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Showing posts with the label Beelzefuzz

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A Ripple Conversation With Mythosphere.

January 26, 2023

a ripple conversation Beelzefuzz Black Sabbath free genesis Iron Maiden mercyful fate mythosphere Pale divine pathological Pink Floyd Rainbow ronnie james dio UFO uriah heep

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Mythosphere - Pathological

January 12, 2023

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Swedebeast's Top 10 2016

December 16, 2016

a bend through space and time Backwoods Payback Beelzefuzz blues funeral dee calhoun Devil to Pay eidolon geezer howling giant midnight cometh the righteous bloom top 10 Wo Fat wretch Zaum

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Interview with Beelzefuzz

August 05, 2016

Beelzefuzz bert hall church within records dana ortt david paul seymour Deep Purple greg diener interview restricted release the righteous bloom uriah heep

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Beelzefuzz - The Righteous Bloom

against nature Beelzefuzz doom metal eternal waltz hardluck melody nazzriff Pale divine progressive metal psychedelic metal the righteous bloom the soulless within trance

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Ripple Field Trip - Vultures Of Volume Fest

September 22, 2014

Beelzefuzz Black Manta BlackHand blizaro Gorgantherron Pale divine the skull unorthodox Vultures Of Volume Fest Wizard Eye

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Vultures Of Volume - Inagural Heavy Festival set to Blow Ears Apart!

Beelzefuzz blizaro Gorgantherron MUSIC FESTIVAL ogre Pale divine the skull unorthodox Vultures Of Volume

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Beelzefuzz - S/T

September 26, 2013

Beelzefuzz Doom ripple music free album music review download free mp3 sludge stoner rock reviews

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Ripple Road Trip - Days Of The Doomed III Part 2

August 10, 2013

Beelzefuzz chowder Days Of The Doomed III Doom Dream Death Earthen Grave Gorgantherron king Giant leather nun america Pale divine ripple Music spillage The Gates Of Slumber Victor Griffin's In-Graved

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Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict...

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is par...

Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently. ...

Ripples Past - Album Review Archives

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-(16)-
; NASHVILLE
:Twingiant
. Book
. new album
...and the fire within
...in the shadows below
...it's ugly or nothing
...must die
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