Skip to main content

The Ripple Effect

The best music you're not listening to.™ Reviews of lost classics and obscure titles. Unheralded bands and songwriters. New bands deserving of greater attention. The site for the music omnivore. It's all here, on the Ripple Effect

Search This Blog

Pages

Home
Submissions
Record Label
Heavy Ripples Distribution
Ripple Radio
Swag
Contact
Who We Be

Showing posts with the label Exile on Mainstream

Posts

CONNY OCHS: First Single From Future Fables LP Now Playing At New Noise Magazine; Preorders Released

February 09, 2016

conny ochs Exile on Mainstream future fables New Noise Magazine preorders song stream wake up

+

Get link
Facebook
X
Pinterest
Email
Other Apps

CONNY OCHS Completes Third Solo LP, Future Fables, For February Release Through Exile On Mainstream; Trailer Issued

January 15, 2016

Black Happy conny ochs Exile on Mainstream Freedom Conspiracy future fables raw love songs scott wino weinrich

+

Get link
Facebook
X
Pinterest
Email
Other Apps

WINO & CONNY OCHS: Exile On Mainstream Confirms Details For Second Collaborative LP From Iconic Singer/Songwriter Duo Earsplit Distro To Carry Vinyl Exclusively For The US

February 05, 2015

conny ochs Earsplit Distro Exile on Mainstream Freedom Conspiracy Heavy Kingdom wino

+

Get link
Facebook
X
Pinterest
Email
Other Apps

We Insist! - The Babel Inside Was Terrible

avant garde CD Review Exile on Mainstream experimental french experimentalists music review Oh Things Are So Corruptible The Babel Inside Was Terrible The ripple Effect We Insist

+

Get link
Facebook
X
Pinterest
Email
Other Apps

A Sunday Conversation with We Insist!

alternative art rock avant garde Exile on Mainstream free podcast interview jazz Oh Things Are So Corruptible The Babel Inside Was Terrible The ripple Effect We Insist

+

Get link
Facebook
X
Pinterest
Email
Other Apps

Home

Popular Posts

Jane's Addiction - Nothing's Shocking

Growing up as a teenager in the 1980’s I’d say my progression through rock and roll was fairly standard. Status Quo were my gateway band that drew me into a world of distorted guitars and hard assed rhythms. From there it had to be harder and heavier…Quo gave way to Maiden who gave way to Venom, who gave way to Mercyful Fate then to Metallica, Slayer, Bay Area thrash, death metal…etc. I also embraced the pantheon of forebears…Sabbath always did rule the roost for me from one summer’s day in ’83 when I heard “Live Evil” and still do to this day as do the classics like Lizzy, Purple, Skynyrd, Led Zep, ZZ Top, AC/DC, Motorhead, Kiss. I was a typical heavy metal teenager. Metal was always what it was…hard, heavy, escapist…etc but towards the end of the decade there was a shift; the Red Hot Chilli Peppers introduced metallers to funk, The Beastie Boys and Run DMC with Aerosmith introduced metallers to rap, Faith No More introduced metallers to funk and rap and then there was Jane’s Addict...

Burn on the Bayou: a Heavy Underground Tribute to Creedence Clearwater Revival

Tribute Albums can be a minefield, depending on whom the chosen artist is that is being given the (sometimes dubious) honour of having their songs covered. Black Sabbath have countless tributes and have had every possible band from the Giants (Metallica) to the bizarre (Busta Rhymes) cover them with extremely mixed results. For every White Zombie and 1000 Homo D.J.s sublime covers of Children of the Grave and Supernaught theflip side is the absolute travesty of Emerald Sabbath (I kid you not) consisting of anyone with the most tenuous connection to Sabbath (Dave Walker, Neil Murray, Bev Bevan) murdering their songs. The first hurdle of any tribute album is avoiding the obvious (Sabbath, Lizzy, Purple etc) picking an artist well known but not covered to point of saturation. So, Credit to Ripple Music A whip smart choice of a tribute and overall executed with style. With Burn on the Bayou the first hurdle has been easily jumped. Creedence Clearwater Revivals music is par...

Noiseworks - Noiseworks

Back in the late eighties an Australian friend of mine, whom I've sadly lost touch with since, sent me a cassette of a Sydney-based band. It was their self-titled debut and the band in question was Noiseworks. At this point in time, this five-piece were completely unknown to me and based off of the artwork, a photo of the band against a white backdrop with the logo above, I had no clue what to expect. However, once the music started I was sold - hook, line and sinker! Australian rock and pop of the eighties had a particular sound. Can't honestly describe it in words but to this day that sound is very identifiable in a good way. And Noiseworks are not exempt of this. They deftly embrace their heritage while going full tilt with awesome hooks, great lyrics and a lot of emotion. What baffles me is that the guys were labeled a pub rock band. Maybe that was the case in their infant years but ‘Noiseworks’ is anything but. Then again, we all look at things differently. ...

Ripples Past - Album Review Archives

2026 111

2025 283
- December 23
- November 20
- October 21
- September 24
- August 22
- July 23
- June 27
- May 29
- April 27
- March 25
- February 18
- January 24
2024 299
- December 26
- November 26
- October 25
- September 21
- August 24
- July 27
- June 24
- May 26
- April 25
- March 24
- February 25
- January 26
2023 309
- December 25
- November 26
- October 27
- September 23
- August 27
- July 28
- June 23
- May 27
- April 25
- March 26
- February 25
- January 27
2022 326
- December 27
- November 27
- October 26
- September 28
- August 28
- July 25
- June 24
- May 27
- April 23
- March 32
- February 28
- January 31
2021 384
- December 30
- November 28
- October 36
- September 32
- August 33
- July 29
- June 30
- May 35
- April 30
- March 31
- February 34
- January 36
2020 365
- December 27
- November 31
- October 32
- September 37
- August 39
- July 28
- June 23
- May 32
- April 32
- March 35
- February 24
- January 25
2019 342
- December 27
- November 28
- October 28
- September 27
- August 34
- July 32
- June 27
- May 31
- April 25
- March 30
- February 25
- January 28
2018 355
- December 25
- November 28
- October 26
- September 29
- August 30
- July 30
- June 30
- May 31
- April 32
- March 32
- February 30
- January 32
2017 441
- December 38
- November 36
- October 32
- September 35
- August 34
- July 36
- June 44
- May 39
- April 38
- March 36
- February 34
- January 39
2016 500
- December 44
- November 39
- October 37
- September 38
- August 44
- July 43
- June 49
- May 39
- April 42
- March 45
- February 42
- January 38
2015 500
- December 38
- November 43
- October 39
- September 41
- August 41
- July 43
- June 41
- May 43
- April 44
- March 45
- February 42
- January 40
2014 510
- December 40
- November 36
- October 42
- September 36
- August 38
- July 43
- June 44
- May 52
- April 74
- March 37
- February 32
- January 36
2013 775
- December 43
- November 63
- October 73
- September 72
- August 97
- July 106
- June 66
- May 47
- April 37
- March 49
- February 53
- January 69
2012 539
- December 37
- November 34
- October 42
- September 43
- August 45
- July 46
- June 48
- May 51
- April 48
- March 44
- February 49
- January 52
2011 474
- December 36
- November 43
- October 39
- September 46
- August 38
- July 39
- June 48
- May 38
- April 37
- March 39
- February 35
- January 36
2010 384
- December 37
- November 36
- October 34
- September 30
- August 32
- July 31
- June 31
- May 32
- April 30
- March 31
- February 28
- January 32
2009 369
- December 30
- November 30
- October 31
- September 30
- August 31
- July 32
- June 30
- May 30
- April 31
- March 34
- February 32
- January 28
2008 198
- December 28
- November 22
- October 21
- September 19
- August 15
- July 13
- June 13
- May 13
- April 13
- March 13
- February 14
- January 14
2007 31

Show more Show less

Report Abuse

Labels

-(16)-
; NASHVILLE
:Twingiant
. Book
. new album
...and the fire within
...in the shadows below
...it's ugly or nothing
...must die
...only a suggestion

Show more Show less

Powered by Blogger