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Showing posts with the label electric citizen

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The Xroadie Files

August 26, 2025

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Electric Citizen – EC4

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Electric Citizen announce tour with The Crazy World of Arthur Brown, post Daytrotter session

February 16, 2017

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THE CRAZY WORLD OF ARTHUR BROWN Readies For First US Tour In Nearly Five Decades

February 09, 2017

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Stay tuned!

Black Sabbath clutch Doomed & Stoned electric beard of doom electric citizen gozu grip of delusion radio into the void podcast radio vokonis

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Electric Citizen Stream New Album, "Higher Time," via Noisey

Album Stream doom metal electric citizen higher time NOISEY RidingEasy Records

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ELECTRIC CITIZEN STREAM NEW SONG “GOLDEN MEAN”; ANNOUNCE EUROPEAN TOUR WITH WOLFMOTHER

electric citizen european tour golden mean higher time RidingEasy Records wolfmother

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Mondo Drag Offer Free Download of New Song "Out of Sight"; The Occultation of Light Out Feb. 26

December 09, 2015

electric citizen free download mondo drag out of sight progressive metal psychedelic rock RidingEasy Records Slow Season the occultation of light

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Slow Season premiere track from forthcoming remixed, remastered debut album via Noisey

November 29, 2015

Black Sabbath dayglo sunrise electric citizen heavy led zeppelin mondo drag Mountains NOISEY remixed album RidingEasy Records Slow Season the who

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Electric Citizen tour supporting metal legends Pentagram continues tomorrow

October 07, 2015

electric citizen heavy metal light years beyond pentagram Riding Easy Records sateen US tour

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Chicago, IL psychedelic rock group DEAD FEATHERS announce signing to UK label HEVISIKE RECORDS.

dead feathers dead feathers ep electric citizen HeviSike Records horse & sands Slow Season streaming song the well

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MOTHERSHIP Confirmed For Brooklyn's UNINVITED Festival

August 26, 2014

bloody hammers brooklyn elder electric citizen heavy rock lo pan mothership orchid ripple Music sasquatch the skull UNINVITED Festival

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Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict...

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is par...

Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently. ...

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; NASHVILLE
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. new album
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