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Showing posts with the label dee calhoun

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The Xroadie Files

November 18, 2025

angry old man bicephalous crimson coven dee calhoun def/light metamorph stygian conclave the genesis the xroadie files tigerleech witchrider

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The Xroadie Files

October 14, 2025

0 angry old man bicephalous crimson coven dee calhoun def/light metamorph stygian conclave the genesis the xroadie files tigerleech witchrider

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Dee Calhoun - Angry Old Man

September 26, 2025

a chant a last cold kiss a piece from the shoulder angry old man dee calhoun give up the ghost k*ll a motherf*cker rise to march this damned human race voodoo queen vvitch

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Dee Calhoun - From Under The Smogberry Tree

September 15, 2024

a novelty ep bumpin uglies dee calhoun dr demento show from under the smogberry tree off is the direction taylor's on the nfl today the legend of woke dolly

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Dee Calhoun - Old Scratch Comes To Appalachia

August 31, 2023

a wish in the darkness all i need is one cigarbox guitar conjured dee calhoun folk music Godless old scratch comes to appalachia shovel guitar stand with me

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A Ripple Conversation With Dee Calhoun

a ripple conversation dee calhoun doom metal down the rabid hole edgar allan poe Iron man neil gaiman one whore's town reddit stephen king tales of the screaming and mad

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Dee Calhoun - Godless

January 07, 2021

al morris dee calhoun go to the devil Godless here under protest hornswoggled lou strachan no justice rob strachan rotgut the moon says goodbye

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Dee Calhoun - Go To The Devil

September 05, 2019

dee calhoun go to the devil Iron man jesus lou strachan rotgut spiral grave the ballad of the dixon bridge the deed the devil your face

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Swedebeast's Top 10 2016

December 16, 2016

a bend through space and time Backwoods Payback Beelzefuzz blues funeral dee calhoun Devil to Pay eidolon geezer howling giant midnight cometh the righteous bloom top 10 Wo Fat wretch Zaum

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Dee Calhoun - Rotgut

November 26, 2016

a long day's end acoustic backstabbed in backwater cajun dee calhoun doom metal Iron man little 'houn daddy 'houn rotgut unapologetic winter: a dirge

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Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict...

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is par...

Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently. ...

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-(16)-
; NASHVILLE
:Twingiant
. Book
. new album
...and the fire within
...in the shadows below
...it's ugly or nothing
...must die
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