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Showing posts with the label garage rock

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US garage rockers THE LORDS OF ALTAMONT to tour Europe this fall!

September 18, 2023

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The Far Outs Bring 60s Psych On Debut!

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FREE 200+ Song DIGITAL ISOLATION COMPILATION

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French stoner/fuzz/garage power-trio Prohibition Dead shared new song "Let Me Live Or Die" // New EP 'Unless You're Afraid To Change' coming out soon.

October 12, 2019

bandcamp fuzz rock garage rock let me live or die new EP new single power trio prohibition dread stoner rock unless you're afraid to change

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Ripple Music Announces Rogue Wave Records: The New Ripple Imprint For Psychedelic Garage Rock

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Las Robertas to Perform at Coachella 2019; Costa Rican Trio to Release New EP, 'Together Outrageously', April 12 via Rogue Wave Records

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WEIRD OMEN: France's Premier Psych-Garage Trio Serve Up Deliciously Dark Third LP, "Surrealistic Feast"

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Folks Behind The Music: Ripple's Cardiovascular System

cake corrine severin folks behind the music garage rock psychedelic rock ripple Music rogue wave Todd Severin

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Thee Arthur Layne – HVY DRT Vol III & IV

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Arcadian Child Signs to Rogue Wave Records, the New Psychedelic/Garage Imprint of Ripple Music for World Wide Deal

January 23, 2018

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THE PSYATICS - Famous Monsters

bandcamp burnt offerings famous monsters garage rock noise rock pet names punk rock surf rock the psyatics you killed me first

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Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict...

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is par...

Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently. ...

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