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Showing posts with the label Jethro Tull

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The Xroadie Files

February 01, 2022

black psych tormentor furze Jethro Tull lookin out magic carpet ride point of no return steppenwolf the dunhill/abc years 1967-1971 the pulsebeats the xroadie files the zealot game urgent

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A Fistful Of Questions With Francis Roberts From Old Man Wizard

November 19, 2021

a fistful of questions abba Beach Boys conan the barbarian final fantasy 7 francis roberts hammers of misfortune Jethro Tull king diamond mary poppins Muse old man wizard Queen Rainbow witch ripper

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Fistful Of Questions With Tim Catz From Roadsaw And White Dynomite

a fistful of questions bob seger boston celtics Jethro Tull Kyuss Motley Crue Roadsaw sky valley the beach boys tim catz White Dynomite zen guerilla

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A Ripple Conversation With Gideon Smith Of Cosmic-Rock.com

a ripple conversation cemetery crows cosmic-rock.com david bowie Freedom Hawk gideon smith green desert water Jethro Tull jirm Miles Davis The Cult wolves of desire

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EXCALIBUR IV - THE DARK AGE OF THE DRAGON The Rock Opera Album Featuring Members of Jethro Tull, Saga, Uriah Heep, Curved Air, Clannad, Supertramp and others! OUT NOW!

November 14, 2017

alan simon celtic rock opera clannad curved air elfhental excalibur iv Jethro Tull Labyrinth Saga supertramp the dark age of the dragon the kelly family uriah heep

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JETHRO TULL IS SET TO RELEASE A CLASSICAL COMPILATION OF THEIR HITS: THE STRING QUARTETS OUT 3/24/17 VIA THE END RECORDS/BMG

December 13, 2016

aqualung farm on the freeway Ian Anderson Jethro Tull john o'hara living in the past locomotive breath pledgemusic the carducci quartet the end records the string quartets

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Old Man Wizard - Unfavorable

November 23, 2014

Jethro Tull old man wizard Opeth power trio prog rock steven wilson Unfavorable

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Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict...

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is par...

Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently. ...

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-(16)-
; NASHVILLE
:Twingiant
. Book
. new album
...and the fire within
...in the shadows below
...it's ugly or nothing
...must die
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