"Danger is part of my trade."- Sherlock Holmes.
The
licensed private-eye Barr Breed, prowling those mean streets of Chicago, has
two recorded cases to his credit, The Body in the Bed (1948) and The
Body Beautiful (1949), written by Bill S. Ballinger – an associate
professor of writing who worked in advertising and broadcasting. You can read
more about Ballinger and his work on the Thrilling Detective Website, which
includes an uncomplimentary blurb from Anthony Boucher’s review of The Body
Beautiful:
"A shabby museum of every cliché of plot, style and action."
Well, I
can't entirely disagree with Boucher's opinion, but still, I think that label
is more applicable to the book discussed on here a few days ago, Murder at
Grassmere Abbey (1934), than to this little hardboiled conundrum and with
that book still fresh in my memory – I felt that the short comings in this one
were less of an issue. Sure, it does go through the motions of pulpy,
dime-store paperback, but I kind of liked how the hardboiled voice resonated in
a theatrical setting and the plot wasn't bad for what is essentially just
pulp.
Breed's
cop-buddy Cheenan takes command of the case and at times takes even more from
Breed than Cramer would have from Wolfe and Archie! Like shoving him from an
elevator, while knocking down the lift attendant and greasing a cab driver for
a quick getaway, but things like that doesn't deter them from bouncing light-hearted threats
and verbal jabs off each other the moment they make contact. Hey, I said that I
sort of agreed with Boucher and once you've made it pass the chapter with the
hospital scene, in which a stitched-up Breed shrugs of the effects of a bomb
blast before charging the streets, you've (pretty much) left the worst part
behind you.
Anyway,
Breed and Cheenan turn the old, but refurbished, Marlowe Theatre inside-out for
evidence, interview Coffee's co-workers and everyone even remotely connected to
her and tangle with anonymous clients, unwilling witnesses, two more corpses
and a prowler with a gun – as well as tangling with each other. But the best
parts were the solution to Coffee's stabbing and the dénouement.
Coffee
Stearns was stabbed while sitting in an inaccessible cage, suspended above the
floor, and while a seasoned knife-thrower was part of the show, that notion was
never seriously entertained and a gleam that was seen shooting up to the cage,
from the front side, made me suspect that the knife was worked with fish wire.
My reasoning was that the swinging of the cage made a spring (or a contraption) unnecessary.
It could be simply pulled in place with a wire, as Coffee was backing up when
the cage began to ascend and move, but Ballinger relayed on a very Carrian gimmick –
giving it a nifty twist in this particular setting.
Not anything spectacular, but interesting for impossible crime buffs and also disappointing that this angle of the problem got very little exposure. But I did like how Breed gathered the suspects and began tying up the loose ends, all the while building up the suspense by buzzing in people, until everyone has been fed enough information to realize for themselves who the murderer is.
Not anything spectacular, but interesting for impossible crime buffs and also disappointing that this angle of the problem got very little exposure. But I did like how Breed gathered the suspects and began tying up the loose ends, all the while building up the suspense by buzzing in people, until everyone has been fed enough information to realize for themselves who the murderer is.
The
Body Beautiful is
not for you if you're looking for a mystery that offers crisp, highly-quality prose
that is meaningful, three-dimensional characters that you can relate to and a
plot that takes your breath away, but it’s perfect for a fun, fast-paced read. And
believe me, there are worse mysteries out there.