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Showing posts with the label Dandy Brown

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Lorquin's Admiral - Lorquin's Admiral

aren't we could have been forever Dandy Brown dawn brown Hermano inexplicable things lorquin's admiral marlon king my blue wife nick hannon Self-titled Album steve earle the fizz fuzz yawning sons

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The Fizz Fuzz - 'Palmyra' & 'Deserts, Mountains, Oceans'

December 01, 2024

blues rock Dandy Brown dark horse iii dawn brown desert rock deserts mountains oceans disbelief hereby palmyra statues steve earle the fizz fuzz

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Cult desert rock project ORQUESTA DEL DESIERTO (w/ members of QOTSA, Kyuss, Hermano) to reissue full discography on Heavy Psych Sounds; preorders available!

Dandy Brown desert rock goatsnake heavy psych sounds Kyuss orquesta del desierto Preorder Queens of the Stone Age remixed and remastered Yawning Man

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Cult John Garcia-fronted stoner rock band HERMANO reissues fully remastered "...Only A Suggestion" debut album on Ripple Music today!

November 06, 2023

...only a suggestion album reissue bandcamp CD Dandy Brown david angstrom digital Hermano John Garcia mike callahan ripple Music steve earle stoner rock Ty Tabor vinyl

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Ripple Book Report: S.V. Brown - Carnival Songs

January 29, 2022

carnival songs Dandy Brown debut novel ebook fizz fuzz golden storyline books good reads Hermano John Garcia orquesta del desierto ripple book report s.v. brown yawning sons

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Dandy Brown - Scattered Days

Chris Goss Damned To The Heels Of Success Dandy Brown i'll be damned mark lanegan masters of reality scattered days SOLO ALBUM the sleeper the swimmer this world

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TAXI DRIVER RECORDS ANNOUNCES THE RELEASE OF THE SPLIT RECORD DANDY BROWN / TEMPLE OF DEIMOS IN FALL 2016

February 24, 2016

Dandy Brown desert rock Hermano John Garcia nick oliveri split record stoner rock taxi driver records temple of deimos work to be done

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Dandy Brown - Damned To The Heels Of Success

January 04, 2015

Chris Goss Damned To The Heels Of Success Dandy Brown Hermano Master Of Reality neil young stoner rock

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Swedebeast's Best Of 2014

December 23, 2014

Best Of 2014 Child Dandy Brown grifter Kamcahtka Lord Pale divine top 10 volume IV Wo Fat Zaum

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Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict...

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is par...

Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently. ...

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-(16)-
; NASHVILLE
:Twingiant
. Book
. new album
...and the fire within
...in the shadows below
...it's ugly or nothing
...must die
...only a suggestion

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