompter)


Disc 2:
20 March 1999
Masada Songbook

Anton Goudsmit (g)
Erik Friedlander (cello)
Fred Frith (g on track 9)
Michael Moore (cl)
Mary Oliver (violin)
Alan Purves (perc)
Marc Van Rooy (b)
Jeroen Van Vliet (p)
John Zorn (conductor, as on 5 & 9)


Disc 3:
21 March 1999
String Quartets
performed by the Mondrian String Quartet


fm > dat > cdr > eac > flac

7 September 2014

GOD "POSSESSION" (CAROLINE, 1992)



Kevin Martin, vocals, tenor saxophone, samples
Tim Hodgkinson, alto saxophone & bass clarinet
Steve Blake, alto, tenor & baritone saxophone, didgeridoo
John Zorn, alto saxophone (3,5,6)
Justin Broadrick, guitar
Gary Smith, guitar (8)
Peter Kraut, piano (4,5,7,8)
Dave Cochrane, electric bass
Gary Jeff, electric bass
John Edwards, double bass
Scott Kiehl, drums & percussion
Lou Ciccotelli, drums

1. Pretty  4:01
2. Fucked  10:01
3. Return To Hell  5:27
4. Soul Fire  9:54
5. Hate Meditation 4:51
6. Lord, I'm On My Way     10:26
7. Love  16:51
8. Black Jesus     6:41


Recorded Gateway Studio, Kingston, UK (in 1992?).

Originally on Caroline Records – CAROL 1874-2
This version Venture – CDVE 910

22 August 2013

Frank Lowe Orchestra-Lowe and behold., Musicworks 3002,1977


This ones for Aussie Tony, not my favorite Lowe by any means... flawed by the very high standards of ' the Flam', and other magnificent masterpieces ...by F.Lowe who simply was one of the of the greatest period.!

the AACM and more specifically Wadada Leo Smith;s influence is obvious here

My own dessert island selections, apart from 'the Flam' are the ferociously beautiful collaborations with Joe Mcphee on legend streets one and two.... check them out on the Cadence website!

and yeah..Polly Bradfield, is subtly brilliant  here , she should be as famous as John Zorn , who doesn't to my ears sound entirely comfortable.

Enjoy.

20 June 2013

JOJO TAKAYANAGI ‎– EXPERIMENTAL PERFORMANCE WITH JOHN ZORN (MOBYS RECORD, 1986)




A1. Active 1
A2. Active 2

B1. Brecht 47
B2. Counterevidence


Masayuki "JoJo" Takayanagi, guitar
John Zorn, saxophone, toys etc. (A1, A2)


A side recorded at Yokohama Education and Culture Center, Atelier B1, Yokohama on March 29, 1986.

B side recorded at Kid-Ailack Hall, Tokyo on May 23, 1986.

Mobys Record ‎– Mobys 0005

Vinyl Rip


10 May 2013

FRED FRITH ‎– ARS LONGA DENS BREVIS (ALLELOPATHY, 2000)



Third in a short series.

1. Untitled
2. Untitled
3. Untitled
4. Untitled



Fred Frith, guitar
Onnyk (Yoshiaki Kinno), guitar, alto and soprano saxophone, keyboards
John Zorn, alto saxophone, bird calls
Sabu Toyozumi, drums, percussion


Recorded live at Gallery Saiensu, Morioka, Iwate, Japan, on 4th of February, 1985 (2, 4) and 13th of December, 1987 (1, 3).

Allelopathy ‎– ALL-2, 2000.

CD Rip

For Zippyshare users - track 1 exceeds the file size limit, so it is split into track 1 and 1b. You can either join them, or play with no gap.

30 January 2009

John Zorn – Kristallnacht – Tzadik 7301 (estracts)


Resolution adopted by the General Assembly on the Holocaust Remembrance (A/RES/60/7, 1 November 2005)


The General Assembly…

…Reaffirming that the Holocaust, which resulted in the murder of one third of the Jewish people, along with countless members of other minorities, will forever be a warning to all people of the dangers of hatred, bigotry, racism and prejudice,

1. Resolves that the United Nations will designate 27 January as an annual International Day of Commemoration in memory of the victims of the Holocaust;


2. Urges Member States to develop educational programmes that will inculcate future generations with the lessons of the Holocaust in order to help to prevent future acts of genocide, and in this context commends the Task Force for International Cooperation on Holocaust Education, Remembrance and Research;


3. Rejects any denial of the Holocaust as an historical event, either in full or part;


4. Commends those States which have actively engaged in preserving those sites that served as Nazi death camps, concentration camps, forced labour camps and prisons during the Holocaust;


5. Condemns without reserve all manifestations of religious intolerance, incitement, harassment or violence against persons or communities based on ethnic origin or religious belief, wherever they occur;


6. Requests the Secretary-General to establish a programme of outreach on the subject of the "Holocaust and the United Nations" as well as measures to mobilize civil society for Holocaust remembrance and education, in order to help to prevent future acts of genocide; to report to the General Assembly on the establishment of this programme within six months from the date of the adoption of the present resolution; and to report thereafter on the implementation of the programme at its sixty-third session.



John Zorn’s Kristallnacht

Review by Joslyn Layne


This release documents an intense musical representation of Kristallnacht, or the Night of Broken Glass, a coordinated attack on Jews throughout the German Reich that occurred on November 9, 1938, during which Nazis, SS members, and Hitler youth broke into Jewish homes and businesses, assaulting the people and their property. The official German report tallied 7,500 businesses destroyed, 267 synagogues burned (with 177 totally destroyed), and 91 Jews killed. John Zorn has created a musical work that powerfully represents the different stages of this historical event. "Shtetl (Ghetto Life)" is beautiful yet apprehensive klezmer, interspersed with sound bites of German rallies and speeches that become more frequent, increasingly crowding the life from the music. This segues into "Never Again," which, Zorn warns in the liner notes, "contains high frequency extremes at the limits of human hearing and beyond, which may cause nausea, headaches and ringing in the ears." While nearly unbearable, it is a fitting sound representation of Kristallnacht, as thousands of layers of shattering glass assault the ears. "Never Again" is both effective and affecting, if you can listen. This onslaught is followed by the loud silence and emptiness of "Gahelet (Embers)," a walk through the immediate aftermath of wind, darkness, and destruction. Alley echoes are heard as sound is overwhelmed by a dread and horror beyond expressing, and no words can contain what might begin to form in the midst of shock. This is a heavy silence. Strings have gone haggard on the next composition, and from this point the album becomes less literal and explicit, moving away from poignancy and focus into more chaos. Zorn's forceful undertaking is realized through the expert and passionate musicianship of violinist Mark Feldman guitarist Marc Ribot, keyboardist Anthony Coleman, bassist Mark Dresser and percussionist William Winant, as well as guest trumpeter Frank London and clarinetist David Krakauer


John Zorn – Kristallnacht –Tzadik 7301


FrankLondon

Trumpet

David Krakauer

Clarinet,BassClarinet

Mark Feldman

Violin

Marc Ribot

Guitar

Anthony Coleman

Keyboards

Mark Dresser

Bass

William Winant

Percussion


Recorded in 1992 november 9 and 10


1 Shtetl (ghetto life) 5:55


2 Never Again 11:46



This astonishing record isn’t an OOP so I’ve posted only the first two tracks: the introductory Shtetl and the unbearable and terrific Never Again, this last is to me one of Zorn’s highest achievement.


Links in comments - ENJOY THE MUSIC!

21 January 2009

John Zorn's Essential Cinema - Rose Hobart



A special post from me this time. The most thrilling concert experience for me last year was 4 hours of John Zorn's ensembles, only broken up by short intermissions. He had brought over from New York the Dreamers, Essential Cinema and Electric Masada which as you may know are basically composed of the same people. The middle set was given to the showing of four short movies with the band providing the live soundtrack, playing in pitch darkness, only illuminated by the light from the screen.

This is a video clip, recorded by my son, using the video camera on the Nokia N958gb cell phone. Of course, the clip may not be up to professional standards, but it will give you a sense of having been there, even if it's only watched on a computer screen. It looks like I may have missed the beginning, but most of it is certainly there.

As for the movie "Rose Hobart": It was made by Joseph Cornell in 1936 and it's a montage from a longer Hollywood "exotica" movie called "East of Borneo" and consisting of scenes with the actress Rose Hobart (hence the title), largely freed of whatever context or plot there was, which gives it a somewhat strange, abtract, poetic quality.

More information here: http://archive.sensesofcinema.com/contents/cteq/01/17/hobart.html

This movie was the first of the four showed and was followed by Wallace Berman 'Aleph', Harry Smith 'Oz: the Tin Woodman's Dream' og Maya Deren 'Ritual in transfigured time'. The second, a flickery, hyper-rapid imagery set to a free jazz blow-out soundtrack by Zorn was followed by Smith and Deren, both returning to the dreamy floating visions of the first.

The band:

John Zorn - alto sax, conductor
Marc Ribot - guitar
Jamie Saft - keyboards
Kenny Wollesen - vibraphone, drums
Trevor Dunn - bass
Joey Barron - drums
Cyro Baptista - percussion
Ikue Mori - electronics

The clip is in the mp4 format and best watched using Quick Time which can be downloaded for free from Apple.

17 August 2008

John Zorn, "Big" John Patton - Live Austria 1988

Looking back through the blog, I see that no Zorn recordings have been posted, which is surprising considering all the Masada and Bladerunner stuff that was upped at Church #9. I can't say that I like his more esoteric stuff, but this concert really swings.

Details:-

Special OlympiansSaalfelden Jazz Festival
Saalfelden, Austria
August 28, 1988
01 Unknown
02 Unknown
03 Unknown
04 Unknown

John Zorn - alto
John Patton - organ
James 'Blood' Ulmer - guitar
Bobby Previte - drums

Patton seems an unlikely partner for Zorn, being a veteran of numerous 60s and 70s Blue Note albums in the company of people like Grant Green. Ulmer was a member of Patton's trio in the 60s so maybe that's where the introduction to Zorn came about. However it happened it certainly was a worthwhile combination. Nothing too wild or adventurous about this, but it sure hits the right spot

Links in comments. Many thanks to moretoonz for seeding. Lineage uncertain, but excellent sound quality.