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Showing posts with the label '70's rock

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Freedom ★ Stay Free

'70's rock brian adams bruce springsteen freedom magnus berglund Rock 'n' Roll stay free tom Petty

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December 03, 2012

'70's rock album review CD Review download free podcast I would die for you insensitive Jann Arden living under june new album new music singer-songwriter time for mercy

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Strings of Atlas Cage - So Far From Home

September 11, 2012

'70's rock free album music review zip download new music new album new cd mp3 cd review album review blog jimi Hendrix Lenny Kravitz so far from home strings of atlas cage

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Mos Generator - Deluxe 10th Anniversary S/T Reissue

December 28, 2011

'70's rock 70's hard rock album of the year album review Black Sabbath free album free download free live mp3 Mos Generator new CD new vinyl ripple Music stone Axe Tony Iommi tony reed

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Saint Jude - Diary Of A Soul Fiend

December 08, 2011

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Svarti Loghin - Drifting Through The Void

'70's rock album review atmospheric rock black metal Drifting Through The Void music review post-grunge progressive black metal shoegazer Svarti Loghin The ripple Effect

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Been Obscene - The Magic Table Dance

'70's rock album review Been Obscene classic rock Elektrohasch Hypnos 69 music review progressive rock The Magic Table Dance The ripple Effect

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Taddy Porter - S/T

'70's rock album review Big Enough blues rock free album free download free mp3 free podcast Long Slow Drag new CD retro rock southern rock stone Axe Taddy Porter

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Angel – S/T

'70's rock angel free download free mp3 Greg Guiffria Kiss pomp rock punky meadows Queen styx

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Ripple Theater – Rush – Beyond The Lighted Stage

September 08, 2010

'70's rock Alex Lifeson Beyond the Lighted Stage classic rock documentary DVD review Geddy Lee Neil Peart prog-rock progressive rock Rush The ripple Effect

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A Sunday Conversation with Behind the Sun

August 22, 2010

'70's rock Behind the Sun free download Guitarist interview hard rock new album

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Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict...

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is par...

Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently. ...

Ripples Past - Album Review Archives

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-(16)-
; NASHVILLE
:Twingiant
. Book
. new album
...and the fire within
...in the shadows below
...it's ugly or nothing
...must die
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