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The Ripple Effect

The best music you're not listening to.™ Reviews of lost classics and obscure titles. Unheralded bands and songwriters. New bands deserving of greater attention. The site for the music omnivore. It's all here, on the Ripple Effect

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Showing posts with the label cream

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Zangoma – Faka Mulilo

alternative rock Black Sabbath Blue Cheer cream Deep Purple faka mulilo funkadelic the rolling stones zamrock zangoma

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The New Poobah Anthology Is Unprecedented And Magical!

album preorder an anthology Black Sabbath burning in the rain CD cream digital Jim Gustafson let me in Poobah psychedelic rock ripple Music u.s. rock vinyl

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A Ripple Conversation With Marina And Theo From Feed The Wolf

a place to hide a ripple conversation cream feed the wolf Heart jack white king gizzard and the lizard wizard lost highway PJ Harvey Rush siouxie and the banshees slant 6 the misfits twin peaks

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Stream Sanctified Heathen, the debut album from the Michigan stoner metal outfit, GRAVE NEXT DOOR, releasing via Black Doomba Records on March 18!

Album Stream bandcamp black doomba records Black Flag Black Sabbath cream facebook grave next door instagram sanctified heathen stoner metal

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Stream The New Heavy Feather Album Mountain Of Sugar!

Album Stream cream debris & rubble free heavy feather Lynyrd Skynyrd mountain of sugar new album psychedelic rock roots rock Siena Root the sign records

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A Fistful of Questions With Eric Mayer From The Hands Resist Him

August 04, 2019

a fistful of questions albert camus amenra beethoven chick corea cream eric mayer leviathan Pink Floyd the hands resist him Yob

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Blackwülf feat. Geof O’Keefe (Pentagram) Debuts Video for Cover of Cream's "Sunshine of Your Love"

December 09, 2018

blackwulf cream doom metal geof o'keefe heavy metal metal insider new noise ripple Music sinister sides sunshine of your love

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HPS ANNOUNCEMENT: Killer Boogie - Acid Cream, PRESALE starts !!!

December 02, 2017

acid cream cream heavy psych sounds killer boogie MC5 pre-sale proto-metal proto-punk vinyl

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The Xroadie Files

October 11, 2017

Black Sabbath cream fire across the sun hard rock innocent hands night old james old man wizard Pink Floyd raft of the world speaks volumes uriah heep

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Terry Horbury 1950 - 2015

January 11, 2016

cream cream revival band dirty tricks k.m.t. mckitty outskirts of infinity ozzy osbourne paddy goes to holyhead steve zodiac strategy terrence albert horbury terry horbury vardis winner

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“Philthy" Animal Taylor

November 21, 2015

ace of spades bomber chuck berry cream eulogy fast eddie clark jimi hendrix experience lemmy Motorhead philthy animal taylor power trio Rush

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Tame Impala - Currents

August 04, 2015

Beatles bee gees cream currents disciples eventually kevin parker let it happen lonerism melody's echo chamber psych pop reality in motion tame impala yes i'm changing

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Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict...

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is par...

Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently. ...

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-(16)-
; NASHVILLE
:Twingiant
. Book
. new album
...and the fire within
...in the shadows below
...it's ugly or nothing
...must die
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