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Showing posts with the label a sunday conversation

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A Sunday Conversation With. . . Katya Richardson

August 23, 2020

a sunday conversation interview Katya Richardson left from write

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A Sunday Conversation With Paul Love, drummer, producer and one half of London alt rock duo Plastic Barricades

a sunday conversation John Coltrane Kanye West led zeppelin new song optimist paul love plastic barricades Public Enemy The Beatles The Mars Volta Tool

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A Sunday Conversation With Sleepwulf

a sunday conversation cats Graveyard john dee Kadavar merlin sleepwulf standing stone uncle acid vinyl wizzerd

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A Sunday Conversation With Justin Goodson From Days To Come

February 23, 2020

a sunday conversation alter bridge ashes charlie puth days to come eric Clapton justin goodson myles kennedy nickelback nothing more shinedown wolves

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A Sunday Conversation With Pat Beers of the Schizophonics

October 13, 2019

a sunday conversation el vez jimi Hendrix pat beers schizophonics the creepy creeps the jackets The Kinks the loons the woggles vinyl

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A Sunday Conversation With Stephen Sullivan Of Alluvion

August 25, 2019

a sunday conversation alluvion brian eno e.t. harold budd high on fire metallica michael jackson stephen sullivan the secret's out

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A Sunday Conversation With Sam Orr From 1968.

August 18, 2019

1968 a sunday conversation albert king Black Sabbath george thoroughgood goodfellas jimi Hendrix Robin Trower rory gallagher sam orr Thin Lizzy

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Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict...

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is par...

Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently. ...

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-(16)-
; NASHVILLE
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. Book
. new album
...and the fire within
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...it's ugly or nothing
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