DROR FEILER & THE TOO MUCH TOO SOON ORCHESTRA "WHAT'S THE POINT OF PARIS" (FYLKINGEN, 1991-95)

DROR FEILER & THE TOO MUCH TOO SOON ORCHESTRA  "WHAT'S THE POINT OF PARIS"


Tommy Björk, drums, percussion
Dror Feiler, sopranino, alto & tenor saxophone, clarinet, contrabass clarinet, melodica, drinding machine, chain saw, jackhammer, sledgehammer
Raymond King, electric cello
Mats Lindström, zither, synthesizers, home-made electronics, face-grinding machine, electric drill, electric razor, jackhammer, sledgehammer
Paul Pignon, clarinet (tr.2)
Sören Runolf, electric guitar, synthesizer, ,elodica, electric drill, face-grinding machine

1. Alka   26:28
2. PoFor  17:53
3. DiaMat 27:54

Recorded: 'Alka' - Alka Arts Center, Linköping, Sweden on September 21, 1991.
'OpFor' and 'DiaMat' at Fylkingen, Stockholm, Sweden in 1993 & 1995 (live).

FYLKINGEN RECORDS FYCD 1007

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LOKOMOTIV KONKRET "STOCKHOLM AUGUSTI, 1978" (URSPÄR, 1978)

LOKOMOTIV KONKRET  "STOCKHOLM AUGUSTI, 1978"  (URSPÄR, 1978)


Dror Feiler, alto & sopranino saxophone, clarinet, contrabass clarinet, synthesizer
Lars Liljeholm, bass trombone
Pär Nordfält, bass trombone
Sören Runolf, cello, piano
Tommy Björk, drums


A1. Harakiri                                          (05:44)    
A2. Gambit                                          (12:43)    
A3. Lokomotivet                                  (06:59)    
B1. Spårvagn Abstrakt (Dedikerad Till Lasse Werner)  (13:57)    
B2. Distorsion 1                                  (07:11)

All compositions are from Lokomotiv Konkret except "Harakiri" and "Lokomotivet" which are by Dror Feiler.

Recorded at Stockholms Kulturhus on August 25, 1978.

URSPÅR URS 1

(lp rip)

THE TOO MUCH TOO SOON ORCHESTRA "SAW" (RADIUM, 1988)

Here's another early Dror Feiler recording. Once again with Sören Runolf on cello and with the then 24 years old Mats Gustafsson for the first time. This is Mats Gustafsson's second recording!?
Again there is an "Industrial" feeling within the music.
But it's not only an onslaught as one is tempted to believe given the machines which are used.
Rather a "poésie machine" is prevailing - albeight without "mercy".




THE TOO MUCH TOO SOON ORCHESTRA "SAW"

Music for Instruments and Machines


Dror Feiler,tenor sax, b flat clarinet, contrabass clarinet, grinding machine
Mats Gustafsson, tenor sax, drilling machine
Sören Runolf, electric violoncello, synthesizer
Raimond Strid, drums, percussion, circle saw machine
Petter Hellsing, planing machine


Side 1
Saw Opening (19:54)
Side 2
Saw Closing (18:58)


Musical idea and concept by Dror Feiler.

Recorded at Fylkingen, Stockholm, September 14th, 1988 by Paul Pignon.

RADIUM RA 046



This one is for you - Owombat.