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The Ripple Effect

The best music you're not listening to.™ Reviews of lost classics and obscure titles. Unheralded bands and songwriters. New bands deserving of greater attention. The site for the music omnivore. It's all here, on the Ripple Effect

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Showing posts with the label bluegrass

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Buzzard ★ Doom Folk

August 17, 2025

bandcamp banjo Black Sabbath bluegrass buzzard christopher thomas elliott death metal in america Doom doom folk folk lucifre rise

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The B&O Railroad - Demo

September 07, 2017

bandcamp bethorned grandeur bluegrass demo folk music fruit from rot mouth of the black river. poor wayfaaring stranger soldier's joy the b&o railroad

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Faith In Jane - Rhythm Of Elevation

August 14, 2017

bluegrass blues rock daze of high adventure doom metal faith in jane mushroom man passage return rhythm of elevation stoner rock the ritual trip and watch the world burn

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John Jorgenson - Divertuoso (3-CD Box Set)

December 16, 2015

bluegrass brad paisley divertuoso django reinhardt Elton John from the crow's nest gifts from the flood gypsy jazz j2b2 john jorgenson john jorgenson quintet progressive rock returning

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Gangstagrass (featuring T.O.N.E.-Z) - Lightning on the Strings, Thunder on the Mic

bluegrass free album free download free mp3 gangstagrass gangster rap jazz rap lightning on the strings Rench

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Ripple News - Tommy Shaw Teams up with Bluegrass Greats for the Great Divide

Alison Krauss bluegrass country music Damn Yankees Dwight Yoakam Gary Burr Jerry Douglas Sam Bush styx the great divide Tommy Shaw

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Running Kind - The Girl For All The World

album review bluegrass country music new CD Running Kind The Girl for all the world

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Lost Classic - Down, Not Out – Down, Not Out

February 09, 2010

album review bluegrass country rock down not out free download Grateful Dead lost classic new cd new music

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Sounds of Summer - The Ripple Listening Guide to Summer Fun

Band of heathens bluegrass CD Review country rock countryfried Dave Dill download free podcast Live acoustic new music Obscure powerpop Sister Hazel

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Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict...

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is par...

Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently. ...

Ripples Past - Album Review Archives

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; NASHVILLE
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